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  • Herman Miller ® Eames Chaise Lounge
    allmodern.com
    Herman Miller ® Eames Chaise Lounge
    About the Designer Charles & Ray Eames United States Charles Ormond Eames, Jr (1907–1978) and Bernice Alexandra "Ray" (née Kaiser) Eames (1912–1988) were American designers, who worked in and made major contributions to modern architecture and furniture. They also worked in the fields of industrial and graphic design, fine art and film. The Eames Chaise is soft, comfortable, and just 18 inches wide. When you lie on it, you naturally fold your arms over your chest. Should you doze off, your arms soon fall to your sides, waking you up. It's a beautiful place to relax for a spell in a study, den, or executive office. The gently curved frame puts the body in a healthful relaxed position, with the head and legs slightly raised. The Eames Chaise is designed for quick, healthful snoozes. The Design: In 1955 while filming on location, director Billy Wilder discovered he could take quick naps on a plank held up by sawhorses. This prompted Wilder to tell his friends Charles and Ray Eames that he needed a narrow office couch. The Eameses remembered that conversation and in 1968 introduced the Eames Chaise, giving the first one to Wilder. It has been produced by Herman Miller ever since. Features at a Glance: Sleek Sophistication Sculptural frame and base with trim lines. Available in over 100 colors of quality leather. Cushioned Comfort Six 2.5-inch-thick foam cushions. Upholstered in soft, supple leather. Cushions are secured to nylon fabric tightly slung on the frame and joined by flexible zippers. Two loose cushions give additional support for the neck, back, or legs. Gently curved frame. Secure Support Die-cast aluminum frame and base are stable and strong. Scratch-resistant, eggplant-colored nylon coating is electrostatically applied to the aluminum. Glides are high-impact nylon. Dimensions: Height: 16.5 - 29.5" Width: 76.5” Depth: 18" Why Buy From Us? The Eames Chaise is offered as a Specialty Order Item in order to accommodate complete customization. Wayfair backs a 12-year warranty. Should you experience any problems with your Eames Chaise, Herman Miller will cover the cost of fixing it for you. Also, should you discover shortly after receiving your Eames Chaise that parts are either damaged or missing, please call us immediately, and we will be happy to send you replacement parts as soon as possible and at no additional cost.
  • Herman Miller Aeron Desk chair
    madeindesign.co.uk
    Herman Miller Aeron Desk chair
    Combining distinctive looks with pioneering ergonomics, Aeron performs like no other chair. It adapts naturally and adjusts precisely to fit people of all sizes and postures doing all kinds of activities, all day long. The imaginative design of both the work and side chairs gives superior comfort, body support, and style that are widely copied but never matched. In detail: Type : Castor armchair. Colour : Graphite. Material : Painted aluminium, Fishnet. Dimensions : Width 68,5 cm Depth 56,5 cm Total Height 107,5 cm Seat Height 38. Characteristics : Seat height ajustable- Tilt limitor - Tilt tension - Armrest height and angle - Lumbar support.
  • Studio 7.5 Mirra® Task Chair
    dwr.com
    Studio 7.5 Mirra® Task Chair
    The Mirra Task Chair (2003) sports a spry, colorful form that belies an ingenious combination of passive and active seating adjustments that deliver hassle-free performance and lasting comfort to virtually all body types. The TriFlex Back™ yields to the occupant’s form to provide flexible and continuous support to the entire spine, with gradated cutouts that flex for greater movement and improved circulation, as well as an adjustable lumbar piece that supports your lower back. AireWeave seat mesh evenly distributes weight and dissipates heat. An innovative passive Harmonic™ tilt mechanism enables the body to naturally recline by creating pivot points at the hip, knee and ankle. Allowing easy changing of seat depth, FlexFront four-stage adjustment rolls the seat edge down to suit every user’s shape. A tilt tension adjustment covers a full range in nine revolutions. Hard dual-wheel casters work well on and off carpet. This is the authentic Mirra by Herman Miller. Made in U.S.A. The Blue Fog seat mesh has grey overtones. Swatches are available.
  • Herman Miller® Ebony Eames® Lounge Chair
    hivemodern.com
    Herman Miller® Ebony Eames® Lounge Chair
    Design Charles & Ray Eames, 1956. Molded plywood, aluminum, leather. Made in USA by Herman Miller® "Recognizing the need is the primary condition for design." -Charles Eames. The Eames lounge chair is the culmination of Charles and Ray Eames' efforts to create comfortable and handsome lounge seating by using production techniques that combine technology and hand-craftsmanship. The Eames lounge chair is considered among the most significant and collectible furniture designs of the 20th century and are part of the permanent collection of New York's Museum of Modern Art. Every lounge chair manufactured since the original have received the same meticulous handcrafted attention. The rich veneer and supple leather suggest old-fashioned luxury translated into modern forms, setting an enduring standard for comfort and elegance. Comfortable and classic, authentic and approachable, this lounge chair by Charles and Ray Eames takes a stunning turn in a new black incarnation. Ebony stain and supple black leather combine for an appealing sophistication equally appropriate for upscale and casual interiors alike. The Eames ebony lounge chair is hand assembled and features an ebony stained ash veneer seat and back shell with 6"-thick foam cushions upholstered in MCL black leather (1R10). The chair swivels on a 5-star black-enameled base with polished aluminum trim. Chair: 32.75" w | 32.75" d | 32" h | seat: 15" h.
  • George Nelson Nelson Swag Leg Chair
    hermanmiller.com
    George Nelson Nelson Swag Leg Chair
    The genius of George Nelson is apparent in his swag leg chair—first introduced more than 50 years ago, but completely contemporary today.
  • Herman Miller® Nelson™ Swag Leg Chair
    hivemodern.com
    Herman Miller® Nelson™ Swag Leg Chair
    Design George Nelson, 1958. Polypropylene, chromed steel tubing. Made by Herman Miller® "Total design is nothing more or less than a process of relating everything to everything." -George Nelson. The Swag leg group from George Nelson is back! Each piece displays the distinctively slender and majestic metal legs that give the "swag" appearance to the group. The beauty and unique design of each piece combined with the legendary quality from Herman Miller makes the Swag leg group a pleasant addition. Herman Miller founder D.J. DePree saw an article in a 1945 Life magazine featuring George Nelson's Storagewall unit, which was causing a sensation in the furniture industry. He was so impressed that he paid a visit to Nelson in New York and convinced him to be his director of design, which spurred Nelson to found his design firm, George Nelson & Associates. The warm personal and professional relationship between Nelson and DePree yielded a stunning range of products, from the playful Marshmallow Sofa to the first L-shaped desk, a precursor of today's workstation. Separate seat and back. The swag leg chair has a look that's light-scaled and sculpted; the chair shell flexes with the sitter and prevents heat buildup. Features wide, flat armrests so forearms can rest comfortably. Thanks to some inventive production techniques, they use earth-friendly materials while remaining true to George Nelson's original 1958 design intent. The seat and back shells on the armchair are available in white and the legs come in a chrome finish. 28" W | 21.8" d | 31.8" h | seat: 18" h | arm: 26.5" h.
