Antique Lady

Victorian & Edwardian style clothing 18th/19th century
 
#antique #victorian #edwardian #vintage
  • Lucille Walking Suit Cream
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    Dress up in our two-piece Lucille Walking Suit in Cream and make a mid-morning visit to your favorite flowering friends.
  • Lucille Walking Suit, Brown
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  • Lucille Walking Suit Golden Brown
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  • Lucille Walking Suit, Floral
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    Pretty as a spring garden in bloom. Our Lucille Walking Suit in a fine floral print will brighten your day and make everyone smile.
  • Lucille Walking Suit, Fuschia
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    When you are ready to make a bold statement, our Lucille Walking Suit in fuschia is sure to get you noticed.
  • Pinstripe Blouse Blue/White
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    Perhaps inspired by ready-to-wear men’s shirts from Brooks Brothers, our Blue and White Pinstripe Blouse features a decidedly feminine flair.
  • Ladies Edwardian Suit Olive
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    Victorian and Edwardian Clothing for Men and Women
  • Ladies Edwardian Suit Navy
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  • Ladies Edwardian Suit Tan
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    Victorian and Edwardian Clothing for Men and Women
  • Lucille Walking Suit, Red
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    Mysterious and inviting, the Lucille Walking Suit in black and red sets the tone for an enchanted evening.
  • Lucille Walking Suit, Royal
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    Darkly elegant, our royal and black Lucille Walking Suit is excellent for any time of year and will finely display your excellent taste and style.
  • Lucille Walking Suit, Purple
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    As pretty as a handful of violets tied up in a posy, our two-piece Lucille Walking Suit in Purple
  • Bristol Taffeta Suit Jewel Green
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  • Bristol Taffeta Suit- Amethyst
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  • Tapestry Outing Jacket Brown
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    Her cutting garden might be her pride and joy, but our Tapestry Outing Jacket is her prized possession. As luxurious as a bed of roses; she bloomed with Victorian style wherever the wind blew her.
  • Ramona Frock Coat Chocolate
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    She had a Ramona Frock Coat in every color as her social calendar runneth over with soirees for charitable endeavors and appreciations of various arts.
  • Ramona Frock Coat Wine
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    She had a Ramona Frock Coat in every color as her social calendar runneth over with soirees for charitable endeavors and appreciations of various arts.
  • Ramona Frock Coat Black
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    She had a Ramona Frock Coat in every color as her social calendar runneth over with soirees for charitable endeavors and appreciations of various arts.
  • Commissioner Frock Coat
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    Fall into formation wearing our Commissioner Frock Coat
  • Ladies Twill Duster Chocolate
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    Horse hoofs and carriages can sure kick up the dust. Designed to dodge and camouflage dirt, our chocolate Ladies Twill Duster keeps a woman’s fine fashions protected.
  • Vera Day Suit Pink
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    She was the star attraction at the Summer State Fair dressed in our Vera Day Suit. Perfectly pink, light and so sweet, she was more popular than the ‘fairy floss’ cotton candy being sold by vendors along the promenade.
  • Antique Satin Day Suit - Sea Foam
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    Oh, how she did like to be beside the seaside. She also favored our Antique Satin Day Suit in Seafoam Green, ideal for resort wear and the exact shade of the shallow water that pooled between the rocks. A great way to make waves at Brighton or some other vacation spot in the late 19th and early 20th centuries. A suit fashioned in two pieces, the blouse features a full-button bodice tailored to flatter the hourglass shape. Puffy sleeves and a pointed hem add additional era-specific detailing. The long skirt has a 10-inch ruffle along the bottom which is accented by white ribbon. For your comfort, the skirt is unlined and has a comfortable elastic waist. A slight sweep on the back hem can be left down or bustled up with interior ties. Wear with a petticoat to add fullness, shown here with our Edwardian underskirt with the hoop removed. Fashioned from 100-percent polyester. Imported. Dry clean only. Available in sizes S - 3X.
  • Antique Satin Day Suit Tan
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    Original Price $149.95 Enjoy the beautiful spring and summer days in our beautiful two piece day suit.
  • Antique Satin Day Suit Red
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    Resplendent in red, our Antique Satin Day Suit brings bold attitude to the wardrobe of any Victorian miss. Bright colors are always a la mode, stimulate your sensibilities! A suit fashioned in two pieces, the blouse features a full-button bodice tailored to flatter the hourglass shape. Puffy sleeves and a pointed hem add additional era- specific detailing. The long skirt has a 10-inch ruffle along the bottom which is accented by black ribbon. For your comfort, the skirt is unlined and has a comfortable elastic waist. A slight sweep on the back hem can be left down or bustled up with interior ties. Wear with a petticoat to add fullness, shown here with our Edwardian Hoop Underskirt with the hoop removed. Length of skirt is approximately 39 inches. Fashioned from 100-percent polyester. Imported. Dry clean only. Available in sizes S - 3X. Available in several colors.
  • Antique Satin Day Suit Navy
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    Well, I declare! Our Antique Satin Day Suit in Royal is a positively pretty addition to a lady’s 19th century wardrobe. The perfect ensemble for an afternoon shopping, at the school house or a stroll through the park.
  • Edwardian Linen Lace Walking Suit
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    For Sale on 1stdibs - This is a truly spectacular Edwardian linen walking suit that is probably the best example of one that I have ever seen! It is in Museum level quality
  • White Edwardian Tea Gown with Hand-Embroidery and Lace
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    For Sale on 1stdibs - This is a lovely white Edwardian tea gown with hand-embroidery and lace inserts. The gown has a combination of tiny pearlized buttons and hooks and eyes
  • Preowned 1910's Edwardian Ivory-white Lace & Watercolor Garden-floral Silk Tea Dress
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    This 1910's Edwardian Elegant Net-Lace, Assembled With An Abundance Of Fine Tissue-Silk, Is Of The Highest Quality.the Stylized Charm Of The Pink-Roses Watercolor Print-Silk Bodice And The Ruffle Short-Sleeves Personify The Feminine Ideal In Clothing.i Love The Tiered Tea-Length Silk-Lined Skirt Which Flows In The Wind.it Is Amazing That A Dress With This Amount Of Detail And Presence Can Literally Feel Almost Weightless But It Does.beautiful And Angelic!MeasurementsBust:33-34 InchesWaist:up To 25 InchesHips:free SweepTotal Length:53 InchesThis Antique Edwardian Dress Is In Excellent Wearable Condition With No Noticeable Rips,holes,stains Or Age-Rot.this Item Is Over 90 Years Old And Is Truly Priceless!
  • White Silk Edwardian Gown with Napoleonic Revival Influences
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    For Sale on 1stdibs - This is a stunning, one-of-a kind, masterpiece of Edwardian handiwork refelcting Napoleonic revival influences of that period. The gown has a high mandarin
  • Magnificient Masterpiece of Edwardian Handiwork on Swiss Batiste
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    For Sale on 1stdibs - This breathtakingly beautiful Edwardian (1914) tea gown is a magnificient masterpiece of Edwardian handiwork on Swiss batiste with all attention paid
  • Fine Swiss Batiste Edwardian Tea Gown with Embroidery Lace
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    For Sale on 1stdibs - This is a spectacular and fine Swiss batiste white Edwardian day dress/tea gown embellished with both vertical and horizontal panels of drawnwork and
  • Preowned 1910's Edwardian Sage-green Beaded French Floral Lace Off-shoulder Evening Gown
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    Undiminished By Time, This Antique Garment Still Casts Its Seductive Spell. An Exceptional Edwardian Gown Made Of Fine French-Lace Over Sage-Green Taffeta With Sparkling Beadwork. I Love The Slightly Puffed Off-Shoulder Bodice. The Additional Shoulder-Straps Are Composed Of Pure Jet-Beads. The Skirt Has A Stunning Back-Bustle And Ruffle-Hemline. Making A Bold And Dramatic Fashion Statement; This Could Have Been Worn In Downton Abbey At The End Of Wwi. Measurements Bust:37 Inches Waist:28 Inches Hips:44 Inches Total Length:58 Inches This Antique Dress Is In Excellent Condition With No Notable Stains,holes Or Missing Beadwork. The Hook & Eye Closures Are In The Back. There Is Couture Hand-Stitching Throughout. This Garment Is Over 90 Years Old And Is Truly Stunning.
  • Edwardian (1890-1910) Apricot Charmeuse Silk Chiffon Gown
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    For Sale on 1stdibs - This is an extraordinarily beautiful Edwardian (1890-1910)apricot charmeuse and silk chiffon gown with many hand-sewn details. The gown has capped sleeves
  • 1910's Edwardian Sequin-Sparkle Silk Chantilly-Lace Tea Gown
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    For Sale on 1stdibs - Undiminished by time, this antique garment still casts its seductive spell. An exceptional Edwardian tea-gown made of black silk-satin and fine silk-tulle
  • Edwardian Irish Lace Dress
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    For Sale on 1stdibs - Exquisite hand made Irish lace is used for this feminine and wearable dress from the early 20th century. All of the key design elements are used for this
  • Edwardian, Victorian, Vintage clothes
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    Very victorian-y, no? From Vintage Biri Biri... and it's on sale~
  • Edwardian Sequin Silk Couture Dress
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    View this item and discover similar evening dresses for sale at 1stdibs - My photos do nothing to convey how special this dress is. It looks so shockingly modern and fresh that it will literally blow you over when you see it
  • Pre-owned 60S DIORLING BY CHRISTIAN DIOR VICTORIAN VELVET
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    Evening Dresses. From our unique collection of Evening Dresses, this piece is offered for sale online by Posh Vintage. Global shipping is available. Darling Diorling . . . The Super-Rare Younger Line By Christian Dior That Was Sold In Swinging London . . . These dresses were only sold in London, and were designed my Marc Bohan, who was the head designer of Dior at that time ... They were targeted toward and inspired by it-girls like Marianne Faithfull and Anita Pallenberg, the gorgeous and edgy, so-hip-it-hurts queens of the London scene . . . the beautiful girls who dated the dated rock stars and stayed up all night . . .
     
    Victorian-Inspired Gown In Softest Devore Velvet ... So Liquid And Thin ... High Neck And Leg-O-Mutton Sleeves ... Nine-Inch Tight Cuffs With Five Buttons ... Darts At The Bust ... Dress Is Lined In Black Nylon Taffeta, Sleeves Are Sheer ... Back Zipper ... Floor Length ...
     
    Like A Fetish Dress, Or A Gown For The Vampire Queen ... So Dark And Sexy ... I'm In Love With Your Strict Machine ... Don't You Picture This With Tumbling Tresses, The Reddest, Glossiest Lips And The Highest, Strappiest Leather Heels?
