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  • Christmas offer: Vitra Grand Repos + Free Ottoman
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    Christmas offer: Vitra Grand Repos + Free Ottoman
    Grand Repos represents the tradition of a comfortable armchair and it develops the idea of it. With big cushions and step-less adjustable positions, the Vitra armchair by Antonio Citterio fulfils every desire regarding comfort and relaxation. The Italian designer and architect Antonio Citterio understands how to connect timeless elegance with exceptional comfort. That’s how you won’t guess the year the Grand Repos was designed in: 2011. Vitra Grand Repos: Grandiose comfort A bio mechanism optimized movement is responsible for the adaptation of the Grand Repos to every sitting position between reading and relaxation positions. The angle of seat and backrest change thereby synchronically. The mechanism inside of the chair is step less lockable. Wide armrests and a body-adapted back in the lumbar area offer exceptional comfort. The grand cushions ensure comfort for this unique piece of furniture made by Antonio Citterio. Combined with the Grand Repos, the Ottoman is very pretty and it combines style and lying comfort. The Grand Repos is also available in other colours in the Christmas offer and it can be ordered with other four-star bases as well. Instead of the Ottoman, it can also be ordered with a Panchina (small bench).
  • Christmas offer: Vitra Lounge Chair & Ottoman + Free Prismatic Table
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    Christmas offer: Vitra Lounge Chair & Ottoman + Free Prismatic Table
    The Vitra Lounge Chair is doubtlessly an icon of furniture production. The lounge chair from Charles & Ray Eames connects the ultimate comfort with highest material quality and processing since 1956 – in the Christmas offer with a free Prismatic Table. Design icon: Vitra Eames Lounge Chair Charles and Ray Eames were inspired by the traditional English club chair when they designed their iconic lounger – accordingly rustic-heavy and very comfortable is how the design acts. Charles Eames had the aim of connecting the utmost comfort with high-end materials and high-quality finishing. The chair is a synonym for stylish comfort since more than 50 years. The Ottoman raises the comfort and the style of the single chair even more: Hardly anything could be more comfortable than this aesthetical combination. The Ottoman stylishly suits the classic design of the Lounge Chair and it is naturally made of the same high-class materials. The classic Lounge Chair won’t either hide from the signs of time, and this is how new editions expanded the collection: The Lounge Chair with ottoman is available in two sizes – with the classic dimensions and with bigger, new dimensions. Free: Prismatic Table by Isamu Noguchi Usamu Noguchis Prismatic Table from 1957 is based on a purely geometrical form. The original, three-legged side table with its hexagonal top is made of folded aluminium sheet and it was inspired by the traditional Japanese origami folding technique. Noguchi designed a side table which could be used as sculpture in the middle of the room. Made of coated aluminium, the table is unusual but decent, functional and still simple: All in all, it is a contemporaneous piece of minimalistic design, which makes up a contrast to the round lounge chair. The Christmas offer is also available in further colours and with other bases as well as with classic dimensions on demand. An Eames woolen blanket can also be chosen instead of the Prismatic Table.
  • Normann Copenhagen - Era Lounge Chair
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    Normann Copenhagen - Era Lounge Chair
    Furniture for a new era: Normann Copenhagen presents the Era Lounge Chair, designed by Simon Legald. The armchair is available in many editions and it enriches every furnishing. Classic, friendly, nostalgic and curvy. That’s how the collection of lounge chairs designed by Simon Legald for Normann Copenhagen might be described the best. But the Era collection is much more than that. The shapes are well-proportioned, the lines embossing and the appearance modern. The Era series connects modern production techniques with traditional furniture handicraft resulting in one unmistakable Lounge Chair. The slim design and the high quality transform the Era Lounge Chair into one futuristic and versatile armchair. It is very suitable for modern furnishings, which demand flexibility. The chair is suitable for different rooms of the house and it serves for different events and demands, if they change. The design of Era is directed to different generations and it looks as great in the living room of a design enthusiast as of a family with children, of a young couple or of their grandparents. Normann Copenhagen Era: Numerous editions Simon Legald explains: ”It took a while until the proportions and the interplay between soft curves and tensed lines at the seats were perfectly balanced. It was important here to process the cushions and seams with a lot of handicraft precision. It was my aim to create individual armchairs with an own character fpr each one. I achieved in this by means of creating different variations between the high and low chairs and also by the different frames. This is how the wooden frames are flat and look warm while the thinner, round steel and chrome editions rather remind us of industrial objects. The frame of a rocking chair is an unexpected and playful alternative for a lounge armchair.” The editions are uncountable: Normann Copenhagen’s Era Lounge Chair is available in a high and a low edition, with legs out of oak wood, walnut, black painted steel or chrome as well as with a rocking chair frame out of chrome. The Era Collection also includes a stool. Two woollen qualities with vivid appearance and beautiful structure as well as soft, resistant leather in many colours are also available as cover for Era.
  • Republic of Fritz Hansen Fritz Hansen - Drop Chair
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    Republic of Fritz Hansen Fritz Hansen - Drop Chair
    It took Frits Hansen more than 50 years to re-produce the Drop chair designed by the legendary Arne Jacobsen. The classic piece came back now and it acts more current than ever. Drop has already been produced for the big masterwork of Jacobsen in 1958, the Royal SAS Hotel in Copenhagen, for which the Danish designer also created the iconic armchair Egg and Swan. The Fritz Hansen Drop is a sensitive chair with big character. The chair is fresh and vivid as if it had a new design; bit still it keeps a very special history. This makes its unmistakable personality possible, which is bigger than its simplicity might reveal on the first sight. The love for details and the unique design make up a brave and unusual statement, which makes Drop as current as when it first appeared. The backrest of the Fritz Hansen Drop unifies the feelings of a warm embrace with a lot of mobility, leading to surprising comfort. The chair elegantly fits in numerous furnishings and it is therefore an exceptional example for furniture design, which influences and upgrades the room it is in by simply being there and being beautiful. The Frits Hansen Drop chair is available in further colours, with chrome-plated legs as well as coated with fabric, leather or with cushions. We will gladly advise you for individual configurations.
  • Umbra - Hanger Chair
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    Umbra - Hanger Chair
    The Hanger chair of the Umbra Shift Collection was designed by Philippe Malouin. Unconventional thinking and original designs are familiar to the Canadian designer. Philippe Malouin was inspired by one of the most ultimate storage systems when he designed his Hanger chair: The conventional clothes hanger. The hook on the backrest of the chair makes it possible to hang it space saving in the wardrobe at another hook. If there are unexpected guests, it is easily taken out of the wardrobe, unfolded and used as chair. This remarkable and still simple design will be the first conversation of the evening with those guests. Umbra produces the Hanger Chair out of laminated, Baltic birch plywood. The creative folding chair is also available in further colours on demand.
  • Kartell - Audrey Chair, without armrests
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    Kartell - Audrey Chair, without armrests
    Audrey is a versatile chair by Kartell, which has been designed by Piero Lissoni. The combination of aluminium and plastic especially characterize the chair and it makes the chair rich of facets and apparently exciting. Eclecticism and versatility, modernity and elegance in the details of the surfaces and materials make the Audrey chair innovative for rooms of all kinds. The simple, pure lines of Kartell’s Audrey ensure that it feels homely in the most different furnishings. In the office, at home, in object areas and even outside it looks great. Kartell produces the Audrey chair with a frame of aluminium, the seat is made of polypropylene. The outdoor-adapted Audrey is also available with frames and covers in other colours. An edition with armrests is also available. The chair by Kartell is also available upholstered: Audrey Soft.
  • Kartell - Lizz
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    Kartell - Lizz
    Lizz is a chair with geometrical, straight lined design, whose severity is slightly broken by the inclined back legs. At dining tables or in the living room is where the Kartell chair is distinctive. And also in object areas or waiting rooms, this stackable (up to 5 pieces) chair will express its strong character. The angular shape, the wide seat and the bent back legs make Lizz independent and recognizable despite of the simplicity. Lizz was designed by Piero Lissoni, who gave his typical, minimalistic style to the chair. Kartell produces Lizz out of thermoplastic techno polymer, which makes the piece of furniture scratch-resistant and weatherproof. Kartell offers the chair in a thoroughly dyed edition as well as a lacquered one in different colours.
  • Kartell - Joe Colombo Armchair
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    Kartell - Joe Colombo Armchair
    The re-edition of a real classic piece: The Joe Colombo armchair was originally made in the 60s and it was re-edited by Kartell. The original “Armchair 4801” from Joe Colombo is an authentic symbol of the 1960s since it was presented, which is the reason why Kartell honours it with a place in the brand’s own museum. The original edition is expensive on auctions, which might be because this one is the only Kartell product made of wood. The re-edition of the Joe Colombo armchair however, is made of high class plastic, since it is the characteristic material of the Italian manufacturer Kartell. Only the modern processing makes it possible to produce the comfortable, slim and curved shape of PMMA. The armchair is available in a numbered series in three colours – transparent, white and black, wonderfully emphasizing the shape.
  • Kartell - Comback Rocking Chair
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    Kartell - Comback Rocking Chair
    Kartell re-launches a big classic piece with the Comback rocker. This classic piece of furniture is the new look of the Windsor-Chair by the Italian manufacturer. The Comback rocker is the return into the glorious past of England of the 18th century, reinterpreted by the Spanish designer Patricia Urquiola. The backrest of the rocker by Kartell is made of seven tubes and it widens at the lover back, copying modern lumbar supports. There are vertical struts among them, which also carry the armrests of the classic rocking chair. All in one, Comback is a lush, inviting chair, where the seat unifies functionality and ergonomics with a lot of emotionality and tradition. The used plastic material and the selection of shiny colours make this chair modern and weightless. Comback is also available in all the Kartell offered colours, as well as swivel chair, with a four-leg frae or with runners.
  • Hey Sign Felt-Cushion Eames Plastic Side Chair
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    Hey Sign Felt-Cushion Eames Plastic Side Chair
    The Eames Plastic Side Chair was created in 1950 in cooperation with Zenith Plastics for the "Low Cost Furniture Design" competition of the Museum of Modern Art. With that it was the first industrial-made chair made of plastic. The design was coined by the legendary American design-brothers Charles and Ray Eames. Now the Eames Plastic Side Chair found its matching cushion, this one optimizes the seat comfort. The solution of that comes from Germany, where the company Hey Sign designs and develops since 1999 "Innovations made of felt". In the collection found also some cushions acceptance, which were especially designed for classic-chairs by Vitra and Fritz Hansen. If in the private area, in restaurants, in waiting areas, offices or conference rooms: The Eames Side Chair wins through the flat felt cushions out of the convenient and ecologic precious, because renewable material also administrate on convenience, without an awkward factor on the concept and the design of the Vitra-classics. And thanks to the anti-slippery cover the cushion won't slip around, instead it will be stand where it should. The felt-cushion is also available without anti-slippery cover, and other colours. Moreover there are also double-cushions available (two cushions sewn together) with or without filling.
  • Hey Sign felt-cushion Eames Plastic Armchair
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    Hey Sign felt-cushion Eames Plastic Armchair
    Since 1999 the manufacturer Hey Sign produced felt innovations "made in Germany". Besides a very successful own collection, Hey Sign creates also special conditions for design classics of manufacturers such as Vitra and Fritz Hansen. The cushions of the original and unusual material fit perfectly to the silicone of the last century. Also the classic armchair Eames by Vitra. The chair comes from the legendary American design-couple Charles and Ray Eames. It was first presented in 1950 in in line with the competition "Low Cost Furniture Design" of the Museum of Modern Art in New York and belongs today to the famous chairs of the world. The organic shaped seat shell made of plastic was later combined with different frames and was produced a million times. In their actual version of polypropylene the armchairs offers a better seat comfort. This is optimated by the ant-slippery-coated felt cushion by Hey Sign. The production of felt as well as production or all the Hey Sign products is „Made in Germany“, the completion of the products is even „handmade“. The used felt material consists of pure new wool 100% without any chemicals or recycled textiles, which is documented by the known wool seal. Hey Sign is the first and only felt factory whose products have been certified according to the strict policy “The Woolmark Company”. The felt cushion is also available without anti-slippery-covering as well as in different colours. Moreover there are also double cushions available (two sewn together) with and without filling material.
  • Republic of Fritz Hansen Fritz Hansen - Ro Armchair
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    Republic of Fritz Hansen Fritz Hansen - Ro Armchair
    The internationally famous, Spanish designer Jaime Hayon designed the armchair of the future together with Fritz Hansen. An armchair, which offers relaxation and a little time-out for you, away from the stressful day by day. Time to think is luxury nowadays. We all have a lot of work and hardly time to stop and think a little while. The Ro armchair from Fritz Hansen comes from the desire of furniture which will make us stop running for a moment. Ro is more than an armchair. It has 1½ seats, to relax in them, to find a comfortable position in it, to read newspapers or to configure the computer or spend time with the children - a new comfort zone. The design of the seat is simple, elegant and pleasant for the eyes and the body. In its visual expression and the comfortable functionality, Ro guarantees quietness and relaxation. Moreover the clever shape of the seat makes it possible for you to decide whether to be part of what’s happening in the room you’re in or to enter your own small comfort zone. The design premises of Fritz Hansen for the designer Jaime Hayon said that he should create “a comfortable seat for single persons”. ”We focussed on the shape of the armchair, which is inspired by the human body. Our aim was to create an armchair which would be as comfortable as beautiful. I wanted to create a slim, elegant armchair to think and sit comfortably”, explained Jaime Hayon. “Ro” means quietness on Danish. This name was chosen because it describes the character of the armchair with only two characters and which perfectly expresses the Scandinavian concept for aesthetics that way. The Ro armchair is made by Fritz Hansen according to the highest quality and processing standards. The result of this unique interplay of sculptural and elegant design is a functional and aesthetically appealing armchair, which attracts glimpses in every environment. One can only fall in love with it, since Ro doesn’t compromise in comfort or aestheticism. The relax armchair is available in nine colours: In three traditional colours (black, grey and taupe), in three shiny colours (violet, blue and yellow) and in three soft colours (light pink, sage green and sand). The armchair has different surface structures for the seat and the upholstery for a more dynamic appearance, emphasizing the contrast between the hard outside and the warm, softer inside.
