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  • Zanotta - Liza Armchair
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    Zanotta - Liza Armchair
    Liza is a design by Leviore Altherr Molina for Zanotta. The chair is available in different variants upholstered or as swivel chair. Liza is a cushioned armchair with straight outlines. The rectangular seat is framed by a collar-like rest for the back and the arms, being as well the reason for the exceptional appearance of the chair. Liza reveals elegant wooden lags of massive oak or walnut from under the textile coat. The fabric cover is removable and also available made of leather. The Liza series is available with different seats and bases and suitable to be used in the living room, the office or public rooms.
  • Knoll International Knoll - Saarinen Tulip Chair
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    Knoll International Knoll - Saarinen Tulip Chair
    1953 Entwarf Eero Saarinen die erste Version des Tulip Chairs und schuf damit die Grundlage eines revolutionären Designklassikers unter den Sitzmöbeln – nie zuvor gab es einen Stuhl, bei dem sich Fuß und Sitz zu einer geschlossenen Gestalt verbinden. Eero Saarinen designed the first version of the Tulip Chair in 1953 and created therewith the base of a revolutionary design classic among seating furniture – there has never been a chair before that connected foot and seat to one closed form. In cooperation with the manufacturer Knoll, the Tulip Chair has been further developed. 1956 The chair finally came to the market with its characteristic shape that it still wears. The purist designed Tulip Chair reminds us of a tulip as its name says, combined with classic Scandinavian design. The background of the design of the Tulip Chair is described by Eero Saarinen: “I wanted to order the confusing feet mixture. I wanted to make a unity out of a chair again.” This made the four-feet chair as one knows it, a one-feet chair. The seat of the Tulip Chair is made out of plastic and reinforced with fiberglass. It sits on a trumpet-shaped base which is made out of weightless metal and has a Rilsan-surface coating. Moreover the chair is available in different editions: Initially there is the choice between a chair with armrests and one without them. The Tulip Chair can be ordered in a swivel version or standing, furthermore one can choose an upholstered seat or a separate cushion for it. The coatings are available with numerous different fabrics and colours. Also the chair itself is produced in black and white. Of course we would be glad to suggest you about colours, forms and tissues for your individual Tulip Chair! More details: Characteristics: The Tulip Seating furniture collection by Saarinen includes an armrest chair, a chair without armrests, with swivel base or fixed foot and a stool. The chairs are available whether with an upholstered cushion or wholly upholstered seats with seat cushion. The swivel chair with upholstered seating cushion fulfills the collection. The KnollStudio logo and the signature from Eero Saarinen are printed on the lower part of the foot. Construction: Pillar foot out of cast aluminium with Rilsan coating on all black and white models. The platin coloured pillar feet have a polyurethane coating with transparent finish. The bowl is made out of fiberglass reinforced plastic. Surface: Bowl and frame are black, white or platinum coloured. Wholly upholstered seats with seat cushion with different fabrics available. For chairs with seating cushions there are many different fabrics and Spinneybeck leathers available to be chosen. Awards: Award of the Museum of Modern Art, New York, 1969 / Federal Republic Prize for product design / “Gute Form”, Germany, 1969 / Award for design career of Design Centers Stuttgart, Germany, 1962.
  • Artek - Rival Chair KG 002 (high)
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    Artek - Rival Chair KG 002 (high)
    Rival is the result of the first collaboration between Artek and the German designer Konstantin Grcic. A re-interpretation of the classic wooden chair for the home or the office. Rival is a universal chair for the home, public rooms or the office. Anchored in the Artek design tradition, Rival represents a re-interpretation of the traditional wooden chair. Thereby the designer used the favourite material of Alvar Aalto – co-founder and embossing character of the Artek design. Each leg of the Rival chair is made of one piece of birch wood, while the armrests and backrests are made of birch lamellae. The high backrest of the KG002 hold your back and lead the movements of the sitting person. The rotatable seat of Rival keeps the user mobile and it is therefore also wonderfully suitable to be used as office chair. The name Rival doesn’t represents rivalry, but self-confidence. It describes the powerful history of Artek and Alvar Aalto. It doesn’t look back, but it proudly says: ‘This is how furniture is made today’. Konstantin Grcic. The Rival chair is available with legs and backrests of clear birch wood or coloured, as well as with a plastic seat of polypropylene in different colours. The seat cushion can be ordered made of leather or 3D rope-fabric. The KG002 with high backrest is also available with a low backrest as KG001 edition.
  • Republic of Fritz Hansen Fritz Hansen - Series 7 Chair - Anniversary Edition 2015
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    Republic of Fritz Hansen Fritz Hansen - Series 7 Chair - Anniversary Edition 2015
    The anniversary edition due to the 60 th birthday of the Series 7 is inspired by the old saying "Opposites attract". With the limited edition by Fritz Hansen everything is revolving around contrasts – both for materials and colours.. In 1955 Series 7 was designed by Arne Jacobsen. For manufacturing purposes, Jacobsen experimented with his new technique of converting coating bond scale boards. Rapidly, the elegant chair achieved worldwide success which even after 60 years did not loose a bit of its great appeal. Design Icon as Special Edition To celebrate this jubilee, Fritz Hansen presents the chair in contrasting colours. On the one hand dark blue and pink strongly contrast each other, on the other hand they also interact with each other and create a calm and elegant look which is both attractive and complementary. The masculine look wins over with its dark blue seating shell and its matching dark frame. The feminine version delights with the soft pink shell and its frame in glossy golden tone. For the 60 th jubilee of the design icon, there is a golden disc at the bottom side of the seating shell of every exemplar. The exclusive design of the special edition warrants that the Anniversary Editions 2015 become a famous design classic in the future.
  • Normann Copenhagen - Form Armchair, Wood Legs
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    Normann Copenhagen - Form Armchair, Wood Legs
    The Form armchair with wooden legs by Normann Copenhagen is a chair, whose classic and also modern design is suitable for all kinds of purposes and places. Simon Legald designed the Form armchair from Normann Copenhagen with the aim of creating a rocking chair with unique design. The seamless appearance was reached by Legald in order to connect the legs with the chair on a different way: The seat has plugs for the legs. This results in soft connections without hard edges – the legs look like they were growing out of the table. Minimalistic and soft design The Form armchair with wooden legs is a modern chair with a wooden base, which fits in all kinds of rooms with the minimalistic expression it has. The contemporaneous design of the chair with wooden legs looks inviting and familiar, being not only suitable for the living room, but also for the office and conference rooms. The shape of the seat of the Normann Copenhagen Form chair supports the back while sitting on the chair, offering comfort and stability with minimalistic and soft design. The Normann Copenhagen Form chair is also available in other colours, with. Steel legs and without armrests.
  • Carl Hansen - CH07 Shell Chair
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    Carl Hansen - CH07 Shell Chair
    The CH07 shell chair is a classic piece for life. The wide and the softly swung seat is inviting and minimalistic at the same time – this is a quality, which predestines the classic lounge chair for many purposes. The designer Hans J. Wegner was inspired by classic shapes when he designed his CH07, transforming them into a timeless lounge chair. The three legs set some design accents and spreads uniqueness, while the slim shape signalizes weightlessness without looking overloaded in small rooms. Sculptural lounge chair The shell-form is responsible for the name “Shell Chair” with which the chair of 1963 was (and is) well-known. The sculptural chair was highly modern when it emerged, since it was celebrated by the experts of the press, while the purchasers remained hidden and doubtful. Finally the prices of second hand specimen raised, and Carl Hansen decided to produce the classic chair once again in 1998. Carl Hansen produces the CH07 rocking chair out of form-pressed plywood. The armchair is also available with a cushioned seat and backrest with textile or leather coating.
  • Artek - Karuselli Lounge Chair
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    Artek - Karuselli Lounge Chair
    One of the most famous designs of Yrjö Kukkapuro is the Karuselli Lounge Chair, which is produced by Artek according to the original designs since 2014. The lounge chair designed by Charles & Ray Eames in 1956 represents the whole category of the lounge chairs and it also inevitably influenced the design by Yrjö Kukkapuro and the Karuselli Lounge Chair. But unlike Eames, Kukkapuro used fiberglass instead of wood for the seat of the opulent armchair, offering a curved shape to it, which perfectly adapts to the user’s body. The additionally big leather cushioning makes the chair even more comfortable. The name of the chair was given to it because of the metal hooks, with which the chair can easily be turned or rocked. It is available in white and with a suitable ottoman as well.
  • Kartell - Clap Chair
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    Kartell - Clap Chair
    Clap is an elegant chair, which doesn’t only look gorgeous in public areas. The small armchair by Kartell also fits in modern and stylish living rooms. Patricia Urquiola designed the Clap chair for the Italian manufacturer Kartell. With Clap, the Spanish designed another armchair, which looks harmonic in different furnishings with its characteristic, soft and charming shape. The robust fabric makes the chair resistant and durable. Kartell produces the Clap chair with a polyurethane seat coated with the polychromatic melange fabric, since the manufacturer is a specialist for plastic furniture. The seat is made of thoroughly dyed thermoplastic techno-polymer, which is a treasure of modern industrial technique. The Clap armchair is available in all the Kartell colours.
  • Löffler - Orgone Chair
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    Löffler - Orgone Chair
    The Orgone chair was created in 1993 by Marc Newson. The original design was made for a limited furniture set consisting of aluminium which Newson designed in his Studio “Pod” in Paris. A plastic set for the mass-market followed after a short period of time. The Orgone chair, made by Löffler today, consists of polyethylene and can be used in- and outside. The coloured plastic is produced out of one single piece, moulded in a complex rotation process. Marc Newson is one of the most internationally renowned and successful designers. His – open in the top and bottom - Orgone chair in its smooth, organic design, already counts to absolute design classics. This cult object is exhibited in numerous, international renowned museums. The Orgone Chair is ergonomic and really comfortable, despite or just because of the organic structure. The Orgone Chair by Marc Newson is available in the colours traffic black (RAL 9017), traffic red (RAL 3020), white aluminium (RAL 9006) and traffic white (RAL 9016).
  • Magis Design Magis - Tuffy The Wild Bunch Chair
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    Magis Design Magis - Tuffy The Wild Bunch Chair
    Tuffy is a piece of furniture out of the “The Wild Bunch” family by Magis. The collection designed by Konstantin Grcic started with the Tom & Jerry series in 2011. Konstantin Grcic included typical industrial elements being inspired by traditional workshop furniture, which he translated into functional and appealing pieces. That’s how Tuffy the chair is rotatable thanks to its intelligent construction and the screw thread out of fiberglass-reinforced polypropylene and its height is also adjustable between 42 and 61 cm. The seat and the base are made of massive beech wood. Tuffy convinces with an interesting mix of materials of wood and polypropylene – like all the members of the family The Wild Bunch.
  • Classicon - Sedan Chair
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    Classicon - Sedan Chair
    The designers Lyndon Neri and Rossana Hu designed a chair, which is very attractive because of the weightless and elegant shape: The Sedan Chair. Like usual, the design duo focussed on the interplay of opposites and the contrast between frame and seat. The seat and the frame are made of different materials, which complete each other harmonically and transmit exciting opposites at a time. Very classic is how Sedan appears when it is chosen with a white plastic set and a wooden base of oak wood. The frame is made of massive wood and therefore very resistant. Lacquered, the wood is protected from influences and it shines with an elegant finish. The curved seat of polyurethane adapts to the straight-lined frame of massive wood. A high level mix of materials. The Sedan series by neri&hu is ideally suitable to be used in both private and public rooms. Elegant chairs with character. Comfortable and very stylish. Available in more colours.
  • Magis Design Magis - Traffic Platform
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    Magis Design Magis - Traffic Platform
    The Traffic Platform is a chair of a special kind: Partly a sofa and partly a lounge chair – this one is a seat by Magis, which breaks denomination categories. The shiny, very slim metal structures of the Magis Traffic Platform represent visual contrast to the voluminous cushions. The whole construction of the armchair was kept geometrically and completed by a technical language of form, like it is typical for the designs of the German designer Konstantin Grcic. Magis produces the Traffic Platform with a frame made of powder coated steel and cushions of polyurethane foam. The removable pillowcase of the Kvadrat fabric Steelcut Trio shines with multifaceted colours and robustness. The Traffic Platform by Magis is also available in further colour combinations. All the other products of the Traffic series by Grcic are available as well.
  • Magis Design Magis - Troy Chair PP / four-legged
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    Magis Design Magis - Troy Chair PP / four-legged
    Troy is a versatile design created by Marcel Wanders for Magis. The chairs collection includes different chairs for private usage or public rooms, suitable for every place depending on the seat, frame and material of it. The polypropylene seat of the Troy chair is placed on a steel tube frame, which picks up the withdrawing image of Troy. The polyester coating is the reason why the Troy chair can be used inside and outside of the house. The possibility of stacking the chairs (max. 6 Chairs) is a great method to store the chairs without the need of much space. The versatile Troy chair is available in different variations with all types of bases and painted in various trendy colours.
  • Flötotto - Pro 6 Armchair, four-legged-wooden star frame
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    Flötotto - Pro 6 Armchair, four-legged-wooden star frame
    Ergonomics and practicability: Flötotto presents a combination of classic design with highly modern advantages with the four-legged Pro 6 armchair with wooden base. This makes it multitalented. The Flötotto Pro 6 armchair is wonderfully suitable for homes thanks to its wooden frame. The Pro collection was originally developed by Konstantin Grcic to be used in schools. Convinces by the concept, the designer developed a whole collection, which is also suitable to be used in object rooms and private houses. The Pro 6 chair with wooden star-base is one of these further developments. Ergonomic and flexible. The four-star base is the reason why the Pro 6 chair is wonderfully suitable to be used in private homes. The flexibility of it makes it also suitable to be used in offices. The ergonomic backrest and the round seat moreover add flexibility to the user while sitting on the chair. The backrest adapts to the back of the user, supporting him while working in the office or at home. The spinal column is trained since the backrest moves if the sitting position of the user changes. The armrests keep the chair more comfortable than other chairs, making this one suitable to sit on it and relax for a longer time. Many variants All of the chairs of the Flötotto Pro series are also available with a cushion and without armrests. The cushion cannot be ordered afterwards, since it is directly fixed at the seat with a drill bit. A swivel chair and further bases are also available – more variants ensure to offer the right Pro 6 chair for every place. We will gladly advise you for individual configurations of the Pro chair.
  • Magis Design Magis - Pipe Chair
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    Magis Design Magis - Pipe Chair
    The Pipe series was designed by Jasper Morrison for Magis in 2009. Morrison concentrated on industrial materials and combined them with a modern, curved look. The frame of aluminium tube as well as the seat and the backrests of perforated aluminium sheets are available in polyester painted editions for indoor and outdoor use, as well as in a polished edition (to be used inside). Both editions are fire resistant and they are therefore usable in public places with according fire protection regulations. Moreover there is a variant of the Pipe chair with beech plywood seat and backrest (natural or with the colour of wengé), which is the reason why the chair has a natural hint. The Pipe chairs encourage ergonomic and balanced sitting comfort. The possibility of stacking them is also practical, although only a total of two chairs can be piled.