     
    SIZE 8
    BUST 36
    SHOULDER TO SHOULDER 15
    SLEEVES 26
    WAIST 28 MAX
    LENGTH 58
    DIORLING BY CHRISTIAN DIOR, LONDON
    MINT CONDITION
    CIRCA LATE 60S / EARLY 70S
  • Edwardian Gold Dipped Sequin Trained Gown
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    For Sale on 1stdibs - Edwardian Titanic Gold Dipped Belle Epoque Sequin Trained Gown It was an epoch of beautiful clothes and the peak of luxury living for a select few - the
  • Elaborate Victorian Black Lace Silk Mourning Ensemble
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    For Sale on 1stdibs - This is a very elaborate Victorian mourning outfit made of fine black lace and beautifully executed silk ribbonwork. The decorated bodice and full skirt
  • Edwardian Embroidered Dress ca.1920
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    For Sale on 1stdibs - Fine and rare late Edwardian embroidered evening dress. Gorgeous black silk satin item trimmed with metallic and multi color silk embroidery. Item slips
  • Edwardian Woman's 2 Piece Titanic Era Suit
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    For Sale on 1stdibs - This Edwardian era tailored suit is made of soft materials emphasizing feminine charm, forming a typical example of the early 20th century. Women started
  • Unusual Edwardian Coat
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    For Sale on 1stdibs - Unusual European walking coat from the late 19th/early 20th Century. Black cotton sateen is tailored with black passementerie and embroidery. A panel
  • Edwardian Embroidered Cotton Linen Coat
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    View this item and discover similar coats for sale at 1stdibs - This early 20th century, Edwardian coat is made from natural colored linen which has been trimmed with an appliquéd panel of Arts and Crafts embroidery.
  • Edwardian Beaded Silk Net Gown
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    View this item and discover similar evening dresses for sale at 1stdibs - A extremely rare and exceptional Edwardian gown made of tissue silk and silk netting over which an amazing array of bead work has been applied. All done
  • Old Rags
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    Fashion history blog run by Katie, 21/f/NC, studying art history at UNC Charlotte. *** Twitter...
  • Edwardian Lawn Dress with Pintucks and Lace Insets
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    For Sale on 1stdibs - White cotton lawn dress dating to the Edwardian Era. Hand-embroidered flowers. Thin lace inserts. Rows of pintucks throughout. High lace neckline. 7/8-length
  • omgthatdress: Dress 1920s 1stdibs.com
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    omgthatdress: “ Dress 1920s 1stdibs.com ”
  • Early 1900s Clothing
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    Fashion and Textiles - Chantin, Paris, 1888-1890. Satin edging changing, applying beadwork and sequins on tulle. Not really period for early 1900s, but oh, so pretty.
  • OMG that dress!
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    Dress owned by Cléo do Mérode 1900-1902 Les Arts Décoratifs
  • bee_silence_el159.png
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    Фото автора Надежды Хан на Яндекс.Фотках
  • Exquisite Luxurious Victorian Three-Piece Ensemble
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    For Sale on 1stdibs - This is an exquisite and luxurious three-piece Victorian (1837-1901) ensemble consisting of a burnt sienna velvet embroidered and fitted bodice with an
  • Victorian Purple White Printed Silk Bodice Skirt with Slight Train
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    For Sale on 1stdibs - This is a striking Victorian, purple and white printed silk bodice and matching skirt trimmed in black velvet ribbon. The bodice is fitted with hooks
  • Exquisite Vivid Navy Victorian Silk Bodice and Matching Full Length Skirt
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    For Sale on 1stdibs - This is an exquiste Victorian vivid navy silk fitted bodice and matching full length skirt of the late 19th century. The outfit exhibits many couture
  • Victorian 2-Piece Silk Net and Ruffle Ensemble w/ Train
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    For Sale on 1stdibs - A gorgeous Victorian 2-piece summer ensemble of silk net and silk ruffles arranged in a chevron pattern with layered train, ruffle trimmed jacket and
  • Guest post Emma McKenzie on Ryedale Folk Museum’s behind the scenes tour
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    Our latest guest post is by Emma McKenzie from the Ryedale Folk Museum! Emma gives us an insight into the museums plans for a late night behind-the-scenes tour of this very special venue... ----------------------------------------------------------------------------------------------- The Ryedale Folk Museum is a small independent museum occupying a six acre site in the small village of Hutton-le-Hole, on…
  • Preowned Chanel Edwardian Tiered Ruffle Gingham Gown With Black Bow
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    This Is A Fantastic Chanel Gown. It Is Composed Of A Black And White Taffeta Gingham Which Is Tiered And Ruffled. It Features A Center Back Zipper, Gold Logo Buttons, And A Black Bow At The Center Front. An Absolute Treat. The Label And Lining Are Missing/ Have Been Removed. Made In France. Measures (Approximately)Length: 53.5"Sleeve: 23"Shoulder To Shoulder: 15"Bust: 34"Waist: 24.5"Hip: 44"
  • Rosalind Velvet Suit Gold
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  • Lucille Walking Suit Red
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    City summers were stifling, yet she took on her daily constitutional in cool comfort wearing our Red Lucille Walking Skirt. A liberating, ladylike choice for historical dressing.So very Victorian, full bell sleeves, a shaped bottom hem and a fitted silhouette are just some of the delicious details of the 12-button suit top – as is the delicate lace that trims the edges and neckline. The faux-ruched skirt offers a comfortable elastic waist and falls 40-inches to the hem. Available in several colors. Fashioned from100% cotton, exclusive of lace. Imported. Machine wash in cold on gentle and line dry; or dry clean. Available in sizes S - 3X. Can be worn with our Edwardian hoop underskirt.
  • Lucille Walking Suit Black
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  • Rosalind Velvet Suit Ruby
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    Her spitfire personality demanded attention. And, so did the Ruby Rosalind Velvet Suit she wore, a 19th century ensemble that added to her sassy panache!Velvet is such a luxury, especially when you are draped in yards of it! Full bell sleeves, a shaped bottom hem and a fitted silhouette are memorable features of the 12-button suit top – as is the delicate lace that trims the edges and neckline. The faux-ruched skirt offers a comfortable elastic waist and falls 40-inches to the hem. Skirt is fully lined with 100% polyester taffeta for a soft rustle when you sashay about!Exterior fashioned from 80% polyester and 20% cotton, exclusive of lace. Imported. Dry clean only. Available in sizes S - 3X. Offered in several colors.
  • Veronica Frock Coat Red
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  • Veronica Frock Coat Black
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  • Raquel Jacquard Coat Red
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  • Raquel Jacquard Coat Black
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  • Billie Burke
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    518. Billie Burke “Mrs. Cordelia Fosgate” floral dress designed by Marjorie Best from Sergeant Rutledge. (Warner Bros., 1960) Tan 2-piece period dress with pattern of small bouquets of pink and blue flowers. Long sleeve round neck top accented with pale lavender satin and trimmed in delicate ivory floral lace and on collar and cuffs. Hook & eye with snap front closure. Warner Bros. Pictures Inc. label handwritten, “ B. BURKE 9957 855 ” with studio cleaning tag. Exhibits tears along shoulders and collar, minor stains overall with tears and pieces missing to lace. Satin has faded overall. Long skirt with short train, pale lavender satin underskirt, hook & eye with snap back closure. Exhibits brown stains along front with soiling on train and hem. Large section of underskirt detached at seam. Same label as top. Designed by Marjorie Best. Worn by Billie Burke as “Mrs. Cordelia Fosgate” during the courtroom trial in Sergeant Rutledge. $400 - $600.
  • (25 women's period dresses and accessories from the stage production of The Unsinkable Molly Brown
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    865. Group of (25+) women’s period dresses and accessories for the “Western” portion of the stage production of The Unsinkable Molly Brown. (ca. 1990) Group consists of: 1. Aqua long period dress with white lace trim. 2. Yellow velvet long dress with purple fringe. 3. Two piece peach and purple period dress. 4. Grey period dress with black lace. 5. Ivory satin with net. 6. Yellow long dress with ivory net. 7. Peach long dress. 8. Pale lavender with ivory lace overlay. 9. 2-piece green period dress. 10. Lavender with ivory lace overlay. 11. Black satin period dress. 12. Green strapless with black fringe. 13. Yellow period dress. 14. Pink with lace top. 15. Green striped period dress. 16. Pale green and lilac period dress. 17. Pale green period dress. 18. Gold lame long dress. 19. Floral period dress. 20. Pink short dress with necklace. 21. Black metallic dress with necklace. 22. Ivory cotton A-skirt. 23. Four pairs of purple bloomers. 24. Pale blue long period dress. 25. Bright aqua long period dress. 26. Purple velvet robe with white feathers. 27. Pink long period dress with satchel. Small group of miscellaneous petticoats tops and skirts. Used in the Western portion of the Unsinkable Molly Brown tour. $300 - $500.
  • Group of (10) Women's period dresses from unidentified productions dating from the 1930s 1950s.
