Bo Don Wears Miu Miu for Commons Sense Magazine by Chris Craymer
  • Peter Lindbergh Captures Amber Valletta For Zeit Magazine February 2015
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  • Scarlett Johansson by Mert Marcus for W Magazine March 2015
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    Scarlett Johansson stars as a cover girl for the March 2015 issue of W Magazine, photographed by Mert Alas and Marcus Piggott with styling by Edward Enninful. other, chanteuse, computer operating system, bombshell alien… no matter the role, Scarlett Johansson is her own woman. “When she came out of me, I was so surprised,” Scarlett Johansson told me on a cold day in December. We were at the photo shoot for this story, and Johansson, who had given birth to her daughter, Rose, just three months earlier, was wearing tight jeans and an equally snug white sweater. Her short, almost platinum hair, which would soon be covered by a Debbie Harry circa-Blondie shag wig, was slicked back. “I had a very strong picture in my mind of what my baby would look like,” Johansson continued. “And, of course, she is completely different. Perfect, but not what I’d imagined. Now, of course, I can’t picture her any other way.” Johansson smiled. As always — and I have been interviewing her regularly since her breakthrough role in 2003’s Lost in Translation — she was at once forthcoming and guarded. Johansson, who just turned 30, has been acting professionally since she was 7 and is entirely comfortable in the spotlight. (“Everyone has seen my breasts!” she said when an assistant offered her a private changing room. “I can change my top right here.”) And then, when it truly matters, she can be remarkably discreet. It was months before the public caught wind of her marriage to the French journalist Romain Dauriac. Johansson has always taken unexpected creative chances: In 2010, at the height of her movie stardom, she defied critics by acting in Arthur Miller’s A View From the Bridge on Broadway and, to the astonishment of many, winning a Tony for her performance. With the verve of a ’60s chanteuse, Johansson has recorded albums, and they are far from vanity projects. And just when she seemed a bit too art house, she took the role of Black Widow, the female superhero in The Avengers. The much-awaited sequel to that movie, Avengers: Age of Ultron (the trailer garnered 34.3 million hits in its first 24 hours online), is due in theaters on May 1. The past year was, in particular, a big one for Johansson: In addition to becoming a mom, she starred in two of the only interesting female-centric films of 2014. In the global blockbuster Lucy, she plays a woman who ingests a drug that gives her superior mental and physical abilities (telekinesis, ass-kicking), and in Under the Skin, she is a seductive, murderous alien. “I was completely naked in that movie,” Johansson said matter-of-factly. “She was a totally different species, so her nudity was kind of practical. I also had black hair. That was my idea — I didn’t think I should be a blonde sort of bombshell. Naked, but not too sexy.” As a child in New York, Johansson was fascinated with every aspect of show business. “I had a big imagination,” she said. “I particularly loved Judy Garland, and, to me, she did it all. For as long as I can remember, I wanted to be an actor. And I wanted to do everything. When you’re a kid, they send you on a lot of commercial auditions, and I was terrible at selling things. I never got those parts. I remember crying in the subway, and my mom said, ‘Look — let’s forget it. Do something else.’ And I replied, ‘No. You can’t take this away from me. I want to be an actor!’ Waiting for the B train, I had my come-to-Jesus moment.” So Johansson (and her mother, who became her manager) decided she would audition only for films. In addition to a precocious mix of sexy and cute, even as a girl, Johansson had a trump card: her deep, slightly hoarse, smoky speaking voice. “When I was young, I would talk and everyone thought I had a cold. But when I went out for films, they loved my voice. It was a different world.” In 2013, Spike Jonze capitalized on Johansson’s voice brilliantly in Her — as Joaquin Phoenix’s love interest, a disembodied computer operating system. Jonze told me that Johansson arrived every day to play the part wearing red lipstick and a cocktail dress, even though she woul
  • Swim 2 2015 Victoria's Secret Water Babies On St. Barts Beaches
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  • Saskia de Brauw by Paolo Roversi for W March 2015 Fashion Copious
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    W March 2015 Photographer: Paolo Roversi Stylist: Edward Enninful Hair: Malcolm Edwards Makeup: Fulvia Farolfi Model: Saskia de Brauw
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    Rihanna was positively captivating, as she floated down the red carpet of the 2015 Grammy Awards at the Staples Center in Los Angeles, California on Sunday
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    Rihanna was positively captivating, as she floated down the red carpet of the 2015 Grammy Awards at the Staples Center in Los Angeles, California on Sunday
  • Signe Vilstrup Captures Aia Busk In Futuristic Goddess Beauty For Dansk Magazine Spring/Summer 2015
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    Danish photographer Signe Vilstrup captures an extraordinary set of beauty images featuring mod...
  • Signe Vilstrup Captures Aia Busk In Futuristic Goddess Beauty For Dansk Magazine Spring/Summer 2015
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    Danish photographer Signe Vilstrup captures an extraordinary set of beauty images featuring mod...
  • Signe Vilstrup Captures Aia Busk In Futuristic Goddess Beauty For Dansk Magazine Spring/Summer 2015
    anneofcarversville.com
    Danish photographer Signe Vilstrup captures an extraordinary set of beauty images featuring mod...