  • Magis Design Magis - Troy Armchair PC / four-legged
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    Magis Design Magis - Troy Armchair PC / four-legged
    Troy is a versatile series of chairs created by the Netherlands designer Marcel Wanders for Magis, which he continued developing since 2010, completing it with new models from time to time. The big selection of different seats and is the reason why Troy is suitable to be used in the office, in the living room or in public places because of the stacking function. The stackable armchair made of a polycarbonate seat and a chrome-plated base is especially robust and resistant. The withdrawing design is suitable to be used in the living room as well as in restaurants or coffee shops. Troy is also available in further colours, with different bases or with relief decoration.
  • Magis Design Magis - Troy Chair
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    Magis Design Magis - Troy Chair
    Unmistakable the Troy Chair wears the hand-writing of its creator Marcel Wanders. The simple chair possesses a richly decorated high relief décor on the external part of its seat and connects therewith classic and modern elements. Marcel Wanders designed Troy for the Italian company Magis. Following his motto “I am inspired by what is beautiful”, Marcel Wanders offered his Troy chair a classic romantic pattern with flowers and vines. The opulent pattern exceptionally ornaments the seat and possesses the same colour as this one. That is how the pattern doesn’t crowd to the front and becomes a decent visual highlight at the elegant Troy chair. The ergonomic seat of Troy consists of beech plywood and lies on a filigree frame out of steelrod. The chair with desir is part of a whole chair collection by Magis and Marcel Wanders: Troy is available with and without armrests, with and without décor and also in different colours.
  • Magis Design Magis - Troy Chair wood / sled frame
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    Magis Design Magis - Troy Chair wood / sled frame
    Troy is a versatile series of chairs created by the Netherlands designer Marcel Wanders for Magis, which he continued developing since 2010, completing it with new models from time to time. The big selection of different seats and bases (star base, sled frame, four-legged frame) is the reason why Troy is suitable to be used in the office, in the living room or in public places because of the stacking function. The Troy chair by Magis is presented with an interesting mixture of materials with the wooden seat made of beech plywood and the sled frame made of chrome-plated steel. The possibility of stacking the chairs (max. 6 Chairs) is a great method to store the chairs without the need of much space. It is ideally suitable to be used outside, at events, in the classroom or for many other purposes. For those of you who prefer exceptional things, the Troy chair is available in many other editions or as office chair with castors and a four-star base. The seat is available coated with fabric, with relief decoration or in further colours.
  • Flötotto - Pro 6 Armchair, four-legged wooden frame
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    Flötotto - Pro 6 Armchair, four-legged wooden frame
    Ergonomics and practicability: Flötotto presents a combination of classic design and modern advantages with the Pro 6 armchair with four-legged wooden frame. This is why it is multitalented. The Pro 6 armchair is wonderfully suitable to be used in living rooms because of the wooden frame and the armrests. The Pro series by Konstantin Grcic was originally designed to be used in schools. The designer and Flötotto made a whole collection out of it, to be used in object rooms and private places, since they were convinced by the concept. The Pro 6 chair with the wooden frame the is one of those developments. Ergonomic and flexible The four-legged wooden frame is the reason why the Pro 6 chair is especially suitable to be used in living rooms. Its flexibility also makes it usable for more purposes. The ergonomic backrest and the round seat of it furthermore encourage flexibility. The backrest adapts to the back, supporting it in our everyday life. The spinal column is reinforced and the back musculature becomes stronger since the backrest moves when the user changes the sitting position. The armrests add comfort to the chair, which is the reason why it is possible to sit on this chair for a longer while. Many editions All the swivel chairs of the Flötotto Pro series are also available with a cushion and without armrests. The cushion cannot be installed after the chair was bought without it, since it has to be included in the production process because it is fixed with a special drilling method. So if you’d like to have a cushioned chair, you will have to order the cushion from the beginning. A swivel chair and further frames are also available – a big selection ensures to include the suitable chair for every place. We will gladly advise you for individual configurations.
  • Driade - Nemo Chair
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    Driade - Nemo Chair
    The Nemo chair with the characteristic face-form was designed by the architect and designer Fabio Novembre for the Driade Store collection. Human shapes have always been a huge influence for the Milan designer, and the unmistakable main inspiration at the Nemo Chair. Visually the Nemo Chair reminds of the classic Venetian theater masks. The high backrest and the deep seating shell make Nemo an ideal retirement place and promise quietness and relaxation. There are “eyes” in the backrest so that the user can still be a part of its environment, even if he is hiding. The Nemo Chair is produced by the Italian manufacturer Driade as part of its Store collection. The material of the chair is polyethylene. The firm-standing variant is extremely robust and therefore adapted for the indoor and outdoor use. Moreover Nemo is available in a swiveling version. This one should only be used inside. Driade offers both variants of the chair in further colours.
  • Moroso - Take A Line For A Walk
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    Moroso - Take A Line For A Walk
    Häberli brings out the communication abilities of the object and the emotional bond which it can create: The chair draws on an archaic yet extremely modern visual force which recalls the idea of a cocooning, motherly comfort, with the big ears which can be wrapped around the head in search of protection or isolation from the surrounding environment. According to Alfredo Häberli, the ears lounger emerged in a working procedure called Rapid Prototyping. At that time, Häberli read a book about the artist Paul Klee, whose explanation was to “take a line for a walk” – this is how the designer called his creation in the end – that’s the story of the inspiration for the weightless design of a lounge chair with enormous wings. One year later, the upholstered edition emerged – another small detail in this autonomous structure. More details: Design: Alfredo Häberli, 2003. The model TAKE A LINE FOR A WALK cannot be undressed. Steel frame in cold-foamed foam and Polyester cotton. Frame, steel tube kaon grey or grey varnished. Chromium foot rest. Spinning mechanism kaon grey varnished. Different qualities, different Kvadrat fabrics (extra charge). Armchair Take A Line For A Walk is also available with foot rests. We’re glad to advise you by phone or E-Mail if you have questions regarding the different fabric variants.
  • Normann Copenhagen - Era Rocking Chair low
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    Normann Copenhagen - Era Rocking Chair low
    Classical, inviting, nostalgic and curvilinear - this is the way the Era Rocking Chair low by Normann Copenhagen presents itself. Designer Simon Legald created the rocking chair for the Danish manufacturer and demonstrates impressively how modern and style-consciously such a nostalgic furniture can appear. The Era Rocking Chair low by Normann Copenhagen creates an atmosphere of homeliness For the design, Simon Legald set value on clear lines and even proportions. A real target audience for the Rocking Chair doesn't exist. The Era Rocking Chair low feels comfy and at home with either design enthusiasts, families with children, young couples or elderly people. The modern Rocking Chair stands for its high quality and durability - it is not a piece of furniture for only one year, it is a design object for generations. Because of the flexible, mobile format, the Era Rocking Chair low perfectly adapts itself to any of your furniture and design requirements. Steel reinforcements form the seating shell, the foam cushions take care of high seating comfort. The frame is made of chromed steel and lends the Rocking Chair a very noble touch. Optionally, the Rocking Chair is available either with higher (High) or lower (Low) back rest as well as in either different light-coloured, slightly mottled fabrics or in dark leather. This way, you can compile the perfect design for your interior fitting on your own.
  • Normann Copenhagen - Form Armchair, Steel Legs
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    Normann Copenhagen - Form Armchair, Steel Legs
    The Form armchair with steel legs by Normann Copenhagen is a chair, whose classic and also modern design is suitable for all kinds of purposes and places. Simon Legald designed the Form armchair from Normann Copenhagen with the aim of creating a rocking chair with unique design. The seamless appearance was reached by Legald in order to connect the legs with the chair on a different way: The seat has plugs for the legs. This results in soft connections without hard edges – the legs look like they were growing out of the table. Minimalistic and soft design The Form armchair with steel legs is a modern chair with a steel base, which fits in all kinds of rooms with the minimalistic expression it has. The contemporaneous design of the chair with steel legs looks inviting and familiar, being not only suitable for the living room, but also for the office and conference rooms. The shape of the seat of the Normann Copenhagen Form chair supports the back while sitting on the chair, offering comfort and stability with minimalistic and soft design. The Normann Copenhagen Form chair is also available in other colours, with wooden legs and without armrests.
  • Fatboy - Beanbag Original Stonewashed
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    Fatboy - Beanbag Original Stonewashed
    To sit and lay or simply relax – the original beanbags by fatboy are versatile. For all of the people finding the standard coating to rough or glossy, the Netherlands manufacturer presented the Stonewashed variant. The Stonewashed coating was developed by fatboy in order to follow the trends of softer furniture. The Stonewashed fabric is robust and cleanable too, but softer, similar to jeans or a shirt. And it is washable just like them at 30°C. Made a 100% out of cotton, the Stonewashed fabric ensures a vintage-appearance. The Stonewashed editions act classier than the standard editions even with the same form and size. All the other qualities remain naturally unchanged: The fatboy suits in nearly every coloured ambience of living and sleeping rooms. The usage of the beanbag is versatile – use it as lounge bag or armchair in the students flat, as relaxation possibility in the office, as “motivating” cushion for children or even as spare bed for unexpected guests. It is easily and flexibly adapted in its form by the EPS-cylinders. More information: Datasheet fatboy original - Beanbag Stonewashed (PDF 3.21 MB)
  • Vitra - Amoebe Highback Armchair
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    Vitra - Amoebe Highback Armchair
    The Amoebe emerged in 1970 in several editions for Verner Panton’s famous Visiona installation. The Danish presented revolutionary new living concepts there, which are still very current and even modern. The name Amoebe shows that Verner Panton thought of living organisms in his one-piece, flowing chairs – Panton’s natural shape doesn’t know any aging. The Amoebe is a succeeded example for this type of ground-based lounge chairs and it embodies the happy-cheeky 70s. Conventional chairs weren’t desired anymore, it was about low, comfortable furniture to be used in many different ways instead. The flexible backrest of the Vitra Amoebe Highback shows up sculptural over its head and it forms a kind of canopy over the user. The Amoebe Highback armchair therewith transmits a feeling of comfort and retreat – especially in big, open rooms. Vitra manufactures the organic armchair of a laminated structure with foam cushions, which are coated with the sophisticated Tonus fabric by Kvadrat.
  • Republic of Fritz Hansen Fritz Hansen - Ro Armchair
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    Republic of Fritz Hansen Fritz Hansen - Ro Armchair
    The internationally famous, Spanish designer Jaime Hayon designed the armchair of the future together with Fritz Hansen. An armchair, which offers relaxation and a little time-out for you, away from the stressful day by day. Time to think is luxury nowadays. We all have a lot of work and hardly time to stop and think a little while. The Ro armchair from Fritz Hansen comes from the desire of furniture which will make us stop running for a moment. Ro is more than an armchair. It has 1½ seats, to relax in them, to find a comfortable position in it, to read newspapers or to configure the computer or spend time with the children - a new comfort zone. The design of the seat is simple, elegant and pleasant for the eyes and the body. In its visual expression and the comfortable functionality, Ro guarantees quietness and relaxation. Moreover the clever shape of the seat makes it possible for you to decide whether to be part of what’s happening in the room you’re in or to enter your own small comfort zone. The design premises of Fritz Hansen for the designer Jaime Hayon said that he should create “a comfortable seat for single persons”. ”We focussed on the shape of the armchair, which is inspired by the human body. Our aim was to create an armchair which would be as comfortable as beautiful. I wanted to create a slim, elegant armchair to think and sit comfortably”, explained Jaime Hayon. “Ro” means quietness on Danish. This name was chosen because it describes the character of the armchair with only two characters and which perfectly expresses the Scandinavian concept for aesthetics that way. The Ro armchair is made by Fritz Hansen according to the highest quality and processing standards. The result of this unique interplay of sculptural and elegant design is a functional and aesthetically appealing armchair, which attracts glimpses in every environment. One can only fall in love with it, since Ro doesn’t compromise in comfort or aestheticism. The relax armchair is available in nine colours: In three traditional colours (black, grey and taupe), in three shiny colours (violet, blue and yellow) and in three soft colours (light pink, sage green and sand). The armchair has different surface structures for the seat and the upholstery for a more dynamic appearance, emphasizing the contrast between the hard outside and the warm, softer inside.
  • Hay - neues dänisches Design Hay - About a Chair AAC 22
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    Hay - neues dänisches Design Hay - About a Chair AAC 22
    About a Chair by Hay is a collection with outstanding simplicity in design. With it, the designer Hee Welling compassed a new level in the combination of shape, function, comfort, detail, and aesthetic. The chairs are aware of being simple and plain and can therefore be combined without any problems with other furniture and surroundings. After the association of designer Hee Welling the About a Chair-chairs should feel home in the restaurant or in the cafeteria, and also in the office, on the homely eating table or the conference table. In this context the idea of the simplicity became a guarantor for functionality and combinability. The About a Chair AAC 22 has armrests and a wooden four-foot frame. The upholstered seat consists of thoroughly dyed polypropylene, the frame out of beech wood with soaped oak wood or stained ash veneer. A cushion is optionally available. Moreover About a Chair by Hay is also combinable with other seats and bases, e.g. As AAC 20 with a swivel aluminium base or as AAC 23 with upholstery: The seats and bases of the AAC series make up numerous combinations that will never act unwanted or by chance. We will gladly advise you for your personal configurations.
  • Arper - Saya Chair
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    Arper - Saya Chair
    A sign, a gesture, a visible symbol – that’s the Saya chair by Arper. The chair was designed in 2012 by the designer trio Leviore Altherr Molina. As if it was a signature, the Saya chair by Arper stands in the room. Expressive proportions, the unmistakable silhouette and warm material make Saya a unique piece of furniture. The sum results in more than only the single pieces: The Arper Saya inspires to embed it in different surroundings – from private rooms up to be used in public places. Arper produces the Saya chair out of massive oak wood with a finish of teak wood. The Saya chair is also available in more colours as well as with a frame out of steel. A barstool and a children’s chair are also available out of the same collection. Thanks to the unmistakable silhouette, Arper’s Saya was already honoured with the Red Dot Award 2013 and with the interior innovation award 2014.