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    635. Group of (10) Women’s period dresses from unidentified productions dating from the 1930s to the 1950s. (ca. 1945) Group consists of: 1. Ivory satin V-neck long sleeve dress with delicate ivory floral lace. Lace has been removed from front section and hooks have been moved. Exhibits light brown stains on bodice with light scuffs overall, with a 10 in. piece of satin trim detached along front of skirt. Lace is frayed with 7 in. repair. 2. Pale green satin short sleeve gown with chiffon pleated trim along bottom with green cut velvet accent down front. Internal bias label handwritten, “ 26 WAIST 36 BUST ”. In very poor condition. 3. Shades of gold-striped taffeta long sleeve top with green striped skirt accented with burgundy velvet bow and chiffon on collar and cuffs. Taffeta is separating especially along sleeves. 4. Lime green silk velvet period dress with shoulder cape and skirt layer, trimmed in white ermine and tails. Lined with lemon chiffon satin. Back zipper is broken and zippers on sleeves are corroded. Ermine on top is in good condition but along skirt is worn and missing in sections. Velvet is dented and discolored overall especially along bodice, arms and train, with a 1.5 in repair along one shoulder at seam. Few holes along bottom and fraying. 5. Pale peach satin V-neck cap sleeve gown with pleated skirt and side front tie. Internal bias label stamped “1-81-5-0348 5035” and handwritten, “ M.Carroll ”. Exhibits a 3 in. tear on sleeve and sections of material missing along bottom with small tears and pulls overall. 6. Pale peach spaghetti strap satin dress with a waist gather. Internal bias label handwritten, “AC 1 DXS” and stamped “WARDROBE WOMANS”. Straps have been replaced and satin has some scuffs. 7. Pale peach jersey dress with flowing skirt, long puffed sleeves, back tie and decorated with self-material flowers centered with a faux pearl and tiny pale peach bead. Exhibits fraying along edges of tie and bottom. 8. Pale green ribbed satin period dress with fawn cut velvet bodice and cuffs, lavender ribbed satin layers and lace on train and bottom of skirt. Built in bustle. Stamped “LUST FOR LIFE”. Three small half in. tears on one shoulder, with a 3/4 in. black mark on back bodice. Several large tears in satin near back of waist. Seam is undone 18 in. along bustle with a 9 in. tear along the edge of the train, and a 10 in. section of pleats along bottom is undone. A 6 in. section of lavender pleat is also undone. Edges are soiled. Designed by Walter Plunkett. Worn by Pamela Brown as “Christine” when she and Kirk Douglas have a falling out in Lust for Life. 9. Steel blue period dress with ivory trim and delicate floral ivory lace collar and cuffs. Stamped “1-27-7-1263”. Teal taffeta skirt with steel blue accordion pleat bottom. Internal bias label handwritten, “ E. Allen ”. Dress is soiled overall especially along arms and bottom, with a 2 in. tear on shoulder. Lace is slightly discolored with tears and detached along collar with one sleeve completely detached. Skirt is in very poor condition with tears and separations overall. 10. Rose and gold metal brocade period dress trimmed in faux pearls, long arm scarves, insert of salmon satin with gold metal lace overlay. Insert was added later with newer waistband. Ivory-layered petticoat with sheer pink overlay. Internal bias label handwritten, “ 1345-9503 Salina Royal ”. (1) Elaborate wire frame gold metal lace collar with faux pearls accents and trimmed in delicate ivory lace, bias tap with snaps added later. Lace is discolored and worn in spots. (1) Newer gold lame crisscross headpiece with faux pearls accented with black sequins and little gold round beads. Used in unidentified productions. $600 - $800.
  • Debra Paget
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    498. Debra Paget “Sharain” gold lame dress and coat designed by Ralph Jester from The Life, Loves and Adventures of Omar Khayyam. (Paramount, 1957) Exquisite floral gold lame long sleeve full length dress with back zip closure. Paramount label handwritten, “ Debra Paget ” and stamped “Paramount Ladies Wardrobe”. Ivory satin three quarter length coat with wide bell sleeves lined in salmon pink silk crepe and trimmed in faux white pearls. Hook & eye front closure. Handwritten along waist, “ PHKAMT ” or “ PHRAMT ”. Exhibits pearl loss around collar. Ivory satin belt braided with gold lame, round gold metal clasp with gold ball tassels (two are missing). Designed by Ralph Jester. Worn by Debra Paget as “Sharain” when she is presented to The Shah (Raymond Massey) as his fourth bride in The Life, Loves and Adventures of Omar Khayyam. $1,000 - $2,000.
  • Eva Marie Saint
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    501. Eva Marie Saint “Nell Gaither” period dress and hat designed by Walter Plunkett made for Raintree County. (MGM, 1957) 2-piece period dress of midnight blue satin with tiny red dots, reversed lapel and cuffs and eight self-covered buttons. Ivory cotton back zip closure bodice attached to skirt accented with delicate lace necktie. Pair of ivory cotton detached sleeves trimmed in delicate chiffon and lace. Jacket (front closure) and skirt (back closure) have snaps and hook & eye closure. Skirt is lined with orange satin. Both pieces have internal bias label handwritten, “ 1692 5137 Eva Marie Saint ”. Studio cleaning tag. Three very tiny brown spots on neckline. Bottom of skirt is soiled. Natural straw center and navy brim bonnet accented with navy and red netting and navy velvet ties. Handwritten label, “#11 Eva Marie Saint ”. Created by Walter Plunkett for Eva Marie Saint as “Nell Gaither” for Raintree County but not in the final version of the film. $800 - $1,200.
  • Cloris Leachman blue period dress from 1960s Western television show.
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    528. Cloris Leachman blue period dress from 1960s Western television show. (ca. 1960) Midnight blue and ivory polka dot and starburst pattern period dress. Long sleeve round neck top decorated with black chiffon and ivory embroidered flowers along neckline and cuffs. Hook & eye front closure. No label. Long full skirt with two rows of embroidery. Hook & eye back closure. Western Costume label handwritten, “CLORIS LEACHMAN”. Top has separations and repairs along shoulders. Skirt has separations, repairs and a 1 in. tear along waistline. Bottom is frayed. Attributed to one of the 1960s Western televisions shows. $400 - $600.
  • Group of (11) Women's period dresses from unidentified productions for Linda Darnell, and others.
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    634. Group of (11) Women’s period dresses from unidentified productions for Linda Darnell, Claudette Colbert, Spring Byington and others dating from the 1940s and 1950s. (ca. 1945) Group consists of: 1. Ivory silk taffeta period dress trimmed in royal blue cut velvet and accented with satin buttons and ribbon and ivory satin sash. Green United Costumers label handwritten, “ 91 Florence Bates ” and internal bias Warner Bros. label handwritten, “ Spring Byington D-10684 ”. 2. Dark purple wool bodice with scoop neck and ¾-length sleeves finished with ruffles, dark pink, blue, black, dark and light green vertical striped skirt. Front crisscross lace up. Missing front insert. Internal bias label handwritten, “ DARNELL ORIGINAL ” and stamped “21134” and “1 10 1 0820”. 3. Pale yellow satin short sleeve scoop neck period dress with waist skirt and delicate floral lace overlay on skirt, pale pink silk flowers at waist. 4. Peach ribbed satin short sleeve ruffled bodice trimmed in tan crochet lace finished with a rust velvet tie. Warner Bros. label handwritten, “ 5497-970 ” and stamped “6700”. 5. A 3-piece tan period dress. Under layer of cream wool with button bodice with tan wool sleeves trimmed in delicate ivory lace. Tan wool sleeveless vest with ivory trim. Tan wool full skirt with bustle and pleats along waist accented with four mauve cloth buttons. 6. Brown and ivory short sleeve V-neck period dress with eighteen mother of pearl buttons. Coordinating shawl lined in brown. Simple oval braided straw hat with checked ribbon and trim. 7. Powder blue and ivory silk period dress with long sleeves, trimmed with delicate ivory floral lace on bodice, neckline, cuffs and sleeves. 8. Cornflower blue long sleeve wool period dress. Internal bias label in top stamped, “21115” and handwritten, “ C. COLBERT .2 ” and “ 536-08 Ann Baxter ” plus stamped, “1 10 1 2337”. In skirt handwritten, “ 1-27-7-2648 ”. 9. White polka-dot stiff chiffon short sleeve dress with round neck and gathers around neckline. 10. Royal blue wool long sleeve period dress. 11. Two-piece peach period dress with black crocheted collar, cuffs and trim. Used in unidentified productions. $400 - $600.
  • Group of (19) woman's period dresses from Paramount Pictures.
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    669. Group of (19) woman’s period dresses from Paramount Pictures. (Paramount, Circa 1950) Group consists of: 1. 2-piece yellow with purple satin ribbon trim. 2. Yellow dress with black ball trim. 3. Yellow dress with black multi-colored insert and sleeves. 4. Rust net dress with maroon embroidery trim (exhibits many tears). 5. Brown wool and corduroy dress. 6. Brown sheer and black lace dress. 7. Taupe multi-striped dress. 8. Fawn brown long sleeve dress. 9. Black and rust square pattern wool dress with caplet. 10. Dark peach wool caplet dress with black trim. 11. Taupe, green and navy checked wool dress. 12. Charcoal grey dress. 13. Ivory long sleeve lace dress. 14. Cinnamon wool dress with brown velvet accents. 15. Rust dress with gold thread accents and brown fringe. 16. Green striped dress. 17. Taupe and green dress with silver button frogs. 18. Dusty rose dress with delicate pink floral lace sleeves. 19. Grey wool dress with gathers along bottom. Group exhibits normal wear and age. Attributed to such films as The Vagabond King (1956) and The Buccaneer (1958). $600 - $800.
  • Group of (3) Billie Burke period dresses from unidentified productions.
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    580. Group of (3) Billie Burke period dresses from unidentified productions. (ca. 1940) Group consists of 1. Cream short sleeve round neck bodice with chartreuse pleated trim edged in Robin’s egg blue and velvet bows. Coordinating skirt with nude chiffon overlay trimmed same as top. Hook & eye back closure. Blue United Costumers label handwritten “ Billie Burke F41 ”. Brown stains on side of overlay. Minor stains and fraying along bottom. Hem has been altered. 2. Ivory cotton no sleeve V-neck semi-full layered underskirt accented with a pale yellow satin ribbon. Back zip. Internal bias label handwritten, “ BILLIE BURKE GREEN STRIPE NEG-6610 ”. Mint green and ivory vertical striped dress with ivory chiffon collar and cuffs trimmed in delicate lace. Hook & eye front closure. Handwritten bias label, “ 6610 ”. 3. 2-piece (sewn together at waist) pale grey printed cotton period dress with small dark and light roses and three quarter length sleeves. Hook & eye with snap and zip back closure. Western Costume label handwritten, “ 98-1282-1 14 BILLIE BURKE 99-1165-1 ”. Exhibits soiling along shoulders and bottom of skirt. Skirt has a .5 in. hole on back bottom. All three are from unidentified productions. $600 - $800.
  • Claire Bloom
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    509. Claire Bloom “Katya” ivory period dress designed by Walter Plunkett from The Brothers Karamazov. (MGM, 1958) 2-piece ivory cotton period dress with delicate crocheted trim. ¾-length top with nineteen buttons (one missing and one has a small piece missing). No label. Long “A” shaped skirt with hook & eye back closure. Internal bias label handwritten, “ 1720 5857 Claire Bloom ”. Both pieces exhibit extensive soiling and discoloration. Designed by Walter Plunkett. Worn by Claire Bloom as “Katya” when she comes to Yul Brynner’s room to “bargain” for the money she needs in The Brothers Karamazov. $800 - $1,200.
  • Victorian Era Black Dress On Form
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    This ornate, Victorian dress is made from black satin. It was machine stitched but hand work was used to hem the skirt and attach the organza collar. It has hook and eye closures down the back. It appears that it was made to wear with a bustle that is not present. There is a cameo pinned to the breast. Condition (Excellent). Size 58"T.
  • Victorian Era White Dress On Form
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    This white dress is made of silk. It has beautiful appliques on the cuffs and bodice. There are hook and eye closures on the cuffs. There are hook and loop closures on the bodice. It has machine embroidery the skirt. Condition (Excellent). Size 59"T.