  • Vitra - East River Chair
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    Vitra - East River Chair
    With the East River Chair, Vitra presents a small armchair, which connects the different design worlds. Tradition and modernity are connected in the lounge chair made by Hella Jongerius, becoming a wonderful unity. The bribing shape, given to the East River Chair from the Netherlands designer, says it all: Ample lines, which take the weight of the East River Chair with their slim shapes. This is how the lounge chair from Bitra suits to relax without acting formally overloaded. The East River Chair unforcedly connects different materials, such as wood, metal, fabric or leather – a characteristic of Hella Jongerius. More details: Vitra offers the East River Chair in different editions: Seat: Laminated. Upholstery: Polyurethane foam with fabric cover. Coating: Leather and fabrics (Laser, Hopsack, Plano) in adapted colour combinations (light, red, green or blue) Frame: Natural oak wood with legs cross of powder-coated steel in ivory or dark oak with legs cross of powder-coated steel in coffee.
  • Republic of Fritz Hansen Fritz Hansen - Minuscule Chair
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    Republic of Fritz Hansen Fritz Hansen - Minuscule Chair
    Minuscule is a chair, which impresses with its withdrawing, Scandinavian style. This designer’s piece made by Cecilie Manz fits in different rooms without any problems. The name “Minuscule” was chosen by Fritz Hansen and the Danish designer Cecilie Manz, since the chair represents unconstrained, decent style, which also characterizes Danish design in general. The also clever and uncomplicated Minuscule chair is characterized by its material: The chair connects tradition and craftsmanship with industrial processing. The seat is upholstered with a weightless but durable fabric and hand-sewn, whereby a fine leather detail emphasizes its contours. The aesthetically swung bowls are held by a frame out of plastic. This material is a contrast and also a pleasant, contemporaneous completion of the whole image. The source of inspiration for the design details: Stones that floated through the sea, reaching the beach. The soft lines of the frame also have that softness. The upholstery of the outside bowl is available in two grey tones as well as in black/white. Grey is a colour which fascinates Cecilie Manz a lot, since it is the only tone that is able to absorb all the other ones. The different colours of the bowl are combinable with different upholsteries as well. The possible colour combinations of backside and upholstery of seat are represented in the document below. The Fritz Hansen Minuscule chair fits in different surroundings: In public rooms, in offices or in private homes. The Minuscule chair is completed by the table of the series: Minuscule Table. More details: The following seats are combinable with the according upholsteries. All the numbers represent fabric colours of the fabric http://www.connox.de/kvadrat-stoffmuster-remix.html}Remix by Kvadrat. Seat 123 (light grey): Upholstery 143 (grey), 173 (dark blue-grey), 433 (rust orange), 733 (blue-green), 373 (aubergine), 933 (light green), 433 (ochre), 762 (blue), 722 (rose-blue) Seat 163 (dark grey): Upholstery 143 (grey), 173 (dark blue-grey), 783 (dark blue-aubergine), 923 (corn yellow), 753 (jeans blue), 233 (beige), 733 (dark ultramarine blue), 612 (light pink), 982 (green) Seat 152 (black/white): upholstery 152 (black/white)
  • Knoll International Knoll - Washington Skeleton Chair
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    Knoll International Knoll - Washington Skeleton Chair
    Knoll never renounced presenting future classic pieces. The Washington Skeleton Chair by David Adjaye from 2013 is such a piece. The Knoll Skeleton Chair cantilever establishes an interplay between falling and balancing function, so that the chair from David Adjaye acts functional and sculptural at the same time. The Washington Skeleton Chair has a fine geometric pattern, while the Washington Skin Chair has a plastic appearance, which shares its outside look with the Skeleton chair. Both chairs were designed by the British architect Adjaye in the event of the 75th anniversary of the Knoll company. Knoll produces the Washington Skeleton Chair out of powder coated aluminium, making the chair suitable for outside use. The Skeleton Chair is also available copper-coated. Nylon pads are included in the delivery.
  • Knoll International Knoll - Platner Armchair
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    Knoll International Knoll - Platner Armchair
    In 1966, the Platner collection from Knoll irresistibly caught the spirit of that time with its decorative, soft and aesthetic forms. The experience of the cooperation with Eero Saarinen made it possible to create the second generation of the one-leg “Pedestal” furniture from Knoll by Warren Platner. Accompanying the changes of cultural values in the 1960s, furniture also became more expressive, which is why the Knoll Platner armchair is a master example: Simple its shape, effective its processing. Platner wanted to create a series of furniture with his steel wire collection, which would charm the eyes more than the plain and empty creations of that time. At the same time, the designs shouldn’t be too ornamental and the function shouldn’t fall into the background. The Platner armchair is made of hundreds of swung, nickel-coated steel wires, which are welded together. The steel frame serves as structure and as decorative element at the same time. Knoll produces the seat out of fiberglass with cold foam cushions. The base of the Platner armchair has a transparent plastic ring, which protects the base and the chair from damages. The frame of the Knoll Platner armchair is also available in a bronze coloured edition on demand. The upholstery is also available in further colours and covers. We will gladly advise you for your individual configuration! More details: Characteristics: The armchair by Warren Platner is available with different covers in different quality levels and colours. Frame: Unique shapes made with vertical round steel tubes, which are welded together with the horizontal, round and framing tubes. Nickel-plated, with clear protecting lacquer. Ground protection with soft, transparent plastic profile or metallic-painted bronze. Upholstery: Form pressed fiberglass seat with foam upholstery. Cushions with latex filling with zip-closure, fixed at the seat with Velcro.
  • Knoll International Knoll - Washington Skin Chair
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    Knoll International Knoll - Washington Skin Chair
    Knoll never renounced presenting future classic pieces. The Washington Skin Chair by David Adjaye from 2013 is such a piece. The Knoll Skin Chair cantilever establishes an interplay between falling and balancing function, so that the chair from David Adjaye acts functional and sculptural at the same time. The Washington Skeleton Chair acts plastic, while the Washington Skeleton Chair is reduced to a fine, geometric pattern, which shares its outside look with the Skin chair. Both chairs were designed by the British architect Adjaye in the event of the 75th anniversary of the Knoll company. Knoll produces the Washington Skin Chair out of injection moulded, fiberglass reinforced nylon. The chair is produced in three parts, which are invisibly connected afterwards with stainless steel and aluminium joints. Plastic pads are included in the delivery package.
  • Blofield - inflatable Chesterfields Blofield - Big Blo 1-Seat
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    Blofield - inflatable Chesterfields Blofield - Big Blo 1-Seat
    Blofield surprises the world with high-quality design-furniture, filled with air. This sofa by Blofield comes in a design of a classic Chesterfield-Sofa and seems elegant and heavy. Something specilal about it is that it is elegant but not heavy at all: This sofa is filled with air. There is an electric pump included in the delivery. To fill the sofa with air is very easy and it can be placed and moved everywhere. Despite of this usual first step, the blown-up armchair by Blofield also convinces with its design: It appears like a traditional massive armchair, just as we imagine it in front of rustic fireplaces or in comfortable lounges. The combination of classic design and modern, functional technique make the blow-up armchair by Blofield a very special piece of interior furnishing.
  • Hay - neues dänisches Design Hay - About A Chair AAC 12
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    Hay - neues dänisches Design Hay - About A Chair AAC 12
    About a Chair by Hay is a chairs collection with exceptional simplicity regarding design. The designer Hee Welling reached a new level in combining form, function, comfort, detail and aesthetics with his collection. The chairs of About a Chair have consciously been kept simple and they can therefore be combined with other furniture pieces without any problems. They are wonderfully inserted in the most different surroundings and architecture styles because of their simplicity, which is why the chairs are also predestined to be used in object areas. According to the ideas of the designer Hee Welling, the About a Chair chairs should be useful in Restaurants as well as at home, at conference tables as well as at the homely dining table. This is the reason why the idea of simplicity is a guarantee for multi-functionality and combinability. The seat without armrests of the About a Chair AAC 12 consists of painted polypropylene. The four-foot-frame is available made out of soaped oak wood or black stained oak wood. Moreover the Hay About a Chair models are also available in different combinations of seats and frame or as editions with steel-four-foot-frames (AAC 16). The seats and frames of the AAC series make up numerous combinations that never seem selected by chance or unwanted. We will gladly advise you for personal configurations.
  • Hay - neues dänisches Design Hay - About A Lounge Chair AAL 82
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    Hay - neues dänisches Design Hay - About A Lounge Chair AAL 82
    About a Chair by Hay is a collection of chairs with noticeable simplicity in design. The designer Hee Welling reached a new level of combining form, function, comfort, detail and aesthetic with this chair. The AAL 82 expands the series with one low chair, which perfectly suits the philosophy of the resting furniture pieces. The About A Lounge Chair AAL 82 is slightly upholstered with a piece of foam according to the Eco-Tex-Standards and it has armrests, one low backrest and a four-legs-frame out of wood. Different Kvadrat fabrics can be chosen in different colours to coat the chair. The seat is made of polyurethane, the frame of soaped or stained oak wood. Moreover the About A Lounge Chair by Hay is also available with different seats and frames, such as AAL 81 with pivotable aluminium base or AAL 92 with high backrest: The seats and frames of the AAL collection result in many combinations which will never look unwanted. We will gladly advise you for individual configurations.
  • Normann Copenhagen - Swell Armchair
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    Normann Copenhagen - Swell Armchair
    More than comfortable: The designer Jonas Wagell gave playful, happy appearances to his Swell armchair he made for Normann Copenhagen. Despite of it, the appeal remains Nordic and clear. There are no unnecessary details at the Normann Copenhagen Swell, since Wagell concentrated on the essence when he designed it. The precise shapes are emphasized by the soft curves of the armchair – that’s how Swell gets its inviting character and the exceptional seat comfort. Behind the soft forms of the Normann Copenhagen Swell armchair there are generously upholstered laterals and an also generous backrest – a clear reference to the name, which alludes to growing bread dough. The seams on the backside and seat of the couch divide the cushions and make the opulent appearance perfect. The designer Jonas Wagel explains: ”I was always fascinated by minimalism. However, I find it important to add a warm component and some personal details to the objects. My starting line was characterized by aesthetic and practical qualities, which are important to me when I buy a sofa. That’s the reason why Swell is coined with my personal taste.” The Swell armchair by Normann Copenhagen is also available in further colours and as Swell sofa.
  • Löffler - Orgone Chair
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    Löffler - Orgone Chair
    The Orgone chair was created in 1993 by Marc Newson. The original design was made for a limited furniture set consisting of aluminium which Newson designed in his Studio “Pod” in Paris. A plastic set for the mass-market followed after a short period of time. The Orgone chair, made by Löffler today, consists of polyethylene and can be used in- and outside. The coloured plastic is produced out of one single piece, moulded in a complex rotation process. Marc Newson is one of the most internationally renowned and successful designers. His – open in the top and bottom - Orgone chair in its smooth, organic design, already counts to absolute design classics. This cult object is exhibited in numerous, international renowned museums. The Orgone Chair is ergonomic and really comfortable, despite or just because of the organic structure. The Orgone Chair by Marc Newson is available in the colours traffic black (RAL 9017), traffic red (RAL 3020), white aluminium (RAL 9006) and traffic white (RAL 9016).
  • Conmoto - Chairman
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    Conmoto - Chairman
    Chairman is a chair that connects the worlds: Highly modern materials meet iconic design. Werner Aisslinger, the A&W designer of the year 2014 designed the Chairman for Conmoto. The Chairman is especially characterized by the innovative seat : The seat is made of felt, which was pressed to form-fleece out of one piece of material. This is how seat comfort known from cushioned chairs emerhes: The high tech material is yielding, warm and comfortable- A chair, which connects the newest technologies with archetype design emerges in combination with the clear design of the Conmoto Chairman. The shape of it is as minimalistic and timeless that it will still be current and modern in many years. Conmoto offers the Chairmen with a base of wood or metal. This is how one only chair achieves in creating different moods. The Chairman especially suits the furniture of the Pad Collection by Conmoto.
  • Arper - Saya Chair
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    Arper - Saya Chair
    A sign, a gesture, a visible symbol – that’s the Saya chair by Arper. The chair was designed in 2012 by the designer trio Leviore Altherr Molina. As if it was a signature, the Saya chair by Arper stands in the room. Expressive proportions, the unmistakable silhouette and warm material make Saya a unique piece of furniture. The sum results in more than only the single pieces: The Arper Saya inspires to embed it in different surroundings – from private rooms up to be used in public places. Arper produces the Saya chair out of massive oak wood with a finish of teak wood. The Saya chair is also available in more colours as well as with a frame out of steel. A barstool and a children’s chair are also available out of the same collection. Thanks to the unmistakable silhouette, Arper’s Saya was already honoured with the Red Dot Award 2013 and with the interior innovation award 2014.
  • Softline - Noomi Lounge Armchair
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    Softline - Noomi Lounge Armchair
    Elegant and comfortable is how the Softline Noomi lounge chair appears. The designer Susanne Grønlund was inspired by the shapes of the 50s and she modernised them carefully. The retro siblings of the Noomi chair also gave it its appearance, which is the reason why this armchair feels comfortable in nearly every place. The soft, inviting appearance and the unobtrusive elegance ensure an honourable place for the Softline Noomi armchair, even in modern rooms. The Noomi lounge chair is obviously leaned on the Scandinavian design tradition. The coatings of the Noomi armchair are removable to clean them for example. Spare coatings are also available. Fire retardant foam upholstery make the chair by Susanne Grønlund comfortable. Noomi is also available with other coatings in numerous colours.
  • Muuto - Visu Chair
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    Muuto - Visu Chair
    Visu is the result of a design process, which nearly took two years: Muuto presents a chair, which is clear and unobtrusive, without acting uncreative. The details make the Visu chair attractive and special: Each edge, each rounding and the interplay of the forms adapted in a clever process again and again until Muuto and Mika Tolvanen were 100% satisfied with the result. The Finnish designer explained about his Visu: ”It was my aim to create a personal interpretation of the classic plywood chair. I wanted to create a chair which was unobtrusive, timeless and ergonomic without acting boring.” Besides the natural oak wood edition, the Muuto Visu is also available with a lacquered frame out of ash wood, lacquered or brushed steel runners as well as with a cushioned seat. Furthermore there also is a Visu Lounge Chair,
  • Softline - Havana Armchair
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    Softline - Havana Armchair
    The Havana armchair by Softline acts like an old friend: Inviting, comfortable and familiar. Thereby the armchair was only designed in 2013 by Busk+Hertzog. The classic armchair as we know it from grandfather’s days was completely renovated: The Havana lounger is the modern interpretation of the classic piece. The design team Busk+Hertzog created a chair with appealing details, whose slim profile flirts with the wide form at the top. Havana is as comfortable as the name reveals, that’s typical for Softline products. The coatings of the Havana armchair are easily removable to be cleaned. Fire retardant foam inside of the cushions makes the sofa of Busk+Hertzog comfortable. The Softline Havana armchair is also available with other coatings in numerous colours. An ottoman is also available on demand. Softline was honoured with the interior innovation award 2014 for the re-interpretation of the classic Havana armchair.