  • Charles and Ray Eames Eames Molded Fiberglass Armchair Rocker Base
    hermanmiller.com
    Charles and Ray Eames Eames Molded Fiberglass Armchair Rocker Base
    The Molded Fiberglass Armchair Rocker Base is exemplary of the Eameses’ iterative process and their desire to make “the best for the most for the least.” With each new finish and configuration, it continues to push the boundaries of what a rocking chair can be, whether it’s in an office lounge or the corner of your living room. The Molded Fiberglass Armchair Rocker Base is available in eight archival colors and comes in a variety of upholstery options.
  • Herman Miller® Eames® Molded Side Chair Upholstered Wire Base
    hivemodern.com
    Herman Miller® Eames® Molded Side Chair Upholstered Wire Base
    Design Charles & Ray Eames, 1948. Molded fiberglass or plastic shell, metal frame, upholstered. Made by Herman Miller® The Eames molded chair in both arm and side chair formats in fiberglass or plastic can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21.5" d | 31.5" h | seat: 16" h.
  • Charles and Ray Eames Eames Molded Fiberglass Side Chair
    hermanmiller.com
    Charles and Ray Eames Eames Molded Fiberglass Side Chair
    With the Eames Molded Fiberglass Side Chair, the Eameses created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. Thanks to a new, proprietary process of producing fiberglass-reinforced plastic, Herman Miller is once again able to produce the original 1950 Eames Molded Fiberglass Side Chair safely. The Molded Fiberglass Side Chair is available in eight archival colors as well as numerous upholstery and base options, making it an ideal dining chair option for both formal and informal spaces alike.
  • Herman Miller® Eames® Molded Fiberglass Armchair Wire Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Armchair Wire Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 25" W | 24" d | 31.5" h | seat: 18" h.
  • Charles and Ray Eames Eames Molded Plastic Armchair Rocker Base
    hermanmiller.com
    Charles and Ray Eames Eames Molded Plastic Armchair Rocker Base
    The Molded Plastic Armchair Rocker Base is exemplary of the Eameses’ iterative process and their desire to make “the best for the most for the least.” With each new finish and configuration, this rocking chair continues to push the boundaries of what the shell chair can be, whether it’s in an office lounge or the corner of your living room. Made of 100 percent recyclable polypropylene, the Molded Plastic Armchair Rocker Base’s subtle matte texture offers a soft tactility and notable durability and is available in five archival colors and numerous upholstery options.
  • Herman Miller® Eames® Molded Fiberglass Armchair Rocker
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Armchair Rocker
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame, solid wood rockers. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 25" W | 27.25" d | 26.5" h | seat: 16.25" h.
  • Charles and Ray Eames Eames Molded Fiberglass Armchair
    hermanmiller.com
    Charles and Ray Eames Eames Molded Fiberglass Armchair
    The Molded Fiberglass Armchair was designed on the principle of adaptability, offering innumerable configurations to serve a wide variety of applications and environments. It’s what makes it a classic worthy of museum collections—and living rooms, laundromats, lobbies, and cafés. The Molded Fiberglass Armchair is available in eight archival colors—in addition to numerous upholstery and base options—making it the perfect dining chair for a variety of spaces and styles.
  • Herman Miller Mirra 2 Chair, Semi-Polished Base Studio White Frame
    julesseltzerstore.com
    Herman Miller Mirra 2 Chair, Semi-Polished Base Studio White Frame
    Armless Mirra 2 Chair with Semi-Polished Base and Studio White Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller® Eames® Molded Side Chair Upholstered 4-Leg Base
    hivemodern.com
    Herman Miller® Eames® Molded Side Chair Upholstered 4-Leg Base
    Design Charles & Ray Eames, 1948. Molded fiberglass or plastic shell, metal frame, upholstered. Made by Herman Miller® The Eames molded chair in both arm and side chair formats in fiberglass or plastic can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21.5" d | 31.5" h | seat: 16" h.
  • Herman Miller® Eames® Molded Fiberglass Side Chair Dowel Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Side Chair Dowel Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21" d | 31.75" h | seat: 17" h.
  • Herman Miller Mirra 2 Chair, Fog Base and Studio White Frame
    julesseltzerstore.com
    Herman Miller Mirra 2 Chair, Fog Base and Studio White Frame
    Mirra 2 Chair with Arms, Fog Base and Studio White Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller® Eames® Molded Fiberglass Armchair Dowel Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Armchair Dowel Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 25" W | 24" d | 31.5" h | seat: 18.5" h.
  • Herman Miller® Eames® Molded Fiberglass Side Chair Wire Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Side Chair Wire Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21" d | 31.75" h | seat: 16.5" h.
  • herman miller Eames Molded Plastic Armchair With Dowel Leg
    shopgrounded.com
    herman miller Eames Molded Plastic Armchair With Dowel Leg
    Charles and Ray Eames believed that comfort was as important as looks. The molded plastic chairs have comfort built in. The shell seats have high, flexible backs, deep seat pockets, and waterfall front edges so you can sit comfortably even for extended periods. A landmark design from Charles and Ray Eames, these were the first industrially manufactured plastic chairs. Their clean, simple forms cradle the body. Today's chairs are authentic original design with updated, eco-friendly materials and manufacturing and a large selection of base, shell, and color combinations. The dowel leg chairs feature your choice of solid maple, ebonized ash or walnut wood legs with black metal details. Dimensions: 25"w, 24.5"d, 31.5"h. Seat 18"h. Made in the USA by Herman Miller.
  • Herman Miller Mirra 2 Chair, Fog Base and Studio White Frame
    julesseltzerstore.com
    Herman Miller Mirra 2 Chair, Fog Base and Studio White Frame
    Armless Mirra 2 Chair with Fog Base and Studio White Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller® Eames® Molded Side Chair Upholstered Dowel Base
    hivemodern.com
    Herman Miller® Eames® Molded Side Chair Upholstered Dowel Base
    Design Charles & Ray Eames, 1948. Molded fiberglass or plastic shell, metal frame, upholstered. Made by Herman Miller® The Eames molded chair in both arm and side chair formats in fiberglass or plastic can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21.5" d | 31.5" h | seat: 16.5" h.