  • Walking Dress 1899-1900 French - Download - 4shared - The-Helsing Hatter
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  • Regeneration Vintage
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  • Fripperies and Fobs
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    Ensemble ca. 1895-1901 From the estate of Simone Valsecchi
  • Fripperies and Fobs
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    Costume designed by Gabriella Pescucci for Michelle Pfeiffer in The Age of Innocence (1993) From Tirelli Costumi via the Museo di Roma
  • Greta Garbo signature dark green velvet period dress designed by Adrian from Anna Karenina
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  • Fripperies and Fobs
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    Worth dress, 1875-76 From the Museo de la Moda
  • Fripperies and Fobs
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    Dress ca. 1880-82 From the exhibition “A Century of Style: Costume and Colour 1800-1899″ at Glasgow Museums
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    Wedding dress ca. 1906 From the Museo de la Moda
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    Evening dress, 1900′s From the Museo del Traje via EFE Estilo
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    Doucet dress ca. 1900 From Les Arts Décoratifs
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    Costume designed by Sammy Sheldon for Sienna Miller in Stardust (2007) From Bonham’s
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    Day dress, 1880’s From the Minnesota Historical Society
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    Day dress ca. 1870-75 From the Henry Art Gallery
  • Ladies Victorian School Mistress Day Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Ladies Victorian Steampunk Day Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Ladies Edwardian Downton Abbey Titanic Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Old Rags
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    Dress, 1912-14, Museum of London This dress used recycled Chinese fabric that was made in the 1860’s.
  • Fripperies and Fobs
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    Evening dress ca. 1905-15 From the Kansas Historical Society
  • Fripperies and Fobs
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    Evening dress, 1907 From the Kansas Historical Society
  • Victorian Valentine Steampunk Gothic Civil War Striped Women's Top Skirt
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    Shop the latest styles of Victorian Valentine Steampunk Gothic Civil War Striped Women's Top & Skirt at Amazon Women’s Clothing Store. Free Shipping+ Free Return on eligible item
  • Victorian Valentine Steampunk Gothic Civil War Striped Women's Top Skirt
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    Shop the latest styles of Victorian Valentine Steampunk Gothic Civil War Striped Women's Top & Skirt at Amazon Women’s Clothing Store. Free Shipping+ Free Return on eligible item
  • Victorian Valentine Steampunk Gothic Civil War Striped Women's Top Skirt
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    Shop the latest styles of Victorian Valentine Steampunk Gothic Civil War Striped Women's Top & Skirt at Amazon Women’s Clothing Store. Free Shipping+ Free Return on eligible item
  • Ladies Victorian Edwardian Day Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Ladies Victorian Edwardian Day Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Ladies Edwardian Downton Abbey Titanic Costume
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    Complete Costumes, UK - Whether you are organising a themed event, office party, school disco or simply looking for an exciting costume look no further! Due to our wide range of high quality costumes we can help inspire you with party themes. Delivery free local delivery - for further afield please ask for a quote. Complete costumes - high quality costume hire.
  • Fripperies and Fobs
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    Day dress, 1910 From the Glenbow Museum
  • The HoopSkirt Society
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    I was Born In the Wrong Era
  • White and Blue Silk Morning Gown from the Late 19th Century
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    antique bustle dress, bustle dress, original bustle dress, late 19th century dress, bustle gown, original bustle gown, antique dress, 19th century dress
  • Ivory satin period dress from an unidentified production purchased at the 1970 MGM Auction.
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    607. Ivory satin period dress from an unidentified production purchased at the 1970 MGM Auction. (MGM, ca. 1940) Ivory satin period dress decorated with crocheted floral applique, long soft bell sleeves, neckline and cuffs trimmed in ivory chiffon pleats and ruffles, layered scalloped skirt with pleated bottom, back bustle trimmed in ivory cording with pom-poms, very long row of self-material buttons up back. Hook & eye back closure. No label. Exhibits large tears along the shoulders with some minor ones. Chiffon along neckline is torn in two places. Material has frays and separations overall. Used in an unidentified MGM production. $600 - $800.
  • Greer Garson “Irene Forsyte” green period dress designed by Walter Plunkett from That Forsyte Woman
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    Greer Garson “Irene Forsyte” green period dress designed by Walter Plunkett from That Forsyte Woman - Profiles in History
  • (8) Women's black velvet dresses gowns from unidentified productions dating from the 1930s 1950s
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    626. Group of (8) Women’s black velvet dresses and gowns from unidentified productions dating from the 1930s to the 1950s. (ca. 1930) Beautiful collection of velvet dresses and gowns consisting of: 1. Black silk velvet short sleeve evening gown with nude chiffon bodice adorned with gold sequins in a leaf pattern with sleeves trimmed in gold leaf sequins. Varying sizes of gold sequins line the front of the gown. Coordinating short sleeve jacket with leaf decoration. Internal bias label handwritten, “ 4278 ” and two studio cleaning tags. Hook & eye with zip front closure. Chiffon is torn and in fragile condition. Two repairs on both sides on the top of the velvet. Minimal bead loss. Purchased at the 1970 MGM auction. 2. Black silk velvet gown with crisscross neckline, self-material buckle belt, long train, gathered sleeves decorated with an intricate pattern of silver sequins and bugle beads accented with square faceted brilliants, trimmed with tiny silver beads and copper wire. Hook & eye side closure with snaps on cuffs. Internal bias label stamped, “5252”. Repairs under arms, along chest, running down the front along seam, one near hem and two tears along bottom. Purchased at the 1970 MGM auction. 3. Black silk velvet long sleeve slight, V-neck dress with gathers along neckline and slight A-shaped skirt. Side, cuff and back zip closure. No label. 4. Black semi-sheer velvet long sleeve, V-neck evening gown with train accented with varying shapes and sizes of midnight blue discs along waist and arms, hook & eye with large row of self-material button back closure. Snap closure on gathered cuffs. No label. Studio cleaning tag. Large section of hem is undone. Some bead loss. Minor pulls overall. One button missing. Purchased at the 1970 MGM auction. 5. Black silk ¾-length cape with hot pink silk lining and simple stand up collar. Hook & eye front closure. No label. One small white stain. 6. Black velvet empire waist long sleeve, V-neck gown with gathered bodice and back zip closure. No label. Exhibits white staining overall with dents to velvet and soiling along bottom and sections of hem detached. ¾-length black velvet period cape with gathered collar, simple back bow and ivory satin lining. 7. Midnight blue silk velvet 2-piece period dress. Long sleeve top with bell capes trimmed in brown-red furs with delicate ivory lace collar, waist skirt decorated with royal blue satin braid and bottom half lined in royal blue silk. Hook & eye with snap front closure. Internal bias label handwritten, “ Florence Rice – Double ”. Long full-length gathered skirt with hook & eye back closure. Studio cleaning tag. Lace is torn in two places. Fur is worn and 3 in. section is detached. Light soiling overall. Lining has separations. Skirt has a few repairs and minor soiling overall. Velvet has some dents overall. 8. Black silk velvet long sleeve top with soft round neck accented with three rows of silver bullion and grey glass beads, gathered sleeves, self-belt with faux small purse decorated with same bullion and beads as neckline. Hook & eye side closure. Exhibits a small separation along side closure, small tears under arms and hem is mostly undone. Also included is a black silk velvet gathered hat with large silver metal pin accented with rhinestones plus a large piece of black silk velvet. Used in unidentified productions. $800 - $1,200.
  • Green satin and ivory crocheted lace period dress from an unidentified production.
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    609. Green satin and ivory crocheted lace period dress from an unidentified production. (ca. 1940) Beautiful green satin period dress with chiffon and netting layer with intricate ivory crocheted overlay, striped net collar and sleeves with satin bow accents. Zip and button back closure. No label. Coordinating satchel. Straw hat with green chiffon trim and ivory crocheted flower. Bermans label. Used in an unidentified production. $600 - $800.
  • Group of (80 women's wardrobe from San Francisco costume shop.
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    870. Group of (80+) women’s wardrobe from San Francisco costume shop. Large group of (80+) women’s dresses, coats, shirts, skirts, tops and pants in various colors, materials and sizes, some with beadwork and lace trim. Obtained from a San Francisco costume shop and used in numerous stage productions. $200 - $300.
  • Group of (10) Women's period dresses from unidentified productions dating from the 1930s 1950s.
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    635. Group of (10) Women’s period dresses from unidentified productions dating from the 1930s to the 1950s. (ca. 1945) Group consists of: 1. Ivory satin V-neck long sleeve dress with delicate ivory floral lace. Lace has been removed from front section and hooks have been moved. Exhibits light brown stains on bodice with light scuffs overall, with a 10 in. piece of satin trim detached along front of skirt. Lace is frayed with 7 in. repair. 2. Pale green satin short sleeve gown with chiffon pleated trim along bottom with green cut velvet accent down front. Internal bias label handwritten, “ 26 WAIST 36 BUST ”. In very poor condition. 3. Shades of gold-striped taffeta long sleeve top with green striped skirt accented with burgundy velvet bow and chiffon on collar and cuffs. Taffeta is separating especially along sleeves. 4. Lime green silk velvet period dress with shoulder cape and skirt layer, trimmed in white ermine and tails. Lined with lemon chiffon satin. Back zipper is broken and zippers on sleeves are corroded. Ermine on top is in good condition but along skirt is worn and missing in sections. Velvet is dented and discolored overall especially along bodice, arms and train, with a 1.5 in repair along one shoulder at seam. Few holes along bottom and fraying. 5. Pale peach satin V-neck cap sleeve gown with pleated skirt and side front tie. Internal bias label stamped “1-81-5-0348 5035” and handwritten, “ M.Carroll ”. Exhibits a 3 in. tear on sleeve and sections of material missing along bottom with small tears and pulls overall. 6. Pale peach spaghetti strap satin dress with a waist gather. Internal bias label handwritten, “AC 1 DXS” and stamped “WARDROBE WOMANS”. Straps have been replaced and satin has some scuffs. 7. Pale peach jersey dress with flowing skirt, long puffed sleeves, back tie and decorated with self-material flowers centered with a faux pearl and tiny pale peach bead. Exhibits fraying along edges of tie and bottom. 8. Pale green ribbed satin period dress with fawn cut velvet bodice and cuffs, lavender ribbed satin layers and lace on train and bottom of skirt. Built in bustle. Stamped “LUST FOR LIFE”. Three small half in. tears on one shoulder, with a 3/4 in. black mark on back bodice. Several large tears in satin near back of waist. Seam is undone 18 in. along bustle with a 9 in. tear along the edge of the train, and a 10 in. section of pleats along bottom is undone. A 6 in. section of lavender pleat is also undone. Edges are soiled. Designed by Walter Plunkett. Worn by Pamela Brown as “Christine” when she and Kirk Douglas have a falling out in Lust for Life. 9. Steel blue period dress with ivory trim and delicate floral ivory lace collar and cuffs. Stamped “1-27-7-1263”. Teal taffeta skirt with steel blue accordion pleat bottom. Internal bias label handwritten, “ E. Allen ”. Dress is soiled overall especially along arms and bottom, with a 2 in. tear on shoulder. Lace is slightly discolored with tears and detached along collar with one sleeve completely detached. Skirt is in very poor condition with tears and separations overall. 10. Rose and gold metal brocade period dress trimmed in faux pearls, long arm scarves, insert of salmon satin with gold metal lace overlay. Insert was added later with newer waistband. Ivory-layered petticoat with sheer pink overlay. Internal bias label handwritten, “ 1345-9503 Salina Royal ”. (1) Elaborate wire frame gold metal lace collar with faux pearls accents and trimmed in delicate ivory lace, bias tap with snaps added later. Lace is discolored and worn in spots. (1) Newer gold lame crisscross headpiece with faux pearls accented with black sequins and little gold round beads. Used in unidentified productions. $600 - $800.