  • Vitra - Wire Chair DKW
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    Vitra - Wire Chair DKW
    Vitra presents a well-known piece with a fresh appeal: The Wire Chair DKW modernised with a wooden base and a dark seat. The designer marriage Charles & Ray Eames already designed the maybe most famous of their chairs, the Plastic Side Chair for Vitra already in 1951. Vitra brought the classic piece to contemporaneity now: The popular wooden base and a seat in Basic Dark offer modern appeal to the DKW. The new version Wire Chair DKW with the dark paint emphasizes the transparency of the seat out of steel wire, while the wooden base which is available in three maple wood editions, offers a homely character to the chair. The Vitra Wire Chair DKW is also available in an edition with a cushion and an edition with seat and back cushions. The DKW is also available with plastic pads (for soft grounds such as carpets).
  • Discipline - Pocket Armchair
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    Discipline - Pocket Armchair
    A surprising design: The leather of the Pocket armchairs by Discipline snuggles on top of the wooden frame as well as a glove. The innovative armchair is soft and comfortable that way, also without thick cushions. The German design team Ding3000 designed the Pocket armchair for Discipline: The soft, Italian Cuoietto leather of the Discipline Pocket armchair adapts to the body and offers comfortable sitting position. The Pocket armchair by Discipline is weightless and space saving because of its unusual design. The Pocket chair is named after the sewn pockets in the leather that are hanged in the frame of the chair. The “hands off” construction makes the chair absolutely comfortable and ergonomic. The feet of the Discipline Pocket armchair are made of massive oak wood. The leather seat is available in black, brown and natural leather.
  • Driade - Nemo Chair
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    Driade - Nemo Chair
    The Nemo chair with the characteristic face-form was designed by the architect and designer Fabio Novembre for the Driade Store collection. Human shapes have always been a huge influence for the Milan designer, and the unmistakable main inspiration at the Nemo Chair. Visually the Nemo Chair reminds of the classic Venetian theater masks. The high backrest and the deep seating shell make Nemo an ideal retirement place and promise quietness and relaxation. There are “eyes” in the backrest so that the user can still be a part of its environment, even if he is hiding. The Nemo Chair is produced by the Italian manufacturer Driade as part of its Store collection. The material of the chair is polyethylene. The firm-standing variant is extremely robust and therefore adapted for the indoor and outdoor use. Moreover Nemo is available in a swiveling version. This one should only be used inside. Driade offers both variants of the chair in further colours.
  • Republic of Fritz Hansen Fritz Hansen - Egg Armchair
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    Republic of Fritz Hansen Fritz Hansen - Egg Armchair
    The Egg Chair offers comfort and privacy at public places. Arne Jacobsen designed the Egg for the Royal Hotel in Copenhagen in 1958. This originally formed chair became a synonym for Danish furniture design all around the world. The Egg is perfectly suitable for receiving and waiting areas as well as for private homes. The specialty at the Egg Armchair is its form that reminds of an eggshell through its curved lines. Thereby the chair invites to a comfortable seating experience and shields the sitting person from its laterals and to the back. Furthermore the backrest is bent at the upper end and reminds of a classic wings chair. That makes the stay inside of the Egg Armchair a private and restful matter, also at public places. Originally designed for the lobby of the Hotel, the designer Arne Jacobsen wanted to create a chair that would suit a high quality surrounding through its sophisticated design and simultaneously offer a bit of privacy in public rooms. The Egg is wonderfully suitable for receptions and waiting rooms as well as for private homes - with or without Ottoman. The Egg Armchair from Fritz Hansen is also available in further colours as well as with the suitable foot stool.
  • Hay - neues dänisches Design Hay - About a Chair AAC 22
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    Hay - neues dänisches Design Hay - About a Chair AAC 22
    About a Chair by Hay is a collection with outstanding simplicity in design. With it, the designer Hee Welling compassed a new level in the combination of shape, function, comfort, detail, and aesthetic. The chairs are aware of being simple and plain and can therefore be combined without any problems with other furniture and surroundings. After the association of designer Hee Welling the About a Chair-chairs should feel home in the restaurant or in the cafeteria, and also in the office, on the homely eating table or the conference table. In this context the idea of the simplicity became a guarantor for functionality and combinability. The About a Chair AAC 22 has armrests and a wooden four-foot frame. The upholstered seat consists of thoroughly dyed polypropylene, the frame out of beech wood with soaped oak wood or stained ash veneer. A cushion is optionally available. Moreover About a Chair by Hay is also combinable with other seats and bases, e.g. As AAC 20 with a swivel aluminium base or as AAC 23 with upholstery: The seats and bases of the AAC series make up numerous combinations that will never act unwanted or by chance. We will gladly advise you for your personal configurations.
  • Adelta - Bubble Chair
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    Adelta - Bubble Chair
    Based on the idea of the Ball Chair the Bubble Chair is a reduction of this design. That’s what the designer Eero Aarnio himself said about it: “After I had made the Ball Chair I wanted to have the light inside it and so I had the idea of a transparent ball where light comes from all directions. The only suitable material is acrylic which is heated and blown into shape like a soap bubble. Since I knew that the dome-shaped skylights are made in this way I contacted the manufacturer and asked if it would be technically possible to blow a bubble that is bigger than a hemisphere. The answer was yes. I had a steel ring made, the bubble was blown and cushions were added and the chair was ready. The Bubble Chair was born. There is no nice way to make a clear pedestal.” That is the lucky reason why the Bubble Chair hangs from the ceiling. Like the Ball Chair the Bubble Chair also impresses the user by the special acoustics. The Bubble Chair swallows the sounds and you feel isolated inside in a pleasant way, even when you are in a crowded place. At the EXPO 2000 in Hannover eleven Bubble Chairs were installed in the Cycle Bowl "Blue Box" of the Grüne Punkt Deutschland Pavilion as small, individual information spaces within the library. The Norwegian phone company Telenor has installed some Bubble Chairs in the entrance hall of their new building in Oslo to offer calm "rooms" for mobile phoning. The transparent chair is used in music videos, advertising and fashion magazines. The Bubble Chair also stands for modern and successful life, as its appearance in music videos, publicity and lifestyle magazines. The Bubble Chair is available with a cover with white, silver (100% Polyurethane) leather coatings. The chains suspension is also available as accessories.
  • Zanotta - Throw Away Armchair
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    Zanotta - Throw Away Armchair
    The Italian tradition manufacturer Zanotta has 12 products in his collection, which have the title “Evergreen” – one of the exclusive members of this family is “Throw Away”, a series of upholstery, which was designed by the Scottish-Italian designer Willie Landels in 1965 and which is since then produced by Zanotta. Its name is today not understandable literally and hearkens that the original used foam was so cheap, that a new cover of the furniture would not be payable, and that one could throw it away and buy a new sampler. With a design-classic like that, it is advised against this action. The armchair and the sofa with the originally intended flat plastic covers became popular, before they later used other fabrics and leather as cover. Throw Away is an armchair, available as 2- and as 3-seater-sofa and convinces through its absolute timeless design. The stool of the series "Throw Away" is also available, as well as other cover fabrics and colour versions.
  • Kartell - Papyrus Armchair
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    Kartell - Papyrus Armchair
    Papyrus is the modern version of a traditional wicker chair from the designer Ronan & Erwan Bouroullec. The refined design of the two French is realized by the Italian manufacturer Kartell in a transparent polycarbonate. Simplicity, exclusivity, grace and retrospectives melt together in Papyrus to a modern achetype of the classic wicker chairs. Despite the plastic material that Papyrus is made of, the chair plays with the construction and structure of a wicker chair with plaited seats and wooden frames: Behind the transparent seat from Papyrus hides a carrying structure that is lead through the curved surface of the backrest with its soft bowl form and that finally flows forming the frame. The classic design of Papyrus is contrasted by the used materials. The Italian company Kartell’s experience goes back to many years of manufacturing plastic furniture, now they decided to use transparent polycarbonate for the Papyrus chair. The robust material offers an extremely modern and weightless appeal to the chair. The transparent chair is offered by Kartell in a selection of colours in a retro-trend.
  • Moroso - Supernatural Armchair
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    Moroso - Supernatural Armchair
    SUPERNATURAL is a trendsetting novelty in the seating furniture area: The die casting technology with glass-fiber reinforced polyamide is used for its manufacture. This production procedure means high investments for the company, but it enables the creation of design furniture with an excellent value for money, which perfectly suits the resting Moroso collection. “The structure of this new, stackable chair is less the result of designers, but much more a development”, is what Lovegroove explains, “it is a new version of the form, created by digital information that flow into an armchair for the daily use, slim, strong and healthy. The liquid, organic nature of the form melts through the most modern industrial procedures for polymer of the 21st century with the beauty of human bodies. With this high technology process, two polyamide layers are employed with glass fibre to reach a balance between structural interior characteristics and external aesthetical advantages.” More details:
  • Knoll International Knoll - Wassily Chair
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    Knoll International Knoll - Wassily Chair
    Already admired by teachers, students and visitors of the Dessau Bauhaus, where it stood in a few houses of the “master town”. And already in 1926, the production beginning year, it was honored as “masterpiece” in the exposition of the Dresden arts hall. The first steel rod lounger B 3 from Marcel Breuer – later known as “Club Lounger” or “Wassily” – soon reached publicity and was part of the interests to the Bauhaus. Finally it should cause a worldwide boom for steel rod furniture that stood for avant-gardism and the break of industrial aesthetics into privacy. With the also new black-silver contrasts which also remind of valuable jewelry and modern machines, he created “magic of precision”, as a French critic wrote. Breuer saw “apparatus of today’s life” in his furniture. They should be weightless, open, affordable, demountable and hygienic. B 3, which has also been available as folding furniture and which has been built by Breuer in his leisure time together with a locksmith, fulfilled these criteria. Therewith he connected to designs of Gerrit Rietveld among others. Breuer didn’t create an everyday object with the Wassily Chair as he desired, but a new furniture type and an “abstract-real-sculpture” (Siegfried Geidion), in whose open geometry the minimalism of new form-finders is displayed. It became a real design icon, a central symbol of modern times and not for nothing the first furniture piece that became a classic in the 60es. By the way: Numerous myths are told around the name giving of the Wassily chair. Some say that it got its name because Wassily Kandinsky was the roommate of Marcel Breuer in the Bauhaus. Others say it only has the name because the chair was a design for Wassily Kandisky’s apartment at the Bauhaus in Dessau. More details: Characteristics: A classic KnollStudio Design; produced after the original design of Breuer. The KnollStudio logo and the signature of Marcel Breuer are imprinted in the lower frame of the chair. Construction: Seamless formed round tube steel, high gloss chromed. Leather straps out of Cowhide leather, Spinneybeck Belting leather and Haired Hide. For usage on hard grounds, the skids are equipped with plastic slides. Surface: The upholstery in Cowhide leather is available in black, light brown and natural white. The upholstery in Spinneybeck Belting leather is available in a wide colours selection. Awards: The Museum of Modern Art Award, 1968 / Recognition as "Work of Art" Germany, 1982.
  • Vitra - Eames Plastic Armchair DAR
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    Vitra - Eames Plastic Armchair DAR
    The plastic armchairs, designed by Charles & Ray Eames in the year 1950, were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic formed seats made of plastic were later combined with different bases and were millionfold produced. Their actual version, which is made of polypropylen gives you a more improved seating comfort. The Eames Plastic Armchair DAR (Dining Height Armchair R-Wire Base) is also available in other colour variations, plus seat cushion and/ or coated frame variations for the outside area.
  • Kartell - La Marie Chair
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    Kartell - La Marie Chair
    Philippe Starck designed the first completely transparent chair of the world. The result is embossed by bribing clearness, weightlessness and transparency. The Kartell La Marie chair has been designed with Starck’s credo of creating a reduced and with it uniform design that would consequently not age. The cast out of one only piece of polycarbonate emphasizes this clearness. The chair acts factually and still not too seriously, playful but not cheap. Thanks to the scratch- and shock-resistant material, the La Marie chair is adapted to be used inside and outside. Up to seven chairs can be stacked, to store them space saving. The La Marie chair by Kartell is available in different colour combinations.
  • Moroso - Gluon armchair
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    Moroso - Gluon armchair
    In 1993 Marc Newson created this design highlight for Moroso. The innovative exterior results from the successful combination of colourful cushion and stylishly rolling steel frame. As usual at Moroso, the design is innovative, even futuristic and so it stands out from the usual pabulum in a refreshing way. This is also due to the elaborate side parts that could also be from a science fiction movie. The extraordinary name of the seating furniture stems from particle physics, where gluons (to glue) are subatomic elementary particles that are directly responsible for the attraction of protons and neutrons inside a nucleus. A certain attraction is also originating from Gluon. After having sat down you like to stay “glued”. More details: Design: Marc Newson, 1993. Seat and back are injected flame-retardant polyurethane foam over internal steel frame. Sides are rigid polyurethane with grey lacquer finish. Base is steel with grey lacquer finish. GLUON covers are not removable. The 2-seat and 3-seat sofas of the Gluon series are also available.