  • Herman Miller® Eames® Molded Fiberglass Side Chair 4-Leg Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Side Chair 4-Leg Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21" d | 31.75" h | seat: 16.5" h.
  • Herman Miller Mirra 2 Chair with Arms, Graphite Base and Frame
    julesseltzerstore.com
    Herman Miller Mirra 2 Chair with Arms, Graphite Base and Frame
    Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller® Eames® Molded Fiberglass Armchair 4-Leg Base
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Armchair 4-Leg Base
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 25" W | 24" d | 31.5" h | seat: 18" h.
  • herman miller Eames Molded Plastic Side Chair With Dowel Leg
    shopgrounded.com
    herman miller Eames Molded Plastic Side Chair With Dowel Leg
    Charles and Ray Eames believed that comfort was as important as looks. The molded plastic chairs have comfort built in. The shell seats have high, flexible backs, deep seat pockets, and waterfall front edges so you can sit comfortably even for extended periods. A landmark design from Charles and Ray Eames, these were the first industrially manufactured plastic chairs. Their clean, simple forms cradle the body. Today's chairs are authentic original design with updated, eco-friendly materials and manufacturing and a large selection of base, shell, and color combinations. The dowel leg chairs feature your choice of solid maple, ebonized ash or walnut wood legs with black metal details. Dimensions: 18.5"w, 22"d, 31.125"h. Seat 17.5"h. Made in the USA by Herman Miller.
  • Herman Miller® Eames® Molded Fiberglass Stacking Chair
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    Herman Miller® Eames® Molded Fiberglass Stacking Chair
    Design Charles & Ray Eames, 1948. Molded fiberglass, trivalent chrome metal frame. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 18.5" W | 21" d | 31.75" h | seat: 16.5" h.
  • Herman Miller Mirra 2 Chair, Graphite Base and Frame
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    Herman Miller Mirra 2 Chair, Graphite Base and Frame
    Armelss Mirra 2 Chair with Graphite Base and Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller Mirra 2 Chair, Semi-Polished Base Graphite Frame
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    Herman Miller Mirra 2 Chair, Semi-Polished Base Graphite Frame
    Mirra 2 Chair with Arms, Semi-Polished Base and Graphite Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller Mirra 2 Chair, Semi-Polished Base Studio White Frame
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    Herman Miller Mirra 2 Chair, Semi-Polished Base Studio White Frame
    Mirra 2 Chair with Arms, Semi-Polished Base and Studio White Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Studio 7.5 Mirra 2 Chair
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    Studio 7.5 Mirra 2 Chair
    Mirra 2 Chair is a leaner, lighter office chair so responsive it supports you wherever you go, person and chair together in motion. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit.
  • Herman Miller Mirra 2 Chair, Semi-Polished Base Graphite Frame
    julesseltzerstore.com
    Herman Miller Mirra 2 Chair, Semi-Polished Base Graphite Frame
    Armless Mirra 2 Chair with Semi-Polished Base and Graphite Frame: Responsive: As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves as you do, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. Inventive use of materials results in dynamic support that keeps your body in healthy alignment. However you sit, for long periods or short, in your home office, loft space, or small business, Mirra 2 advances how you sit. Intelligent: The Mirra 2 Butterfly Back, with its exceptional responsiveness and intuitive feel, results from inventing a method for merging a fabric layer with polymer veins to create an intelligent support structure. This hybrid structure, shaped for dynamic support, keeps your body in healthy alignment. Ingenuity is also apparent in a seat design that takes full advantage of our AireWeave suspension material, which allows airflow to prevent heat buildup and keep you cool. A reinvented Harmonic tilt creates a smooth and balanced feel as you move from one posture to another.
  • Herman Miller® Mirra® 2 Task Chair
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    Herman Miller® Mirra® 2 Task Chair
    Design Studio 7.5, 2013. Die-cast aluminum, Airweave™ 2 fabric. Made by Herman Miller® Ten years and over 1.5 million chairs later, Studio 7.5 believed it was time to evaluate and rethink their original design of the Mirra chair. For one thing, they noted, work is evolving. People move, and the more they're in motion, the more they need support that moves with them. As work evolves, and we become more active, flexing from individual to collaborative work in an instant, Mirra 2 moves with you, at one with your body. When you sit, Mirra 2 adapts to you instantly. Shift, and it dynamically supports even your slightest movements. By rethinking every part of a successful design, Mirra 2 has been made leaner, lighter, and so responsive it supports you wherever you go. The design team at Studio 7.5 in Berlin, Germany, brings together engineering excellence with a passion for innovation and a keen sensitivity to how people interact with design. They understand the science of seating and strive to take it to the next level. The Studio 7.5 team consists of Nicolai Neubert, Claudia Plikat, Roland Zwick, Berkhard Schmitz, and Carol Zwick. The Mirra chair helps Herman Miller reach its goal of sustainable design. Mirra 2 chairs are 93 percent recyclable, with 46 percent recycled content. The base, frame and armpads come in 2 colors, the molded polymer back comes in 4 colors and the Aireweave™ suspension seat in 8. Height & movement - Pneumatic cylinder adjusts from 16" to 20.5" & chair swivels 360º. Standard tilt - Tension only. Tilt limiter - Adjustable tilt range (4 settings). Tilt limiter & seat angle - Adjustable tilt range (4 settings) & adjustable seat angle, from horizontal to 5º forward. Materials - Butterfly back flexible polymer shell is merged with a fabric layer in a corresponding color. The AireWeave® seat suspension can match or contrast this back color. The bead covering the AirWeave attachment to the seat frame is the same color as the AireWeave suspension material. Base/frame finish is applied to base, tilt mechanism, loop spine, and arm posts. Seat - All chairs include FlexFront® seat with adjustable depth from 16.75" to 18". Lumbar support - Adjusts 4.5" in height and 1" in depth. Passive PostureFit® at the base of the back (below the beltline) increases lower back comfort and fosters better posture. Arms - Adjustable arms move 5" vertically, 1.1" horizontally, 2" front to back, and pivot 20º outward and 20º inward. Also available without arms (please call to order this version). Armpad finish can be chosen independently. Weight Limits - Tested and warranted for use by persons 350 pounds and under. With arms: 30" w | 25" d | 38.75" - 42.75" h | seat: 16" - 20.5" h | 18.5" d. Ships ready to assemble.