  • Republic of Fritz Hansen Fritz Hansen - Egg Armchair
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    Republic of Fritz Hansen Fritz Hansen - Egg Armchair
    The Egg Chair offers comfort and privacy at public places. Arne Jacobsen designed the Egg for the Royal Hotel in Copenhagen in 1958. This originally formed chair became a synonym for Danish furniture design all around the world. The Egg is perfectly suitable for receiving and waiting areas as well as for private homes. The specialty at the Egg Armchair is its form that reminds of an eggshell through its curved lines. Thereby the chair invites to a comfortable seating experience and shields the sitting person from its laterals and to the back. Furthermore the backrest is bent at the upper end and reminds of a classic wings chair. That makes the stay inside of the Egg Armchair a private and restful matter, also at public places. Originally designed for the lobby of the Hotel, the designer Arne Jacobsen wanted to create a chair that would suit a high quality surrounding through its sophisticated design and simultaneously offer a bit of privacy in public rooms. The Egg is wonderfully suitable for receptions and waiting rooms as well as for private homes - with or without Ottoman. The Egg Armchair from Fritz Hansen is also available in further colours as well as with the suitable foot stool.
  • Hay - neues dänisches Design Hay - About A Chair AAC 12
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    Hay - neues dänisches Design Hay - About A Chair AAC 12
    About a Chair by Hay is a chairs collection with exceptional simplicity regarding design. The designer Hee Welling reached a new level in combining form, function, comfort, detail and aesthetics with his collection. The chairs of About a Chair have consciously been kept simple and they can therefore be combined with other furniture pieces without any problems. They are wonderfully inserted in the most different surroundings and architecture styles because of their simplicity, which is why the chairs are also predestined to be used in object areas. According to the ideas of the designer Hee Welling, the About a Chair chairs should be useful in Restaurants as well as at home, at conference tables as well as at the homely dining table. This is the reason why the idea of simplicity is a guarantee for multi-functionality and combinability. The seat without armrests of the About a Chair AAC 12 consists of painted polypropylene. The four-foot-frame is available made out of soaped oak wood or black stained oak wood. Moreover the Hay About a Chair models are also available in different combinations of seats and frame or as editions with steel-four-foot-frames (AAC 16). The seats and frames of the AAC series make up numerous combinations that never seem selected by chance or unwanted. We will gladly advise you for personal configurations.
  • Normann Copenhagen - Swell Armchair
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    Normann Copenhagen - Swell Armchair
    More than comfortable: The designer Jonas Wagell gave playful, happy appearances to his Swell armchair he made for Normann Copenhagen. Despite of it, the appeal remains Nordic and clear. There are no unnecessary details at the Normann Copenhagen Swell, since Wagell concentrated on the essence when he designed it. The precise shapes are emphasized by the soft curves of the armchair – that’s how Swell gets its inviting character and the exceptional seat comfort. Behind the soft forms of the Normann Copenhagen Swell armchair there are generously upholstered laterals and an also generous backrest – a clear reference to the name, which alludes to growing bread dough. The seams on the backside and seat of the couch divide the cushions and make the opulent appearance perfect. The designer Jonas Wagel explains: ”I was always fascinated by minimalism. However, I find it important to add a warm component and some personal details to the objects. My starting line was characterized by aesthetic and practical qualities, which are important to me when I buy a sofa. That’s the reason why Swell is coined with my personal taste.” The Swell armchair by Normann Copenhagen is also available in further colours and as Swell sofa.
  • Knoll International Knoll - Wassily Chair
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    Knoll International Knoll - Wassily Chair
    Already admired by teachers, students and visitors of the Dessau Bauhaus, where it stood in a few houses of the “master town”. And already in 1926, the production beginning year, it was honored as “masterpiece” in the exposition of the Dresden arts hall. The first steel rod lounger B 3 from Marcel Breuer – later known as “Club Lounger” or “Wassily” – soon reached publicity and was part of the interests to the Bauhaus. Finally it should cause a worldwide boom for steel rod furniture that stood for avant-gardism and the break of industrial aesthetics into privacy. With the also new black-silver contrasts which also remind of valuable jewelry and modern machines, he created “magic of precision”, as a French critic wrote. Breuer saw “apparatus of today’s life” in his furniture. They should be weightless, open, affordable, demountable and hygienic. B 3, which has also been available as folding furniture and which has been built by Breuer in his leisure time together with a locksmith, fulfilled these criteria. Therewith he connected to designs of Gerrit Rietveld among others. Breuer didn’t create an everyday object with the Wassily Chair as he desired, but a new furniture type and an “abstract-real-sculpture” (Siegfried Geidion), in whose open geometry the minimalism of new form-finders is displayed. It became a real design icon, a central symbol of modern times and not for nothing the first furniture piece that became a classic in the 60es. By the way: Numerous myths are told around the name giving of the Wassily chair. Some say that it got its name because Wassily Kandinsky was the roommate of Marcel Breuer in the Bauhaus. Others say it only has the name because the chair was a design for Wassily Kandisky’s apartment at the Bauhaus in Dessau. More details: Characteristics: A classic KnollStudio Design; produced after the original design of Breuer. The KnollStudio logo and the signature of Marcel Breuer are imprinted in the lower frame of the chair. Construction: Seamless formed round tube steel, high gloss chromed. Leather straps out of Cowhide leather, Spinneybeck Belting leather and Haired Hide. For usage on hard grounds, the skids are equipped with plastic slides. Surface: The upholstery in Cowhide leather is available in black, light brown and natural white. The upholstery in Spinneybeck Belting leather is available in a wide colours selection. Awards: The Museum of Modern Art Award, 1968 / Recognition as "Work of Art" Germany, 1982.
  • Artek - Domus Lounge Chair
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    Artek - Domus Lounge Chair
    The Domus lounge chair is an iconic piece: It has the hand-writing of his famous designer, Ilmari Tapiovaara. The armchair was originally ordered by the Domus Academica student’s residence in Helsinki (year of design: 1946). The Domus lounge chair was made with clean aesthetic, high class materials and comfortable seat position – that’s why it fast left student’s residences and entered living rooms, hotels and offices all over the world. The Domus lounge chair is made of pressed birch plywood (seat) and massive birch wood (frame). The short armrests are exceptionally suitable to rest the elbows and they also offer space for free movements. The decent design of the armchair by Artek is wonderfully suitable for modern surroundings and it also offers the highest comfort.
  • Vitra - RAR Rocking Armchair
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    Vitra - RAR Rocking Armchair
    RAR (Rocking Armchair Rod Base) is the rocking chair within the famous collection of Vitra’s Eames Plastic Armchairs. Plastic Armchairs were first presented as part of the famed New York Museum of Modern Art competition, "Low Cost Furniture Design". Their organically shaped seat shells made of fibreglass-reinforced plastic were later combined with various different bases, such as RAR's rockers and manufactured in their millions. In their latest version made of polypropylene the Armchairs now offer even greater sitting comfort. The Eames Plastic Armchair RAR is available in the colours ocean, mauve grey, cream, stone white and mustard.
  • Kartell - La Marie Chair
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    Kartell - La Marie Chair
    Philippe Starck designed the first completely transparent chair of the world. The result is embossed by bribing clearness, weightlessness and transparency. The Kartell La Marie chair has been designed with Starck’s credo of creating a reduced and with it uniform design that would consequently not age. The cast out of one only piece of polycarbonate emphasizes this clearness. The chair acts factually and still not too seriously, playful but not cheap. Thanks to the scratch- and shock-resistant material, the La Marie chair is adapted to be used inside and outside. Up to seven chairs can be stacked, to store them space saving. The La Marie chair by Kartell is available in different colour combinations.
  • Vitra - Organic Conference Chair
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    Vitra - Organic Conference Chair
    The Organic Conference is a classic piece of furniture, which isn’t really a classic: The chair by the design legends Charles Eames and Eero Saarinen couldn’t be produced in series because of a lack of technique in the 1940s. It was vitalized by Vitra in 2006 for the first time. Charles Eames and Eero Saarinen created a complete series of Oranic Chairs in different editions for the competition “Organic Design in Home Furnishing” of the Museum of Modern Art (MoMA) in 1941. The designs were futuristic formally, but they weren’t produced because of a lack of technique then. The organic seat could only be produced and distributed in bigger amounts later, so were the Eames Plastic Chair by Charles & Ray Eames or the Tulip Chair by Eero Saarinen. Vitra and the Vitra Design Museum vitalized the classic piece in 2006 with the first serial production of the Organic Chair, the Organic Highback with high backrest and headrest followed in 2008. The shape of the seats of the Organic Chairs is adapted to the seat demands of the human body. The user sits in a lower, slightly backwards inclined position in the reading chairs Organic Chair and Organic Highback, while the Organic Conference is slightly higher and more upright, supporting sitting at a table. The organic shape of and the comfortable cushions ensure exceptional sitting comfort. Vitra produces the Organic Chairs out of ash wood with polyurethane foam cushions. The sophisticated coating with the Hopsack fabric by Kvadrat ensurea robustness and longevity to the Organic Conference Chair – also in a stressing office routine.
  • Moroso - Supernatural Armchair
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    Moroso - Supernatural Armchair
    SUPERNATURAL is a trendsetting novelty in the seating furniture area: The die casting technology with glass-fiber reinforced polyamide is used for its manufacture. This production procedure means high investments for the company, but it enables the creation of design furniture with an excellent value for money, which perfectly suits the resting Moroso collection. “The structure of this new, stackable chair is less the result of designers, but much more a development”, is what Lovegroove explains, “it is a new version of the form, created by digital information that flow into an armchair for the daily use, slim, strong and healthy. The liquid, organic nature of the form melts through the most modern industrial procedures for polymer of the 21st century with the beauty of human bodies. With this high technology process, two polyamide layers are employed with glass fibre to reach a balance between structural interior characteristics and external aesthetical advantages.” More details:
  • Kartell - Papyrus Armchair
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    Kartell - Papyrus Armchair
    Papyrus is the modern version of a traditional wicker chair from the designer Ronan & Erwan Bouroullec. The refined design of the two French is realized by the Italian manufacturer Kartell in a transparent polycarbonate. Simplicity, exclusivity, grace and retrospectives melt together in Papyrus to a modern achetype of the classic wicker chairs. Despite the plastic material that Papyrus is made of, the chair plays with the construction and structure of a wicker chair with plaited seats and wooden frames: Behind the transparent seat from Papyrus hides a carrying structure that is lead through the curved surface of the backrest with its soft bowl form and that finally flows forming the frame. The classic design of Papyrus is contrasted by the used materials. The Italian company Kartell’s experience goes back to many years of manufacturing plastic furniture, now they decided to use transparent polycarbonate for the Papyrus chair. The robust material offers an extremely modern and weightless appeal to the chair. The transparent chair is offered by Kartell in a selection of colours in a retro-trend.
  • Zanotta - Throw Away Armchair
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    Zanotta - Throw Away Armchair
    The Italian tradition manufacturer Zanotta has 12 products in his collection, which have the title “Evergreen” – one of the exclusive members of this family is “Throw Away”, a series of upholstery, which was designed by the Scottish-Italian designer Willie Landels in 1965 and which is since then produced by Zanotta. Its name is today not understandable literally and hearkens that the original used foam was so cheap, that a new cover of the furniture would not be payable, and that one could throw it away and buy a new sampler. With a design-classic like that, it is advised against this action. The armchair and the sofa with the originally intended flat plastic covers became popular, before they later used other fabrics and leather as cover. Throw Away is an armchair, available as 2- and as 3-seater-sofa and convinces through its absolute timeless design. The stool of the series "Throw Away" is also available, as well as other cover fabrics and colour versions.
  • Republic of Fritz Hansen Fritz Hansen - Drop Chair
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    Republic of Fritz Hansen Fritz Hansen - Drop Chair
    It took Frits Hansen more than 50 years to re-produce the Drop chair designed by the legendary Arne Jacobsen. The classic piece came back now and it acts more current than ever. Drop has already been produced for the big masterwork of Jacobsen in 1958, the Royal SAS Hotel in Copenhagen, for which the Danish designer also created the iconic armchair Egg and Swan. The Fritz Hansen Drop is a sensitive chair with big character. The chair is fresh and vivid as if it had a new design; bit still it keeps a very special history. This makes its unmistakable personality possible, which is bigger than its simplicity might reveal on the first sight. The love for details and the unique design make up a brave and unusual statement, which makes Drop as current as when it first appeared. The backrest of the Fritz Hansen Drop unifies the feelings of a warm embrace with a lot of mobility, leading to surprising comfort. The chair elegantly fits in numerous furnishings and it is therefore an exceptional example for furniture design, which influences and upgrades the room it is in by simply being there and being beautiful. The Frits Hansen Drop chair is available in further colours, with chrome-plated legs as well as coated with fabric, leather or with cushions. We will gladly advise you for individual configurations.
  • Republic of Fritz Hansen Fritz Hansen - Minuscule Chair
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    Republic of Fritz Hansen Fritz Hansen - Minuscule Chair
    Minuscule is a chair, which impresses with its withdrawing, Scandinavian style. This designer’s piece made by Cecilie Manz fits in different rooms without any problems. The name “Minuscule” was chosen by Fritz Hansen and the Danish designer Cecilie Manz, since the chair represents unconstrained, decent style, which also characterizes Danish design in general. The also clever and uncomplicated Minuscule chair is characterized by its material: The chair connects tradition and craftsmanship with industrial processing. The seat is upholstered with a weightless but durable fabric and hand-sewn, whereby a fine leather detail emphasizes its contours. The aesthetically swung bowls are held by a frame out of plastic. This material is a contrast and also a pleasant, contemporaneous completion of the whole image. The source of inspiration for the design details: Stones that floated through the sea, reaching the beach. The soft lines of the frame also have that softness. The upholstery of the outside bowl is available in two grey tones as well as in black/white. Grey is a colour which fascinates Cecilie Manz a lot, since it is the only tone that is able to absorb all the other ones. The different colours of the bowl are combinable with different upholsteries as well. The possible colour combinations of backside and upholstery of seat are represented in the document below. The Fritz Hansen Minuscule chair fits in different surroundings: In public rooms, in offices or in private homes. The Minuscule chair is completed by the table of the series: Minuscule Table. More details: The following seats are combinable with the according upholsteries. All the numbers represent fabric colours of the fabric http://www.connox.de/kvadrat-stoffmuster-remix.html}Remix by Kvadrat. Seat 123 (light grey): Upholstery 143 (grey), 173 (dark blue-grey), 433 (rust orange), 733 (blue-green), 373 (aubergine), 933 (light green), 433 (ochre), 762 (blue), 722 (rose-blue) Seat 163 (dark grey): Upholstery 143 (grey), 173 (dark blue-grey), 783 (dark blue-aubergine), 923 (corn yellow), 753 (jeans blue), 233 (beige), 733 (dark ultramarine blue), 612 (light pink), 982 (green) Seat 152 (black/white): upholstery 152 (black/white)
  • Vitra - Eames Plastic Armchair DAR
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    Vitra - Eames Plastic Armchair DAR
    The plastic armchairs, designed by Charles & Ray Eames in the year 1950, were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic formed seats made of plastic were later combined with different bases and were millionfold produced. Their actual version, which is made of polypropylen gives you a more improved seating comfort. The Eames Plastic Armchair DAR (Dining Height Armchair R-Wire Base) is also available in other colour variations, plus seat cushion and/ or coated frame variations for the outside area.
