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  • Arne Jacobsen Series 7 Chair
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    Arne Jacobsen Series 7 Chair
    Designed in 1955, Arne Jacobsen's Series 7 chair has become a design icon. Constructed from nine layers of molded veneer with two layers of cotton textile between each, the organic shell is ingeniously designed to last a lifetime. The four-legged stackable chair can be seen as the culmination of the use of the lamination technique. The visionary Arne Jacobsen exploited the possibilities of lamination to perfection resulting in the iconic shape of the chair. With a wide range of applications, the lightweight chairs available in a wide variety of finishes.
  • Piero Lissoni Lizz Chair
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    Piero Lissoni Lizz Chair
    The Lizz Chair is truly representative of Piero Lissoni's minimalist aesthetic. Its streamlined design is ideal for all settings. It has a squared contour, a generous wide seat and low comfortable backrest. Created using gas injection technology, the chair is formed in a single piece. The properties of the material make it shockproof, scratch-proof and weatherproof.
  • Lella & Massimo Vignelli Handkerchief Chair
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    Lella & Massimo Vignelli Handkerchief Chair
    Fluid in form, the Handkerchief chair evokes the light, soft contours of a handkerchief floating through the air. Lella & Massimo Vignelli's graciously scaled, ergonomically sculpted shell offers spacious comfort and ample support.
  • Naoto Fukasawa Hiroshima Armchair
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    Naoto Fukasawa Hiroshima Armchair
    A harmonious blend of tradition and craft, Naoto Fukasawa's Hiroshima Armchair exhibits an honesty of materials and subtle warmth while utilizing advanced technology and hand craftsmanship within the production process. With perfectly seemed joints, the armchair appears to be hand-carved from a solid block of wood. Unaltered, the texture and color of the beech and oak wood gives the chair a feeling of freshness while recalling the traditional Japanese wooden chairs of the past. Following Maruni's tradition of industrializing Japanese craft-work for over 80 years, the Hiroshima Armchair's production combines advanced technology with hand craft.
  • Ronan and Erwan Bouroullec Papyrus Armchair
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    Ronan and Erwan Bouroullec Papyrus Armchair
    Inspired by the linear, well-defined structure of vintage chairs, the Bouroullec brothers' Papyrus armchair combines a translucent structure with a very fine vertical ridged pattern that covers the outer surface of the rounded backrest. The Bouroullec's soft, enveloping design melds simplicity and refinement with grace and memory, forming a modern and reduced version of the archetypal antique chair. The highly resilient material allows the chair to be used in a wide variety of settings, from residential to contract and indoors and out.
  • Junya Ishigami Family Chairs
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    Junya Ishigami Family Chairs
    A collection of five steel chairs with a remarkable optical effect, young Japanese designer Junya Ishigami's Family Chairs are light, harmonious and functional. Each chair in the series features a distorted shape which could be read as a result of being placed under a magnifying lens. Influenced by a family gathered around a table, with each person having their own unique characteristics yet having the some basic unity, Ishigami's chairs have individual personalities created with the same elements.
  • Piergiorgio Cazzaniga M1 Chair
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    Piergiorgio Cazzaniga M1 Chair
    Ecologically advanced, Piergiorgio Cazzaniga's M1 uses a process of of co-injection molding of partially recycled and mass pigmented material to create its shell. The clear lines and slender form make for a visually impactful chair that is equally at home in residential and commercial environments. Available in white or black, the lean seat profile continues down the stainless steel sled base. When not in use, M1 can be stacked and placed out of the way. Furthering the chair's eco-friendliness, M1 is fully recyclable.
  • Fernando & Humberto Campana Jenette Chair
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    Fernando & Humberto Campana Jenette Chair
    Jenette stems from a chair made by the Campana brothers some years ago for the house of an American art collector. With a typical seat formed in one piece with four legs in polyurethane over a steel structure, the ethereal focal point of the chair is the backrest. Over 900 flexible stalks rise from the seat to form the back. With a hidden interior steel structure giving it support, the ridge PVC stalks are able to be bent and adjusted as it is used. The subtle reference to natural ears of corn almost waving in the breeze gives the design a magical, dreamlike quality that belies its strong back support. Available in five colors, the stalks match the color of the base.
  • Vico Magistretti Silver Chair
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    Vico Magistretti Silver Chair
    A master of simple and elegant solutions to domestic needs, prolific Italian designer Vico Magistretti's Silver Chair for DePadova takes inspiration from the legendary Thonet chair, creating a light-weight and versatile chair made from polypropylene and aluminum. Comfortable for use at the dining table or office, the chair's perfect combination of subtle proportions and updated materials makes it a classic. Originally an architecture student, Magistretti turned to product and furniture design in the late 1940s during Italy's post-war drive of reconstruction. Typically, he took an existing object as his starting point and then rethought it by assessing whether it could be improved with the use of modern materials and production processes.
  • Stefan Diez Houdini Chair
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    Stefan Diez Houdini Chair
    Stefan Diez's Houdini Chair is made from 4mm oak-veneered plywood using an unusual production methodology. The outcome is a new wooden furniture silhouette where the chair's back and seat curve around the base to form a seat shell. Inspired by a technique used in airplane model making, two-dimensional plywood slabs are stretched by hand around a complexly milled, solid wood ring to form the back, while additional pieces create part of the seat. No nails or screws are used to hold the chair together; rather the 2D slabs are glued to the base to stay in position, contributing to the elegant profile.