  • Herman Miller Eames Molded Wood Side Chair with Wire Base
    julesseltzerstore.com
    Herman Miller Eames Molded Wood Side Chair with Wire Base
    With longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Chair, a beautiful expression of their timeless design. Achieved with the help of today’s 3-D veneer technology, this authentic form is the result of a process that gives wood veneer the flexibility it needs to be molded into the complex curves of a single shell.
  • Herman Miller Eames Molded Wood Side Chair with Dowel Base
    julesseltzerstore.com
    Herman Miller Eames Molded Wood Side Chair with Dowel Base
    With longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Chair, a beautiful expression of their timeless design. Achieved with the help of today’s 3-D veneer technology, this authentic form is the result of a process that gives wood veneer the flexibility it needs to be molded into the complex curves of a single shell.
  • Herman Miller Eames Molded Wood Side Chair With 4 Leg Base
    julesseltzerstore.com
    Herman Miller Eames Molded Wood Side Chair With 4 Leg Base
    With longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Chair, a beautiful expression of their timeless design. Achieved with the help of today’s 3-D veneer technology, this authentic form is the result of a process that gives wood veneer the flexibility it needs to be molded into the complex curves of a single shell.
  • Jeff Weber Caper Multipurpose Chair
    hermanmiller.com
    Jeff Weber Caper Multipurpose Chair
    The Caper Chair in its office chair version—with swivel, tilt, and height adjustment—is made for instances that require a casual yet comfortable place to sit, such as at a desk or meeting table. A range of fresh colors add flair to any space. Green Apple seat and back finish will be available soon.
  • Herman Miller Caper Stacking Chair
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    Herman Miller Caper Stacking Chair
    The Perfect Portable Chair. Caper is a family of agile, stylish chairs that make moving easy and brighten up a room with their color and flair. Pull up a couple of Capers for collaborative work. Push a cluster of Capers together and transform a classroom. Take a whole Caper cart of chairs from the conference room to the cafeteria. It’s the perfect portable chair: lightweight, stackable, comfortable. Caper’s contoured, molded polypropylene back and seat are perforated, allowing your body to breathe. Moisture and heat dissipate, you remain cool, and enjoy surprising comfort at an equally surprising price. Caper’s waterfall seat edge helps maintain proper leg circulation. Strong yet flexible armrests support the upper body.
  • Sam Hecht and Kim Colin Wireframe Chair
    hermanmiller.com
    Sam Hecht and Kim Colin Wireframe Chair
    Lightweight and in various sizes, the versatile Wireframe Chair shifts with ease to meet the continually evolving needs of a space, and the people who work and relax in it. Casual yet sophisticated, contemporary with a sense of longevity, Hecht and Colin’s design is a thoughtful reflection of how we live today.
  • Jerome Caruso Celle Chair
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    Jerome Caruso Celle Chair
    The Celle Chair follows your lead, conforming to your unique shape and size, adjusting to your preferences with a few intuitive controls. And, this office chair comes in a wide range of colors and textiles, letting you fine-tune its style to match your own.
  • Herman Miller® Eames® Molded Wood Side Chair With Dowel Base
    hivemodern.com
    Herman Miller® Eames® Molded Wood Side Chair With Dowel Base
    Design Charles & Ray Eames® Molded wood shell, dowel legs, metal brackets. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. In their longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Side Chair, a beautiful expression of their timeless design, achieved with the help of today's 3-D veneer technology. The side chair is a molded one piece construction with waterfall edges and measures .260" in thickness. The Veneered shell is available in four wood finishes; White Ash, Walnut, Ebony and Santos Palisander. The dowel base is offered in either maple (white glides), white ash (white glides), ebony (black glides) or walnut (black glides). Also offered with 4-leg or wire base. 18" W | 18.5" d | 31.75" h | seat: 16.25" h.
  • Herman Miller® Wireframe Lounge Chair
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    Herman Miller® Wireframe Lounge Chair
    Design Sam Hecht & Kim Colin, 2013. Steel wire frame, upholstery. Made by Herman Miller® Visually speaking of softness and volume contained within a formal frame, the Wireframe Sofa Group exemplifies a recurring theme for Sam Hecht and Kim Colin: contrasting tension. The design's external structure is shaped from steel wire-a material long used in classic Herman Miller designs for its strength and durability. Held within the frame are contoured cushions, which find added comfort from a suspension technology first developed by Herman Miller for the healthcare industry. Lightweight and in various sizes, the versatile seating shifts with ease to meet the evolving needs of a space-and the people that work and relax in it. Casual yet sophisticated, contemporary with a sense of longevity, Hecht and Colin's design is a thoughtful reflection of how we live today. The Wireframe collection is offered in your choice of a white or black frame with cushions in multiple upholstery options. The collection is available in two- and three-seat sofas, as well as lounge and ottoman. Wireframe lounge chair:36.75" w | 34.75" d | 30" h.
  • Charles and Ray Eames Eames Molded Plastic Armchair
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    Charles and Ray Eames Eames Molded Plastic Armchair
    The Molded Plastic Armchair was designed on the principle of adaptability, offering innumerable configurations to serve a wide variety of applications and environments. It’s what makes it a classic worthy of museum collections—and living rooms, laundromats, lobbies, and cafés. In addition to boasting a soft matte texture and notable durability, the polypropylene shell is also 100 percent recyclable. The Molded Plastic Armchair is available in five archival colors, as well as in numerous upholstery and base options.
  • Herman Miller® Eames® Molded Wood Side Chair With 4-Leg Base
    hivemodern.com
    Herman Miller® Eames® Molded Wood Side Chair With 4-Leg Base
    Design Charles & Ray Eames® Molded wood shell, metal legs. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. In their longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Side Chair, a beautiful expression of their timeless design, achieved with the help of today's 3-D veneer technology. The side chair is a molded one piece construction with waterfall edges and measures .260" in thickness. The Veneered shell is available in four wood finishes; White Ash, Walnut, Ebony and Santos Palisander. The 4-leg base is available in either Trivalent chrome, white or black finish. Also offered with wire base or dowel base. 18" W | 18.5" d | 31.5" h | seat: 16.25" h.