  • Group of (5) vintage period dresses dating from the early 1900s personally owned by Debbie Reynolds.
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    707. Group of (5) vintage period dresses dating from the early 1900s personally owned by Debbie Reynolds. (ca. 1900) Group consists of 1. Emerald green long sleeve period dress highly decorated with floral embroidered netting and silk tassels along bottom, same color net accents along front and sleeves and delicate ivory floral lace on neckline and cuffs. Cratner Marienbad label. Hook & eye with snap back closure. Inside lining is torn and separating. Ivory lace exhibits discoloration especially along inside collar with a few tears. Coordinating long jacket with dark blue accents, black satin lapel, large self-material buttons and ties along front and cuffs, lined in ivory silk. Hook & eye front closure. Lining exhibits minor brown stains overall. Embroidery and netting on both pieces is in very good shape. 2. Delicate pink silk long dress with ivory eyelet and ribbon net overlay. Hook & eye back closure. In delicate but stable condition. 3. Olive brown satin long period dress with intricate ivory floral net overlay along back, neckline, down front and on cuffs, long row of brown textured buttons, toffee velvet silk belt with brass colored Egyptian motif button clasp. Top part of dress is torn along back. 4. Beautiful celadon green satin ribbed two-piece period dress. Top has three-quarter length sleeves with ivory satin inserts and round neck, trimmed in faux pearls, clear faceted stones and small silver bead and silver bullion and accented with long satin ribbed tie. Full-length A-shape skirt with coordinating trim along waist. Hook & eye back closure. Purchased at auction in 1973. $500 - $700.
  • Debbie Reynolds costumes and hats and Harve Presnell suit from The Unsinkable Molly Brown.
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    862. Debbie Reynolds costumes and hats designed by Paco Macliss and Harve Presnell suit from The Unsinkable Molly Brown. (ca. 1990) Group consists of: 1. Pale blue silver and gold metallic gown with grey chiffon overlay, gold bugle beads and rhinestone detail with silver faceted ball fringe and coordinating belt. 2. Ivory gold metallic gown, red insert down front highly decorated with gold and silver sequins and long train. 3. Tan wool long dress with dark brown velvet collar and cuffs trimmed in black embroidery, black buttons down front with ivory lace collar and cameo brooch pin. 4. Pink long robe with ivory dot overlay and pink satin ribbons. 5. Red gown with gold lace overlay highlighted with red bugle beads and gold bead tassels. 6. Aqua sheer gown with gold bullion, aqua bugle beads and varying sizes of iridescent rhinestones and long blue gloves. 7. Pair of ivory cotton nightgowns with pale pink roses. 8. Grey and blue flannel shirt. 9. Peach with grey striped pants. 10. Pink floral cotton dress with self-ruffles. Ivory lace jacket. 11. Pair of peach nylon long dresses with ivory floral lace. 12. Ivory period hat garnished with large ivory faux flowers, burnt orange velvet trim, orange and white feathers. 13. Ivory raw silk period hat garnished with ivory faux flowers and white ostrich feathers. 14. 3-piece maroon and black-textured wool suit. Single breasted jacket, vest and pants. All three have MGM labels handwritten, “ H. Presnell ” with 1815 production code. Dresses designed by Paco Macliss for the tour and suit from the film production of The Unsinkable Molly Brown. $400 - $600.
  • Debbie Reynolds costumes and hats and Harve Presnell suit from The Unsinkable Molly Brown.
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    862. Debbie Reynolds costumes and hats designed by Paco Macliss and Harve Presnell suit from The Unsinkable Molly Brown. (ca. 1990) Group consists of: 1. Pale blue silver and gold metallic gown with grey chiffon overlay, gold bugle beads and rhinestone detail with silver faceted ball fringe and coordinating belt. 2. Ivory gold metallic gown, red insert down front highly decorated with gold and silver sequins and long train. 3. Tan wool long dress with dark brown velvet collar and cuffs trimmed in black embroidery, black buttons down front with ivory lace collar and cameo brooch pin. 4. Pink long robe with ivory dot overlay and pink satin ribbons. 5. Red gown with gold lace overlay highlighted with red bugle beads and gold bead tassels. 6. Aqua sheer gown with gold bullion, aqua bugle beads and varying sizes of iridescent rhinestones and long blue gloves. 7. Pair of ivory cotton nightgowns with pale pink roses. 8. Grey and blue flannel shirt. 9. Peach with grey striped pants. 10. Pink floral cotton dress with self-ruffles. Ivory lace jacket. 11. Pair of peach nylon long dresses with ivory floral lace. 12. Ivory period hat garnished with large ivory faux flowers, burnt orange velvet trim, orange and white feathers. 13. Ivory raw silk period hat garnished with ivory faux flowers and white ostrich feathers. 14. 3-piece maroon and black-textured wool suit. Single breasted jacket, vest and pants. All three have MGM labels handwritten, “ H. Presnell ” with 1815 production code. Dresses designed by Paco Macliss for the tour and suit from the film production of The Unsinkable Molly Brown. $400 - $600.
  • Debbie Reynolds costumes and hats and Harve Presnell suit from The Unsinkable Molly Brown.
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    862. Debbie Reynolds costumes and hats designed by Paco Macliss and Harve Presnell suit from The Unsinkable Molly Brown. (ca. 1990) Group consists of: 1. Pale blue silver and gold metallic gown with grey chiffon overlay, gold bugle beads and rhinestone detail with silver faceted ball fringe and coordinating belt. 2. Ivory gold metallic gown, red insert down front highly decorated with gold and silver sequins and long train. 3. Tan wool long dress with dark brown velvet collar and cuffs trimmed in black embroidery, black buttons down front with ivory lace collar and cameo brooch pin. 4. Pink long robe with ivory dot overlay and pink satin ribbons. 5. Red gown with gold lace overlay highlighted with red bugle beads and gold bead tassels. 6. Aqua sheer gown with gold bullion, aqua bugle beads and varying sizes of iridescent rhinestones and long blue gloves. 7. Pair of ivory cotton nightgowns with pale pink roses. 8. Grey and blue flannel shirt. 9. Peach with grey striped pants. 10. Pink floral cotton dress with self-ruffles. Ivory lace jacket. 11. Pair of peach nylon long dresses with ivory floral lace. 12. Ivory period hat garnished with large ivory faux flowers, burnt orange velvet trim, orange and white feathers. 13. Ivory raw silk period hat garnished with ivory faux flowers and white ostrich feathers. 14. 3-piece maroon and black-textured wool suit. Single breasted jacket, vest and pants. All three have MGM labels handwritten, “ H. Presnell ” with 1815 production code. Dresses designed by Paco Macliss for the tour and suit from the film production of The Unsinkable Molly Brown. $400 - $600.
  • Group of (80 women's wardrobe from San Francisco costume shop.
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    870. Group of (80+) women’s wardrobe from San Francisco costume shop. Large group of (80+) women’s dresses, coats, shirts, skirts, tops and pants in various colors, materials and sizes, some with beadwork and lace trim. Obtained from a San Francisco costume shop and used in numerous stage productions. $200 - $300.
  • Purple velvet period dress from Paramount Pictures.
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    664. Purple velvet period dress from Paramount Pictures. (Paramount, ca. 1930) Deep purple silk velvet long sleeve full-length dress with coordinating mid length wide sleeve jacket. Both pieces accented with gold metal lace trim plus cuffs on dress accented with red tinted rhinestones. No label. The dress is lightly soiled. Used in an unidentified Paramount Pictures production. $300 - $500.
  • Ivory applique period dress from an unidentified MGM production.
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    619. Ivory applique period dress from an unidentified MGM production. (MGM ca. 1950) Ivory long period dress with beautiful self-material leaf applique along front bodice, skirt and bell sleeves. Hook & eye with snap back closure. Studio cleaning tag. Exhibits very light soiling overall. Used in an unidentified MGM production. $600 - $800.
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  • Dolores Costello wool housecoat with under-dress by Edward Stevenson for The Magnificent Ambersons
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  • Mary Martin blue wool period dress designed by Edith Head from The Great Victor Herbert
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  • Marjorie Main “Sonora Cassidy” teal damask period dress designed by Helen Rose from The Harvey Girls
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  • Maureen O’Hara pumpkin and ivory striped period dress and riding hat from The Foxes of Harrow
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  • Bette Davis
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    300. Bette Davis “Carlota” grey silk period dress designed by Orry-Kelly from Juarez. (Warner Bros., 1939) Pale grey, long sleeve round neck silk period dress decorated with pleated and crisscross diagonal squares trimmed in delicate ivory lace, ivory satin waistband with pink material roses. Hook & eye snap back closure. No label. Material is faded and soiled especially along arms and bottom with some staining. Exhibits separations in silk along shoulders and a large section near bottom. Lace has discolored. Created by Orry-Kelly for Bette Davis as “Carlota” for publicity but not in the final version of the film. $1,500 - $2,000.
  • Maureen O’Hara dress from Buffalo Bill.
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    790. Maureen O’Hara dress from Buffalo Bill. (TCF, 1944) Vintage woolen maroon period dress with plaid panels at bust, hip and hem from Buffalo Bill. Copper ribbon piping and ornamentation on sleeves, bust and ringing the skirt. Faux button front with zipper back bodice closure and snap skirt closure. Worn by Maureen O’Hara as “Louisa Frederici Cody”. Retaining contemporary Western Costume barcode tag. With some detachment of ribbon ornament. Otherwise in vintage fine condition. $600 - $800.