  • Vitra - Amoebe Armchair
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    Vitra - Amoebe Armchair
    Verner Panton created several versions of the Amoebe for his famous Visiona installation in 1970. The revolutionary home concepts from that time are still current and even modern. Verner Panton was humorous – how else could the armchair have been called Amoebe? The idol of nature also ensures that Panton’s designs are timeless and don’t know any design eras. The Vitra made Amoebe embodies the happy-cheeky spirit of the early 1970s as a ground-based piece of furniture: Conventional chairs weren’t demanded anymore, it was about low, comfortable furniture instead, which were reusable. The Amoebe Armchair is ergonomically suitable to the human body in its organic and one-piece design, completely according to its unicellular model. Vitra manufactures the harmonically designed armchair in a laminated structure with foam cushioning, coated with the sophisticated Tonus fabric by Kvadrat.
  • Arper Leaf Lounge-Armchair
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    Arper Leaf Lounge-Armchair
    "Inspiration by nature and modern comfort for a complete collection“ - explained the manufacturer Arper about the idea behind the Leaf collection. A furniture group emerged, which gives new shapes to the essential, and finds its place everywhere, at home or at the outside. The Italian business convinces by the consequent producing of accomplished quality in harmony with ecological awareness and a respectful commerce with resources. Following the name is fundamental: "Leaf“, is the name of the steel furniture, which emanates simplicity. The Lounge Armchair of the series is not only nice to look at, it is also very comfortable. Its ergonomic shape invites the body to rest. In the summer of 2006 Arper presented the series on the market and still in the same year it was awarded with the Grand Designs UK Award. The steel frame is also available in further colour-tones. Also the furniture can be fulfilled with cushions that are made of polyurethane for outside (décor, with the leaves-pattern of the metal frame) and of grain leather for inside (13 different colours).
  • Hay - neues dänisches Design Hay - About a Chair AAC 23
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    Hay - neues dänisches Design Hay - About a Chair AAC 23
    About a Chair by Hay is a chairs collection with a remarkable simplicity in their design. The designer Hee Welling reached a new level in the combination of form, function, comfort, detail and aesthetics with them. The chairs of About a Chair are simple and they can therefore be combined with other chairs without any problems. They are wonderfully inserted in the most different surroundings and architecture styles with their simplicity, being also suitable for object areas. According to the ideas of the designer Hee Welling, the About a Chair pieces should be used in restaurants, in cantinas as well as at home, in the office at conference tables. The idea of simplicity became a guaranty for multi-functionality and combinability in this context. The seat of the About a Chair AAC 23 consists of polypropylene and it has been slightly upholstered with foam according to the Eco-Tex standards. Different qualities of Kvadrat fabrics are selectable. The frames consist of beech plywood with oak wood veneer or black dyed ash wood. The About a Chair AAC 23 is available with many different fabrics and colours as well as with different wooden frames or with other seats and bases, for example as AAC 21 with a swivel base or as AAC 12 with a wooden base and seat without armrests. We will gladly advise you for your individual combination.
  • Moooi - Smoke Armchair
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    Moooi - Smoke Armchair
    Each Smoke armchair by Moooi is a unique piece which possesses the unique surface structure of burned wood. Since these armchairs consist of just that: Burned wood, treated with epoxy resin and will therefore remain durable and protected. With this, an effect emerges that is similar to an amber-coating: It is admired for a long time. The charisma of the burned wood offers an unmistakable aura to the room with this exceptional piece. The majestic impress of the Smoke armchair offers the whole image an imposing note. Those that are in one room with this Moooi design piece won’t ignore it.
  • WeDoWood We do wood - Komplett Lounge Chair
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    WeDoWood We do wood - Komplett Lounge Chair
    The Komplett by We do wood is a Lounge Chair of exceptionally design-weightlessness, which moreover offers unexpectedly huge comfort. ”It is often reinforcing for the form as well as the function of a piece of furniture, if one concentrates directly on the clear and independent idea! We focus in removing unnecessary things so that the form doesn’t need much explanation when the finished product is in front of someone” , is explained by Sebastian Jørgensen. Simplicity in design with comfort and respecting nature are We do wood’s aims. Bamboo is the perfect basis for that philosophy, since the material regrows fast, it absorbs more CO2 than Nordic wood and it is furthermore resistant and stable. The Komplett Lounge Chair is a chair with attitude with additional cushions optionally available.
  • Objekten Systems emblem Objekten - Night Club Armchair
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    Objekten Systems emblem Objekten - Night Club Armchair
    Alain Berteau designed the Night Club armchair for the Belgian manufacturer Objekten. The frame-less and foldable lounge chair is perfectly suitable to relax and enjoy in it. Something special about it: The ottoman of the Night Club by Objekten is an integral part of the armchair. While the Night Club already is very comfortable when it is in the normal position, it will instantly become a lounger if desired: The footstool which looks like an oversized bolster is easily unfols, also becoming a deep, protective sitting hollow with a slight inclination. The structure of the Night Club armchair is made of steel and wood, filled with polyether foam with different thickness. The Belgian company Objekten offers the Night Club armchair with different fabrics (felt, linen, cotton, canvas and polyester) as well as with different colours.
  • Hem emblem Hem - Bento Chair
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    Hem emblem Hem - Bento Chair
    Bento is a chair out of the eponymous furniture collection by the design team Form us With Love. The reduced wooden chair delights with exceptional forms and the special functionality. Bento perfectly fits in modern and classic furnishing styles as a kitchen or living room chair because of the solid shape and the Nordic character of it. The organic swung backrest is responsible for the high seat comfort by Bento. ”The bento Chair combines the playful aspect of a mechanic toy with the functionality of a Japanese lunchbox. The wide legs refer to the tradition of wood-bending and they are a bit brave at the same time. Bento questions the idea of Nordic design” Form us With love. All of the products of the Bento series are shipped in extra-flat cardboard packages, in order to make the global transport easier and to save resources. The intelligent mounting technique of the chairs make it easy to mount them in a few easy steps. No additional tools or assembly instructions are needed for it. The Bento chair is available in different colours and with cushions if desired.
  • Hey Sign felt-cushion Eames Plastic Armchair
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    Hey Sign felt-cushion Eames Plastic Armchair
    Since 1999 the manufacturer Hey Sign produced felt innovations "made in Germany". Besides a very successful own collection, Hey Sign creates also special conditions for design classics of manufacturers such as Vitra and Fritz Hansen. The cushions of the original and unusual material fit perfectly to the silicone of the last century. Also the classic armchair Eames by Vitra. The chair comes from the legendary American design-couple Charles and Ray Eames. It was first presented in 1950 in in line with the competition "Low Cost Furniture Design" of the Museum of Modern Art in New York and belongs today to the famous chairs of the world. The organic shaped seat shell made of plastic was later combined with different frames and was produced a million times. In their actual version of polypropylene the armchairs offers a better seat comfort. This is optimated by the ant-slippery-coated felt cushion by Hey Sign. The production of felt as well as production or all the Hey Sign products is „Made in Germany“, the completion of the products is even „handmade“. The used felt material consists of pure new wool 100% without any chemicals or recycled textiles, which is documented by the known wool seal. Hey Sign is the first and only felt factory whose products have been certified according to the strict policy “The Woolmark Company”. The felt cushion is also available without anti-slippery-covering as well as in different colours. Moreover there are also double cushions available (two sewn together) with and without filling material.
  • Vitra - Panton Chair
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    Vitra - Panton Chair
    The Panton Chair is an icon of the design of the last century. It is the consistent expression of somebody's opinion of design, which wants to realise an object in only one material and a fluent form. Since its emerging in 1967 the Panton Chair by Vitra ran through several technical improvements in synthetics processing. At the end of the 90ies the last version of the chair was designed with Verner Panton. With this model it was able to reach one of his goals: The plastic chair as a cheap industrial product. The Panton Chair by Vitra, which has been designed by Verner Panton in 1999, convinces with numerous characteristics that make it something special: It resists up to 120 kg, this makes it extremely stabile with a weight of only 5.5 kg. The chair is also suitable for the most different areas and purposes without a doubt, for example it can be used in coffee-shops, at home, in public areas, waiting halls, and so on. More information: Data sheet of the VItra Panton Chair (PDF) Product Sheet to the Panton Chair by Vitra (PDF 588 KB) Ecology Information to the Panton Chair by Vitra (PDF 40 KB) Instructions for Use for the Panton Chair by Vitra (PDF 268 KB)
  • Hey Sign Felt-Cushion Eames Plastic Side Chair
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    Hey Sign Felt-Cushion Eames Plastic Side Chair
    The Eames Plastic Side Chair was created in 1950 in cooperation with Zenith Plastics for the "Low Cost Furniture Design" competition of the Museum of Modern Art. With that it was the first industrial-made chair made of plastic. The design was coined by the legendary American design-brothers Charles and Ray Eames. Now the Eames Plastic Side Chair found its matching cushion, this one optimizes the seat comfort. The solution of that comes from Germany, where the company Hey Sign designs and develops since 1999 "Innovations made of felt". In the collection found also some cushions acceptance, which were especially designed for classic-chairs by Vitra and Fritz Hansen. If in the private area, in restaurants, in waiting areas, offices or conference rooms: The Eames Side Chair wins through the flat felt cushions out of the convenient and ecologic precious, because renewable material also administrate on convenience, without an awkward factor on the concept and the design of the Vitra-classics. And thanks to the anti-slippery cover the cushion won't slip around, instead it will be stand where it should. The felt-cushion is also available without anti-slippery cover, and other colours. Moreover there are also double-cushions available (two cushions sewn together) with or without filling.
  • ClassiCon - Bibendum Armchair
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    ClassiCon - Bibendum Armchair
    Bibendum is a one of a kind. Nowhere in the history of design will one find an armchair that compares to this. It is captivatingly harmonious despite its size and unites a majestic impressiveness with charm and esprit like no other leather armchair. Eileen Gray underscored the character of her endearing parlour lion with twinkling irony, she named it after the Michelin man, whose form this armchair calls to mind. The Bibendum Armchair is also available in other colours and fabric versions, auch as Manila, Divina, Epingle, white cushion faric and leather.
  • Vitra - Slow Chair & Ottoman
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    Vitra - Slow Chair & Ottoman
    The Bouroullec brothers re-interpreted the armchair with their Slow Chair: A familiar, bulky form is combined with weightless, transparent materials when it comes to produce the Vitra armchair. This is how an exciting contrast emerges between form and material, searching for equals regarding comfort and style. Ronan and Erwan Bouroullec created this expansive armchair by using an extremely strong, precisely shaped knit which is stretched over the metal frame like a fitted stocking. This tensioning of the material offers a pleasantly soft and ergonomic comfort to the Slow Chair, which is even increased by thin seat and back cushions. The slightly transparent fabric thereby substitutes the thick cushions of traditional armchairs and brings weightlessness to the otherwise bulky Slow Chair. Slow Chair therewith acts really withdrawing in the living room or the winter garden, without renouncing any comfort: An ergonomic sitting comfort that adapts to the user’s body is offered by the strong tension at different points of the chair. Vitra manufactures the Slow Chair & Ottoman out of a steel-tube-frame with aluminium feet. Three cushions in adapted colours are included in the delivery package. More details: Design: Ronan and Erwan Bouroullec, 2007. Material: Metal frame, polished or powder-coated aluminium legs, cover: Knitted fabric, seat and backrest cushion: Polyurethane foam and polyester wool. Measurements: 890 X 950 x 928 mm. Availability (tricot): Brown/crème, red/crème, brown, black. Availability (legs): Aubergine. Availability(glider): Glider, felt glider. The Ottoman, and also the long and short back cushions are available. Please tell us which colour of the tricot material you would like to have!
  • Hay - neues dänisches Design Hay - About A Lounge Chair AAL 82
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    Hay - neues dänisches Design Hay - About A Lounge Chair AAL 82
    About a Chair by Hay is a collection of chairs with noticeable simplicity in design. The designer Hee Welling reached a new level of combining form, function, comfort, detail and aesthetic with this chair. The AAL 82 expands the series with one low chair, which perfectly suits the philosophy of the resting furniture pieces. The About A Lounge Chair AAL 82 is slightly upholstered with a piece of foam according to the Eco-Tex-Standards and it has armrests, one low backrest and a four-legs-frame out of wood. Different Kvadrat fabrics can be chosen in different colours to coat the chair. The seat is made of polyurethane, the frame of soaped or stained oak wood. Moreover the About A Lounge Chair by Hay is also available with different seats and frames, such as AAL 81 with pivotable aluminium base or AAL 92 with high backrest: The seats and frames of the AAL collection result in many combinations which will never look unwanted. We will gladly advise you for individual configurations.
  • Vitra - Organic Chair
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    Vitra - Organic Chair
    Charles Eames and Eero Saarinen created a comfortable chair with their Organic Chair in 1940, which was one step ahead in its time: The piece of furniture is still highly current today. The Organic Chair: A comfortable small reading armchair – emerged in 1940 as contribution for the competition “Organic Design in Home Furnishings” by the Museum of Modern Arts in New York. The cooperation of both design legends Eames and Saarinen was successful: Formally the different variants of the Organic Chair went one step ahead in their time. The armchair however, couldn’t be produced in series, because of a lack of production techniques. Only after 1950 it was possible to produce organic shaped seats and distribute in larger amounts, this is how also Charles and Ray Eames’ famous Plastic Armchair and Saarinen’s Tulip Chair were finally distributed. The Organic Chair is also available as Organic Highback armchair, with a higher backrest and larger and wider armrests. The Organic Conference edition is suitable to be used at tables. Moreover there are different fabrics for it selectable.
  • Knoll International Knoll - Washington Skeleton Chair
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    Knoll International Knoll - Washington Skeleton Chair
    Knoll never renounced presenting future classic pieces. The Washington Skeleton Chair by David Adjaye from 2013 is such a piece. The Knoll Skeleton Chair cantilever establishes an interplay between falling and balancing function, so that the chair from David Adjaye acts functional and sculptural at the same time. The Washington Skeleton Chair has a fine geometric pattern, while the Washington Skin Chair has a plastic appearance, which shares its outside look with the Skeleton chair. Both chairs were designed by the British architect Adjaye in the event of the 75th anniversary of the Knoll company. Knoll produces the Washington Skeleton Chair out of powder coated aluminium, making the chair suitable for outside use. The Skeleton Chair is also available copper-coated. Nylon pads are included in the delivery.