  • Knoll International Knoll - Saarinen Tulip Chair
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    Knoll International Knoll - Saarinen Tulip Chair
    1953 Entwarf Eero Saarinen die erste Version des Tulip Chairs und schuf damit die Grundlage eines revolutionären Designklassikers unter den Sitzmöbeln – nie zuvor gab es einen Stuhl, bei dem sich Fuß und Sitz zu einer geschlossenen Gestalt verbinden. Eero Saarinen designed the first version of the Tulip Chair in 1953 and created therewith the base of a revolutionary design classic among seating furniture – there has never been a chair before that connected foot and seat to one closed form. In cooperation with the manufacturer Knoll, the Tulip Chair has been further developed. 1956 The chair finally came to the market with its characteristic shape that it still wears. The purist designed Tulip Chair reminds us of a tulip as its name says, combined with classic Scandinavian design. The background of the design of the Tulip Chair is described by Eero Saarinen: “I wanted to order the confusing feet mixture. I wanted to make a unity out of a chair again.” This made the four-feet chair as one knows it, a one-feet chair. The seat of the Tulip Chair is made out of plastic and reinforced with fiberglass. It sits on a trumpet-shaped base which is made out of weightless metal and has a Rilsan-surface coating. Moreover the chair is available in different editions: Initially there is the choice between a chair with armrests and one without them. The Tulip Chair can be ordered in a swivel version or standing, furthermore one can choose an upholstered seat or a separate cushion for it. The coatings are available with numerous different fabrics and colours. Also the chair itself is produced in black and white. Of course we would be glad to suggest you about colours, forms and tissues for your individual Tulip Chair! More details: Characteristics: The Tulip Seating furniture collection by Saarinen includes an armrest chair, a chair without armrests, with swivel base or fixed foot and a stool. The chairs are available whether with an upholstered cushion or wholly upholstered seats with seat cushion. The swivel chair with upholstered seating cushion fulfills the collection. The KnollStudio logo and the signature from Eero Saarinen are printed on the lower part of the foot. Construction: Pillar foot out of cast aluminium with Rilsan coating on all black and white models. The platin coloured pillar feet have a polyurethane coating with transparent finish. The bowl is made out of fiberglass reinforced plastic. Surface: Bowl and frame are black, white or platinum coloured. Wholly upholstered seats with seat cushion with different fabrics available. For chairs with seating cushions there are many different fabrics and Spinneybeck leathers available to be chosen. Awards: Award of the Museum of Modern Art, New York, 1969 / Federal Republic Prize for product design / “Gute Form”, Germany, 1969 / Award for design career of Design Centers Stuttgart, Germany, 1962.
  • Vitra - Eames Plastic Armchair DAX
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    Vitra - Eames Plastic Armchair DAX
    The plastic armchairs were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic shaped seats made of plastic were later combined with different bases and were millionfold produced. Their current version, which is made of polypropylene offers improved seating comfort. The Eames Plastic Armchair is also available in other colour variations, plus seat cushion and/ or different coated frames for the outside.
  • Moooi - Smoke Armchair
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    Moooi - Smoke Armchair
    Each Smoke armchair by Moooi is a unique piece which possesses the unique surface structure of burned wood. Since these armchairs consist of just that: Burned wood, treated with epoxy resin and will therefore remain durable and protected. With this, an effect emerges that is similar to an amber-coating: It is admired for a long time. The charisma of the burned wood offers an unmistakable aura to the room with this exceptional piece. The majestic impress of the Smoke armchair offers the whole image an imposing note. Those that are in one room with this Moooi design piece won’t ignore it.
  • Hay - neues dänisches Design Hay - Hee Chair
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    Hay - neues dänisches Design Hay - Hee Chair
    The idea for Hee came up of the effort, to design an eco-friendly chair and armchair, whose material is easy to recycle. To create a piece of furniture out of one material, they avoid micro-pollutant transport ways between different production places, and it makes the process of recycling more easy. The main thought was to take an archetypal chair as model and to perfection it in every single detail and to boost it in a higher class and also to make it simpler and make the functionality better. A clear, plain piece of furniture was supposed to be created which should fit in many places - modern, but not too time-specific. Nothing was in vane for this Hee chair, no decorations or work. No part could be taken off, without loosing the function. From the outside it seems playful, but the design doesn't affect its function. Throw-away mentality and environmental awareness don't fit together. To find the balance was also important while the construction - to combine functionality and aesthetics on high level, the exact wire strength had to be chosen. The Hee-chairs, the Lounge Chair and also the bar stool are made of a 11 mm strong metal wire and in their shape they remind on a sketch, a three-dimensional pencil- drawing. Hee is available in the engrossment as a club armchair, as dining chair or as bar stool. It can be looked at in the new Osloer Opera House and in the Australian parliament. The stackable furnitures are galvanised and powder coated. That's why they can be used in every kind of weather and are a good outside furniture, too. Hay Hee is also available in further colours. A matching cushion is also available.
  • Kartell Louis Ghost
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    Kartell Louis Ghost
    A comfortable arm chair made of transparent polycarbonate in the Louis-Quinze-style inspired Design. An amazing and fascinating modern homage to the Baroque style, out of the year 2002, by star-designer Philippe Starck. Louis Ghost also is extremely innovative regarding its technique and is seamlessly manufactured in an injection-moulding procedure out of one piece: A very brave polycarbonate application. Despite its smooth and transparent looking, Louis Ghost is stabile and long lasting, shock- and scratch-resistant as well as weatherproof. Up to 6 chairs can be stacked. A very special piece of furniture with charm and overwhelming esthetical appeal that fits elegantly and boldly in every living room or public area at the same time. Kartell has 4 standard models in its program, but special models can be manufactured individually by client requests. A minimum booking amount of 50 pieces is necessary for a special production. The Louis Ghost chair is available in various different colours!
  • Cappellini - S-Chair
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    Cappellini - S-Chair
    The S-Chair has been the first great success from the young designer Tom Dixon in his time and meant his ascent from the underground to the design-elite. The curved chair is considered as classic today and can be found in the New York Museum of Modern Art among others. Looking back, originally designed as individual piece the S-Chair is a deciding design for the further career from Tom Dixon. Dixon spent the 1980es as performance artist in the London night clubs and there he welded together his pieced of furniture live on top of a stage. During that creative period in 1987 not only the Kitchen Chair out of ladles and pans emerged, but also the S-Chair that has been worked out again one year later by Dixon. It was only in 1988 when Tom Dixon equipped the freely curved S-Chair with the sophisticated coating and the swung forms. The “erotic” chair with the wide hips and the slim waistline has consciously been shaped as unicum in its time and does not only adapt to the demands of the serial furniture production. Despite or just therefore the young Tom Dixon and his unusual S-Chair caught the Italian furniture manufacturer Giulio Cappellini’s attention. That is how the S-Chair became the first design from Tom Dixon for Cappellini that has soon been followed by other products, such as the not less legendary Pylon Chair. Since 1991 / 1992 the S-Chair is produced by Cappellini. Despite the adaptation for the serial furniture production the manufacturing procedure of the braided chair is still elaborate. The S-Chair possesses a frame out of steel and plastic feet. Today, beside the elaborate basket works Wicker and Straw for the coating, also leather and other covers are available.
  • Casala - Casalino 2007/10 armchair
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    Casala - Casalino 2007/10 armchair
    Casalino is back! Casalino is back! In the 70s a celebrity and in the 80s forgotten, Casala wanted to produce a new one in 2007. But where were the casting moulds? After a long search did the company, which comes from the city Lauenau in Lower Saxony, found them in Antalya. In the city at the Mediterranean Sea were they camped in a shed. Casala got the moulds back to reproduce the forgotten classic, which won in 1971 the »Die gute Industrieform« Award in Hanover. Casalino 2007 is therefore no remake, but the original, which comes from the designer Alexander Begge. “The work was such a joy, that I forgot everything around me“, reminds Begge himself. An this joy out of plastic-pop and atmosphere of departure of the 70s, breathes still after 40 years, proves that his easy attitude towards life can also have practical sides: Up to fourfold stacked glide the chairs into each other that they only take a third cubic metre. Casalino is elegant but also tough, you can wash it and its colours won't fade in the sun. It looks great in the house or in the garde, the office or the balcony. Casalino is nice and stays nice: The cantilever chair with armrests is stable - will not break under load. For more comfort, there is the 2008 chair, also available with cushions which can be chosen out of the fabric series Xtreme Plus by Camira.
  • Driade - MT1 Armchair
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    Driade - MT1 Armchair
    Since 2005 the MT series of the Driade Store collection exists. The whole seating furniture series MT from the Israel-Britain designer Ron Arad consists of an armchair (MT1), a swinging chair (MT3) and a sofa (MT2). MT1 is an armchair out of a monoblock of rotation plastic (polyethylene). The comfortable chair furthermore is sand-white outside and orange inside. Because of the used plastic material it is adapted for indoor and outdoor use equally.
  • Manufakturplus - Butterfly (B.K.F.) Chair, acrylic
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    Manufakturplus - Butterfly (B.K.F.) Chair, acrylic
    The Butterfly chair was initially designed and manufactured for the studio rooms of the architect’s office Austral. The three designers Antonio Bonet, Juan Kurchan und Jorge Ferrari-Hardoy that were workers from the office, designed the chair. The Butterfly chair became popular in the English speaking area as the B.K.F.-chair according to the names of its designers. The architect Jorge Ferrari-Hardoy was honored with the Argentina design award in the year 1940 because of the exceptional design of the chair. Nowadays the Butterfly chair is a real classic and placed in the continuous collection of the Modern Art Museum in New York. Manufakturplus continued developing the design of the classical product offering it in several variants. The butterfly chair with acrylic coating is also available in white, yellow, orange, red, dark-red, light-blue and dark-blue. The frame of the chair can be ordered in a black or white colour, as well as in pearl-gloss (silver), RAL or stainless steel. Moreover also the Butterfly Mini and the Butterfly Stool can be demanded.
  • Magis Design Magis - Aviva folding chair
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    Magis Design Magis - Aviva folding chair
    Aviva from Magis is a robust and compact foldable chair made of massive beech-wood. Aviva was designed by the French architect and designer Marc Beithier. The design from Aviva is functional and it refuses any decorations and flourishes. When the chair is folded, Aviva needs hardly any space and it is easily storable in the smallest corners and gaps. In contrast to other foldable chairs, Aviva is robust and offers stabile seat-comfort. The simple chair possesses slight dents on the seat and the backrest with which it adapts to the human body. It was produced in the year 1979 for the first time, the Italian design company Magis re-edited Aviva in the year 2010 for the market. The foldable chair is available in different variants as well as with armrests.
  • Magis Design Magis - Air Chair
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    Magis Design Magis - Air Chair
    Since 2000, design manufacturer Magis is producing the Air chair after a conception of Jasper Morrison. The stackable chair joins simple aesthetics with high quality material and is perfectly suitable for in- and outsides. Generally, Morrison's work is seen as simple and reduced to the essential. Another good example is his Air Chair. Morrison chose polypropylene as the material adding glass fibre. Due to the robust plastic material, the Air Chair is perfectly suitable for in- and outsides.
  • Vitra - Eames Plastic Armchair DAR
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    Vitra - Eames Plastic Armchair DAR
    The plastic armchairs, designed by Charles & Ray Eames in the year 1950, were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic formed seats made of plastic were later combined with different bases and were millionfold produced. Their actual version, which is made of polypropylen gives you a more improved seating comfort. The Eames Plastic Armchair DAR (Dining Height Armchair R-Wire Base) is also available in other colour variations, plus seat cushion and/ or coated frame variations for the outside area.
  • Driade - Toy Armlehnstuhl
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    Driade - Toy Armlehnstuhl
    Toy is produced by Driade since 1999. The designed Philippe Starck designed Toy as a vividly coloured and stackable (max. 14 Chairs) armchair that is equally adapted to indoor and outdoor areas thanks to its plastic material. Toy consists of a polypropylene mono block and it is available in eight different colours. Additionally there are extractable covers available. These ones are made out of 100% sanforised cotton and possess an integrated, removable seat cushion. Also a self-extinguishing version in a grey GFR colour is available. The covers are also available in yellow, blue and green-grey beside the standard white.
  • Magis Design Magis - Voido Rocking Chair
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    Magis Design Magis - Voido Rocking Chair
    Ron Arad isn’t only an international renowned and award-winning furniture designer. His reputation grew among experts since he was the architect of the opera house in Tel Aviv. Since 2005, the Italian company Magis produces another highlight of the Israeli – British designer and architect: Voido. The rocking chair, consisting of blown-moulded polyethylene is suitable for in- and outdoors. The curvy shaped and swinging arm chair is available in further colours.
  • Moroso Supernatural
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    Moroso Supernatural
    Moroso Supernatural is a trend-setting novelty in the seating furniture area: An injection moulding procedure with glass reinforced polyamide is used. This production method means high investments for the company, but it enables the creation of design furniture with excellent value for money that do perfectly suit the resting Moroso collection. „The structure of this new, stackable chair is not only the result of design, but much more of a development“, Lovegrove explains, „it is a new vision of form, emerging through digital data that flows into an armchair for the daily use, slim, strong and healthy. The liquid, organic nature of the form melts away through the most modern industrial procedure for polymers of the 21st century, with the beauty of human bodies. At this high technology process, two polyamide layers with glass fibre are used to reach a balance between structural characteristics and external aesthetic advantages. The Moroso Supernatural chair is provided with an entire or perforated backrest. “The holed patterns offer a multi-sensorial effect to the armchair when light falls through the holes and shadows that enrich the room appear, creating unexpected, attractive patterns on architectural spaces.” More details: Technical characteristics: Supernatural is stackable (up to 8 chairs) and also applicable outside thanks to the special material. Structure: Bowl made out of polypropylene, reinforced with glass fibre. Colours: White, turquoise, orange, fluo green, caramel, black.
  • Hay - neues dänisches Design Hay - J77 Chair
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    Hay - neues dänisches Design Hay - J77 Chair
    The J77 is part of the originally by FDB produced chairs collection, which has been re-edited by Hay: A classic chair in Danish design, which is absolutely timeless. Folke Pålsson designed his J77 Chair in the middle of the past century: He was oriented by traditional Windsor chairs when he sketched the shape of his chair. The Windsor chairs were already very popular in the 18th century. The Danish reduced the design to the necessary without renouncing the classic virtues of the chair when he planned to take the Windsor chairs to contemporaneous times. The production out of beech wood and the slim form of the tubes at the backrest offer an appeal which is weightless and massive at the same time to the J77 Chair by Hay. The wide seat makes the J77 comfortable, while it is suitable for the most different surroundings with its classic-minimalistic design.
  • Artek - Mademoiselle Lounge Chair
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    Artek - Mademoiselle Lounge Chair
    Soft lines and sparingly materials make the Mademoiselle Lounge Chair an elegant seating furniture and classic of Finnish design. Ilmari Tapiovaara, one of the most important designers of his time, already designed the lounge chair in 1956. Mademoiselle is produced by the Finnish company Artek in the frame of the Tapiovaara Family Collection. Swinging chairs and Loungers have always been important pieces of furniture in the history of Finnish design. Ilmari Tapiovaara already designed numerous new-interpretations of this piece of furniture during his studies. Modern and appealing at the same time, and comfortable, the chair with the elegant name Mademoiselle especially became a Finnish design icon of the 1950es. According to its name, Mademoiselle explains the filigree and elegant design of the Lounge Chair. The reduced design consists of slim and long forms that communicate appealingly. The Lounge Chair Mademoiselle simultaneously offers maximal functionality. Solid birch wood guarantees high stability and longetivity.