  • Herman Miller Mirra Chair
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    Herman Miller Mirra Chair
    The Mirra chair is a happy union of seemingly incompatible concepts: More support and less material. High performance and attractive price. Fewer adjustments and better fit. Mirra is a new reference point for performance, aesthetics, sustainable design, and value. The one-piece, frameless backrest is a polymer pierced with 567 geometric shapes to create three flex zones. Each zone provides an appropriate level of flexibility for the right ergonomic support and natural adjustment. Mirra's durable material maintains its strength and responsiveness over many years. Designed to support your back while you work. The TriFlex backrest is pliable and elastic, effortlessly accommodating individual sizes, postures, and micromovements. The passive PostureFit feature keeps your lower back properly aligned, so that you stay relaxed and alert and don't slouch when you're leaning forward or working at a computer. The AirWeave suspension seat distributes your body pressure evenly and keeps you cool. It adjusts itself as soon as you sit. The FlexFront seat edge ensures that there's never a gap between the seat and back-it adjusts the depth of the seat without moving the seat pan-so that spine support is always there for you. The patented Harmonic tilt mechanism keeps resistance consistent throughout the recline range, which means you always have a smooth and balanced ride and are always in control. It allows your body to pivot naturally at the ankles, knees, and hips. Standard tilt allows you to adjust the tilt tension only. Tilt limiter allows you to select the tilt range (4 settings). Tilt limiter and seat angle allows you to select the tilt range and either a horizontal or 4 degree forward seat angle. Fully adjustable arms adjust 4" vertically, 1-3/8" horizontally, and pivot 11 degrees inward and 11 degrees outward. Mirra is a green chair. Made of 42% recycled materials, it has no PVC in its construction. It's 96% recyclable and disassembles easily. Its upholstery contains no foam and is completely recyclable when the chair reaches the end of its useful life. It adheres to McDonough Braungart Design Chemistry (MBDC) Cradle to Cradle Design Protocol and is GREENGUARD certified and may contribute to LEED credits. Width: 27" Depth: 17" Back Height: 41.75-43.75" Seat height: 16-20.5" 12 year warranty.
  • Charles and Ray Eames Eames Molded Plastic Side Chair
    hermanmiller.com
    Charles and Ray Eames Eames Molded Plastic Side Chair
    With the Molded Plastic Side Chair, the Eameses created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. Made of 100 percent recyclable polypropylene, the Molded Plastic Side Chair boasts a subtle matte texture and notable durability and is available in five archival colors and a variety of upholstery and base options making it an endlessly versatile option for living, dining and work spaces.
  • Herman Miller® Eames Molded Wood Side Chair With Wire Base
    hivemodern.com
    Herman Miller® Eames Molded Wood Side Chair With Wire Base
    Design Charles & Ray Eames® Molded wood, metal legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. In their longstanding commitment to the Eames vision of continued exploration, refinement, and discovery, Herman Miller introduces the Eames Molded Wood Side Chair, a beautiful expression of their timeless design, achieved with the help of today's 3-D veneer technology. The side chair is a molded one piece construction with waterfall edges and measures .260" in thickness. The Veneered shell is available in four wood veneer finishes; White Ash, Walnut, Ebony and Santos Palisander. The wire base is available in either Trivalent Chrome, white or black finish. Also offered with 4-leg or dowel base. 18" W | 18.5" d | 31.75" h | seat: 16.25" h.
  • herman miller Eames Molded Plastic Side Chair With Wire Base
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    herman miller Eames Molded Plastic Side Chair With Wire Base
    Often called Eiffel chairs, these molded plastic chairs by Charles and Ray Eames were the first industrially manufactured plastic chairs. Their clean, simple forms cradle the body. Today's chairs are authentic original design with updated, eco-friendly materials and manufacturing and a large selection of base, shell, and color combinations. The wire base is made from bent and welded chrome plated steel or powder coated black steel. The legs have self-leveling glides. Charles and Ray Eames believed that comfort was as important as looks. The molded plastic chairs have comfort built in. The shell seats have high, flexible backs, deep seat pockets, and waterfall front edges so you can sit comfortably even for extended periods. Dimensions: 18.5"w, 22"d, 31.5"h. Seat 17.5"h. Made in the USA by Herman Miller.
  • Charles and Ray Eames Eames Molded Wood Side Chair
    hermanmiller.com
    Charles and Ray Eames Eames Molded Wood Side Chair
    Exemplary of the Eameses’ iterative process and their desire to make “the best for the most for the least,” the Eames Molded Wood Side Chair’s single-shell form is the result of a process that gives wood veneer the extra flexibility it needs to be molded into the complex curves, making it a warm, authentic and elegant dining chair option for any space.
  • herman miller Eames Lounge Chair
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    herman miller Eames Lounge Chair
    The Eames lounge chair is one of the best-known examples of mid-century modern furniture. It's no wonder the Eames lounge chair is in the permanent collection of the New York Museum of Modern Art. Introduced in 1956, Charles Eames said he wanted the chair to have the 'warm receptive look of a well-used baseman's mitt.' A look that just begs you to relax in it. The lounge chair is hand-assembled with meticulous attention to detail. The shell is seven-ply veneer faced with cherry, walnut or Santos Palisander -- a richly grained wood that provides a sustainable alternative to the Brazilian rosewood used on the original chair. All of the wood used on the Eames lounge chair is harvested from sustainably managed forests. The upholstered leather cushions provide luxury, comfort and style in your choice of colors. The base is die-cast aluminum with a built-in swivel mechanism. Proudly made in the USA. Eames lounge chair: 32.75" w. 32.75" D. 32" H. Seat: 15" h.
  • herman miller Eames Molded Plastic Armchair With Wire Base
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    herman miller Eames Molded Plastic Armchair With Wire Base
    Often called Eiffel chairs, these molded plastic armchairs by Charles and Ray Eames were the first industrially manufactured plastic chairs. Their clean, simple forms cradle the body. Today's chairs are authentic original design with updated, eco-friendly materials and manufacturing and a large selection of base, shell, and color combinations. The wire base is made from bent and welded chrome plated steel. The legs have self-leveling glides. Charles and Ray Eames believed that comfort was as important as looks. The molded plastic chairs have comfort built in. The shell seats have high, flexible backs, deep seat pockets, and waterfall front edges so you can sit comfortably even for extended periods. Dimensions: 25"w, 24.5"d, 31.5"h. Seat 17.5"h. Made in the USA by Herman Miller.