  • Joanne Dru Stunt Double outfit designed by Ann Peck from She Wore A Yellow Ribbon
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    Joanne Dru Stunt Double outfit designed by Ann Peck from She Wore A Yellow Ribbon - Profiles in History
  • Katharine Hepburn
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    244. Katharine Hepburn “Babbie” red and black checked period dress designed by Walter Plunkett made for The Little Minister. (Radio Pictures, 1934) Red and black silk taffeta period dress. Double layer cap sleeves, black silk velvet collar and cuffs decorated with delicate ivory crocheted flowers, trimmed in black satin cording with a long row of small buttons (half are missing) on bodice and some on sleeves, hook & eye front closure. Internal bias label handwritten, “ C-1116 1840 ”. Exhibits repairs and material separation especially along arms. Layered long skirt with very long row of buttons down front. Internal bias label handwritten, “ Hepburn C-1116 1840 ”. Hook & eye with snap back closure. Material separation and tears along waistline and top layer. Created by Walter Plunkett for Katharine Hepburn as “Babbie” in The Little Minister but not in the final version of the film. $800 - $1,200.
  • Loretta Young
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    290. Loretta Young “Mrs. Mabel Hubbard Bell” green period dress designed by Royer from The Story of Alexander Graham Bell. (TCF, 1939) Deep emerald green 2-piece wool period dress accented with velvet on bodice, cuffs and skirt. Top has accordion pleated cuffs lined with ivory chiffon, nine gold metal buttons with delicate ivory lace collar. Hook & eye front closure. Internal bias label stamped “18913 and 1-27-7-1322 28 24” and handwritten, “ Loretta Young ”. Velvet is worn along shoulders with a repair under one arm in front. Skirt has hook & eye with snap back closure. Exhibits a few pulls and stains. No label. Designed by Royer. Dress is worn under a coat by Loretta Young as “Mrs. Mabel Hubbard Bell” when she is testifying for her husband (Don Ameche) in The Story of Alexander Graham Bell. $1,500 - $2,000.
  • Marjorie Main
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    329. Marjorie Main “Clementine ‘Tina’ Tucker” tan period dress designed by Howard Shoup from Jackass Mail. (MGM, 1942) Tan wool period jacket with twisted gold bullion cord in floral and leaf pattern along bodice and cuffs. Internal bias label handwritten, “Marjorie Main” with studio cleaning tag. Exhibits minor soiling along shoulders with fraying to trim along cuffs and a few very tiny holes. Long full skirt with hook & eye snap back closure. Exhibits minor soiling overall with a few very tiny holes. Designed by Howard Shoup. Worn by Marjorie Main as “Clementine ‘Tina’ Tucker” at the end of the film when she’s shouting to Wally Beery in Jackass Mail. $400 - $600.
  • Alice Brady
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    330. Alice Brady “Mrs. Carter” aqua period dress designed by Omar Kiam from Zenobia and used in Reap the Wild Wind. (Hal Roach Studios, 1939) Aqua chiffon period dress with aqua satin underskirt trimmed in horizontal stripes of brown velvet and accented with delicate mocha brown lace on cuffs, brown pleated netting on collar and a faux dark red cabochon surrounded by pearls at neckline. Hook & eye with snap back closure. Green United Costumers label handwritten, “4F Alice Brady”. Satin is soiled, torn and fraying along bottom. Large section of chiffon is torn on bottom with several tears and repairs overall. Designed by Omar Kiam. Worn by Alice Brady as “Mrs. Carter” when she is at the lawyer’s office in Zenobia. Also worn by an extra at the Charleston party where Paulette Goddard first meets Ray Milland in Reap the Wild Wind (Paramount, 1942). $800 - $1,200.
  • Ingrid Bergman
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    314. Ingrid Bergman “Ivy Peterson” royal blue and ivory period dress designed by Adrian from Dr. Jekyll and Mr. Hyde (1941) and Gaslight (1944). (MGM, 1941) Royal blue and ivory striped two-piece period dress with detached mesh bustle. Wool top with pleated ruffles along shoulders and bodice, coordinating striped pleated collar and six covered buttons with tapered back. Hook & eye front closure. Internal bias label handwritten, “ Angela Lansbury and B-40 W-27 ”. (B for bust size and W for waist size). Skirt is draped and layered into a bow design on back with pleated bottom edge. Snap with hook & eye closure. Internal bias label handwritten, “ WAIST 26 ½ Angela Lansbury ”. Top has some minor pulls in material along front closure and ruffles. Designed by Adrian. Worn by Ingrid Bergman as “Ivy Pearson” when she visits Spencer Tracy (as Dr. Jekyll) at his office in Dr. Jekyll and Mr. Hyde. Three years later under the costume supervision of Irene dark, grey pleated material was added to the collar and back bodice for Angela Lansbury’s Oscar nominated role as “Nancy” when she is across the street from the house when Charles Boyer is apprehended in Gaslight (MGM, 1944). $4,000 - $6,000.
  • Elaine Sterling
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    392. Elaine Sterling “Girl on the Magazine Cover” green long robe designed by Irene from Easter Parade. (MGM, 1948) Moss green, full-length long bell sleeve front slit robe with three self-material swirled frogs with buttons at waist and one at neckline. Hook & eye with zip front closure. Internal bias label handwritten, “ 1418-4676 ELAINE STERLING EX.2 ”. 3 in. section of collar detached at seam. One swirl is missing at waist. 19 in. section of back seam is detached. Exhibits a few small holes. Material faded along shoulders and arms. Designed by Irene. Worn by Elaine Sterling in the “Girl on the Magazine Cover” sequence in Easter Parade. $600 - $800.
  • Patricia Medina
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    386. Patricia Medina “Desiree” ivory and black period dress designed by Rene Hubert made for The Foxes of Harrow. (TCF, 1947) Black and ivory striped ribbed satin long sleeve period dress trimmed with delicate black floral lace along cuffs, neckline and skirt. Ivory sateen underskirt with pale green chiffon overlay. Crisscross lace up with hook & eye back closure. Internal bias label handwritten, “517-72 Pat Medina” and stamped, “1 27 7 6060”. Studio cleaning tag. Rene Hubert label. Top is heavily stained along arms and slightly along bodice. Chiffon has brown staining along bottom. Lace is torn and separated in places. Created by Rene Hubert for Patricia Medina as “Desiree” from The Foxes of Harrow but not in the final version of the film. $600 - $800.
  • Gail Russell
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    409. Gail Russell “Susan Jeffers” rust period dress designed by Mary Bowen from El Paso. (Paramount, 1949) Rust wool gabardine long period dress with ivory cotton long sleeves and neck insert, accented with a row of self-covered buttons and pale grey trim with a simple rust velvet bow. Western Costume label handwritten, “ Gail Russell 5537 L-1 ”. Hook & eye and snap back closure. One button missing. Pulls and fraying along waist and underarm seams. Neck insert, sleeves and bow added post production and double row of ivory decoration on skirt removed. Designed by Mary Bowen. Worn by Gail Russell as “Susan Jeffers” in the final scene after the big shootout in El Paso. $600 - $800.
  • Estelle Winwood
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    486. Estelle Winwood “Symphorosa” black period dress designed by Helen Rose made for The Swan. (MGM, 1956) Soft lavender satin period dress with black lace overlay of pale yellow, purple, pink and green flowers. Silk chiffon neck and kick with black lace netting. Black velvet sash. Dress and sash accented with jet beading. Back button and zip closure plus zippers on sleeves. Handwritten label ,” 1684 4734 Estelle Winwood ”. Studio cleaning tag. Black netting is torn on shoulders and arms. Also fraying on bottom of skirt. Created by Helen Rose for Estelle Winwood as “Symphorosa” for The Swan but not in the final version of the film. $400 - $600.
  • Jeanne Crain
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    484. Jeanne Crain “Dora Temple” grey period dress from The Fastest Gun Alive. (MGM, 1956) Grey period dress with black, orange and rust stripes, pale grey satin collar and cuffs with two rows of self-covered buttons along bodice. Hook & eye front closure. Handwritten internal bias label, “ 1689 4980 Jeanne Crain ” and handwritten, “ Ann Sheridan ”. Both shoulders have tears and are discolored. Minor soiling along collar. Several repairs along skirt with minor soiling. Worn by Jeanne Crain as “Dora Temple” when her husband Glenn Ford makes the decision to show the townspeople who he really is in The Fastest Gun Alive. $600 - $800.
  • Cornelia Otis Skinner
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    478. Cornelia Otis Skinner “Mrs. Thaw” taupe period dress and hat designed by Charles Le Maire from The Girl in the Red Velvet Swing. (TCF, 1955) Taupe long period dress with brown and ivory leaf pattern and accented with delicate ivory lace along neckline and cuffs, attached self-material belt, with tan sateen slip. Back zipper with fourteen small self-material buttons and hook & eye closure. Internal bias label handwritten, “ A-752 J#34 Cornelia O. Skinner ”. Lace has discolored and exhibits several large tears. Hem is detached on dress and slip in several sections along seam. Bottom of slip is soiled. Brown felt period hat accented with salmon ribbed satin ribbon. 20th Century Fox internal bias label handwritten, “ A-752-87 Cornelia O. Skinner ”. Designed by Charles Le Maire. Worn by Cornelia Otis Skinner as “Mrs. Thaw”. Dress worn by Skinner while discussing her son’s trial with her lawyer and hat worn at the end of the trial in The Girl in the Red Velvet Swing. $600 - $800.
  • Joanne Dru
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    472. Joanne Dru “Nora Curtis” ivory and blue striped period dress designed by Renie for Siege at Red River. (TF, 1954) Ivory and blue striped short sleeve period dress with shoulder ruffles, long row of mother of pearl buttons (two replacements) along front with ivory eyelet lace collar and sleeve accent. Hook & eye snap front closure. Internal bias label typed “1 27 7 6048” and handwritten, “517-80”. Western Costume Co. label handwritten, “Joanne Dru 99-7708-1”. Exhibits discoloration overall with tearing along shoulders. Designed by Renie. Worn by Joanne Dru as “Nora Curtis”. $400 - $600.