  • Artek - HK Lounge Chair
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    Artek - HK Lounge Chair
    The design of this Harri Koskinen-made series can easily be associated with weightlessness and airiness. HK includes a subtle expression of design which emerged out of the Nordic modern. Koskinen’s designs are sensible and integrally elegant- Harri Koskinen’s approach is characterized by simple utility and compromise-less aesthetic. He searches for clearness and innovative solutions that fulfil the demands of the user as well as those of the manufacturer. The seat of the HK Lounge Chair consists of laminated, pressed birch plywood; the feet are made out of birch veneer. The Lounge Chair out of the Harri Koskinen series by Artek is available as both: A cushioned edition and one without cushions.
  • Bla Station - Chair 69
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    Bla Station - Chair 69
    Chair 69 satisfies all claims, one can stake out to a stackable chair. Chair 69 is stackable, comfortable, and can be connected with other chairs 69 to a row. Weighing only 4.2 kg, he can be transported effortless. Thus, he is perfectly suited for conference, lecture room and waiting rooms. The lightweight was created in 2005 by Fredrik Mattson for Swedish design manufacturer Blå Station. The chair legs consist of chromed steel. The seat shell and the backrest are made of glued plywood and available in birch, walnut, black or white stained. More colours are available and can be ordered.
  • Bla Station - Fatback Easy Chair
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    Bla Station - Fatback Easy Chair
    Fatback was created in 2005 by designer Fredrik Mattson. Its easy and reduced design starts with the light main structure which is responsible for the floating impression. This chair by the Swedish manufacturer Blå Station is incredible convenient. Your sitting position is very flexible; the easy chair allows almost every position. The slope of the back and the seat depth are designed for convenient and relaxing sitting. However, Fatback is not only convincing as a single easy chair. If several Fatback arm chairs combined, one will get an inviting and comfortable Fatback Sofa. The skeletal structure consists of chromed steel poles, the seat is made of polyurethane. Fatback is available in several different colours. For extra charge, it is also possible to order different upholstery and even the exclusive leather model.
  • Hay - neues dänisches Design Hay - Ray Lounge Chair
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    Hay - neues dänisches Design Hay - Ray Lounge Chair
    The Lounge Chair Ray was one of the first furniture pieces which came in production by the design-blacksmiths Hay. And it is the first design for an armchair by Jakob Wagners. Inspiration for Ray was the ocean – its plain, elegant shape is the similar like from its namesake, the Ray. The seating plate is wide, but it still seems really light, just like the fish is Ray thicker in the middle and becomes slender to the "wing tips". This is because of the soft springing which makes a nicer seating comfort. The overhanging of the seat makes it possible to put a magazine or plate next to you, or to just put your feet up. With the harmony of shape and function Ray purport any direction, with which Hay became famous in the design scene: The perfect balance of Scandinavian tradition and modernism stand for the whole collection of the Danish manufacturer from Horsens. Ray is also available as swivel chair. Furthermore there are further fabrics and colours available against extra charge.
  • Hay - neues dänisches Design Hay - Hee Lounge Chair
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    Hay - neues dänisches Design Hay - Hee Lounge Chair
    The idea for Hee came up of the effort, to design an eco-friendly chair and armchair, whose material is easy to recycle. To create a piece of furniture out of one material, they avoid micro-pollutant transport ways between different production places, and it makes the process of recycling more easy. The main thought was to take an archetypal chair as model and to perfection it in every single detail and to boost it in a higher class and also to make it simpler and make the functionality better. A clear, plain piece of furniture was supposed to be created which should fit in many places - modern, but not too time-specific. Nothing is too much on this lounge chair, no decorations. No part could be taken off, without loosing the function. From the outside it seems playful, but the design doesn't affect its function. Throw-away mentality and environmental awareness don't fit together. To find the balance was also important while the construction - to combine functionality and aesthetic on high level, the exact wire strength had to be chosen. The Hee-chairs, the Lounge Chair and also the bar stool are made of a 11 mm strong metal wire and in their shape they remind on a sketch, a three-dimensional pencil- drawing. Hee is available in the engrossment as a club armchair, as dining chair or as bar stool. It can be looked at in the new Osloer Opera House and in the Australian parliament. The stackable furnitures are galvanised and powder coated. That's why they can be used in every kind of weather and are a good outside furniture, too.
  • Casala - Casalino 2008/10 Armchair
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    Casala - Casalino 2008/10 Armchair
    Casalino is back! A shining star in the 70s and forgotten in the 80s, Casala wanted to re-edit the dynamic chair named “Casalino” in 2007. But where were the moulds? The company with its roots in the lower Saxony Lauenau found the answers in Antalya after long research. Casala bought the moulds back in order to vitalize the forgotten classic, which received the “good industrial form” award on the Hanover fair in 1971. Casalino 2007 isn’t a remake, but the original created by the designer Alexander Bagger. “It was a delighting work, so that I forgot everything around me”, explained Bagger about the ling ago production process of his chairs. And Casalino still breathes that happiness out of plastic-pop and the will of change of the 70s, even decades later. The model 2008 was presented by the Casala company one year after the new launch of the Casalino 2007. The upholstered edition Casalino 2008 ensures more sitting comfort and it naturally also offers all the advantages of the Casalino 2007 – and this is how the upholstered armchair is also resistant against shocks and scratches (since it is dyed thorough) and free of edges.
  • Moroso - Fjord H.
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    Moroso - Fjord H.
    In order to complete the collection with the desire of offering a product which unifies design, mass production and an excellent quality/price ratio, Moroso presented Fjord H., the line of seats made of composite plastic material. The H. In the name of the Fjord chair stands for "Hirek", a thermoplastic. The advantages of synthetic are the small weight (relative to its size) and a high resilience and flexibility. Furthermore, Hirek is 100% recyclable and it is resistant against chemicals and UV-rays. To provide a softer appearance and feeling, the seats can be upholstered. Furthermore, the seats can be made with a swivel base, a sliding seat, a spider base, a spider base with castors, on a bar with or without table. Fjord H. Is also available with further frames, e.g. Swivel base, star-base with rolls or for seating-systems (public seating). More details: Design: Patricia Urquiola. Seat shell is multilayered technopolymer composite. Colors: White RAL 9003, red RAL 3020 and black RAL 9004. Base frame (depending on variant): Chromed, white/grey varnished, polished stainless steel or aluminium.
  • Vitra - Basel Chair
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    Vitra - Basel Chair
    With the Basel Chair Jasper Morrison renews the category of the plain classic wooden chair, like it has been industrially produced for the last 100 years. The Basel Chair offers a corrected seating comfort and in its two versions also a special optical attraction thanks to this material combination. The harmonically balanced proportions catch the viewers eye, but the chair only reveals innovations after detailed examination: Seat and back rest of the Basel Chair are made of plastic and they can therefore be better formed organically, structured in the surface and made thinner contrasting plain wood chairs, as a result, they are even more flexible. The designer Jasper Morrison was oriented by classic wooden chairs for his design, changing them according to his idea: “My Basel Chair for example, leans on an ancient, classic form of the German Frankfurt chair. My design revitalized it. Without wit, but with irony. For me, objects have to always posses recognizable characteristics,” said Morrison about his Basel Chair, which is produced by Vitra. Natural beech or dark dyed beech base, seat- and back rest are made of coloured ASA-plastic.
  • Moroso - Little Albert
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    Moroso - Little Albert
    Moroso is showing a well structured and diversified range of products at the 2002 Möbelmesse in cologne. "VICTORIA AND ALBERT" (name of the collection) was created with the main goal to be of innovative design with comfort combined with a soft seating experience. A completely different concept than the "upholstered sculpures" of Ron Arad, which have been part of the Moroso catalogue for years. Perfect for several people and different occasions. Two chairs accompanied by a sofa, which is dominating the scene. A "Good Form" that mediates between design and function. Passion for innovation and technology is being combined with an outstretched resting position without the "Dictate of the giant cussion". Again in this case the designer is not trying to create an icon, but a product that can simply be used and that can offer esthetic as well as a lot of comfort. The name "VICTORIA AND ALBERT" is an homage to the famous london museum, where in June 2000 Ron Arad had a significant exhibition with selected pieces of the designer. The huge success of the collection "VICTORIA AND ALBERT" gave Morose the motivation to intensify their material- and technology research, without changing any of the formal attributes. The result is "LITTLE ALBERT", a chair made from coloured polyethylene, which is manufactured with the method of rotation: The shape ist the same as the upholstered model, the only thing that changes is the material. Because of the characteristics of the material the chair can be used in private or public rooms as well as outside. T´he polyethylene is resístant to temperature changes and sunlight. LITTLE ALBERT is being produced in big seríes, coloured and completely recycable. More details: Technical attributes The chair LITTLE ALBERT (code 042) and the tables have a structure of recyclable coloured polyethylene, manufactured with the method of rotation. LITTLE ALBERT can be ordered in these colours: Translucent white, black, orange, yellow, red, fluo green, green, fuchsia and the tables in the colours translucent white and red.
  • Driade Store - Lord Yo
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    Driade Store - Lord Yo
    Since 1994 Driade produces the Armchair Lord Yo designed by Stardesigner Philippe Starck. Lord Yo does not only convince in his optic, but offers much of sitting comfort too. The popular Armchair is besides that stackable (max. Pieces) and of his plastic material also in outside sections applicable: Perfect for pavement cafés, visitor terace or in the domestic garden. The rack consists of aluminium, the legs are special-anodized. The frame is manufactured in stained-finish pression die-casting. The polypropylene seat shell is available in ivory, apricot, red, white or blue grey. Also a self-extinguishing version in grey GFR is available. W 64cm, D 66cm, H 94,5cm, seat height: 45Cm and armchair height 70,5cm. Additionally there are peelable covers available. These conist of 100% preshrunk cotton and disposes of integrated, detachable chair cushion. The covers are avaiable in white, orange, blue, green-grey and waffelpiquet.
  • Cappellini - Bird Chaiselongue
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    Cappellini - Bird Chaiselongue
    Bird is an unconventional symbiosis of Chaiselongue and seesaw chair. Like its name reveals, the lounger is similar to a bird, or also a bird’s wings flap. Bird is produced by the Italian Company Cappellini since 1991. The lounger with seesaw effects that was shaped by the designer Tom Dixon also mirrors a piece of the career of the designer. While Dixon’s designs were initially made out of steel and consciously not created as serial seat and lie objects, his works became less and less handmade. Some of its initial, rebel artworks were even adapted to a serial production in the beginnings of the 1990es – as also the Bird Lounger. Merely the metal frame reminds of the initial unicum of the piece of furniture. Beside metal, the frame structure is also made out of wood-fibre-mix-panels and massive pine wood. The upholstery of the Bird Lounger consists of differently tight feather-polyurethane-foam. The coating is practically removable and available in different quality fabric variants, and according to the fabric also in numerous colours. For an exclusive variant, Bird is also obtainable with a leather coating.
  • Republic of Fritz Hansen Fritz Hansen - Rin Chair
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    Republic of Fritz Hansen Fritz Hansen - Rin Chair
    When Japanese and Danish design meet each other... Hiromichi Konno has created the RIN chair for Fritz Hansen; an elegant and futuristic design. The idea is to create a new type of chair that is in harmony with Japanese and Danish design traditions. The chair is elegant with a very innovative and progressive design. It invites you to sit in it for hours taking the traditional chair design into a new direction. “I wanted to make a beautiful chair that can stimulate and awaken emotions in people. It must be able to appeal visually but also make us feel a form of elegance when we sit in it. Therefore, I have established something poetical, simple, strong, relaxed and innovative all at the same time. The goal from the beginning was to create the perfect chair,” - Hiromichi Konno.
  • Vitra - Jill Tube Chair
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    Vitra - Jill Tube Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a filigree steel rod base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: Veneer (ash, oak or walnut), three-dimensional deformed. Bases: All bases with glides for carpets or with felt glides for hard floor. Four-feet steel rod base, not stackable, chromed or powder coated (colours: ivory, ice grey, chocolate, raspberry)
  • Bla Station - Swivel Chair Innovation C
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    Bla Station - Swivel Chair Innovation C
    The Innovation C was created in 2001 for the Swedish company Blå Station. With Innovation C the designer created a multi-functioning seating object which offers unequalled opportunities. The chair reminds more of a sculpture than a chair, Innovation C offers in addition to a seating surface a rest which can be used with the help of a pluggable table as storage space (for instance for a notebook) or working place. Thus, Innovation C is a senseful object furniture which is predestined for lounges, fairs, congresses, and waiting rooms. Due to its form, Innovation C offers a range a seating possibility where the back is resting and everyone is able to find his preferred position. Fredrik Mattson won the Young Swedish Design Award and the Architectural Review Award, London for his creation. Innovation C is turnable and can be placed freely or screwed to the floor. The foot plate is available in a silver varnished steel version or with extra charge in a stainless steel version. The upholstery of the chair consists of foamed polyurethane. The cover can be ordered in a bi-directional stretchable woollen material or a special gummed fabric material. You can choose among several different upholsteries and also different colours (e.g. Red, orange, black…), getting your favorite.
  • Zanotta - Brasilia Chaiselongue
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    Zanotta - Brasilia Chaiselongue
    The Brasilia Chaiselongue has been designed by Ross Lovegrove for Zanotta in the year 2003. The comfortable lounger is visually characterized by the Lovegrove typical forms: The whole corpus of Brasilia consists of one single bent line. The stability of this spectacular construction is ensured by the used material. Zanotta manufactures the Brasilia Chaiselongue out of resistant polyurethane. The material is scratch resistant and white lacquered. The Brasilia Chaiselongue has been honoured with the Good Design Award 2003 and the Selection Prize cDIM Valencia 2004 for its swung and airy appearance, shortly after it appeared. The lounge is furthermore in the continuous collection of the Athanaeum in Chicago. The Italian manufacturer Zanotta offers the Brasilia foot stool, suiting the Chaiselongue.