  • Herman Miller® Mirra® Task Chair
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    Herman Miller® Mirra® Task Chair
    Design Studio 7.5, 2003. Die-cast aluminum, Pellicle® fabric. Made by Herman Miller® In a world of same-old work chairs, Mirra is a breath of fresh air. With its natural performance, flexible fit, and inventive look, Mirra delivers superior performance for any office task. Its passive ergonomic features automatically adjust to a person's size, posture, and movement. A few active controls fine-tune the fit and feel. Mirra features the responsive TriFlex™ backrest and AireWeave™ seat-suspension material, FlexFront™ adjustable seat depth, Harmonic™ tilt, and more. They all work together in a fresh-looking, practical, supportive, and very comfortable work chair. The design team at Studio 7.5 in Berlin, Germany, brings together engineering excellence with a passion for innovation and a keen sensitivity to how people interact with design. They understand the science of seating and strive to take it to the next level. The Studio 7.5 team consists of Nicolai Neubert, Claudia Plikat, Roland Zwick, Berkhard Schmitz, and Carol Zwick. The Mirra chair helps Herman Miller reach its goal of sustainable design. It is made of a minimal number of parts and is easily disassembled for recycling. Mirra chairs are 96 percent recyclable, with 42 percent recycled content. The base, frame and armpads come in 2 colors, the molded polymer back comes in 8 colors and the Aireweave™ suspension seat in 11. 27" W | 17" d | 42.75" h max | seat: 19.75" w | 16" - 20.5" h. Basic model: Standard tilt, fixed arms, fixed seat depth & TriFlex polymer back. Loaded model: Tilt limiter, seat angle, adjustable arms, FlexFront seat depth, Triflex back & adjustable lumbar.
  • herman miller Eames Molded Plywood Lounge Chair
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    herman miller Eames Molded Plywood Lounge Chair
    The Eames Molded Plywood Lounge Chair has been called "The Best Design of the 20th Century." It's remarkably comfortable with a low, light profile that simply fits your shape. The chairs are offered with richly grained birch veneer. The environmentally friendly aniline stains allow the wood's natural characteristics to show through. Natural rubber shock mounts absorb movement. In the early 1940s, Charles and Ray Eames developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. The contours the molding process creates out of plywood fit the body's shape. The plywood has five plies, with hardwood inner plies. Dimensions: 26.5"h 24.5"d, 22"w. Made in the USA.
  • Herman Miller® Eames Soft Pad Group Executive Chair
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    Herman Miller® Eames Soft Pad Group Executive Chair
    Design Charles & Ray Eames®, 1969. Aluminum, upholstery. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. An extension of the Aluminum Group chairs designed in 1958 for the Irwin Miller home, the Soft Pad Group repeats the structure of the earlier chairs, adding cushions to the seat and back. Covered in leather or fabric, these cushions transformed the spare character of the Aluminum Group into a luxurious version for homes and offices. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. The soft pad group is wonderfully comfortable, strong, yet lightweight. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Available in management, side, executive, and lounge models, their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The executive chair features a high back with arms, a lightweight aluminum frame and 2"-thick upholstered foam cushions. It has a 5-star base with casters, tilt-swivel mechanism and seat-height adjustment (regular or pneumatic). The new pneumatic height adjustment allows for easier height adjustment, adds 2 additional inches to the top end of the height adjustment and the new tilt lock allows the seat angle to be secured in the neutral position. Manual: 23" w | 15.5" d | 38.75" - 41.75" h | seat: 19.5" - 22.5" h | arms: 26.5" - 29.5" h. Pneumatic: 23" w | 15.5" d | 40" - 45" h | seat: 20" - 25" h | arms: 27" - 32" h.
  • herman miller Eames Molded Plywood Dining Chair With Metal Legs
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    herman miller Eames Molded Plywood Dining Chair With Metal Legs
    The Eames Molded Plywood Dining Chair is remarkably comfortable with a light profile that simply fits your shape. The chairs are offered with richly grained birch veneer. The environmentally friendly aniline stains allow the wood's natural characteristics to show through. Natural rubber shock mounts absorb movement. This version features chromed steel legs. Perfect for a dining table or at a desk. The dining chair sits a bit higher and more upright than the low lounge chair version. In the early 1940s, Charles and Ray Eames developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. The contours the molding process creates out of plywood fit the body's shape. The plywood has five plies, with hardwood inner plies. Dimensions: 20.5" w | 20.5" d | 29.5" h | seat: 17.5" h. Made in the USA.
  • Konstantin Grcic Medici Chair
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    Konstantin Grcic Medici Chair
    The low-sitting Medici Chair makes a bold statement in any space where you might take a moment to recline and relax. Inspired by the material, machinery, and craftsmanship essential to the woodworking process, the Medici Chair combines intriguing angularity with surprising comfort.
  • Herman Miller® Sayl Task Chair
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    Herman Miller® Sayl Task Chair
    Design Yves Behar, 2010. Die-cast aluminum, fabric. Made by Herman Miller® As affordable as it is inventive, SAYL proves our belief that a reasonably priced work chair can be well designed and include leading-edge ergonomics. Designing SAYL started with understanding the needs of people and designing an ergonomic work chair that incorporates everything that Herman Miller chairs are known for. By rethinking every part, they were able to create a better, smarter chair that sets a new reference point in its class for performance, ergonomics, quality, and appearance. Sayl task chairs offer a variety of features that help enhance your seating experience. All chairs come with tilt limiter which allows adjustment of tilt tension and tilt range (4 settings), arms and casters. Optional features include seat angle adjustment of horizontal or 5º forward, seat depth adjustment from 16"-18", height only or fully adjustable arms and adjustable lumbar support. People at their best live unframed, going behind expectations to surprise and delight us. When you settle into the frameless back of the Sayl chair, you experience unprecedented freedom of movement and beautiful support - with an extremely small environmental impact. Standard-height range: 24.5" w | 24.5" d | 38.7" max height. Seat: 19.75" w | 15.5" - 20" h | ships ready to assemble.
  • herman miller Eames Molded Plywood Lounge Chair With Metal Legs
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    herman miller Eames Molded Plywood Lounge Chair With Metal Legs
    The Eames Molded Plywood Lounge Chair has been called "The Best Design of the 20th Century." It's remarkably comfortable with a low, light profile that simply fits your shape. The chairs are offered with richly grained birch veneer. The environmentally friendly aniline stains allow the wood's natural characteristics to show through. Natural rubber shock mounts absorb movement. This version features chromed steel legs. In the early 1940s, Charles and Ray Eames developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. The contours the molding process creates out of plywood fit the body's shape. The plywood has five plies, with hardwood inner plies. Dimensions: 26.5"h 24.5"d, 22"w, seat 15.5"h. Made in the USA.