  • Blofield - inflatable Chesterfields Blofield - Big Blo 1-Seat
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    Blofield - inflatable Chesterfields Blofield - Big Blo 1-Seat
    Blofield surprises the world with high-quality design-furniture, filled with air. This sofa by Blofield comes in a design of a classic Chesterfield-Sofa and seems elegant and heavy. Something specilal about it is that it is elegant but not heavy at all: This sofa is filled with air. There is an electric pump included in the delivery. To fill the sofa with air is very easy and it can be placed and moved everywhere. Despite of this usual first step, the blown-up armchair by Blofield also convinces with its design: It appears like a traditional massive armchair, just as we imagine it in front of rustic fireplaces or in comfortable lounges. The combination of classic design and modern, functional technique make the blow-up armchair by Blofield a very special piece of interior furnishing.
  • Normann Copenhagen - Form Chair, Wood Legs
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    Normann Copenhagen - Form Chair, Wood Legs
    The Form chair with wooden legs by Normann Copenhagen is a chair, whose classic and also modern design is suitable for all kinds of purposes and places. Simon Legald designed the Form chair from Normann Copenhagen with the aim of creating a rocking chair with unique design. The seamless appearance was reached by Legald in order to connect the legs with the chair on a different way: The seat has plugs for the legs. This results in soft connections without hard edges – the legs look like they were growing out of the table. Minimalistic and soft design The Form chair with wooden legs is a modern chair with a wooden base without armrests, which fits in all kinds of rooms with the minimalistic expression it has. The contemporaneous design of the chair with wooden legs looks inviting and familiar, being not only suitable for the living room, but also for the office and conference rooms. The shape of the seat of the Normann Copenhagen Form chair supports the back while sitting on the chair, offering comfort and stability with minimalistic and soft design. The Normann Copenhagen Form chair is also available in other colours, with steel legs and with armrests.
  • Muuto - Nerd Chair
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    Muuto - Nerd Chair
    Someone „special“ is called Nerd in Anglophone speaking areas, which explains the name of the Scandinavian manufacturer Muuto. The Nerd Chair is especially striking by its exceptional passage from seat to backrest. This small but overwhelming characteristic offers strong personality and an iconic character to the chair. The designer David Geckeler has been honoured with the Beckers International Design Award 2011 and the Muuto Talent Award 2012. Despite – or maybe just because of – the unique appearance, the Nerd Chair displays many classic Scandinavian furniture design styles. Organic forms combined with a sense for handicraft and natural materials make the Nerd Chair a contemporaneous classic. Nerd Chair is also available in further colours.
  • Hem emblem Hem - Pocket Armchair
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    Hem emblem Hem - Pocket Armchair
    A surprising design: The leather of the Pocket armchairs by Hem snuggles on top of the wooden frame as well as a glove. The innovative armchair is soft and comfortable that way, also without thick cushions. The German design team Ding3000 designed the Pocket armchair for Hem: The soft, Italian Cuoietto leather of the Hem Pocket armchair adapts to the body and offers comfortable sitting position. The Pocket armchair by Hem is weightless and space saving because of its unusual design. The Pocket chair is named after the sewn pockets in the leather that are hanged in the frame of the chair. The “hands off” construction makes the chair absolutely comfortable and ergonomic. The feet of the Hem Pocket armchair are made of massive oak wood. The leather seat is available in black, brown and natural leather.
  • Vitra - Eames Plastic Armchair DAX
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    Vitra - Eames Plastic Armchair DAX
    The plastic armchairs were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic shaped seats made of plastic were later combined with different bases and were millionfold produced. Their current version, which is made of polypropylene offers improved seating comfort. The Eames Plastic Armchair is also available in other colour variations, plus seat cushion and/ or different coated frames for the outside.
  • Hay - neues dänisches Design Hay - About a Chair AAC 20
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    Hay - neues dänisches Design Hay - About a Chair AAC 20
    About a Chair by Hay is a collection with outstanding simplicity in design. With it the designer Hee Welling compassed a new level in the combination of shape, function, comfort, detail, and aesthetic. The About a Chair AAC 20 possesses armrests and a rotatable four-leg frame. The seat consists of polypropylene, the frame of aluminium. About a Chair has consciously been kept simple and plain and can therefore be combined with other furniture and surroundings without any problems. According to the initial idea of the designer Hee Welling, About a Chair should feel home in restaurants or in coffee shops, and also in the office, at the homely dining table or conference tables. In this context the idea of simplicity became a guarantor for functionality and versatility. About a Chair is a chair series, which cannot only be combined with other furniture, but also with each other, because all seat shells and frames are assembled according to your demands. Perfection and aesthetics are achieved and the chairs seem accidentally and unmeant. Moreover About a Chair by Hay is available with other seats and frames, such as the AAC 22 with a wooden base or as AAC 10 without armrests: The seat and base of the AAC series make up numerous combinations with will never appear by chance or unwanted. We will gladly advise you for individual configurations.
  • Normann Copenhagen - Form Chair, Steel Legs
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    Normann Copenhagen - Form Chair, Steel Legs
    The Form chair with steel legs by Normann Copenhagen is a chair, whose classic and also modern design is suitable for all kinds of purposes and places. Simon Legald designed the Form chair from Normann Copenhagen with the aim of creating a rocking chair with unique design. The seamless appearance was reached by Legald in order to connect the legs with the chair on a different way: The seat has plugs for the legs. This results in soft connections without hard edges – the legs look like they were growing out of the table. Minimalistic and soft design The Form chair with steel legs is a modern chair with a steel base without armrests, which fits in all kinds of rooms with the minimalistic expression it has. The contemporaneous design of the chair with steel legs looks inviting and familiar, being not only suitable for the living room, but also for the office and conference rooms. The shape of the seat of the Normann Copenhagen Form chair supports the back while sitting on the chair, offering comfort and stability with minimalistic and soft design. The Normann Copenhagen Form chair is also available in other colours, with wooden base or as armchair.
  • Moroso - Gluon armchair
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    Moroso - Gluon armchair
    In 1993 Marc Newson created this design highlight for Moroso. The innovative exterior results from the successful combination of colourful cushion and stylishly rolling steel frame. As usual at Moroso, the design is innovative, even futuristic and so it stands out from the usual pabulum in a refreshing way. This is also due to the elaborate side parts that could also be from a science fiction movie. The extraordinary name of the seating furniture stems from particle physics, where gluons (to glue) are subatomic elementary particles that are directly responsible for the attraction of protons and neutrons inside a nucleus. A certain attraction is also originating from Gluon. After having sat down you like to stay “glued”. More details: Design: Marc Newson, 1993. Seat and back are injected flame-retardant polyurethane foam over internal steel frame. Sides are rigid polyurethane with grey lacquer finish. Base is steel with grey lacquer finish. GLUON covers are not removable. The 2-seat and 3-seat sofas of the Gluon series are also available.
  • Vitra - Eames Plastic Armchair DAW
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    Vitra - Eames Plastic Armchair DAW
    The plastic armchairs, designed by Charles and Ray Eames in 1950, were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic formed seats made of plastic were later combined with different bases and were millionfold produced. Their actual version, which is made of polypropylen gives you a more improved seating comfort. The Eames Plastic Armchair DAW (Dining Height Armchair Wooden Base) is also available in other colour variations, plus seat cushion and/ or coated frame variations for the outside.
  • Vitra - Wire Chair DKR
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    Vitra - Wire Chair DKR
    The 1951 presented Wire Chair DKR was inspired by the Plastic Chairs, launched one year before. Contrasting those, the DKR (Dining Height, K-Wire Shell, R-Wire Base) doesn’t consist of plastic, but of steel wire. The shape remains the same – only the variation of the material ensures a really independent appearance. The designers couple Eames used wire in order to create a transparent and weightless acting structure. The Wire Chair by Vitra is also available with other bases such as the sitting cushions.
  • Artek - Chair 23
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    Artek - Chair 23
    Artek re-edited another classic piece made by Alvar Aalto with the Chair 23. The cantilever has the characteristic form of most of the designs by the Finnish. The Chair 23 by Artek is a design of 1930 which has already been presented in the first collection by the manufacturer. Alvar Aalto designed the early cantilever suiting the side table 606 completely in black, with the Aalto typical renouncement of unnecessary details. The Chair 23 is suitable for the most different surroundings because of the simple form and colour. The Chair 23 was initially designed to be used in the Aalto designed Paimio, since it is ideally suitable to be used in public buildings because it is stackable. With its seat out of birch veneer, the frame of bent, matt painted steel tube and the simple form, the chair represented modern furnishing styles in the 30s, being as well contemporaneous today.
  • Manufakturplus - Butterfly (B.K.F.) Chair, acrylic
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    Manufakturplus - Butterfly (B.K.F.) Chair, acrylic
    The Butterfly chair was initially designed and manufactured for the studio rooms of the architect’s office Austral. The three designers Antonio Bonet, Juan Kurchan und Jorge Ferrari-Hardoy that were workers from the office, designed the chair. The Butterfly chair became popular in the English speaking area as the B.K.F.-chair according to the names of its designers. The architect Jorge Ferrari-Hardoy was honored with the Argentina design award in the year 1940 because of the exceptional design of the chair. Nowadays the Butterfly chair is a real classic and placed in the continuous collection of the Modern Art Museum in New York. Manufakturplus continued developing the design of the classical product offering it in several variants. The butterfly chair with acrylic coating is also available in white, yellow, orange, red, dark-red, light-blue and dark-blue. The frame of the chair can be ordered in a black or white colour, as well as in pearl-gloss (silver), RAL or stainless steel. Moreover also the Butterfly Mini and the Butterfly Stool can be demanded.
  • Hay - neues dänisches Design Hay - Hee Chair
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    Hay - neues dänisches Design Hay - Hee Chair
    The idea for Hee came up of the effort, to design an eco-friendly chair and armchair, whose material is easy to recycle. To create a piece of furniture out of one material, they avoid micro-pollutant transport ways between different production places, and it makes the process of recycling more easy. The main thought was to take an archetypal chair as model and to perfection it in every single detail and to boost it in a higher class and also to make it simpler and make the functionality better. A clear, plain piece of furniture was supposed to be created which should fit in many places - modern, but not too time-specific. Nothing was in vane for this Hee chair, no decorations or work. No part could be taken off, without loosing the function. From the outside it seems playful, but the design doesn't affect its function. Throw-away mentality and environmental awareness don't fit together. To find the balance was also important while the construction - to combine functionality and aesthetics on high level, the exact wire strength had to be chosen. The Hee-chairs, the Lounge Chair and also the bar stool are made of a 11 mm strong metal wire and in their shape they remind on a sketch, a three-dimensional pencil- drawing. Hee is available in the engrossment as a club armchair, as dining chair or as bar stool. It can be looked at in the new Osloer Opera House and in the Australian parliament. The stackable furnitures are galvanised and powder coated. That's why they can be used in every kind of weather and are a good outside furniture, too. Hay Hee is also available in further colours.
  • Casamania him&her Chair
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    Casamania him&her Chair
    The fact that the design has been inspired by the legendary Panton Chair, is instantly obvious to the design expert. But this is only one side of the coin (the front). A look on both sides of this exclusive piece is recommended. The second source of inspiration is discovered quickly: The chair is shaped after the natural form of a naked human body on the back – the model “her” is inspired by the female, “him” by the male body. Taste is a matter prone to controversy and that’s especially true for the hermaphroditic pair of chairs by Casamania, which provoked controversial discussions when it was presented on the Milan furniture exhibition 2009. It’s obvious: “Don’t care” is not a category here and boredom won’t occur. Critics need to admit, however, that the realisation of Him&Her meets the highest demands, in terms of both design and quality. The chairs are also available in red. A high gloss-finished version of the chair in various colours is available against surcharge.
  • Magis Design Magis - Voido Rocking Chair
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    Magis Design Magis - Voido Rocking Chair
    Ron Arad isn’t only an international renowned and award-winning furniture designer. His reputation grew among experts since he was the architect of the opera house in Tel Aviv. Since 2005, the Italian company Magis produces another highlight of the Israeli – British designer and architect: Voido. The rocking chair, consisting of blown-moulded polyethylene is suitable for in- and outdoors. The curvy shaped and swinging arm chair is available in further colours.
  • Kartell Louis Ghost
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    Kartell Louis Ghost
    A comfortable arm chair made of transparent polycarbonate in the Louis-Quinze-style inspired Design. An amazing and fascinating modern homage to the Baroque style, out of the year 2002, by star-designer Philippe Starck. Louis Ghost also is extremely innovative regarding its technique and is seamlessly manufactured in an injection-moulding procedure out of one piece: A very brave polycarbonate application. Despite its smooth and transparent looking, Louis Ghost is stabile and long lasting, shock- and scratch-resistant as well as weatherproof. Up to 6 chairs can be stacked. A very special piece of furniture with charm and overwhelming esthetical appeal that fits elegantly and boldly in every living room or public area at the same time. Kartell has 4 standard models in its program, but special models can be manufactured individually by client requests. A minimum booking amount of 50 pieces is necessary for a special production. The Louis Ghost chair is available in various different colours! More information: Data sheet Louis Ghost (approx. 55KB)
  • Verpan - System 1-2-3 Lounge Chair Standard
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    Verpan - System 1-2-3 Lounge Chair Standard
    Verpan presents a chair out of the 1-2-3 series with the 1-2-3 Lounge Chair. The series has already been designed by Verner Panton in 1973 together with Fritz Hansen. The initial collection included 20 different chair models, which differed by some details such as the seat height, armrests or bases. The public was astonished by the chairs in that time. Criticizers even called the series a milestone for the future of furniture design. After about 10 years, Fritz Hansen took the series out of the assortment and the timeless cantilever chairs are produced by the Danish manufacturer Verpan today. Verpan’s 1-2-3 series includes a dining room chair and a lounge chair, both models are coated with fabrics or leather in standard versions, as well as in a deluxe version as a Chesterfield edition. The initial intention of Verner Panton was to design a furniture program fulfilling many different functions and still granting high seat comfort with his 1-2-3 series. The shaping should be simple and natural, so that the chairs suited in the most different surroundings as functional elements. Verner Panton needed three years to develop his series. The result was a unique seating furniture concept with Panton working systematically on design and function based on a pre-defined theme. ”I wanted to design furniture that seem to grow out of the ground – organic chairs without four feet” , explained Panton about the work at the collection. Panton’s initial design consisted on a simple steel frame with a textiles coating to be fixed at. Verpan uses CHMR foam to upholster the new editions, in order to increase comfort and to ensure a fixed and flat coating. Verpan uses different fabric materials such as those by Camira or Kvadrat in the most different colours. Also different leather coatings are possible optionally. Each Verpan product is delivered with an authenticity certificate. This one grants the originality of the product, which is still manufactured according to the strict quality demands of Verner Panton at Verpan.