  • Hay - neues dänisches Design Hay - Ru Chair
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    Hay - neues dänisches Design Hay - Ru Chair
    The Ru Chair from Hay was designed by Shane Schneck. With versatility the Ru Chair is a reaction to the everyday demands. The origins of the design were functional requests that are made in schools, offices, canteens and conference-rooms. The special arrangement of the chairs’ legs allows the stacking and the positioning of the chairs on tables or other higher positioned surfaces. To clean the floor for example, the chair can be placed on top of the table top without any problems. Furthermore up to 8 Ru Chairs can be stacked over another. The construction made out of wooden veneer makes Ru Chair a robust, light and versatile object. Ru fulfils the demands of conference-rooms, offices or private rooms without any problems. Ru’s name was chosen by Shane Schneck who was inspired by kangaroos because of their posture and long legs. The Ru Chair from Hay is also available in further colours.
  • Driade - Pip-e Armchair
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    Driade - Pip-e Armchair
    Out of the feather from the StarDesigner Philippe Starck came the design for the PIP-e Armchair. Since 2008 Driade produces the elegant and stackable plastic chair. PIP-e consists of polypropylene (monoblock) and is available in the colours white, yellow, orange and grey. Because of the plastic material the chair is suitable for indoor and outdoor use. The maximal stacking height is 4 chairs.
  • Artek - HK chair
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    Artek - HK chair
    The chair is the core piece of the HK collection by the Finnish designer Harri Koskinen for Artek. Completely according to the name, HK embodies a simple weightlessness and it is a symbol of the timelessness of Scandinavian design, typical for all the products by the designer. The HK chair does moreover shine because of its ability to be stacked, since even the cushioned edition is stackable. The aim of the Harri Koskinen-project was to create weightless and affordable furniture. The stackable HK chair was followed by a table and a cushioned edition of the chair. A lounge chair and a bistro table are currently the newest objects of the HK collection. The feet of the HK chair by Artek are made out of form-pressed birch-veneer (bright lacquered, white-or black lacquered). The seat is made out of pressed birch plywood (bright lacquered, white or black lacquered). The HK chair is also available in a cushioned edition (fabrics or leather).
  • Driade - Soft Egg Chair
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    Driade - Soft Egg Chair
    This egg is soft and (admittedly) not really an egg. Philippe Starck, the “Popstar” among the contemporaneous designers, surely cared about the name. His egg was made in one cast. Instead of egg-shells, here polypropylene is the used material. And for the comfortable part, like the egg itself lies in the shell, “soft” is responsible, like the name explains. White and ivory come fair close to what the chair represents. Soft Egg from Driade is not only a visual highlight and extremely comfortable, but it is also flexible and practical: It can find usage at inside and outside areas, and if necessary, several soft eggs can be stacked over another. The Soft Egg Chair does prove again why Driade explains sophisticated living for more than 40 years now. Because the Italians experiment themselves in aesthetics and the results are unsurpassed. A wide sound spectrum, versatile accents, the possibility of inserting dissonances that although improve the whole harmony: Because typical Driade elements do finally make the difference in the (only at first sigh simple) living micro-cosmos also elevating the Soft Egg Chair from its competitors. More details: Measurements: Width: 60,5 Cm, Tiefe: 57,5 Cm, Höhe: 74 Cm. Sitzhöhe: 43,5 Cm. In- und Outdoor geeignet. Auf Anfrage ist der Soft Egg Stuhl auch in weiteren Farben erhältlich.
  • Magis Design Magis - Steelwood Armchair
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    Magis Design Magis - Steelwood Armchair
    The Steelwood Chair from Magis is a reaction to the meanwhile widely spread trend or manufacturing plastic chairs. Magis has already produced numerous plastic objects however, this time the designers wanted a further development and the production of something different and new. The French designers Ronan & Erwan Bouroullec designed the Steelwood chair, as the name already reveals, out of metal and wood. The seat and legs are made out of massive beech wood, while the back and armrests consist of metal. Together both materials form an exceptional chair that breaks with conventions. Wood and metal stand in contrast to each other perfectly complemented. In opposite to chairs out of plastic, Steelwood from Magis became a piece of individual character along the years, developing to a better one. The Steelwood Armchair from Magis is available in four different variants. The backrest is made out of steel plate, the seat and legs out of massive beech wood.
  • Vitra - Hal Wood chair
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    Vitra - Hal Wood chair
    The Hal Wood chair was created by the designer Jasper Morrison as a part of the Hal collection for Vitra. The modern shell chair possesses a wooden under frame of oak wood and it is multifunctional usable – in offices, public or private areas. Jasper Morrison reinterpreted the classic shell chair with the Hal Wood chair. A multifunctional chair with a clear and contemporaneous expression emerged. The form of the shell offers a lot of elbowroom and the slightly yielding plastic enables different sitting positions – also sideward’s or astride. This is how Hal encourages a dynamic and ergonomic sitting. The under frame of the Wood chair from Vitra is available in bright and dark oak wood. The different colours of the sitting shell enable an easy integration of the chair in every furnishing.
  • Vitra - MedaSlim Chair
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    Vitra - MedaSlim Chair
    MedaSlim, an elegant, cyclopaedic usable chair for offices and conference rooms, auditoriums, restaurants, cafés and the house – for every area in which people wish to sit comfortably. MedaSlim is formally withdrawing and impresses by high seat comfort, a sophisticated construction and the use of durable materials. MedaSlim is the ideal addition to the office chairs of the Meda Collection. MedaSlim Eco was awarded with the Greenguard-certificate and the ecolabel „Der Blaue Engel“ („The Blue Angel“) and it is 92% recyclable. Alberto Meda, 2004. More details: Cyclopaedic visitor- and conference chair on a four-foot base. Available with or without armrests. With synthetic pads or soft felt pads. Up to five chairs are stackable and they have chromed back feet. MedaSlim can be connected and numbered with a retrofit connecting element. It can be radial mounted. Frame of the backrests, front feet and seating plate made out of one cast. Back feet: Chromed aluminium, polished or powder covered, according to the frame colour basic dark. Seating cushion made of polyurethane, upholstered with fabric qualities Nova, Skin, Torso Meda or Leather. Back rest: Free tightened net cover Netline, Meda 2 (analogue about the office chairs MedaPro and Meda 2) or cord fabric Torso Meda.
  • Vitra - Eames Plastic Armchair DAX
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    Vitra - Eames Plastic Armchair DAX
    The plastic armchairs were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic shaped seats made of plastic were later combined with different bases and were millionfold produced. Their current version, which is made of polypropylene offers improved seating comfort. The Eames Plastic Armchair is also available in other colour variations, plus seat cushion and/ or different coated frames for the outside.
  • Driade Bo Chair
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    Driade Bo Chair
    Since 2002 produced Driade the stackable chair Bo after the design of Philippe Starck. The chair is made of a monobloc of polypropylene, through which it can be also used for the outside. The Bo Chair is stackable, and you pile up 8 chairs on each other. More details: The Bo Chair is also availble in different colours.
  • Vitra - Prouvé Standard SP Chair
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    Vitra - Prouvé Standard SP Chair
    The Standard Chair, made in 1934, belongs to the classic pieces of design history. The characteristic Vitra chair by Jean Prouvé is desired again today. Inspired by the furniture competition for the Cité Universitaire of Nancy, Jeans Prouvé started to combine metal and wood in the 30s- He used the resistance of steel for the stability of the Standard Chair’s base. The backrest and the seat, parts that contact the user’s body, he made of shaped plywood. The characteristic shape of the Prouvé Standard Chair came from one deciding idea: The load of a chair lies on the back feet, the weight of the body must be held there. That easy recognition was realized by the designer and constructor Jean Prouvé on an embossing way: While the less loaded front feet are made of a steel tube, the back feet of the Vitra Standard Chair are voluminous hollow bodies, porting the load they carry to the ground. The Vitra Standard SP Chair is the modern edition of the chair classic of 1934: Vitra produces backrest and seat of plastic today. The quality of the Vitra Standard SP is shown in the convincing cleverness of its construction as well as in its aesthetics. The Vitra Standard Chair is also still available in the classic edition with wooden backrests and seats.
  • Vitra - Amoebe Highback Armchair
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    Vitra - Amoebe Highback Armchair
    The Amoebe emerged in 1970 in several editions for Verner Panton’s famous Visiona installation. The Danish presented revolutionary new living concepts there, which are still very current and even modern. The name Amoebe shows that Verner Panton thought of living organisms in his one-piece, flowing chairs – Panton’s natural shape doesn’t know any aging. The Amoebe is a succeeded example for this type of ground-based lounge chairs and it embodies the happy-cheeky 70s. Conventional chairs weren’t desired anymore, it was about low, comfortable furniture to be used in many different ways instead. The flexible backrest of the Vitra Amoebe Highback shows up sculptural over its head and it forms a kind of canopy over the user. The Amoebe Highback armchair therewith transmits a feeling of comfort and retreat – especially in big, open rooms. Vitra manufactures the organic armchair of a laminated structure with foam cushions, which are coated with the sophisticated Tonus fabric by Kvadrat.
  • Moroso - Take A Line For A Walk
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    Moroso - Take A Line For A Walk
    Häberli brings out the communication abilities of the object and the emotional bond which it can create: The chair draws on an archaic yet extremely modern visual force which recalls the idea of a cocooning, motherly comfort, with the big ears which can be wrapped around the head in search of protection or isolation from the surrounding environment. According to Alfredo Häberli, the ears lounger emerged in a working procedure called Rapid Prototyping. At that time, Häberli read a book about the artist Paul Klee, whose explanation was to “take a line for a walk” – this is how the designer called his creation in the end – that’s the story of the inspiration for the weightless design of a lounge chair with enormous wings. One year later, the upholstered edition emerged – another small detail in this autonomous structure. More details: Design: Alfredo Häberli, 2003. The model TAKE A LINE FOR A WALK cannot be undressed. Steel frame in cold-foamed foam and Polyester cotton. Frame, steel tube kaon grey or grey varnished. Chromium foot rest. Spinning mechanism kaon grey varnished. Different qualities, different Kvadrat fabrics (extra charge). Armchair Take A Line For A Walk is also available with foot rests. We’re glad to advise you by phone or E-Mail if you have questions regarding the different fabric variants.
  • Muuto - Cover Chair
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    Muuto - Cover Chair
    The designer Thomas Bentzen explains about his chair: ”Cover was born out of the longing of constructing a comfortable and contemporaneous armchair out of wood. I wanted a fresh and vivid plywood appearance, but with frame with stable and down-to-earth expressions.” After experimenting during three years, the Muuto Cover chair emerges, a weightless and still strong armchair, which makes the interplay with wooden veneer even more extreme: A layer of wood is folded around the armrests. That’s a playful, decent detail, which is only possible since there is modern wood processing – and it was born out of necessity. It was initially developed without the “Cover”, but then the designer Thomas Bentzen realized how uncomfortable and slim the armrests of his chair were. He added the small detail which makes the Cover chair even more comfortable. Muuto produces the Cover chair completely out of oak or ash wood (in the coloured edition) and without any metal. The wood surrounding the armrests also serves as fixing element for the legs. The Muuto Cover chair is also available in coloured and one cushioned edition. The coloured editions of the chair bribe because of their naturalness, as well as the unpainted wooden editions do – since the grain of the wood isn’t covered by its paint.
  • Vitra - Amoebe Armchair
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    Vitra - Amoebe Armchair
    Verner Panton created several versions of the Amoebe for his famous Visiona installation in 1970. The revolutionary home concepts from that time are still current and even modern. Verner Panton was humorous – how else could the armchair have been called Amoebe? The idol of nature also ensures that Panton’s designs are timeless and don’t know any design eras. The Vitra made Amoebe embodies the happy-cheeky spirit of the early 1970s as a ground-based piece of furniture: Conventional chairs weren’t demanded anymore, it was about low, comfortable furniture instead, which were reusable. The Amoebe Armchair is ergonomically suitable to the human body in its organic and one-piece design, completely according to its unicellular model. Vitra manufactures the harmonically designed armchair in a laminated structure with foam cushioning, coated with the sophisticated Tonus fabric by Kvadrat.
  • Vitra - Organic Conference Chair
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    Vitra - Organic Conference Chair
    The Organic Conference is a classic piece of furniture, which isn’t really a classic: The chair by the design legends Charles Eames and Eero Saarinen couldn’t be produced in series because of a lack of technique in the 1940s. It was vitalized by Vitra in 2006 for the first time. Charles Eames and Eero Saarinen created a complete series of Oranic Chairs in different editions for the competition “Organic Design in Home Furnishing” of the Museum of Modern Art (MoMA) in 1941. The designs were futuristic formally, but they weren’t produced because of a lack of technique then. The organic seat could only be produced and distributed in bigger amounts later, so were the Eames Plastic Chair by Charles & Ray Eames or the Tulip Chair by Eero Saarinen. Vitra and the Vitra Design Museum vitalized the classic piece in 2006 with the first serial production of the Organic Chair, the Organic Highback with high backrest and headrest followed in 2008. The shape of the seats of the Organic Chairs is adapted to the seat demands of the human body. The user sits in a lower, slightly backwards inclined position in the reading chairs Organic Chair and Organic Highback, while the Organic Conference is slightly higher and more upright, supporting sitting at a table. The organic shape of and the comfortable cushions ensure exceptional sitting comfort. Vitra produces the Organic Chairs out of ash wood with polyurethane foam cushions. The sophisticated coating with the Hopsack fabric by Kvadrat ensurea robustness and longevity to the Organic Conference Chair – also in a stressing office routine.
  • Vitra - RAR Rocking Armchair
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    Vitra - RAR Rocking Armchair
    RAR (Rocking Armchair Rod Base) is the rocking chair within the famous collection of Vitra’s Eames Plastic Armchairs. Plastic Armchairs were first presented as part of the famed New York Museum of Modern Art competition, "Low Cost Furniture Design". Their organically shaped seat shells made of fibreglass-reinforced plastic were later combined with various different bases, such as RAR's rockers and manufactured in their millions. In their latest version made of polypropylene the Armchairs now offer even greater sitting comfort. The Eames Plastic Armchair RAR is available in the colours ocean, mauve grey, cream, stone white and mustard.
