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An art collage from October 2013

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    orientalfurniture.com
    This is an extraordinary photograph, as well as an extraordinary piece of large wall décor. Almost two and a half feet square, it's a stunning view of the base of Paris' Eiffel tower on a sunny afternoon, with beautiful cotton clouds hanging at the horizon. Architectural and urban photography can make wonderful wall décor, as the symmetry of the design and the wonder of the engineering can make compelling subjects. Extra large two and a half foot square size wall art print. Stunning photo of the base of the Eiffel Tower in Paris, France. Printed on fine art canvas stretched on sturdy, mitered wood frame. Ships stretched and ready to hang, as shown. From a collection of outstanding reproductions of fine art & photography. We offer a wide selection of images of the Eiffel tower, as well as Parisian and European landmarks generally, in our double printed canvas room divider collection. If you have a taste for outstanding man made creations take a few minutes to browse our wall art and room divider collections, you won't be disappointed.
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    orientalfurniture.com
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    2modern.com
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    bluefly.com
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    2modern.com
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    2modern.com
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    2modern.com
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    bluefly.com
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    purehome.com
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  • Magnum Photos Photograph (-)
    yoox.com
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    2modern.com
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    2modern.com
    Parvez Taj is a visionary artist and pioneer of UV inks as a fine art medium. To achieve his original images he freely mixes photographs, UV inks, water-based and acrylic paints with a variety of substrates such as aluminum, canvas, cork and recycled woods. Each of these pieces is an example of his out-of-the-box thinking and international inspiration. Canadian born and raised, Parvez currently lives in Los Angeles. Features. Made in USA. Materials: Canvas. Eco-friendly, solvent free ink on canvas. Arrives ready to hang. Includes a certificate of authenticity. Artist's signature on the front. Dimensions (inches): Small: 30W x 15H x 2D. Medium: 40W x 20H x 2D. Large: 50W x 25H x 2D. XLarge: 60W x 30H x 2D.
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