  • Carmen Miranda green dress used by Frances Bergen
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    459. Carmen Miranda green dress used by Frances Bergen “Lady Astor” from Titanic. (TCF, 1953) Emerald green floor length long sleeve wool dress with self-covered buttons down the entire front finished in white fur and ermine tails. Internal bias label handwritten, “ C MIRANDA ” and stamped, “30439”. One button missing and detached on front and all five buttons missing on cuffs. Group of ermine tails is detached. Exhibits a few moth holes. Originally created for Carmen Miranda. Under the costume supervision of Dorothy Jeakins, Frances Bergen as “Lady Astor” wears it as a robe over her nightgown when she is on deck and is put into a lifeboat in Titanic. $800 - $1,200.
  • Irene Dunne
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    371. Irene Dunne “Anna Owens” green plaid period dress made by Bonnie Cashin for Anna and the King of Siam and worn by Gail Storm in The Texas Rangers. (TCF, 1946/Columbia, 1951) Ivory bodice, celadon green long sleeves with scalloped edges, dark and light green, pink, lavender, pale blue and aqua plaid taffeta hoop skirt and sleeve inserts. Hook & eye with snap back closure. Coordinating sleeveless jacket with scalloped edges and deep amethyst silk velvet collar with black velvet simple bow and matching underlining. Zip and snap front closure. Dress has internal bias label handwritten, “Irene Dunn 478-13” and stamped, “1 27 7 5104” and Columbia Pictures label handwritten, “Gale Storm”. Jacket has Columbia studio cleaning tag. Dress exhibits stains along bottom. Several tears in taffeta on jacket. Green has faded slightly over time and has a few tiny holes. Two separations on velvet collar. Created by Bonnie Cashin for Irene Dunne as “Anna Owen” in Anna and the King of Siam but not in the final version of the film. Worn by Gale Storm as “Helen Fenton” in the final scene of The Texas Rangers (Columbia, 1951). $600 - $800.
  • Edna May Oliver
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    288. Edna May Oliver “Mrs. McKlennar” purple period dress designed by Gwen Wakeling from Drums Along the Mohawk. (TCF, 1939) 2-piece dark purple open weave wool period dress. Round neck top with three quarter length sleeves and nine black buttons along front. Hook & eye with snap front closure. Internal bias label handwritten, “ Oliver 21122 ” and stamped “1-27-7-2644” with studio cleaning tag. Soft gathered full length skirt with hook & eye snap back closure. Internal bias label handwritten, “ 21119 – E. OLIVER ” and stamped “1-27-7-2644” with studio cleaning tag. Neckline modified and buttons added post production. Top exhibits minor fading along shoulders and sleeves. Both pieces exhibit minor pulls. Designed by Gwen Wakeling. Worn by Edna May Oliver as “Mrs. McKlennar” when she hires Fonda and Colbert in Drums Along the Mohawk. $400 - $600.
  • Edna May Oliver
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    243. Edna May Oliver “Augusta Pritchard” knit dress designed by Gwen Wakeling from The Last Gentleman. (20th Century, 1934) Steel blue heathered knit dress with ivory crocheted accents along neckline. Mooncrest label with 20th Century Pict. label handwritten, “Oliver M.N 91-10-113 1931” and stamped “1-27-7-1079”. Dress is soiled along neckline, arms, shoulders and the bottom half of the skirt. Exhibits a few very small holes. Designed by Gwen Wakeling. Worn by Edna May Oliver as “Augusta Pritchard” at Barr Manor with her daughter in The Last Gentleman. $600 - $800.
  • europeanafashion: Evening dress by Jeanne Paquin, spring/summer... (Fripperies and Fobs)
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    europeanafashion: Evening dress by Jeanne Paquin, spring/summer collection, Paris, 1912. This dress in pastel shades combines a tunique in light green silk in tabby weave with a skirt made of cream si
  • Mae West
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    242. Mae West “Ruby Carter” black and ivory period dress designed by Travis Banton for Belle of the Nineties. (Paramount, 1934) Black satin full length V-neck period dress with ivory satin puff sleeves, decorated with ivory circular lace along front and sleeve caps. Hook & eye back closure. No label. Bottom of skirt is frayed. Several hooks at waist are loose. Designed by Travis Banton. Worn by Mae West as “Ruby Carter” when she goes to the big fight with Ace Lamont (John Miljan) in Belle of the Nineties. This dress was worn a year later (with feathers added to the collar) by Sarah Edwards as “Mrs. Myron Carey” when she comes to visit “Ruggles” (Charles Laughton) in Ruggles of Red Gap (Paramount, 1935). $3,000 - $5,000.
  • Pinterest
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    Pinterest is a visual discovery tool that you can use to find ideas for all your projects and interests.
  • Estelle Winwood
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    487. Estelle Winwood “Symphorosa” crocheted period dress designed by Helen Rose from The Swan. (MGM, 1956) Beautifully crocheted ivory top with netting on neck and sleeves, pale butternut satin sash and accented with soft peach, brown and orange velvet flowers and green leaves. Alternating hook & eye and snap back closure. Handwritten label “ 1684 4731 Estelle Winwood ” plus “ 81 W. 26” and stamped “MGM Wardrobe”. Very pale yellow long skirt with snap closure. Handwritten label, “ 18 6-D W.25 ½ MGM ”. Skirt is not original to film and paired with top post production. Netting on top has been repaired and is fraying. Bottom on skirt is soiled. Designed by Helen Rose. Worn by Estelle Winwood as “Symphorosa” in several scenes including the one where they are touring the hall of ancestors in The Swan. $400 - $600.
  • The Wings of Eagles yellow period dress.
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    500. The Wings of Eagles yellow period dress. (MGM, 1957) Yellow sleeveless dress with ivory organdy top layer decorated with crocheted lace and self-material belt. Hook & eye, snap and zip back closure. Also comes with two pale yellow pieces of ribbon. No label. Worn by an extra at the house party when John Wayne lands in the pool in The Wings of Eagles. $400 - $600.
  • Agnes Moorehead
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    479. Agnes Moorehead “Aggie” maroon period dress designed by Renie from Untamed. (TCF, 1955) Maroon wool period full skirt dress with ¾-length puff sleeves with nude chiffon sleeve inserts trimmed in delicate crochet with soft scoop neckline. Hook & eye, snap and back lace up closure. Detached beige crocheted collar accented with a salmon pink silk taffeta bow. Internal bias label handwritten, “ Agnes Moorehead A-726 ” and stamped, “12”. Collar and sleeve inserts added post production. Inserts are frayed and repaired. Designed by Renie. Worn by Agnes Moorehead as “Aggie” in the final scene with Tyrone Power and Susan Hayward in Untamed. Lot includes a black period hat not pictured. $600 - $800.
  • 1910s Extra Small Lace Dress Tea Party Edwardian Victorian Wedding Bridal Bridesmaid White Formal Steampunk Gown Titanic Deco Vintage Gibson
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    1910s Cotton Lace Dress with High Collar, 3/4 length sleeves, tassel & belt detail attached at back, lace hemming at bust, sleeves and skirt bottom. Condition: Good. Condition of garment is consistent with age, has a few rust spots smaller than a dime or pin, but not visible to the casual observer. Sizing: Extra Small. Dress measures 36" bust, 24" waist, 33" hips. Dress measures 57" from shoulder to hem. Closure: hook & eye closures. Trying on: If you are in Los Angeles, an appointment can be made to try on this garment. Please give us 3 business days notice via e-mail, or call us in shop for prompt attention at 310-455-2998. Additional Notes: Please note that due to the nature of vintage clothing, ALL ITEMS ARE SOLD AS-IS; with no returns or exchanges, regardless of fit or condition. We try our best to note each minor issue on the clothing, and price accordingly. Thank you for your understanding! To better understand our rating system on condition, here is our qualifiersExcellent: Garment is like new, with no issues and may appear to have never been worn. Good: Good denotes that the item may have slight wear, but is not easily/readily visible, and condition is consistent with age. Fair: Garment is still wearable, but has some damage (both visible & otherwise). Poor: Garment may not be wearable, but has value for design or costume purposes. Garment Care: Each Garment has been steam cleaned & examined to the best of our abilities for flaws. We try to note any easily noticeable damage in all our listings. Garments come from a smoke-free, pet-free environment & are stored in an air tight bag until shipped to you; but vintage garments may have a slight odor of mustiness due to age. Additionally, garments are shipped from a pet-free environment, but please note that we sometimes handle fur coats; so garments are occasionally around fur garments. SKU D90 Darrell Hazen
  • 1900s Small Dress Set Skirt Jacket Corset Edwardian Steampunk Victorian Tweed Plaid Costume Theater Historical Reenactment
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    1900s Costume 2 Piece Skirt & Top set with fitted waist & full length skirt. Top has extra large Puffed SLeeves & Rounded High Collars. Sleeves & Bodice are made of Polished Cotton with Velvety Raised Print of Lines & Leaves, Respectively Top is Dark Browns, Gold & Gray. Sleeves at forearm are fitted with Ruching, Top has Lace at sleeves & Scalloped Collar & Waistline Detail. Skirt is high waisted with matching velvety brown material to top, Black & Brown Plaid Insets, Chocolate Brown Velvet Bows all over, Long Train. Age of set is uncertain seems like a film garment from the 1960s? Condition: Good. Condition of garment is consistent with age. Sizing: Medium. Skirt measures 24" 26" waist, 44" hips. Top measures 33" bust, 26" waist. Skirt measures 42" from waist to bottom hem in front & back train is 47", Top measures 17" from shoulder to waist (22.5" to bottom of scalloped detail), Sleeves measure 24.5" long. Set is shown on Pamela, who measures 5'3" tall, 32" bust, 23.5" waist, 33" hips. Closure: hook & eye closure at top of skirt & hook & eye closure at front of top. Trying on: If you are in Los Angeles, an appointment can be made to try on this garment. Please give us 3 business days notice via e-mail, or call us in shop for prompt attention at 310-455-2998. Additional Notes: Please note that due to the nature of vintage clothing, ALL ITEMS ARE SOLD AS-IS; with no returns or exchanges, regardless of fit or condition. We try our best to note each minor issue on the clothing, and price accordingly. Thank you for your understanding! To better understand our rating system on condition, here is our qualifiersExcellent: Garment is like new, with no issues and may appear to have never been worn. Good: Good denotes that the item may have slight wear, but is not easily/readily visible, and condition is consistent with age. Fair: Garment is still wearable, but has some damage (both visible & otherwise). Poor: Garment may not be wearable, but has value for design or costume purposes. SKU D268. Garment Care: Each Garment has been steam cleaned & examined to the best of our abilities for flaws. We try to note any easily noticeable damage in all our listings. Garments come from a smoke-free, pet-free environment & are stored in an air tight bag until shipped to you; but vintage garments may have a slight odor of mustiness due to age. Additionally, garments are shipped from a pet-free environment, but please note that we sometimes handle fur coats. Darrell Hazen
  • 1900s Medium Dress Skirt Blouse Set Folk Hungarian Peasant Fairy Tale Boho Renaissance Faire Wedding Game of Thrones Cosplay Fantasy Brave
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    1900s Gorgeous one of a kind Green Silk Damask Brocade Blouse & Skirt Set with Matching Jeweled Collar (or Headband), Lace Apron & Skirt Set. Blouse has Lace 3/4 length sleeves with scalloped edges, gold trim, gold lace, lace up style front with gold buttons & gold fringed rope, scalloped edges to hem of blouse & slight v-neck. Blouse is lined in cotton muslin, and has hook/eyes to attach to top of skirt. Collar is made of gold lame lace, green silk damask brocade & Green & Clear Rhinestone with gold sequin details with a gold lame bow in back. Matching Apron is made of hand crocheted lace with gold lame crocheted lace trim. Skirt is high waisted cut with a full a line midi length, in matching green silk damask brocade with hooks to attach to blouse.