  • Muuto - Cover Chair
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    Muuto - Cover Chair
    The designer Thomas Bentzen explains about his chair: ”Cover was born out of the longing of constructing a comfortable and contemporaneous armchair out of wood. I wanted a fresh and vivid plywood appearance, but with frame with stable and down-to-earth expressions.” After experimenting during three years, the Muuto Cover chair emerges, a weightless and still strong armchair, which makes the interplay with wooden veneer even more extreme: A layer of wood is folded around the armrests. That’s a playful, decent detail, which is only possible since there is modern wood processing – and it was born out of necessity. It was initially developed without the “Cover”, but then the designer Thomas Bentzen realized how uncomfortable and slim the armrests of his chair were. He added the small detail which makes the Cover chair even more comfortable. Muuto produces the Cover chair completely out of oak or ash wood (in the coloured edition) and without any metal. The wood surrounding the armrests also serves as fixing element for the legs. The Muuto Cover chair is also available in coloured and one cushioned edition. The coloured editions of the chair bribe because of their naturalness, as well as the unpainted wooden editions do – since the grain of the wood isn’t covered by its paint.
  • Republic of Fritz Hansen Fritz Hansen - Ro Armchair
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    Republic of Fritz Hansen Fritz Hansen - Ro Armchair
    The internationally famous, Spanish designer Jaime Hayon designed the armchair of the future together with Fritz Hansen. An armchair, which offers relaxation and a little time-out for you, away from the stressful day by day. Time to think is luxury nowadays. We all have a lot of work and hardly time to stop and think a little while. The Ro armchair from Fritz Hansen comes from the desire of furniture which will make us stop running for a moment. Ro is more than an armchair. It has 1½ seats, to relax in them, to find a comfortable position in it, to read newspapers or to configure the computer or spend time with the children - a new comfort zone. The design of the seat is simple, elegant and pleasant for the eyes and the body. In its visual expression and the comfortable functionality, Ro guarantees quietness and relaxation. Moreover the clever shape of the seat makes it possible for you to decide whether to be part of what’s happening in the room you’re in or to enter your own small comfort zone. The design premises of Fritz Hansen for the designer Jaime Hayon said that he should create “a comfortable seat for single persons”. ”We focussed on the shape of the armchair, which is inspired by the human body. Our aim was to create an armchair which would be as comfortable as beautiful. I wanted to create a slim, elegant armchair to think and sit comfortably”, explained Jaime Hayon. “Ro” means quietness on Danish. This name was chosen because it describes the character of the armchair with only two characters and which perfectly expresses the Scandinavian concept for aesthetics that way. The Ro armchair is made by Fritz Hansen according to the highest quality and processing standards. The result of this unique interplay of sculptural and elegant design is a functional and aesthetically appealing armchair, which attracts glimpses in every environment. One can only fall in love with it, since Ro doesn’t compromise in comfort or aestheticism. The relax armchair is available in nine colours: In three traditional colours (black, grey and taupe), in three shiny colours (violet, blue and yellow) and in three soft colours (light pink, sage green and sand). The armchair has different surface structures for the seat and the upholstery for a more dynamic appearance, emphasizing the contrast between the hard outside and the warm, softer inside.
  • Vitra - Eames Plastic Armchair DAR - fully upholstered
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    Vitra - Eames Plastic Armchair DAR - fully upholstered
    The Plastic Armchairs were presented in the frame of the “Low Cost Furniture Design” competition of the Museum of Modern Art’s in New York in the year 1950 for the first time. The organic seat were combined with different bases and produced in millions later on. Vitra produces the Plastic Side Chair with full upholstery as fulfil of the product series. The organic formed bowls offer an especially good comfort with the upholstery and spread a homely atmosphere. The 13 colours of the cover fabric Hopsak are freely combinable with the 8 seat bowl colours. Together with the base, numerous combination possibilities emerge. The upholstery is fixed at the seat with a strip in black or white. As well as the not-upholstered Plastic Armchair DAR, the seat also consists of dyed-throughout polypropylene and lays on a wire frame with struts.
  • Softline - Noomi Lounge Armchair
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    Softline - Noomi Lounge Armchair
    Elegant and comfortable is how the Softline Noomi lounge chair appears. The designer Susanne Grønlund was inspired by the shapes of the 50s and she modernised them carefully. The retro siblings of the Noomi chair also gave it its appearance, which is the reason why this armchair feels comfortable in nearly every place. The soft, inviting appearance and the unobtrusive elegance ensure an honourable place for the Softline Noomi armchair, even in modern rooms. The Noomi lounge chair is obviously leaned on the Scandinavian design tradition. The coatings of the Noomi armchair are removable to clean them for example. Spare coatings are also available. Fire retardant foam upholstery make the chair by Susanne Grønlund comfortable. Noomi is also available with other coatings in numerous colours.
  • Magis Design Magis - Aviva folding chair
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    Magis Design Magis - Aviva folding chair
    Aviva from Magis is a robust and compact foldable chair made of massive beech-wood. Aviva was designed by the French architect and designer Marc Beithier. The design from Aviva is functional and it refuses any decorations and flourishes. When the chair is folded, Aviva needs hardly any space and it is easily storable in the smallest corners and gaps. In contrast to other foldable chairs, Aviva is robust and offers stabile seat-comfort. The simple chair possesses slight dents on the seat and the backrest with which it adapts to the human body. It was produced in the year 1979 for the first time, the Italian design company Magis re-edited Aviva in the year 2010 for the market. The foldable chair is available in different variants as well as with armrests.
  • Zanotta - Sacco Beanbag
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    Zanotta - Sacco Beanbag
    The traditional Italian manufacturer Zanotta has 12 products in its collection, cnamed “Evergreen” today – one of the most exclusive members of that family is the Sacco beanbag, designed by Piero Gatti, Cesare Paolini and Franco Teodoro In 1968. Sacco is a real trend-setter, since it is the first beanbag of the world! The Italian designers searched for a chair, which would perfectly adapt to the human body, when they had the idea to fill bags with polystyrene balls. These ones were already characterized by their extreme flexibility, they were weightless and functional therefore and cheap to be produced. A successful idea which fast entered the people’s lives. After 40 years the beanbag is still very popular – thereby there are many copies – some of them beautiful and some not. But the Sacco, the original, remains the winner of our hearts. The classic beanbag by Zanotta is also available as Sacco Medium und Sacco Small. Further fabrics and colour editions of the Sacco beanbag are also available!
  • Moroso Supernatural
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    Moroso Supernatural
    Moroso Supernatural is a trend-setting novelty in the seating furniture area: An injection moulding procedure with glass reinforced polyamide is used. This production method means high investments for the company, but it enables the creation of design furniture with excellent value for money that do perfectly suit the resting Moroso collection. „The structure of this new, stackable chair is not only the result of design, but much more of a development“, Lovegrove explains, „it is a new vision of form, emerging through digital data that flows into an armchair for the daily use, slim, strong and healthy. The liquid, organic nature of the form melts away through the most modern industrial procedure for polymers of the 21st century, with the beauty of human bodies. At this high technology process, two polyamide layers with glass fibre are used to reach a balance between structural characteristics and external aesthetic advantages. The Moroso Supernatural chair is provided with an entire or perforated backrest. “The holed patterns offer a multi-sensorial effect to the armchair when light falls through the holes and shadows that enrich the room appear, creating unexpected, attractive patterns on architectural spaces.” More details: Technical characteristics: Supernatural is stackable (up to 8 chairs) and also applicable outside thanks to the special material. Structure: Bowl made out of polypropylene, reinforced with glass fibre. Colours: White, turquoise, orange, fluo green, caramel, black.
  • Softline - Havana Armchair
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    Softline - Havana Armchair
    The Havana armchair by Softline acts like an old friend: Inviting, comfortable and familiar. Thereby the armchair was only designed in 2013 by Busk+Hertzog. The classic armchair as we know it from grandfather’s days was completely renovated: The Havana lounger is the modern interpretation of the classic piece. The design team Busk+Hertzog created a chair with appealing details, whose slim profile flirts with the wide form at the top. Havana is as comfortable as the name reveals, that’s typical for Softline products. The coatings of the Havana armchair are easily removable to be cleaned. Fire retardant foam inside of the cushions makes the sofa of Busk+Hertzog comfortable. The Softline Havana armchair is also available with other coatings in numerous colours. An ottoman is also available on demand. Softline was honoured with the interior innovation award 2014 for the re-interpretation of the classic Havana armchair.
  • Vitra - East River Chair
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    Vitra - East River Chair
    With the East River Chair, Vitra presents a small armchair, which connects the different design worlds. Tradition and modernity are connected in the lounge chair made by Hella Jongerius, becoming a wonderful unity. The bribing shape, given to the East River Chair from the Netherlands designer, says it all: Ample lines, which take the weight of the East River Chair with their slim shapes. This is how the lounge chair from Bitra suits to relax without acting formally overloaded. The East River Chair unforcedly connects different materials, such as wood, metal, fabric or leather – a characteristic of Hella Jongerius. More details: Vitra offers the East River Chair in different editions: Seat: Laminated. Upholstery: Polyurethane foam with fabric cover. Coating: Leather and fabrics (Laser, Hopsack, Plano) in adapted colour combinations (light, red, green or blue) Frame: Natural oak wood with legs cross of powder-coated steel in ivory or dark oak with legs cross of powder-coated steel in coffee.
  • Magis Design Magis - Air Chair
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    Magis Design Magis - Air Chair
    Since 2000, design manufacturer Magis is producing the Air chair after a conception of Jasper Morrison. The stackable chair joins simple aesthetics with high quality material and is perfectly suitable for in- and outsides. Generally, Morrison's work is seen as simple and reduced to the essential. Another good example is his Air Chair. Morrison chose polypropylene as the material adding glass fibre. Due to the robust plastic material, the Air Chair is perfectly suitable for in- and outsides.
  • Kartell - Comback Rocking Chair
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    Kartell - Comback Rocking Chair
    Kartell re-launches a big classic piece with the Comback rocker. This classic piece of furniture is the new look of the Windsor-Chair by the Italian manufacturer. The Comback rocker is the return into the glorious past of England of the 18th century, reinterpreted by the Spanish designer Patricia Urquiola. The backrest of the rocker by Kartell is made of seven tubes and it widens at the lover back, copying modern lumbar supports. There are vertical struts among them, which also carry the armrests of the classic rocking chair. All in one, Comback is a lush, inviting chair, where the seat unifies functionality and ergonomics with a lot of emotionality and tradition. The used plastic material and the selection of shiny colours make this chair modern and weightless. Comback is also available in all the Kartell offered colours, as well as swivel chair, with a four-leg frae or with runners.
  • Cappellini - S-Chair
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    Cappellini - S-Chair
    The S-Chair has been the first great success from the young designer Tom Dixon in his time and meant his ascent from the underground to the design-elite. The curved chair is considered as classic today and can be found in the New York Museum of Modern Art among others. Looking back, originally designed as individual piece the S-Chair is a deciding design for the further career from Tom Dixon. Dixon spent the 1980es as performance artist in the London night clubs and there he welded together his pieced of furniture live on top of a stage. During that creative period in 1987 not only the Kitchen Chair out of ladles and pans emerged, but also the S-Chair that has been worked out again one year later by Dixon. It was only in 1988 when Tom Dixon equipped the freely curved S-Chair with the sophisticated coating and the swung forms. The “erotic” chair with the wide hips and the slim waistline has consciously been shaped as unicum in its time and does not only adapt to the demands of the serial furniture production. Despite or just therefore the young Tom Dixon and his unusual S-Chair caught the Italian furniture manufacturer Giulio Cappellini’s attention. That is how the S-Chair became the first design from Tom Dixon for Cappellini that has soon been followed by other products, such as the not less legendary Pylon Chair. Since 1991 / 1992 the S-Chair is produced by Cappellini. Despite the adaptation for the serial furniture production the manufacturing procedure of the braided chair is still elaborate. The S-Chair possesses a frame out of steel and plastic feet. Today, beside the elaborate basket works Wicker and Straw for the coating, also leather and other covers are available.
  • Carl Hansen - CH88T
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    Carl Hansen - CH88T
    The CH88T was reedited by Carl Hansen in 2014 in the event of the 100 th anniversary of the designer Hans J. Wegner. The iconic chair only existed as prototype back then, but its shape was known beyond Denmark’s borderlines. Carl Hansen designed a chair, whose shapes are known from the creations of Wegner: The designer was inspired by organic, soft forms when he designed his iconic chair in 1955. The CH88 is available in many editions, which is the reason why it can be used in every surrounding regarding the appearance and the utility. The characteristic backrest of steam-bent wood doesn’t only support the back of the user, but it also offers a natural place to rest the arms because of the slightly curved ends. Classic chair reedition The oval seat of the CH 88 lays on a steel frame with straight legs. This special combination of materials and the minimalistic design expression is responsible for the weightlessness it spreads. Natural forms are combined with technical precision in here. The reedition of the Carl Hansen CH88T is stackable and it therefore has many advantages. This classic piece by Cark Hansen is available in beech or oak wood and in many colours and combinations. The frame is made of stainless steel in black (powder coated) and chrome. The seat can be ordered with different cushions or leather coatings.
  • Casala - Casalino 2007/10 armchair
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    Casala - Casalino 2007/10 armchair
    Casalino is back! Casalino is back! In the 70s a celebrity and in the 80s forgotten, Casala wanted to produce a new one in 2007. But where were the casting moulds? After a long search did the company, which comes from the city Lauenau in Lower Saxony, found them in Antalya. In the city at the Mediterranean Sea were they camped in a shed. Casala got the moulds back to reproduce the forgotten classic, which won in 1971 the »Die gute Industrieform« Award in Hanover. Casalino 2007 is therefore no remake, but the original, which comes from the designer Alexander Begge. “The work was such a joy, that I forgot everything around me“, reminds Begge himself. An this joy out of plastic-pop and atmosphere of departure of the 70s, breathes still after 40 years, proves that his easy attitude towards life can also have practical sides: Up to fourfold stacked glide the chairs into each other that they only take a third cubic metre. Casalino is elegant but also tough, you can wash it and its colours won't fade in the sun. It looks great in the house or in the garde, the office or the balcony. Casalino is nice and stays nice: The cantilever chair with armrests is stable - will not break under load. For more comfort, there is the 2008 chair, also available with cushions which can be chosen out of the fabric series Xtreme Plus by Camira.
  • Driade - MT1 Armchair
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    Driade - MT1 Armchair
    Since 2005 the MT series of the Driade Store collection exists. The whole seating furniture series MT from the Israel-Britain designer Ron Arad consists of an armchair (MT1), a swinging chair (MT3) and a sofa (MT2). MT1 is an armchair out of a monoblock of rotation plastic (polyethylene). The comfortable chair furthermore is sand-white outside and orange inside. Because of the used plastic material it is adapted for indoor and outdoor use equally.