  • Ron Arad Tom Vac Chair
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    Ron Arad Tom Vac Chair
    Equally elegant and comfortable, the plastic shell of Ron Arad's Tom Vac chair offers a high degree of comfort both indoors and out. The generous seat and unique shell-like design of the chair defy the traditional features of a stacking chair. With an opening at the rear, the corrugated plastic seat facilitate the stacking of up to five chairs at once. Special additives to the plastic shell prevent it from bleaching in the sun.
  • Christophe Pillet H. Chair
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    Christophe Pillet H. Chair
    With a light tubular structure supporting a shell covered in padded leather, Christophe Pillet's H. Chair is defined by comfort due to its form that traces the human profile. It's soft curving shell makes it suitable for a variety of applications, from domestic to commercial. Consisting of a light tubular structure in chromium-plated metal and a synthetic core, covered with padded leather, H. Chair's metallic vertical legs and horizontal support remains visible at the rear, configuring an original sign resembling a belt. The functionality and comfort inherent in the continuous design of the body, a soft gently curving shell that faithfully traces the human profile, adapt this project for different uses, from a lunch chair to a small easy chair for the living area.
  • Jean-Marie Massaud Flow Chair with Oak Base
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    Jean-Marie Massaud Flow Chair with Oak Base
    Suitable for both the home and office, Jean Marie Massaud's Flow Chair exemplifies the designer's ability to create modern, organic forms which are undeniably contemporary and timeless. Complete with a four-legged oiled-oak base, the Flow Chair presents a contrast of organic minimalism with the richness of wood. The shell, made from polycarbonate through injection moulding, is mass-pigmented in white and has a standard double finish: gloss outside with a goffered interior. The chair is both supportive and sturdy while the visual softness of the design and the relaxed look of the shell add depth and character.
  • Kasper Salto Ice Chair
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    Kasper Salto Ice Chair
    The Ice chair, designed by Kasper Salto, marks a milestone in the history of Fritz Hansen: Ice is the first chair from the famed Danish furniture company that is equally suited for both indoor and outdoor use. The chair, with its rib-like back, incorporates the virtues of classic chairs of the past while the choice of materials points to the future. The base is natural anodized aluminum and the seat and backrest are made of ASA-plastic, a both sturdy and sustainable choice. The result is a lightweight, highly comfortable and hardwearing chair.
  • Naoto Fukasawa Hiroshima Dining Chair
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    Naoto Fukasawa Hiroshima Dining Chair
    A harmonious blend of tradition and craft, Naoto Fukasawa's Hiroshima Dining Chair exhibits an honesty of materials and subtle warmth while utilizing advanced technology and hand craftsmanship within the production process. With perfectly seemed joints, the armless chair appears to be hand-carved from a solid block of wood. Unaltered, the texture and color of the beech wood gives the chair a feeling of freshness while recalling the traditional Japanese wooden chairs of the past. For added comfort, the seat is cushioned and upholstered in light grey felt fabric.
  • Naoto Fukasawa Soho Chair
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    Naoto Fukasawa Soho Chair
    Featuring the designer's signature and acute sensitivity to form and outline, Naoto Fukasawa's Soho Chair offers a comfortably formed seat for a variety of uses. The profile of the chair has been reduced to the most essential elements and features rounded edges around the entire outline of the seat, creating a subtle play of light and shadow. Resting on a frame made from chromed steel tubing, the seat can be made of colored integral self-bearing polyurethane or in beech plywood. Adding to the functionality to the chair, it may be stacked up to six high.
  • Wouter Scheublin Frame Chair
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    Wouter Scheublin Frame Chair
    Wouter Scheublin combines functionality with the beauty of construction and shows a refined eye for detail in his design for the Frame Chair. The unique aesthetic gives the chair its strength, character and unusual formality. With good proportions and seating comfort, the chair is cleverly engineered and pragmatically designed. A beech structure is covered with a seat and backrest of plywood with European oak veneer which provides a subtle texture that shows through the lacquered finish. Highlighting the engineering and construction of the chair, Scheublin has made visible all joints and connections, resulting in the chair's industrial appeal. The Frame Chair is also available in a painted finish. A versatile chair, the Frame Chair works perfectly in residential settings as well as in more demanding seating areas such as cafes and meeting rooms.
  • Jean-Marie Massaud Achille Armchair
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    Jean-Marie Massaud Achille Armchair
    One of the most sensitive advocates of organic design, Jean-Marie Massaud is uniquely able to reduce his forms to the most essential lines, creating objects that blur the line between sculpture and functional objects. Infusing his design principles to a family of seating for the home and office, Jean-Marie Massaud's Achille armchair exemplifies the designer's ability to create modern, sinuous forms which are undeniably contemporary and timeless. Completely upholstered, the chair is visually stunning and available in a broad range of vibrant colors. The metal-tube frame is covered in foam and rubber which adds to the overall softness of the design. The upholstery is completely removable.
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