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  • 'The Affair' Star Ruth Wilson Poses in The Edit, Opens Up About Sex Scenes
    fashiongonerogue.com
    tar of “The Affair”, Ruth Wilson, appears in the January 2015 cover story of The Edit from Net-a-Porter. Photographed by Steven Pan and styled by Tracy Taylor, the British actress wears Mexican-inspired fashions from top designer labels. Wilson won a Best Actress Golden Globe for “The Affair” where she plays a woman who experiences loss, betrayal and an affair with co-star Dominic We Although the show has...
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  • Miranda Kerr by Terry Richardson for Harper’s Bazaar US February 2015
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    Miranda Kerr covers the February 2015 issue of Harper's Bazaar magazine, photographed by Terry Richardson and styled by Joanna Hillman. iranda Kerr is walking around her Miami hotel room wielding a large blunt object. It's a crystal, cast in heavy metal, scented with sandalwood, very Game of Thrones. But this one — which I'm too scared to touch, lest I curse it — is a healing crystal that she sleeps with every night. Instead of sounding like a hippie, though, when Kerr talks about her crystalline ways she comes off as rather practical. Her Australian accent doesn't hurt. When she talks about "clearing energy," she makes it sound like going to buy milk. "It's rose quartz," she says brightly. "And then I clear it with the energy of the sun or the moon every three days." She waves it in front of me like an instructional. Kerr, who just returned from a hectic two weeks of travel in Europe, laments that she is looking decidedly beach inappropriate. Should we all look as such: campaign-ready in a Stella McCartney checked jacket, tight black trousers with mesh sides, and a conservative (from the front, at least) white long-sleeved top that has virtually no back. She may be dressed too warmly for Miami, but Kerr, 31, is managing her heat just fine. Her relationship with Louis Vuitton designer Nicolas Ghesquière, which began when he was at the helm of Balenciaga and cast the then Victoria's Secret Angel in its Spring 2010 runway show, continues to shape her career. "Nicolas cast me before I was pregnant," she recalls. "Then while I was pregnant, and after …" Along with Kerr's now four-year-old son, Flynn (with ex-husband Orlando Bloom), a new career was born. Kerr credits Ghesquière with launching her into high fashion. "He really believed in me in a world where a lot of people don't," she says. "If you're in a certain category, they keep you in that category. I started more commercially, and sometimes it's hard to go the other way, you know?" After Balenciaga came a Prada show and ad campaign, shoots with Steven Meisel, three million Twitter followers, five million on Instagram, and here she is. There are few models other than Kerr who can represent Louis Vuitton while selling Swarovski rings and also designing a line of Royal Albert teacups. "I have to approach my career with a wink," she explains. "Otherwise you can be really self-critical, because there's always someone else. I've struggled with that. The perception is that I have it all. But in the modeling industry — and I've been in the industry since I was 13 — it's not all what it appears to be. People don't realize that." It was with an eye to lasting success that in 2009, Kerr launched Kora Organics, her hugely popular skin-care line. All of this adds up to an apple-cheeked income upwards of $7 million a year. So far, so sensible. Indeed, Kerr calls herself a "nanna" (Australian for grandma), but like her trousers she's got more than a little sass. As tabloid readers are aware, Kerr, who is single, is big with the boys. Depending on the day, Justin Bieber and Bloom are fighting over her, or she's dating Tom Cruise, Steve Bing, or a buffet of L.A. modelizers. "Some of the stuff that gets written, there's not one bit of truth to it," she says. "Not even a smidgen! But if you worry about what other people think, it's just a downward spiral." Contrary to the press, Kerr isn't dating much at all. "I'll go on a date here and there if it works. But at this point my priority is my son. I'm not looking for a relationship. I'm just not." But being a girl about town, she has some opinions on the business of courtship. Having dispensed some advice at a recent dinner, I asked Kerr to share her wisdom. Ever diligent, she'd made notes prior to our interview. (She has in fact already written two books for young ladies, Treasure Yourself and Empower Yourself.) "Men don't want to be disrespected, and women feel the best when they feel cherished," she says. "So if a woman is feeling cherished, she will respect a man, and if a man's feeling respected, he will cherish a woman. It doesn't n
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  • Kendall Jenner Is 'High Mighty Snapped By Patrick Demarchelier For Vogue US February 2015
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  • Tessa Bennenbroek In 'New Land' By Pieter Henket For Mojeh Magazine January 2015
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  • Retro 1960's Swimwear, Beachwear and Surf Fashion
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  • Lara Stone Models Getaway Fashion for Mario Testino in Vogue China
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    Captured on Croatia’s coastline, model Lara Stone shows off the best of getaway style with this photo shoot featured in Vogue China’s February 2015 issue. The images were snapped by Mario Testino with styling by Tonne Goodman putting a spotlight on colorful prints from top brands like Dolce & Gabbana, Balenciaga and Celine. Lara trades in the steamy style of her
  • Katryn Kruger by Quentin de Briey for Vogue UK February 2015
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    Katryn Kruger stuns in a beautiful story by Quentin de Briey for the February 2015 issue of British Vogue magazine, styled by Agata Belcen.
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  • Herieth Paul In 'Creativity Takes Courage' By Walter Chin In Glass Magazine Fall 2014
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    Wild Thing--Things get wild for the October issue of Red Magazine where model Sam Rayner dons fur and shearling styles from the latest collections. Max Aba
  • Sandrah Hellberg Sizzles In Cafe Magazine May 2013 by Martin Petersson
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    Bara--Going from grunge rock to sophisticated style comes easy for model Bara Holotova in this new shoot captured by Patrik Andersson. The dark-haired beau
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