  • Herman Miller® Eames® Molded Plastic Armchair Dowel Leg
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    Herman Miller® Eames® Molded Plastic Armchair Dowel Leg
    Design Charles & Ray Eames®, 1948. Molded plastic, solid wood dowel legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. The molded plastic chairs are a flexible and comfortable seat with a variety of base options. Available in your choice of colors, which are permeated through the material so they remain vibrant even after years of hard use. The molded plastic seats are produced of ecologically friendly, recyclable polypropylene. A landmark design from Charles and Ray Eames, the molded plastic chairs consist of clean, simple forms sculpted to cradle the body. As their popularity grew, the shells were combined with various base designs to fit a wider range of environments. The wood dowel base brings a softer aesthetic, while the crossed metal rods are distinctly Eames. Dowel legs are offered in maple and white ash with white nylon glides or ebony stained ash and walnut wood with black glides. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." 25" w | 23.5" d | 31.5" h | seat: 16.25" h.
  • Herman Miller® Eames Wire Chair With Seat Pad
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    Herman Miller® Eames Wire Chair With Seat Pad
    Design Charles & Ray Eames®, 1951. Chromed metal seat & legs, leather pad. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. In 1951, Charles and Ray Eames met the challenge of making a reasonably priced, quality chair that was light yet strong. Their solution - the Eames wire chair. It featured a sculpted look, comfort, and practicality which made It an immediate hit. Today's versions remain true to the original design, materials, and detailing. They made the rim of the chair a lighter-gauge wire and doubled it for stability to achieve strength requirements, an organic shape, and cost restraints. This advance won them the first American mechanical patent for design. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The airy silhouette of the wire chair is achieved by wires, cross-woven and positioned on a bent-wire, welded chrome base, also called the 'Eiffel Tower' base. The chair's organic shape fits the contours of the body making the wire chair a perfect choice for residences and workplaces alike. Also available with standard wire seat and back, or with a criss-cross two-piece leather pad (the 'bikini'). Leather seat pad is available in your choice of colors. 19" W | 21.25" d | 32.75" h | seat: 18.5" h.
  • Marcel Wanders Troy Wood Chair, Set of 4
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    Marcel Wanders Troy Wood Chair, Set of 4
    The Troy Wood Chair joins modern and romantic in a mid-century profile updated with innovative new materials—a beech plywood seat impressed with a high-relief pattern on the back that resembles lush damask fabric. Created by Dutch designer Marcel Wanders, the stackable Troy Wood Chair is an elegant dining or side chair and is available in a set of four.
  • herman miller Sayl Chair
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    herman miller Sayl Chair
    Sayl was created with the goal of making a chair that combines the best design for the most people at the smallest cost. Sayl is everything a Herman Miller chair should be in terms of ergonomics, elegant styling, superior engineering, and ecological responsibility-at a very attainable price. By rethinking every part, Yves Behar was able to create a better, smarter chair. SAYL's revolutionary 3D Intelligent suspension back molds the support you need into the back material, eliminating hard edges and the need for a frame. The suspension back is a flexible elastomer that adapts to each person's unique shape and provides exceptional comfort and support for just about all body types. And SAYL color choices let you express your individuality. Mix colors on the seat, back and arm pads for a bold look. Or match them for a more traditional appearance. 12 Year warranty.
  • Herman Miller Celle Chair
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    Herman Miller Celle Chair
    It's a work chair like no other. Only Celle (pronounced sell-a) has Cellular Suspension, a patented system of cells and loops that flexes in concert with the body's movements for day-long comfort. Celle's suspension, along with its naturally balanced tilt and easy adjustability, gives ergonomic support for nearly all sizes and shapes worldwide. It's right for any work setting, and Celle's clean look blends with interiors and architecture. And Celle is 99 percent recyclable. High-performance, long-term seating with a full complement of adjustments and innovative suspension; for computer work, general office work, and casual or formal meetings.
  • Herman Miller® Setu Multipurpose Chair
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    Herman Miller® Setu Multipurpose Chair
    Design Studio 7.5, 2009. Die-cast aluminum, Lyris™ fabric. Made by Herman Miller® Technology has changed how and where we work. No matter where we work we want a comfortable chair. Introducing Setu. Its innovative kinematic spine bends and flexes to your every move. There's nothing to tilt, nothing to tweak. Setu's finely tuned elastomeric fabric provides superior suspension and conforms to your contours. It's comfort now. The first thing you'll notice once you sit in Setu? Nothing. There's nothing to tilt, nothing to tweak. It's mathematics in place of mechanisms. From the moment you sit down, you and the chair move as one. It's form and function working together in harmony. It's elegance in the name of performance. Design for how we live and work now. Setu is designed to fit all shapes and sizes. But, equally important, Setu is designed to fit virtually all spaces and places. This multipurpose chair has a one-piece Lyris™ suspension material between outer composite polymer frames. The Kinematic Spine™ technology is integrated into the chair's back frames to allow for varying recline positions and continuous support. The H-Alloy™ base material is a durable and anti-corrosive aluminum, eliminating the need for polishing or protective coatings. The chair is available with either a 4-star swivel base with glides or 5-star base with castors. 4-Star base has a fixed height while 5-star base is offered with pneumatic height adjustability. * Corner bumpers are small plastic "caps" that snap into the holes at the top of the back frame. This provides additional protection to the fabric in this area and will match the specified frame color. 4-Star base: 25.1" w | 17.25" d | 36" h | seat: 18.5" h. 5-Star base: 25.1" w | 17.25" d | 37.1" h | seat: 15.5" - 20" h | arm: 22.9" - 27.4" h.
  • herman miller Setu Chair
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    herman miller Setu Chair
    Complexity made simple. Setu is a sophisticated office chair with an innovative kinematic spine that bends and flexes with your every move. No tweaking required. Available with Lyris 2 fabric, an evolution of the original that has a double weave for more support and a distinctive sheen. How simple? There's a height adjustment. That's it. How refreshing! Setu is such a sophisticated task chair that its movement and conformation to your body are controlled simply by your weight when you sit down. This innovation is made possible by the chair's Kinematic Spine™, designed to combine strength and a flexibility that bends and moves automatically with your every move. And by the elastomeric fabric that provides superior suspension and conforms to your contours. Lyris 2 suspension material is an advance in support. Air flow keeps you cool. The material's double interlocking weave construction adds strength and durability for a firm sit and a distinctive sheen. Working in concert with the spine, Lyris 2 distributes your weight evenly and conforms to your contours. It's another example of elegance in the name of performance. Setu chairs are manufactured using 100 percent green electrical energy-half from wind and half from captured landfill off-gassing. And the production produces no air or water emissions. The chair weighs only 18 pounds. The durable uncoated H-Alloy aluminum base is naturally anti-corrosive and requires no harmful toxins. Made with 42 percent recycled materials, Setu chairs are 93 percent recyclable. H:37.125-38.375" W:25.125" D:17.25" 12 year warranty.