  • Hay - neues dänisches Design Hay - Copenhague Chair
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    Hay - neues dänisches Design Hay - Copenhague Chair
    The Danish manufacturer Hay invited the designer brothers Ronan and Erwan Bouroullec to design a collection for the re-designed Copenhagen University (KUA). The result was the Copenhague series, which consists of a chair, a bar stool and diverse tables. Hay and the Bouroullecs tried to design furniture for educational institutions, which clearly belong to this generation with their form and identity and which fulfil the demands of a university. That’s the reason why the Copenhague Chair is very functional, but without getting too serious in its expression. Since both designers also concentrated on renouncing institutional and office-like expressions of traditional furniture in scholar environments with their Copenhague Chair. They wanted to design objects with bigger originality and a homely appeal. Hay manufactures the Copenhague Chair out of different kinds of wood and more are available on demand.
  • Vitra - .06 Armchair
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    Vitra - .06 Armchair
    The .06 Armchair of Vitra is mint by the same formal intransigence as the .05 Armchair. Both were designed by Maarten van Severen, who considered to give them a reduced look. The large comfort of the .06 Armchair developes by using it: The soft, made of integral skin foam, leaf springs in seat and back rest arranges a dynamic feeling while sitting down, and the highest comfort, and laziness. The tubular frame of the armchair is made of stainless steel, which makes it really flexible, and resistant to outward influences. Because of that, it is really suitable for the outside, too.
  • Vitra - Fauteuil de Salon
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    Vitra - Fauteuil de Salon
    Jean Prouvé was a master of making an aesthetic virtue out of functional necessities. His Fauteuil de Salon is a perfect example for that skill. The armchair, which was initially re-edited by Vitra in cooperation with the French furniture label G-Star was included in the permanent collection of Vitra. The Fauteuil de Salon was created 1939. Jean Prouvé was oriented by a standard chair when he designed his Fauteuil: Massive, conic back-legs contrast the slim legs of the front-side. This had a practical reason for the constructer Prouvé: A big part of the weight of the one relaxing in the chair remains on the back-legs, which is the reason why the legs have different sizes. The combination of simple surfaces completes the architectural image, with comfortable seat and backrest. The armchair was adapted to contemporaneity by Vitra regarding the colours, after it was found in the archives of the French constructor. Something typical for Prouvé is that the constructive model is knowingly presented becoming the aesthetic characteristic. Thick cushions contrast the technically cool base of the chair with its slim armrests. The Fauteuil de Salon is a comfortable lounge chair, which is made of powder coated steel by Vitra. The cushions consist of cotton with polyurethane filling and the armrests are made of massive oak wood. The armchair is available in different colours.
  • Schindlersalmerón - Flank-Milled Chair F/01
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    Schindlersalmerón - Flank-Milled Chair F/01
    Handicraft and contemporaneous technique come together in the flank-milled chair F/01 by Schindlersalmerón. The connections at the frame are tapped and glued. The twisted back legs are produced with the technique of the flank-milling and they give the elegant, unmistakable contour to the Schindlersalmerón chair, with one back leg becoming thinner than the other. That’s how the twisted back legs of the F/01 chair stage the technical possibilities of the highly modern, 5-axis flank-milling of a CNC milling machine. Schindlersalmerón produces the frame, legs and backrest of the flank-milled chair F/01 Out of European, PEFC certified massive wood. The surface has a veneer of oiled or black stained oak, the seat is made of beech wood. Floor-protecting Teflon pads complete the flank-milled chair F/01 by Schindlersalmerón. Cushions for the elegant F/01 chair are also available.
  • Artek - Chair 23
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    Artek - Chair 23
    Artek re-edited another classic piece made by Alvar Aalto with the Chair 23. The cantilever has the characteristic form of most of the designs by the Finnish. The Chair 23 by Artek is a design of 1930 which has already been presented in the first collection by the manufacturer. Alvar Aalto designed the early cantilever suiting the side table 606 completely in black, with the Aalto typical renouncement of unnecessary details. The Chair 23 is suitable for the most different surroundings because of the simple form and colour. The Chair 23 was initially designed to be used in the Aalto designed Paimio, since it is ideally suitable to be used in public buildings because it is stackable. With its seat out of birch veneer, the frame of bent, matt painted steel tube and the simple form, the chair represented modern furnishing styles in the 30s, being as well contemporaneous today.
  • Vitra - Standard Chair
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    Vitra - Standard Chair
    Jean Prouvé made a big classic piece with his Standard chair: It was initially designed in 1934 and re-edited in 1950 by the French designer. Vitra interpreted the chair again and brought it to contemporaneity. A chair has to be resistant in its back legs, since there rests the weight of the body relaxing on it. This simple cognition was realized on an embossing way in the Standard chair by the designer and constructer Jean Prouvé: The backside legs of the chair are voluminous hollow bodies giving the load to the ground, while the front-legs are less loaded, consisting of steel tube. The Standard is a model for Prouvés architectural design approach: The chair follows the rules of utility and shows its construction outspokenly. The materials are as timeless as the construction: Vitra produces the Standard chair out of steel and oak wood. The chair is available in different colours.
  • Vitra - C1 Armchair
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    Vitra - C1 Armchair
    Verner Panton already pre-recorded the shapes of the Pop Art in the 1950s. His reduced and still bribing C1 Armchair still bribes with his design clearness. Verner Panton’s career as designer reached its first climax in the end of the 1950s: The Danish pre-recorded elements of Pop Art with geometric furniture series and he clearly admitted the Scandinavian modern elegance of shaping with the processing of his frames. The most famous models of this series are those he initially made for a restaurant: Cone Chairs and Heart Cone Chairs. Verner Panton used the form of a half-sphere for the C1 Armchair, which is produced by Vitra, for the first time: Stored in a position which allows turning it and slightly inclined, the cushioned seat offers high comfort – for relaxing hours as well as to sit upright. The C1 is usable in private homes, hotels or receptions because of its clear shape, and it therefore looks even more gorgeous together with more of its kind. Vitra manufactures the C1 Armchair out of a stainless steel frame, a laminated plastic bowl and a polyurethane seat. The soft foam ergonomically adapts to the body, ensuring relaxing seat comfort.
  • WeDoWood We do wood - Komplett Lounge Chair
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    WeDoWood We do wood - Komplett Lounge Chair
    The Komplett by We do wood is a Lounge Chair of exceptionally design-weightlessness, which moreover offers unexpectedly huge comfort. ”It is often reinforcing for the form as well as the function of a piece of furniture, if one concentrates directly on the clear and independent idea! We focus in removing unnecessary things so that the form doesn’t need much explanation when the finished product is in front of someone” , is explained by Sebastian Jørgensen. Simplicity in design with comfort and respecting nature are We do wood’s aims. Bamboo is the perfect basis for that philosophy, since the material regrows fast, it absorbs more CO2 than Nordic wood and it is furthermore resistant and stable. The Komplett Lounge Chair is a chair with attitude with additional cushions optionally available.
  • Vitra - Monopod Armchair
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    Vitra - Monopod Armchair
    An iconic piece of furniture by the advocate of “new simplicity”: Jasper Morrison’s Monopod of 2008 is a sculpture in the room, which reminds us of objects out of stone or wood with its shape. Massive and heavy is how the Monopod stands on the floor and it gets younger in an elegant cone-like backrest. Monopod comes together with sofas and bigger loungers in the living room as a small visitors’ armchair, and it represents public areas thanks to its solid construction – which also makes it wonderfully suitable for entrance halls. The construction of the armchair with an interior cushioned plastic seat ensures the precise shape of the Monopod even when it is used for a longer time, and it simultaneously offers exceptional sitting comfort. The corpus of the Vitra Monopod consists of polyethylene. Seat and backrests are cushioned with comfortable polyurethane foam, while the outside is coated with leather.
  • Hay - neues dänisches Design Hay - About A Lounge Chair AAL 93
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    Hay - neues dänisches Design Hay - About A Lounge Chair AAL 93
    About a Chair by Hay is a collection of chairs with bribing simplicity regarding design. The designer Hee Welling reached a new level in the combination of shape, function, comfort, details and aesthetics with his collection. The AAL 93 enlarges the series with one low lounge chair which perfectly suits the philosophy of the resting furniture pieces. The About A Lounge Chair AAL 93 is slightly upholstered with foam according to the Eco-Tex-Standard and it has armrests, a high backrest and a modern wooden four-foot base. Different Kvadrat fabrics are selectable as upholstery, available in different colours. The seat of the Hay AAL 93 consists of polyurethane, the frame of beech wood which is coated with a soaped oak or stained ash vener. Moreover the About a Lounge Chair by Hay is also available with other coatings and bases, such as the AAL 92 with wooden base or the AAL 83 with a low backrest. The seats and bases of the AAL series make up numerous combinations, which never seem unwanted or combined by mistake. We will gladly advise you for personal configurations.
  • Hay - neues dänisches Design Hay - About A Lounge Chair AAL 81
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    Hay - neues dänisches Design Hay - About A Lounge Chair AAL 81
    About a Chair by Hay is a collection of chairs with bribing simplicity regarding design. The designer Hee Welling reached a new level in the combination of shape, function, comfort, details and aesthetics with his collection. The AAL 81 enlarges the series with one low lounge chair which perfectly suits the philosophy of the resting furniture pieces. The About A Lounge Chair AAL 81 is slightly upholstered with foam according to the Eco-Tex-Standard and it has armrests, a high backrest and a swivel four-foot base. Different Kvadrat fabrics are selectable as upholstery, available in different colours. The seat of the Hay AAL 81 consists of polyurethane, the frame of polished or powder coated aluminium. Moreover the About a Lounge Chair by Hay is also available with other coatings and bases, such as the AAL 82 with wooden base or the AAL 91 with a high backrest. The seats and bases of the AAL series make up numerous combinations, which never seem unwanted or combined by mistake. We will gladly advise you for personal configurations.
  • Vitra - Organic Chair
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    Vitra - Organic Chair
    Charles Eames and Eero Saarinen created a comfortable chair with their Organic Chair in 1940, which was one step ahead in its time: The piece of furniture is still highly current today. The Organic Chair: A comfortable small reading armchair – emerged in 1940 as contribution for the competition “Organic Design in Home Furnishings” by the Museum of Modern Arts in New York. The cooperation of both design legends Eames and Saarinen was successful: Formally the different variants of the Organic Chair went one step ahead in their time. The armchair however, couldn’t be produced in series, because of a lack of production techniques. Only after 1950 it was possible to produce organic shaped seats and distribute in larger amounts, this is how also Charles and Ray Eames’ famous Plastic Armchair and Saarinen’s Tulip Chair were finally distributed. The Organic Chair is also available as Organic Highback armchair, with a higher backrest and larger and wider armrests. The Organic Conference edition is suitable to be used at tables. Moreover there are different fabrics for it selectable.
  • Hay - neues dänisches Design Hay - About A Lounge Chair AAL 91
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    Hay - neues dänisches Design Hay - About A Lounge Chair AAL 91
    About a Chair by Hay is a collection of chairs with bribing simplicity regarding design. The designer Hee Welling reached a new level in the combination of shape, function, comfort, details and aesthetics with his collection. The AAL 91 enlarges the series with one low lounge chair which perfectly suits the philosophy of the resting furniture pieces. The About A Lounge Chair AAL 91 is slightly upholstered with foam according to the Eco-Tex-Standard and it has armrests, a high backrest and a swivel four-foot base. Different Kvadrat fabrics are selectable as upholstery, available in different colours. The seat of the Hay AAL 91 consists of polyurethane, the frame of polished or powder coated aluminium. Moreover the About a Lounge Chair by Hay is also available with other coatings and bases, such as the AAL 92 with wooden base or the AAL 81 with a low backrest. The seats and bases of the AAL series make up numerous combinations, which never seem unwanted or combined by mistake. We will gladly advise you for personal configurations.
  • Vitra - Wire Chair DKR
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    Vitra - Wire Chair DKR
    The 1951 presented Wire Chair DKR was inspired by the Plastic Chairs, launched one year before. Contrasting those, the DKR (Dining Height, K-Wire Shell, R-Wire Base) doesn’t consist of plastic, but of steel wire. The shape remains the same – only the variation of the material ensures a really independent appearance. The designers couple Eames used wire in order to create a transparent and weightless acting structure. The Wire Chair by Vitra is also available with other bases such as the sitting cushions.
  • Arper - Catifa 46 Chair (wooden four-leg frame)
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    Arper - Catifa 46 Chair (wooden four-leg frame)
    The Catifa 46 by Arper fits in every surrounding: From the own home, over the office, up to official events – Catifa 46 with its wooden four-leg frame looks gorgeous no matter where. This Catifa 46 bribes with its frame out of massive oak wood: The designers of Leviore Altherr Molina gave the famous chair with the wooden four-leg frame a natural and rustic appeal. The shapely farsightedness of the designers makes this chair an ideal piece of furniture for all purposes – it represents style and individuality in every surrounding and it offers the highest possible comfort to the user. The different editions of the Catifa 46 ensure that the chair of the Italian manufacturer fulfils all the possible demands. The Catifa 46 Chair is available in further colours as well as in two-colours editions or with coatings out of fabrics or leather. We will gladly help you via phone +49 (0)511 300341-0 or E-Mail (info@connox.de) for individual solutions of your Catifa Chair by Arper.
  • Magis Design Magis - Pila Chair
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    Magis Design Magis - Pila Chair
    The brothers Ronan & Erwan Bouroullec designed Pila for Magis in 2012. The filigree and weightless form of the chair is a wonderful contrast to the natural wooden material it is made of (first production 2013). Ronan & Erwan Bouroullec especially thought of minimalistic elegance when they designed their Pila chair: A design as elegant as possible with as little material as possible. That’s the reason why the Magis Pila chair isn’t only very weightless, but also the design gives the impression of being floating. The ash plywood made seat is carried by four filigree feet out of massive oak wood. The backrest, also consisting of plywood, ends up in the chair’s feet. A filigree aluminium construction, which is hidden under the seat, ensures stability. Pila is available in different editions in natural or stained ash wood.