  • 1900s Small Dress Victorian Lace Wedding Boho Blue Gray Edwardian Steampunk Bridal Bridesmaid Summer Crocheted Pastel Tea 1880s 1890s
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    Description: Beautiful Pastel Bluish Gray Sheer Cotton & Crocheted Lace 1900s Dress with Floral Lace & Fitted Waist, 3/4 Length Sleeves, Sheer Skirt with Lace details and Lace Capelet. Top is unlined & slightly sheer, skirt has added cotton lining. Condition: Good. Garment is in condition consistent with age. has a small dime sized hole in the front on skirt, some slight discoloration across bottom hem of skirt & at waist. Dress measurements lying flat: 34 bust (measured from armpit to armpit) 24 to snug 25 waist (measured 9 below armpit at smallest part of waist) 42 hips (measured 17.5 below armpit at largest part of hips) 18 across top shoulders 14 sleeves 52 total length of dress (measured from shoulder to bottom hem) Estimated Size: Womens Small* *this sizing is approximate as modern sizing varies in each clothing brand. Please measure yourself to ensure fit. Closure: Snaps/Hook & Eye in back of Dress. Trying on: If you are in Los Angeles, an appointment can be made to try on this garment. Please give us 3 business days notice via message. Additional Notes: Please note that due to the nature of vintage clothing, ALL ITEMS ARE SOLD AS-IS; with no returns or exchanges, regardless of fit or condition. We try our best to note each minor issue on the clothing, and price accordingly. Thank you for your understanding! To better understand our rating system on condition, here is our qualifiers: *Excellent*: Garment is like new, with no issues and may appear to have never been worn. *Good*: Good denotes that the item may have slight wear, but is not easily/readily visible, and condition is consistent with age. *Fair*: Garment is still wearable, but has some damage (both visible & otherwise). *Poor*: Garment may not be wearable, but has value for design or costume purposes. SKU D51 Garment Care: Each Garment has been steam cleaned* & examined to the best of our abilities for flaws. We try to note any easily noticeable damage in all our listings. Garments come from a smoke-free, pet-free environment & are stored in an air tight bag until shipped to you; but vintage garments may have a slight odor of mustiness due to age. Additionally, garments are shipped from a pet-free environment, but please note that we sometimes handle fur coats; so garments are occasionally around fur garments. *steam cleaning is not done to exterior of fur & leather garments, please see our shop policies for more details.
  • 1900s 1910 Small Dress Victorian Edwardian Garden Tea Party Embroidered Wedding Bridal Bridesmaid Lolita Dolly Cute Babydoll Antique Fairy
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    1900s Embroidered Cotton Dress with Pink border at neckline, skirt & empire waist. Floral embroidery at bust & hem. Condition: Fair. Garment has some discoloration to bodice & overall,some small stains the size of a dime or smaller, several holes were previously repaired in skirt. Given the skirt overhang, damage is hard to see unless dress is closely inspected. Estimated Sizing: Small. Model Maya Bon measures 32-24-34, 5'2". Dress will fit up to approximately: 33" bust, 25" waist, free hips. Dress measures 43" from shoulder to bottom hem. Closure: Snap closures & hook/eye closures in back of dress. Trying on: If you are in Los Angeles, an appointment can be made to try on this garment. Please give us 3 business days notice via message. Additional Notes: Please note that due to the nature of vintage clothing, ALL ITEMS ARE SOLD AS-IS; with no returns or exchanges, regardless of fit or condition. We try our best to note each minor issue on the clothing, and price accordingly. Thank you for your understanding! To better understand our rating system on condition, here is our qualifiersExcellent: Garment is like new, with no issues and may appear to have never been worn. Good: Good denotes that the item may have slight wear, but is not easily/readily visible, and condition is consistent with age. Fair: Garment is still wearable, but has some damage (both visible & otherwise). Poor: Garment may not be wearable, but has value for design or costume purposes. SKU D39. Garment Care: Each Garment has been steam cleaned & examined to the best of our abilities for flaws. We try to note any easily noticeable damage in all our listings. Garments come from a smoke-free, pet-free environment & are stored in an air tight bag until shipped to you; but vintage garments may have a slight odor of mustiness due to age. Additionally, garments are shipped from a pet-free environment, but please note that we sometimes handle fur coats; so garments are occasionally around fur garments. Darrell Hazen
  • 1910s Small Dress Pink Sweetheart Doll Lolita Lace Trim Peter Pan Collar Anime Cute Kawaii Titanic Tea Party Alice in Wonderland Bridesmaid
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    Adorable Pink Cotton Sweetheart Baby Doll Dress with White Lace Inset Belt, White Lace Ruffles & Mother of Pearl Buttons in Front, Peter Pan Style Collar with Crocheted Lace Trim, Full Skirt, Puffed Sleeves with Tiny Bows. Adorable! Condition: Good. Garment is in condition consistent with age. Has a few tiny holes in lace, a few small discoloration spots on collar/dress. Dress measurements lying flat: 33" bust (measured from armpit to armpit) 24.5" waist (measured 6.5" below armpit at smallest part of waist) free hips up to 47" 12.75" across top shoulders. 43.5" total length of dress (measured from shoulder to bottom hem) Estimated Size: Women's SMALLthis sizing is approximate as modern sizing varies in each clothing brand. Please measure yourself to ensure fit. Closure: Snaps in back of Dress. Trying on: If you are in Los Angeles, an appointment can be made to try on this garment. Please give us 3 business days notice via message. Additional Notes: Please note that due to the nature of vintage clothing, ALL ITEMS ARE SOLD AS-IS; with no returns or exchanges, regardless of fit or condition. We try our best to note each minor issue on the clothing, and price accordingly. Thank you for your understanding! To better understand our rating system on condition, here is our qualifiersExcellent: Garment is like new, with no issues and may appear to have never been worn. Good: Good denotes that the item may have slight wear, but is not easily/readily visible, and condition is consistent with age. Fair: Garment is still wearable, but has some damage (both visible & otherwise). Poor: Garment may not be wearable, but has value for design or costume purposes. SKU D390. Garment Care: Each Garment has been steam cleaned & examined to the best of our abilities for flaws. We try to note any easily noticeable damage in all our listings. Garments come from a smoke-free, pet-free environment & are stored in an air tight bag until shipped to you; but vintage garments may have a slight odor of mustiness due to age. Additionally, garments are shipped from a pet-free environment, but please note that we sometimes handle fur coats; so garments are occasionally around fur garments. steam cleaning is not done to exterior of fur & leather garments, please see our shop policies for more details. Darrell Hazen
  • OMG that dress!
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    Fleurie Paul Poiret, 1912 Les Arts Décoratifs
  • Old Rags
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    Ballgown by House of Clergeat, 1898-1900 Paris, Les Arts Décoratifs
  • Tumblr
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    Log in to your Tumblr account to start posting to your blog.
  • Fendi Silk & Velvet Ruffle Long Dress
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    This purple Fendi silk and velvet ruffle long dress is going to be a dreamy and romantic addition to your 'after dark poser' collection, you know which pieces we're referring to (don't pretend)...those elegant numbers that pop up on social media beside your charming Italian date and sparkling diamond accessories. Boasting a stand-up collar, cutout front, long sleeves with fluted cuffs and a long A-line skirt which fans out from the fitted waist, this dress has been fabricated in Italy from plush purple velvet. Finished with purple silk ruffles throughout, wear your Fendi dress with Dries Van Noten brocade boots for an enchanting gala look.
  • Victorian Steampunk Gothic Renaissance Velvet Top Bustled Skirt (1X, Burgundy Black)
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    Shop the latest styles of Victorian Steampunk Gothic Renaissance Velvet Top & Bustled Skirt (1X, Burgundy Black) at Amazon Women’s Clothing Store. Free Shipping+ Free Return on eligible item
  • Preowned Mexicana White Pintucked Cotton And Lace Ensemble, Circa 1960
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    A Rare Mexicana White Pintucked Cotton Skirt Suit, Circa 1960. Bishop Sleeved Blouse With Lace Cotton Frills On Cuff And Collar. High Waisted Full Skirt With Ruffled Back And Metal Zip Closure At Rear. Mexicana Was A London Boutique On Lower Solane Street Created By Fashion Illustrated And Designer Alfredo Bouret. Bouret Found Himself Sketching In The Salons Of Coco Chanel, Balenciaga And Dior After Winning A Scholarship In Mexico To Work For A Few Months In Paris.It Only Took Weeks For The Reserved Illustrator's Speed And Skill To Be Noticed By Couturier Pierre Balmain, Who Offered Him An Apprenticeship. Before Long French Vogue Came Calling With A Contract That Kept Him Busy From 1948 Until 1962, Churning Out At Least Four Pages Of Sketches A Month.Dismissing Bouret's Couture Credentials Would Be A Mistake, Considering He Was One Of The Few People Allowed Into The Notoriously Fickle Cristobal Balenciaga's Salon. "it Was Through My Love For Mexico That I Made My Career," Bouret Says. "in Fact, One Of My Mexican Sketches Inspired A Young Designer At The House Of Jean Desses. He Saw The Sketch And Designed A Collection Around It. He's Gone On To Do Some Good Things. His Name Was Valentino."Bouret Opened His Boutique 'mexicana In The 1960S With The Couturier John Cavanagh, Featuring Clothes And Accessories Inspired By His Homeland, Mexico.Source: Theaustralian

three comments

smylin
Wrote 16 days ago
nice collection

duchessbee
Wrote two years ago
Incredible! Many thanks for sharing! :)

hiddlescat
Wrote two years ago
Beautiful!

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