  • Stoelcker - Frankfurt Chair
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    Stoelcker - Frankfurt Chair
    It was the standard chair of the 1950s and 60s. How did this chair get the name “Frankfurt kitchen chair"? In 1926 Bauhaus architects designed a new type of kitchen: The Frankfurt kitchen. The kitchen workplace was designed after ergonomic and practical considerations for the first time. This chair was part of the kitchen. The Frankfurt chair by the old company Stoelcker is a true classic of furniture history since then and thanks to its simplicity it still hasn’t lost any of its uniqueness. In 1934/35 Max Stoelcker pursued the idea to reduce the chair to the components feet, seat and back and leave out the connecting elements. The so developed front foot construction was patented. Front foot, front frame and seat were glued together in one process, which ensured the longevity of the chair. The result was a simple but comfortable chair that was regarded natural on first sight in the face of its simplicity. However, on second sight its simplicity and diffidence reveals a high quality, which makes the chair one of the most important designs in the history of furniture. Following the big success of the chair, thousands of chairs have been produced in the first years. Later in the 1950s, when all of the larger manufacturers of chairs started producing similar knock-offs, the chair was used by the German rail, mail, army and many other agencies and schools. It became the standard chair of the 1950s and 60s. The Frankfurt chair experienced its renaissance after a work-order by Pina Bausch for the Wuppertal dancing theatre, where it “acted a part”. A supernumerary, which was being danced on and which was thrown about: Another piece of evidence for its stability and timeless aesthetics.
  • Knoll International Knoll - Saarinen Tulip Armhair
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    Knoll International Knoll - Saarinen Tulip Armhair
    Eero Saarinen designed the first version of the Tulip Chair in 1953 and with it, he created the base of a revolutionary design classic among all the chairs – there has never been a chair that connected its base and seat in one closed form before. The Tulip Chair was further developed in cooperation with Knoll. Finally, the chair went to the market in its characteristic design known until today, in 1956. The purist designed Tulip Chair reminds us of a tulip, as its name reveals, and it combines modernity with classic Scandinavian design. The background of the design of the Tulip Chair is described by Eero Saarinen as follows: “I wanted to stop the confusing mixture of chair-feet. I wanted to make a unity again out of an armchair.” This is how the four-feet chair as we know it, became a one-foot model. The seat of the Tulip Chair consists of synthetics, fiberglass reinforced. It sits on a trumpet-shaped base which was cast out of light metal and has a rilsan-surface coating. Moreover the chair is available in different editions: Initially there is the selection between an armchair and a design without armrests. The Tulip Chair can be delivered in a rotating or rigid edition, moreover the seat is available upholstered or alone and with a separate cushion. The coatings are available in numerous different fabrics and colours. Also the chair itself can be produced in black and white. Of course we will gladly advise you when it comes to choose the right colour, fabric and shape of your individual Tulip Chair! More details:. Characteristics: The Tulip chairs collection by Saarinen includes an armchair, a chair without armrests, with rotating base or a rigid one and a stool. The chairs are available with a cushion or fully upholstered. The swivel chair with upholstered seat fulfils the collection. The KnollStudio logo and the signature by Eero Saarinen are on the lower part of the base. Construction: Pillar foot out of aluminium casting with rilsan-coating on all black and white models. The platinum bases have a polyurethane coating with transparent finish. The seat consists of bent, fiberglass reinforced synthetics. Surfaces: Seat and frame black, white or platinum. The fully upholstered seats are available with cushions in different fabrics. Many different fabrics and spinney beck-leathers are available for chairs with cushions. Awards: Award of the Museum of Modern Art, New York, 1969 / Federal prize for product design/„Gute Form“, Germany, 1969 / Award for design career by the Design Centre Stuttgart, Germany, 1962.
  • Kartell - Audrey Soft Chair
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    Kartell - Audrey Soft Chair
    Audrey is a versatile chair from Kartell, designed by Piero Lissoni. Eclecticism and versatility, modernity and elegance in the details are responsible for how newish the chair is and how it simply fits in every kind of room. The simple, pure lines of the Kartell Audrey chair fit in different surroundings: In the office, at home, in public areas and everywhere else. Kartell produces the multifunctional cushioned chair “Audrey Soft” with a frame of aluminium. The seat is made of polyurethane, which is coated with the Kvadrat fabric Trevira. Audrey Soft is also available with different bases and cushions in more colours and coated with more fabrics. An edition with armrests is also available. The chair by Kartell is as well available without fabrics as Audrey Chair.
  • Hay - neues dänisches Design Hay - J77 Chair
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    Hay - neues dänisches Design Hay - J77 Chair
    The J77 is part of the originally by FDB produced chairs collection, which has been re-edited by Hay: A classic chair in Danish design, which is absolutely timeless. Folke Pålsson designed his J77 Chair in the middle of the past century: He was oriented by traditional Windsor chairs when he sketched the shape of his chair. The Windsor chairs were already very popular in the 18th century. The Danish reduced the design to the necessary without renouncing the classic virtues of the chair when he planned to take the Windsor chairs to contemporaneous times. The production out of beech wood and the slim form of the tubes at the backrest offer an appeal which is weightless and massive at the same time to the J77 Chair by Hay. The wide seat makes the J77 comfortable, while it is suitable for the most different surroundings with its classic-minimalistic design.
  • Hay - neues dänisches Design Hay - Copenhague Chair
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    Hay - neues dänisches Design Hay - Copenhague Chair
    The Danish manufacturer Hay invited the designer brothers Ronan and Erwan Bouroullec to design a collection for the re-designed Copenhagen University (KUA). The result was the Copenhague series, which consists of a chair, a bar stool and diverse tables. Hay and the Bouroullecs tried to design furniture for educational institutions, which clearly belong to this generation with their form and identity and which fulfil the demands of a university. That’s the reason why the Copenhague Chair is very functional, but without getting too serious in its expression. Since both designers also concentrated on renouncing institutional and office-like expressions of traditional furniture in scholar environments with their Copenhague Chair. They wanted to design objects with bigger originality and a homely appeal. Hay manufactures the Copenhague Chair out of different kinds of wood and more are available on demand.
  • Knoll International Knoll - Washington Skin Chair
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    Knoll International Knoll - Washington Skin Chair
    Knoll never renounced presenting future classic pieces. The Washington Skin Chair by David Adjaye from 2013 is such a piece. The Knoll Skin Chair cantilever establishes an interplay between falling and balancing function, so that the chair from David Adjaye acts functional and sculptural at the same time. The Washington Skeleton Chair acts plastic, while the Washington Skeleton Chair is reduced to a fine, geometric pattern, which shares its outside look with the Skin chair. Both chairs were designed by the British architect Adjaye in the event of the 75th anniversary of the Knoll company. Knoll produces the Washington Skin Chair out of injection moulded, fiberglass reinforced nylon. The chair is produced in three parts, which are invisibly connected afterwards with stainless steel and aluminium joints. Plastic pads are included in the delivery package.
  • Vitra - Jill Wood Chair
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    Vitra - Jill Wood Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a massive wood base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: Veneer (ash, oak or walnut), three-dimensional deformed. Bases with glides for carpets or with felt glides for hard floor. Four-feet wood base out of natural massive oak, black ash or black pigmented walnut.
  • Moroso - Little Albert
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    Moroso - Little Albert
    Moroso is showing a well structured and diversified range of products at the 2002 Möbelmesse in cologne. "VICTORIA AND ALBERT" (name of the collection) was created with the main goal to be of innovative design with comfort combined with a soft seating experience. A completely different concept than the "upholstered sculpures" of Ron Arad, which have been part of the Moroso catalogue for years. Perfect for several people and different occasions. Two chairs accompanied by a sofa, which is dominating the scene. A "Good Form" that mediates between design and function. Passion for innovation and technology is being combined with an outstretched resting position without the "Dictate of the giant cussion". Again in this case the designer is not trying to create an icon, but a product that can simply be used and that can offer esthetic as well as a lot of comfort. The name "VICTORIA AND ALBERT" is an homage to the famous london museum, where in June 2000 Ron Arad had a significant exhibition with selected pieces of the designer. The huge success of the collection "VICTORIA AND ALBERT" gave Morose the motivation to intensify their material- and technology research, without changing any of the formal attributes. The result is "LITTLE ALBERT", a chair made from coloured polyethylene, which is manufactured with the method of rotation: The shape ist the same as the upholstered model, the only thing that changes is the material. Because of the characteristics of the material the chair can be used in private or public rooms as well as outside. T´he polyethylene is resístant to temperature changes and sunlight. LITTLE ALBERT is being produced in big seríes, coloured and completely recycable. More details: Technical attributes The chair LITTLE ALBERT (code 042) and the tables have a structure of recyclable coloured polyethylene, manufactured with the method of rotation. LITTLE ALBERT can be ordered in these colours: Translucent white, black, orange, yellow, red, fluo green, green, fuchsia and the tables in the colours translucent white and red.
  • Hay - neues dänisches Design Hay - Hee Lounge Chair
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    Hay - neues dänisches Design Hay - Hee Lounge Chair
    The idea for Hee came up of the effort, to design an eco-friendly chair and armchair, whose material is easy to recycle. To create a piece of furniture out of one material, they avoid micro-pollutant transport ways between different production places, and it makes the process of recycling more easy. The main thought was to take an archetypal chair as model and to perfection it in every single detail and to boost it in a higher class and also to make it simpler and make the functionality better. A clear, plain piece of furniture was supposed to be created which should fit in many places - modern, but not too time-specific. Nothing is too much on this lounge chair, no decorations. No part could be taken off, without loosing the function. From the outside it seems playful, but the design doesn't affect its function. Throw-away mentality and environmental awareness don't fit together. To find the balance was also important while the construction - to combine functionality and aesthetic on high level, the exact wire strength had to be chosen. The Hee-chairs, the Lounge Chair and also the bar stool are made of a 11 mm strong metal wire and in their shape they remind on a sketch, a three-dimensional pencil- drawing. Hee is available in the engrossment as a club armchair, as dining chair or as bar stool. It can be looked at in the new Osloer Opera House and in the Australian parliament. The stackable furnitures are galvanised and powder coated. That's why they can be used in every kind of weather and are a good outside furniture, too.
  • Knoll International Knoll - Platner Armchair
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    Knoll International Knoll - Platner Armchair
    In 1966, the Platner collection from Knoll irresistibly caught the spirit of that time with its decorative, soft and aesthetic forms. The experience of the cooperation with Eero Saarinen made it possible to create the second generation of the one-leg “Pedestal” furniture from Knoll by Warren Platner. Accompanying the changes of cultural values in the 1960s, furniture also became more expressive, which is why the Knoll Platner armchair is a master example: Simple its shape, effective its processing. Platner wanted to create a series of furniture with his steel wire collection, which would charm the eyes more than the plain and empty creations of that time. At the same time, the designs shouldn’t be too ornamental and the function shouldn’t fall into the background. The Platner armchair is made of hundreds of swung, nickel-coated steel wires, which are welded together. The steel frame serves as structure and as decorative element at the same time. Knoll produces the seat out of fiberglass with cold foam cushions. The base of the Platner armchair has a transparent plastic ring, which protects the base and the chair from damages. The frame of the Knoll Platner armchair is also available in a bronze coloured edition on demand. The upholstery is also available in further colours and covers. We will gladly advise you for your individual configuration! More details: Characteristics: The armchair by Warren Platner is available with different covers in different quality levels and colours. Frame: Unique shapes made with vertical round steel tubes, which are welded together with the horizontal, round and framing tubes. Nickel-plated, with clear protecting lacquer. Ground protection with soft, transparent plastic profile or metallic-painted bronze. Upholstery: Form pressed fiberglass seat with foam upholstery. Cushions with latex filling with zip-closure, fixed at the seat with Velcro.
  • Normann Copenhagen - Era Lounge Chair
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    Normann Copenhagen - Era Lounge Chair
    Furniture for a new era: Normann Copenhagen presents the Era Lounge Chair, designed by Simon Legald. The armchair is available in many editions and it enriches every furnishing. Classic, friendly, nostalgic and curvy. That’s how the collection of lounge chairs designed by Simon Legald for Normann Copenhagen might be described the best. But the Era collection is much more than that. The shapes are well-proportioned, the lines embossing and the appearance modern. The Era series connects modern production techniques with traditional furniture handicraft resulting in one unmistakable Lounge Chair. The slim design and the high quality transform the Era Lounge Chair into one futuristic and versatile armchair. It is very suitable for modern furnishings, which demand flexibility. The chair is suitable for different rooms of the house and it serves for different events and demands, if they change. The design of Era is directed to different generations and it looks as great in the living room of a design enthusiast as of a family with children, of a young couple or of their grandparents. Normann Copenhagen Era: Numerous editions Simon Legald explains: ”It took a while until the proportions and the interplay between soft curves and tensed lines at the seats were perfectly balanced. It was important here to process the cushions and seams with a lot of handicraft precision. It was my aim to create individual armchairs with an own character fpr each one. I achieved in this by means of creating different variations between the high and low chairs and also by the different frames. This is how the wooden frames are flat and look warm while the thinner, round steel and chrome editions rather remind us of industrial objects. The frame of a rocking chair is an unexpected and playful alternative for a lounge armchair.” The editions are uncountable: Normann Copenhagen’s Era Lounge Chair is available in a high and a low edition, with legs out of oak wood, walnut, black painted steel or chrome as well as with a rocking chair frame out of chrome. The Era Collection also includes a stool. Two woollen qualities with vivid appearance and beautiful structure as well as soft, resistant leather in many colours are also available as cover for Era.
  • Artek - Mademoiselle Lounge Chair
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    Artek - Mademoiselle Lounge Chair
    Soft lines and sparingly materials make the Mademoiselle Lounge Chair an elegant seating furniture and classic of Finnish design. Ilmari Tapiovaara, one of the most important designers of his time, already designed the lounge chair in 1956. Mademoiselle is produced by the Finnish company Artek in the frame of the Tapiovaara Family Collection. Swinging chairs and Loungers have always been important pieces of furniture in the history of Finnish design. Ilmari Tapiovaara already designed numerous new-interpretations of this piece of furniture during his studies. Modern and appealing at the same time, and comfortable, the chair with the elegant name Mademoiselle especially became a Finnish design icon of the 1950es. According to its name, Mademoiselle explains the filigree and elegant design of the Lounge Chair. The reduced design consists of slim and long forms that communicate appealingly. The Lounge Chair Mademoiselle simultaneously offers maximal functionality. Solid birch wood guarantees high stability and longetivity.
