An art collage from January 2013
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  • London Collage
    zgallerie.com
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    "I take my camera and sketchbook with me wherever I go and these have always been my three favorite cities... There is something about the architecture and the energy of New York that inspires everyone and for me the Art Deco spire of The Chrysler building says New York like nothing else! And ask anyone around the world the single building that represents London and it is always Big Ben. The great Victorian Gothic clock tower is still the heartbeat of London. Whenever I return to Paris that first glimpse of the Eiffel Tower never fails to excite me - it is the true joie de vivre of Paris and inspires me now as much as it did when I was a boy. It allows me to share personal souvenirs and memories with the viewer in a richly detailed and decorative style that I have developed over many years. I am fascinated by the way that cities reveal themselves to us gradually and I hope my work creates a similar sensation." I like to combine architectural images of each city in a layered, collaged technique. It allows me to share personal souvenirs and memories with the viewer in a richly detailed and decorative style that i have developed over many years. I am fascinated by the way that cities reveal themselves to us gradually and i hope my work creates a similar sensation." Print framed in a matte black moulding.
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  • New York Collage
    zgallerie.com
    "I take my camera and sketchbook with me wherever I go and these have always been my three favorite cities... There is something about the architecture and the energy of New York that inspires everyone and for me the Art Deco spire of The Chrysler building says New York like nothing else! And ask anyone around the world the single building that represents London and it is always Big Ben. The great Victorian Gothic clock tower is still the heartbeat of London. Whenever I return to Paris that first glimpse of the Eiffel Tower never fails to excite me - it is the true joie de vivre of Paris and inspires me now as much as it did when I was a boy. It allows me to share personal souvenirs and memories with the viewer in a richly detailed and decorative style that I have developed over many years. I am fascinated by the way that cities reveal themselves to us gradually and I hope my work creates a similar sensation." I like to combine architectural images of each city in a layered, collaged technique. It allows me to share personal souvenirs and memories with the viewer in a richly detailed and decorative style that i have developed over many years. I am fascinated by the way that cities reveal themselves to us gradually and i hope my work creates a similar sensation." Print framed in a matte black moulding.
  • SweetComments.net | Myspace Emo Quotes , Page 9
    sweetcomments.net
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  • Lori Pond "Bridge of Sighs" Color Photograph
    artfulhome.com
    This digital photograph was taken under the famous Colorado Street Bridge in Pasadena, California. The artist prints with archival pigment inks on fine art matte papers. Digital manipulation was used to enhance details of the image. Limited edition of 25. Signed and numbered on back.
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  • dedicated to SEAN SANDSTROM, THE LOVE OF MY LIFE.
    myhotcomments.com
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  • Russ Martin "Dappled Leaf" Black & White Photograph
    artfulhome.com
    This is a picture of a leaf of the common landscape plant the hosta. It was made one afternoon in June, and was lit by the rays of the late afternoon sun shining through an oak tree overhead. The dappled sun, together with the other details in the picture, combine to produce a winning image. This picture was one of a five image series which won First Place in the flora category of the 2008 International Photography Awards, and First Place in the entire Nature division of the 2009 Prix de la Photographie Paris (PX3). The print was produced on mat surface fine art paper using archival pigment inks which will not fade for over 300 years. It is printed on 16.5X23.5 inch paper which produces a border of 1 inch on the top and bottom and about 3 inches on the sides. The print is titled and numbered on the bottom left front, and signed and dated on the bottom right front. It is one of an edition of 50.
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  • Haters Make Me FAMOUS
    myhotcomments.com
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  • Russ Martin "Tall Hosta Flower" Black & White Photograph
    artfulhome.com
    This is a picture of the early stage of the common landscape plant, the hosta. In this image, the flower is standing tall, straining to catch the late afternoon sun. It is printed on 23.5X16.5 inch mat surface fine art paper with a professional Epson printer and archival pigment inks, which produce a print guaranteed not to fade for hundreds of years. It is one of an edition of 50. The print is titled and numbered on the lower left front, and signed and dated on the lower right front, in pencil. The there is a one inch border on all sides. It was part of a five image First Place winning entry in both the International Photography Awards and the Prix de la Photographie Paris in 2010. This limited edition picture will make a statement about the owner's appreciation of nature as well as fine art nature photography.
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  • Paris Kiss
    zgallerie.com
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    With a timeless quality and modern appeal, Paris Kiss adorns your walls with a romantic cityscape. Created in sepia tones for vintage appeal, photographer Kate Carrigan boldly layers crimson in the piece creating added depth and interest. Shown in the background, the iconic Eiffel Tower juxtaposes against the street lights and wet city streets, offering viewers a stunning painterly effect. Completing the look, Paris Kiss has been framed with clean-lined white frame. Print framed in a matte white finish moulding with inner bevel.
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  • Russ Martin "Silky Leaves" Black & White Photograph
    artfulhome.com
    An image of leaves of the common landscape plant, the hosta, photographed with an infrared enabled digital camera. Using this camera, and special filter, the picture is created with infrared light alone, making foliage very light and imparting a unique appearance. The is picture was part of an entry in the International Photography Awards (Lucies), which won first place in the flora division in 2008. The print is made on 16.5X23.5 inch mat surface fine art paper and printed with archival pigment inks which have an an almost indefinite life. The print is titled and numbered on the lower left, and signed and dated on the lower right, in pencil. It is one of an edition of 50 plus 2 artist's proofs.
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