  • Hay - neues dänisches Design Hay - About a Chair Low AAC 43
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    Hay - neues dänisches Design Hay - About a Chair Low AAC 43
    About a Chair by Hay is a chairs collection with exceptional simplicity regarding design. The designer Hee Welling reached a new level in combining form, function, comfort, detail and aesthetics with his collection. The About a Chair chairs have consciously been kept simple and they can therefore be combined with other furniture pieces without any problems. They are wonderfully inserted in the most different surroundings and architecture styles because of their simplicity, which is why the chairs are also predestined to be used in object areas. According to the ideas of the designer Hee Welling, the About a Chair chairs should be useful in Restaurants as well as at home, at conference tables as well as at the homely dining table. This is the reason why the idea of simplicity is a guarantee for multi-functionality and combinability. The seat with armrests of the About a Chair AAC 16 consists of polypropylene and it is slightly upholstered with an eco-tex standard foam. Different Kvadrat fabrics are selectable as upholstery. The frame consists of beech plywood with oak wood veneer or black stained veneer in ash and it possesses a low seat height (38 cm) in the low edition, contrasting the normal variants (seat height 46 cm). Moreover the About a Chair by Hay is also available with other seats and frames, such as the AAC 42 with a non-upholstered sear in low seat height or as upholstered AAC 23 with standard seat height of 46 cm: The seats and bases of the AAC series make up numerous combinations that will never look like they were unwanted or selected by chance. We will gladly advise you for personal configurations.
  • Verpan - System 1-2-3 Lounge Chair Standard
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    Verpan - System 1-2-3 Lounge Chair Standard
    Verpan presents a chair out of the 1-2-3 series with the 1-2-3 Lounge Chair. The series has already been designed by Verner Panton in 1973 together with Fritz Hansen. The initial collection included 20 different chair models, which differed by some details such as the seat height, armrests or bases. The public was astonished by the chairs in that time. Criticizers even called the series a milestone for the future of furniture design. After about 10 years, Fritz Hansen took the series out of the assortment and the timeless cantilever chairs are produced by the Danish manufacturer Verpan today. Verpan’s 1-2-3 series includes a dining room chair and a lounge chair, both models are coated with fabrics or leather in standard versions, as well as in a deluxe version as a Chesterfield edition. The initial intention of Verner Panton was to design a furniture program fulfilling many different functions and still granting high seat comfort with his 1-2-3 series. The shaping should be simple and natural, so that the chairs suited in the most different surroundings as functional elements. Verner Panton needed three years to develop his series. The result was a unique seating furniture concept with Panton working systematically on design and function based on a pre-defined theme. ”I wanted to design furniture that seem to grow out of the ground – organic chairs without four feet” , explained Panton about the work at the collection. Panton’s initial design consisted on a simple steel frame with a textiles coating to be fixed at. Verpan uses CHMR foam to upholster the new editions, in order to increase comfort and to ensure a fixed and flat coating. Verpan uses different fabric materials such as those by Camira or Kvadrat in the most different colours. Also different leather coatings are possible optionally. Each Verpan product is delivered with an authenticity certificate. This one grants the originality of the product, which is still manufactured according to the strict quality demands of Verner Panton at Verpan.
  • Offecct - Robo Chair
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    Offecct - Robo Chair
    Robo by Offect is a chair and a proud pluggable piece of furniture at the same time. The environment also plaid an important role when it came to design the futuristic seat. Robo was designed by Luca Nichetto. The designer had the aim of re-designing a piece of furniture which respected the environment by experimental design. The design ironically reminds us of a robot. Nicholetti was inspired by the music video “All Is Full of Love” by Björk when he vitalized the robot. The Robo Chair is a new and unique appearance by its separated feet and the stylishly emphasized backrest. All six pieces suit in a box sized 50x50x20 cm, enabling an easy transport. This is environmental friendly, as well as its material (recycled plywood and textiles). The chair is fast assembled with the included steel-plugs. Consequently, the Robo chair doesn’t hide its pluggable shape – as well as with all the other robots, all the single pieces are open viewable and make up a harmonic whole image.
  • Muuto - Visu Lounge Chair
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    Muuto - Visu Lounge Chair
    Visu is the result of a design process which nearly took two jears: Muuto presents Visu, a lounge chair which is clear and unobtrusive, without acting fantasy-less. It is about the details that make the Visu lounge chair by the designer Mika Tolvanen this special: Each edge, each rounding and the interplay of forms were more and more adapted to each other in a clever process, until Muuto and Mika Tolvanen were 100% satisfied with the result. The Finnish designer explained about his Visu: ”It was an aim of designing a personal interpretation of the classic plywood chair. I wanted to create a chair which was unobtrusive, timeless and ergonomic, without it acting kind of boring.” The Visu collection by Muuto includes a non-cushioned edition besides an upholstered lounge chair as well as a dining and conference table with a skids frame. We are excited about what models might follow.
  • Hay - neues dänisches Design Hay - About a Chair AAC 23
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    Hay - neues dänisches Design Hay - About a Chair AAC 23
    About a Chair by Hay is a chairs collection with a remarkable simplicity in their design. The designer Hee Welling reached a new level in the combination of form, function, comfort, detail and aesthetics with them. The chairs of About a Chair are simple and they can therefore be combined with other chairs without any problems. They are wonderfully inserted in the most different surroundings and architecture styles with their simplicity, being also suitable for object areas. According to the ideas of the designer Hee Welling, the About a Chair pieces should be used in restaurants, in cantinas as well as at home, in the office at conference tables. The idea of simplicity became a guaranty for multi-functionality and combinability in this context. The seat of the About a Chair AAC 23 consists of polypropylene and it has been slightly upholstered with foam according to the Eco-Tex standards. Different qualities of Kvadrat fabrics are selectable. The frames consist of beech plywood with oak wood veneer or black dyed ash wood. The About a Chair AAC 23 is available with many different fabrics and colours as well as with different wooden frames or with other seats and bases, for example as AAC 21 with a swivel base or as AAC 12 with a wooden base and seat without armrests. We will gladly advise you for your individual combination.
  • Vitra - Eames Plastic Armchair DAW
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    Vitra - Eames Plastic Armchair DAW
    The plastic armchairs, designed by Charles and Ray Eames in 1950, were first presented at the "Low Cost Furniture Design" competition of the MoMA in New York. The organic formed seats made of plastic were later combined with different bases and were millionfold produced. Their actual version, which is made of polypropylen gives you a more improved seating comfort. The Eames Plastic Armchair DAW (Dining Height Armchair Wooden Base) is also available in other colour variations, plus seat cushion and/ or coated frame variations for the outside.
  • Knoll International Knoll - Straight Chair
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    Knoll International Knoll - Straight Chair
    The 1946 by George Nakashima designed Straight Chair is a classic today. The chair by Knoll is a sensual image for artistic skills of American Japanese designers with its natural, matt glossy surfaces and vivid grain: Nakashima is considered a pioneer of American handicraft. The frame of the Straight Chair is made out of massive American walnut wood. The feet and struts consist of Hickory wood. The surface of the Knoll Straight Chair is glossy matt thanks to the special treating and the nylon sliders ensure safe ground-contact. Every classic made by George Nakashima has the signature of the designer on the bottom of the seat. The contrasts between frame and backrest are characteristic for the designs by George Nakashima, The American walnut wood displays its natural intensive colour, from chocolate brown up to grey and dark honey tones. The colour variations of the chair by Knoll become more even with the passing time.
  • Knoll International Knoll - Platner Easy Chair
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    Knoll International Knoll - Platner Easy Chair
    The wire frame furniture pieces by Warren Planter are clearly for design enthusiasts already since the middle of the 1960es. Knoll brings the long unproduced Easy Chair by the American designer back. The Easy Chair and the Ottoman have initially been presented in 1966. The still modern design proves that good design doesn’t age – since the Planter collection today still has a remarkable number of lovers and fans. The production out of steel wire was extremely complicated and newish then, which wasn’t an irrelevant reason for the fame of the original “Planter Collection”: The base construction out of bent wire acts weightless and contrasts the round, comfortable forms of the seat. The Easy Chair by Knoll is the embodiment of a comfortable chair: The seat has an anatomic shape and it is softly foamed. Thanks to the big shape, one will find a comfortable place in the most different positions. The Easy Chair is wonderfully completed by the Ottoman by Warren Planter. We also offer the Knoll Easy Chair with other coatings and in the most different colour combinations. More details: Characteristics: The Easy Chair by Warren Planter is available with the most different coatings and colour combinations. Construction: Frame out of steel wire, nickel plated and coated with clear lacquer. Seat out of foam fiberglass. Cushion with latex core and Velcro closure, to fix at the Easy Chair.
  • Hay - neues dänisches Design Hay - About a Chair AAC 21
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    Hay - neues dänisches Design Hay - About a Chair AAC 21
    About a Chair by Hay is a collection with striking simplicity in design. With it, designer Hee Welling reached a new level of combining form, function, comfort, detail and aesthetics. The About a Chair chairs have consciously been kept simple and they can therefore be combined with all the other furniture pieces without any problems. According to designer Hee Welling’s imagination, the About a Chair chairs should be used in restaurants as well as in cantinas, offices, at homely dining tables or at conference tables. This is how the idea of simplicity became a guarantor for multifunctionality and combinability. About a Chair is a series not only combinable with other furniture, but also with each other, since all the seats and frames are available in different variants. Thereby perfection and aesthetics of design remain saved and will never act as if by chance or unplanned. The seat with armrests of the About a Chair AAC 21 consists of polypropylene and it is slightly upholstered with an Eco-Tex-Standard foam filling. Different qualities and colours by Kvadrat are possible as coatings. The rotatable frame consists of powder-coated (white or black) aluminium. Moreover the About a Chair by Hay isn’t only available with upholstered seats, but also with further frames, such as the AAC 23 with a wooden base and upholstered seat or as AAC 12 with wooden base and seat without armrests. We will gladly advise you for personal configurations.
  • Artek - Armchair 400 - The Tank
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    Artek - Armchair 400 - The Tank
    The free swinging armchair 400 from Artek is a classic from the Finnish furniture designer. It was created already in the year 1936 by the famous designer and architect Alvar Aalto. The armchair is known as “The Tank” because of its robust look. Alvar Aalto initially created the tank armchair in the year 1936 for the Milan Triennial and for his private house in Helsinki. With its massive outside and the heavy wooden construction, the chair was Alvar Aalto’s answer to the light steel strapping chairs that Ludwig Mies van der Rohe designed for the Tugendhat Villa. The tank offers high comfort with its soft seat cushion and it radiates quietness and stability with its robust design. The 400 Armchair possesses a birch wood frame. The chair appears with the Nosag-spring and the PU + Dacron-cushion. The back cushion also consists of PU foam and Dacron. The tank can be coated with cloth or leather. The zebra clothing consists of 56% wool, 39% cotton and 5% polyester.
  • Hay - neues dänisches Design Hay - Blow Armchair
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    Hay - neues dänisches Design Hay - Blow Armchair
    The lounge-armchair Blow is in its appearance and construction a reminiscence on the classic beanbag. Lik this it is made of only a coat and filling material. Because Blow is made of a strong foam, doesn' show the famous disadvantages in stability and seating comfort. The idea for Blow comes from the wish, to convey and optimate the expensive cushion of seating furniture in a mechanical processen. To do so, the designers turned the production process completely inside out. With Blow the design-duo Johannes Foersom and Peter Hiort-Lorenzen accepted the challenge and turned the production process completely inside out. First the coat is spaned over the model shape and then the foam is sprayed into it – normally the process works the different way, first the filling, then the coat. On this new way a cheap production of many products is given. The technique is also used for the production of car seats , which are strong, but not hard. The comfortable and sculptural seating shell of the lounge armchair is mounted in a rotatble plate, through which the whole seating area can be rotated on 360 degrees. The Blow Armchair is also available in other colour versions!
  • Magis Design Magis - Nimrod Armchair
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    Magis Design Magis - Nimrod Armchair
    Magis produces the Nimrod arm chair by Marc Newson since 2003. The native Australian created a very successful armchair which is one of the most famous products of the Italian company. Nimrod does not only astonish with its precise appearance and the appealing curves, furthermore, it is very comfortable. The frame consists of injection mould polyethylene. The cushions are made of expanded polyurethane which is covered with a removable wool fabric. The seat is available in white, the cover in purple, yellow, green and orange.
  • Bla Station - Oppo Armchair
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    Bla Station - Oppo Armchair
    The Oppo Armchair by Bla Station creates sympathy and warmth. It vitalizes rooms with its soft and round forms. Stefan Borselius created a piece of furniture that acts charming and appealing with the Oppo Armchair. The balanced and harmonic curves signalize quietness and warmth. The chair is timeless, clever and balanced from top to toe thanks to Boselius’ qualification as furniture designer. A grey lacquered foot panels is the base of the Oppo Armchair ba Bla Station. The rotating frame of the design piece shines with automatic back springs and the main corpus consists of steel and wood. It is upholstered with polyurethane foam and coatable with many high quality fabrics (such as Kvadrat, Camira or Gabriel).
  • Muuto - Nerd Chair
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    Muuto - Nerd Chair
    Someone „special“ is called Nerd in Anglophone speaking areas, which explains the name of the Scandinavian manufacturer Muuto. The Nerd Chair is especially striking by its exceptional passage from seat to backrest. This small but overwhelming characteristic offers strong personality and an iconic character to the chair. The designer David Geckeler has been honoured with the Beckers International Design Award 2011 and the Muuto Talent Award 2012. Despite – or maybe just because of – the unique appearance, the Nerd Chair displays many classic Scandinavian furniture design styles. Organic forms combined with a sense for handicraft and natural materials make the Nerd Chair a contemporaneous classic. Nerd Chair is also available in further colour combinations.
  • Driade - Clover armchair
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    Driade - Clover armchair
    Another highlight among organic seating furniture has been created by the famous designer Ron Arad: Clover. Since 2007 Driade produces the sinuous and clover-shaped armchair from one monobloc of white polyethylene. Clover can be used in- or outside due to the synthetic material. Whether at the poolside, on the patio, in the hall or living room: Clover is definitely an eye-catcher.
  • Succeful Living from Diesel Diesel - Cloudscape armchair
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    Succeful Living from Diesel Diesel - Cloudscape armchair
    The comfortable Cloudscape armchair by Diesel is perfectly suitable for relaxing, lazing or just sitting comfortably. The large cushions of the armchair aren’t just creating the characteristic form of Cloudspace, they also guarantee comfort. The Cloudscape armchair is the result of the collaboration of the lifestyle brand Diesel and the Italian manufacturer of furniture Moroso. The comfortable armchair is visually appealing and of a high quality. Due to the numerous variants it can be adjusted individually to your requirements. Upon request, the Cloudscape armchair by Diesel is available with a fabric filling in the drapery variant linen and in different colours. The linen fabric can be ordered flocked, washed or stone washed. The armchair can also be ordered with cotton cover in different colours. All the variants mentioned above are also available for the Cloudscape armchair with down filling.
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