  • Conmoto - Chairman
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    Conmoto - Chairman
    Chairman is a chair that connects the worlds: Highly modern materials meet iconic design. Werner Aisslinger, the A&W designer of the year 2014 designed the Chairman for Conmoto. The Chairman is especially characterized by the innovative seat : The seat is made of felt, which was pressed to form-fleece out of one piece of material. This is how seat comfort known from cushioned chairs emerhes: The high tech material is yielding, warm and comfortable- A chair, which connects the newest technologies with archetype design emerges in combination with the clear design of the Conmoto Chairman. The shape of it is as minimalistic and timeless that it will still be current and modern in many years. Conmoto offers the Chairmen with a base of wood or metal. This is how one only chair achieves in creating different moods. The Chairman especially suits the furniture of the Pad Collection by Conmoto.
  • Umbra - Hanger Chair
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    Umbra - Hanger Chair
    The Hanger chair of the Umbra Shift Collection was designed by Philippe Malouin. Unconventional thinking and original designs are familiar to the Canadian designer. Philippe Malouin was inspired by one of the most ultimate storage systems when he designed his Hanger chair: The conventional clothes hanger. The hook on the backrest of the chair makes it possible to hang it space saving in the wardrobe at another hook. If there are unexpected guests, it is easily taken out of the wardrobe, unfolded and used as chair. This remarkable and still simple design will be the first conversation of the evening with those guests. Umbra produces the Hanger Chair out of laminated, Baltic birch plywood. The creative folding chair is also available in further colours on demand.
  • Vitra - Standard Chair
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    Vitra - Standard Chair
    Jean Prouvé made a big classic piece with his Standard chair: It was initially designed in 1934 and re-edited in 1950 by the French designer. Vitra interpreted the chair again and brought it to contemporaneity. A chair has to be resistant in its back legs, since there rests the weight of the body relaxing on it. This simple cognition was realized on an embossing way in the Standard chair by the designer and constructer Jean Prouvé: The backside legs of the chair are voluminous hollow bodies giving the load to the ground, while the front-legs are less loaded, consisting of steel tube. The Standard is a model for Prouvés architectural design approach: The chair follows the rules of utility and shows its construction outspokenly. The materials are as timeless as the construction: Vitra produces the Standard chair out of steel and oak wood. The chair is available in different colours.
  • Muuto - Visu Chair
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    Muuto - Visu Chair
    Visu is the result of a design process, which nearly took two years: Muuto presents a chair, which is clear and unobtrusive, without acting uncreative. The details make the Visu chair attractive and special: Each edge, each rounding and the interplay of the forms adapted in a clever process again and again until Muuto and Mika Tolvanen were 100% satisfied with the result. The Finnish designer explained about his Visu: ”It was my aim to create a personal interpretation of the classic plywood chair. I wanted to create a chair which was unobtrusive, timeless and ergonomic without acting boring.” Besides the natural oak wood edition, the Muuto Visu is also available with a lacquered frame out of ash wood, lacquered or brushed steel runners as well as with a cushioned seat. Furthermore there also is a Visu Lounge Chair,
  • Kartell - Joe Colombo Armchair
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    Kartell - Joe Colombo Armchair
    The re-edition of a real classic piece: The Joe Colombo armchair was originally made in the 60s and it was re-edited by Kartell. The original “Armchair 4801” from Joe Colombo is an authentic symbol of the 1960s since it was presented, which is the reason why Kartell honours it with a place in the brand’s own museum. The original edition is expensive on auctions, which might be because this one is the only Kartell product made of wood. The re-edition of the Joe Colombo armchair however, is made of high class plastic, since it is the characteristic material of the Italian manufacturer Kartell. Only the modern processing makes it possible to produce the comfortable, slim and curved shape of PMMA. The armchair is available in a numbered series in three colours – transparent, white and black, wonderfully emphasizing the shape.
  • Bla Station - Fatback Easy Chair
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    Bla Station - Fatback Easy Chair
    Fatback was created in 2005 by designer Fredrik Mattson. Its easy and reduced design starts with the light main structure which is responsible for the floating impression. This chair by the Swedish manufacturer Blå Station is incredible convenient. Your sitting position is very flexible; the easy chair allows almost every position. The slope of the back and the seat depth are designed for convenient and relaxing sitting. However, Fatback is not only convincing as a single easy chair. If several Fatback arm chairs combined, one will get an inviting and comfortable Fatback Sofa. The skeletal structure consists of chromed steel poles, the seat is made of polyurethane. Fatback is available in several different colours. For extra charge, it is also possible to order different upholstery and even the exclusive leather model.
  • Löffler - Orgone Chair
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    Löffler - Orgone Chair
    The Orgone chair was created in 1993 by Marc Newson. The original design was made for a limited furniture set consisting of aluminium which Newson designed in his Studio “Pod” in Paris. A plastic set for the mass-market followed after a short period of time. The Orgone chair, made by Löffler today, consists of polyethylene and can be used in- and outside. The coloured plastic is produced out of one single piece, moulded in a complex rotation process. Marc Newson is one of the most internationally renowned and successful designers. His – open in the top and bottom - Orgone chair in its smooth, organic design, already counts to absolute design classics. This cult object is exhibited in numerous, international renowned museums. The Orgone Chair is ergonomic and really comfortable, despite or just because of the organic structure. The Orgone Chair by Marc Newson is available in the colours traffic black (RAL 9017), traffic red (RAL 3020), white aluminium (RAL 9006) and traffic white (RAL 9016).
  • Republic of Fritz Hansen Fritz Hansen - Rin Chair
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    Republic of Fritz Hansen Fritz Hansen - Rin Chair
    When Japanese and Danish design meet each other... Hiromichi Konno has created the RIN chair for Fritz Hansen; an elegant and futuristic design. The idea is to create a new type of chair that is in harmony with Japanese and Danish design traditions. The chair is elegant with a very innovative and progressive design. It invites you to sit in it for hours taking the traditional chair design into a new direction. “I wanted to make a beautiful chair that can stimulate and awaken emotions in people. It must be able to appeal visually but also make us feel a form of elegance when we sit in it. Therefore, I have established something poetical, simple, strong, relaxed and innovative all at the same time. The goal from the beginning was to create the perfect chair,” - Hiromichi Konno.
  • Bla Station - Chair 69
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    Bla Station - Chair 69
    Chair 69 satisfies all claims, one can stake out to a stackable chair. Chair 69 is stackable, comfortable, and can be connected with other chairs 69 to a row. Weighing only 4.2 kg, he can be transported effortless. Thus, he is perfectly suited for conference, lecture room and waiting rooms. The lightweight was created in 2005 by Fredrik Mattson for Swedish design manufacturer Blå Station. The chair legs consist of chromed steel. The seat shell and the backrest are made of glued plywood and available in birch, walnut, black or white stained. More colours are available and can be ordered.
  • Driade - Toy Armlehnstuhl
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    Driade - Toy Armlehnstuhl
    Toy is produced by Driade since 1999. The designed Philippe Starck designed Toy as a vividly coloured and stackable (max. 14 Chairs) armchair that is equally adapted to indoor and outdoor areas thanks to its plastic material. Toy consists of a polypropylene mono block and it is available in eight different colours. Additionally there are extractable covers available. These ones are made out of 100% sanforised cotton and possess an integrated, removable seat cushion. Also a self-extinguishing version in a grey GFR colour is available. The covers are also available in yellow, blue and green-grey beside the standard white.
  • Manufakturplus - Butterfly (B.K.F.) Chair, cotton
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    Manufakturplus - Butterfly (B.K.F.) Chair, cotton
    The Butterfly chair was initially designed and manufactured for the studio rooms of the architect’s office Austral. The three designers Antonio Bonet, Juan Kurchan und Jorge Ferrari-Hardoy that were workers from the office, designed the chair. The Butterfly chair became popular in the English speaking area as the B.K.F.-chair according to the names of its designers. The architect Jorge Ferrari-Hardoy was honored with the Argentina design award in the year 1940 because of the exceptional design of the chair. Nowadays the Butterfly chair is a real classic and placed in the continuous collection of the Modern Art Museum in New York. Manufakturplus continued developing the design of the classical product offering it in several editions. The butterfly chair with cotton coating is also available with a black or white frame, as well as in pearl-gloss (silver), RAL or stainless steel. Moreover also the Butterfly Mini and the Butterfly Stool can be demanded.
  • Hay - neues dänisches Design Hay - Ray Lounge Chair
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    Hay - neues dänisches Design Hay - Ray Lounge Chair
    The Lounge Chair Ray was one of the first furniture pieces which came in production by the design-blacksmiths Hay. And it is the first design for an armchair by Jakob Wagners. Inspiration for Ray was the ocean – its plain, elegant shape is the similar like from its namesake, the Ray. The seating plate is wide, but it still seems really light, just like the fish is Ray thicker in the middle and becomes slender to the "wing tips". This is because of the soft springing which makes a nicer seating comfort. The overhanging of the seat makes it possible to put a magazine or plate next to you, or to just put your feet up. With the harmony of shape and function Ray purport any direction, with which Hay became famous in the design scene: The perfect balance of Scandinavian tradition and modernism stand for the whole collection of the Danish manufacturer from Horsens. Ray is also available as swivel chair. Furthermore there are further fabrics and colours available against extra charge.
  • Magis Design Magis - Voido Rocking Chair
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    Magis Design Magis - Voido Rocking Chair
    Ron Arad isn’t only an international renowned and award-winning furniture designer. His reputation grew among experts since he was the architect of the opera house in Tel Aviv. Since 2005, the Italian company Magis produces another highlight of the Israeli – British designer and architect: Voido. The rocking chair, consisting of blown-moulded polyethylene is suitable for in- and outdoors. The curvy shaped and swinging arm chair is available in further colours.
  • Casala - Casalino 2008/10 Armchair
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    Casala - Casalino 2008/10 Armchair
    Casalino is back! A shining star in the 70s and forgotten in the 80s, Casala wanted to re-edit the dynamic chair named “Casalino” in 2007. But where were the moulds? The company with its roots in the lower Saxony Lauenau found the answers in Antalya after long research. Casala bought the moulds back in order to vitalize the forgotten classic, which received the “good industrial form” award on the Hanover fair in 1971. Casalino 2007 isn’t a remake, but the original created by the designer Alexander Bagger. “It was a delighting work, so that I forgot everything around me”, explained Bagger about the ling ago production process of his chairs. And Casalino still breathes that happiness out of plastic-pop and the will of change of the 70s, even decades later. The model 2008 was presented by the Casala company one year after the new launch of the Casalino 2007. The upholstered edition Casalino 2008 ensures more sitting comfort and it naturally also offers all the advantages of the Casalino 2007 – and this is how the upholstered armchair is also resistant against shocks and scratches (since it is dyed thorough) and free of edges.
  • Hay - neues dänisches Design Hay - About a Chair Low AAC 43
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    Hay - neues dänisches Design Hay - About a Chair Low AAC 43
    About a Chair by Hay is a chairs collection with exceptional simplicity regarding design. The designer Hee Welling reached a new level in combining form, function, comfort, detail and aesthetics with his collection. The About a Chair chairs have consciously been kept simple and they can therefore be combined with other furniture pieces without any problems. They are wonderfully inserted in the most different surroundings and architecture styles because of their simplicity, which is why the chairs are also predestined to be used in object areas. According to the ideas of the designer Hee Welling, the About a Chair chairs should be useful in Restaurants as well as at home, at conference tables as well as at the homely dining table. This is the reason why the idea of simplicity is a guarantee for multi-functionality and combinability. The seat with armrests of the About a Chair AAC 16 consists of polypropylene and it is slightly upholstered with an eco-tex standard foam. Different Kvadrat fabrics are selectable as upholstery. The frame consists of beech plywood with oak wood veneer or black stained veneer in ash and it possesses a low seat height (38 cm) in the low edition, contrasting the normal variants (seat height 46 cm). Moreover the About a Chair by Hay is also available with other seats and frames, such as the AAC 42 with a non-upholstered sear in low seat height or as upholstered AAC 23 with standard seat height of 46 cm: The seats and bases of the AAC series make up numerous combinations that will never look like they were unwanted or selected by chance. We will gladly advise you for personal configurations.
  • Vitra - Jill Tube Chair
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    Vitra - Jill Tube Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a filigree steel rod base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: Veneer (ash, oak or walnut), three-dimensional deformed. Bases: All bases with glides for carpets or with felt glides for hard floor. Four-feet steel rod base, not stackable, chromed or powder coated (colours: ivory, ice grey, chocolate, raspberry)
  • Republic of Fritz Hansen Fritz Hansen - Series 7 Chair
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    Republic of Fritz Hansen Fritz Hansen - Series 7 Chair
    The series 7, which was designed by Arne Jacobsen 1955, is the admiral of the Fritz Hansen collection. “Finally a chair of Jacobsen with 4 legs and alternatively armrests!”, was agitated gladly called in the compactor 1955, when Fritz Hansen introduced the series 7 of the designer Arne Jacobsen. The elation of the compactor assigned to the buying public and therefore it has been the series 7 chair, by now about five million sold specimen to one of the top-selling chairs of all times. For the chair, Jacobsen was impressed by the American Design-couple Charles and Ray Eames. 1951 Appeared the first concept of series 7. On the creation Arne Jacobsen experienced with a new engineering in the converting of coating bond scale boards. The blackening and appealing design remained embossing and so the series 7 chair is a completed work of high quality in the matter of design and creation and among other things it is admirable in the Museum of Modern Art in New York. The Series 7 Chair is also available in other versions. The different versions can be found in the added PDF-data.
  • Artek - Mademoiselle Rocking Chair
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    Artek - Mademoiselle Rocking Chair
    The Mademoiselle rocking chair by Ilmari Tapiovara is an elegant design classic in the tradition of Finnish furniture design. Tapiovaara already designed the rocking chair in 1956. It is produced by the Finnish company Artek as part of the Tapiovaara Family Collection today. Swinging chairs and Loungers have always been important pieces of furniture in the history of Finnish design. Ilmari Tapiovaara already designed numerous new-interpretations of this piece of furniture during his studies. Modern and appealing at the same time, and comfortable, the chair with the elegant name Mademoiselle especially became a Finnish design icon of the 1950es. According to its name, Mademoiselle explains the filigree and elegant design of the Rocking Chair. The reduced design consists of slim and long forms that communicate appealingly. The Lounge Chair Mademoiselle simultaneously offers maximal functionality. Solid birch wood guarantees high stability and longetivity.
  • Kartell - Lizz
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    Kartell - Lizz
    Lizz is a chair with geometrical, straight lined design, whose severity is slightly broken by the inclined back legs. At dining tables or in the living room is where the Kartell chair is distinctive. And also in object areas or waiting rooms, this stackable (up to 5 pieces) chair will express its strong character. The angular shape, the wide seat and the bent back legs make Lizz independent and recognizable despite of the simplicity. Lizz was designed by Piero Lissoni, who gave his typical, minimalistic style to the chair. Kartell produces Lizz out of thermoplastic techno polymer, which makes the piece of furniture scratch-resistant and weatherproof. Kartell offers the chair in a thoroughly dyed edition as well as a lacquered one in different colours.
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