  • Herman Miller® Eames Time-Life Executive Chair
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    Herman Miller® Eames Time-Life Executive Chair
    Design Charles & Ray Eames®, 1969. Aluminum, upholstery. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. Charles and Ray Eames designed the Eames executive chairs in 1960 to grace the lobbies that they designed for the Time-Life Building in New York City. That's why some people call them Time-Life chairs. They were developed to meet the need for a comfortable chair that was smaller than the Eames lounge chair. In 1972, chess grand master Bobby Fischer specifically requested the Eames executive chair while he competed in the World Chess Championship in Reykjavik, Iceland. He said he could concentrate well in the chair. When opponent Boris Spaasky saw it, he refused to play until he got one, too. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Exceptionally generous in size, the Eames executive chair features 4.5" thick cushions in the seat, 3" cushions for the back, padded arms along with seat height and tilt swivel options for added adjustability - unmistakable hallmarks of a chair steeped in rich tradition as well as elegant comfort. A perfect addition to any office, conference room, lounge, or board room. Chair with casters (wheels): 26.5" w | 19.5" d | 34.5" - 37.5" h | seat: 18" - 21" h | arms: 24.5" - 27.5" h. Chair with glides: 26.5" w | 19.5" d | 33" - 36" h | seat: 16.5" - 19.5" h | arms: 23" - 26" h.
  • Herman Miller Embody Chair
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    Herman Miller Embody Chair
    Embody Chair is Good for You: Embody lets your body move and keeps you well supported, because your mind works best when you move freely and stress is minimized on your muscles, bones, and tissues. Blood circulates better, heart rate goes down, more oxygen flows to the brain, and there is no distracting discomfort or physical constraint. That is critical in our idea economy where innovation drives success and people get paid for their thoughts and creativity.
  • Charles and Ray Eames Eames Molded Plywood Lounge Chair Metal Base
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    Charles and Ray Eames Eames Molded Plywood Lounge Chair Metal Base
    The Eames Molded Plywood Lounge Chairs are perfect for living rooms and office spaces, a classic design that Time magazine named the Best Design of the 20th Century. It described these chairs as “something elegant, light, and comfortable. Much copied, but never bettered.” A true original, available with or without upholstery and a choice of metal finishes.
  • Herman Miller® Eames Molded Dining Chair Dcw
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    Herman Miller® Eames Molded Dining Chair Dcw
    Design Charles & Ray Eames®, 1946. Molded plywood, metal or wood legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with the boldly original molded plywood dining and lounge chairs. Designed to comfortably fit the body, the sculpted form of the molded plywood chairs are produced using thin sheets of lightweight veneer gently molded into curved shapes with natural rubber shock mounts to absorb movement. Since then, the chairs' aesthetic integrity, enduring charm, and comfort have earned it recognition as the best of modern design. Available in either a lounge or dining versions with chrome-plated steel or wood legs. In the early 1940s, Charles and Ray Eames experimented with wood-molding techniques that would have profound effects on the design world. Their discoveries led to a commission from the U.S. Navy in 1942 to develop plywood splints, stretchers, and glider shells molded under heat and pressure. After World War II, they adapted the technology to create high-quality chairs that could be mass-produced. The process eliminated extraneous wood, which reduced the weight and visual profile of the chair and established a basis for modern furniture design. A truly comfortable chair that's suitable for businesses and homes. The chair is in the permanent collection of New York's Museum of Modern Art. Time magazine named it the Best Design of the 20th Century. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The chairs are offered in your choice of santos palisander, natural cherry, walnut, white or light ash or two colors which allow the wood's natural characteristics to show through. Santos palisander is a lustrous veneer that has the same characteristics as the original rosewood, color and grain. 19.4" W | 21.75" d | 28.75" h | seat: 18" h.
  • Herman Miller® Eames Chaise
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    Herman Miller® Eames Chaise
    Design Charles & Ray Eames®, 1968. Die-cast aluminum frame & base, foam, upholstery. Made by Herman Miller® "The details are not the details. They make the design." -Charles Eames. In 1955 while filming on location, director Billy Wilder discovered he could take quick naps on a plank held up by sawhorses. This prompted Wilder to tell his friends Charles and Ray Eames that he needed a narrow office couch. The Eameses remembered that conversation and in 1968 introduced the Eames chaise, giving the first one to Wilder. It has been produced by Herman Miller ever since. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The chaise is soft, comfortable, and just 18 inches wide. When you lie on it, you naturally fold your arms over your chest. Should you doze off, your arms soon fall to your sides, waking you up. It's a beautiful place to relax for a spell in a study, den, or executive office. The Eames chaise features six 2.5" cushions upholstered in your choice of leather. Two loose cushions give additional support for the neck, back, or legs. The gently sloping frame puts the body in a healthful relaxed position, with the head and legs slightly raised. A scratch-resistant coating is electrostatically applied to the frame (offered in three colors). With its thin lines, leather upholstery, and sculptural frame and base, the chaise is a contemporary work of art. 76.5" L | 18" w | 29.5" h.
  • Bill Stumpf and Don Chadwick Aeron Side Chair
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    Bill Stumpf and Don Chadwick Aeron Side Chair
    The Aeron Side Chair—a perfect seat for visitors to your office or home— combines ergonomic support with sleek, streamlined looks. The chair’s innovative design offers the same breathable, form-fitting Pellicle suspension you've come to expect from the Aeron family of chairs: It adapts to bodies of all shapes and sizes and keeps you cool and comfortable.
  • Herman Miller Eames Molded Plastic Rocking Chair
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    Herman Miller Eames Molded Plastic Rocking Chair
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Herman Miller® Eames® Lounge Chair
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    Herman Miller® Eames® Lounge Chair
    Design Charles & Ray Eames, 1956. Molded plywood, die-cast aluminum legs, leather upholstery. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. The Eames lounge chair is the culmination of Charles and Ray Eames' efforts to create comfortable and handsome lounge seating by using production techniques that combine technology and handcraftsmanship. Its heritage goes back to the molded plywood chairs pioneered by the Eameses in the 1940s. The Eames lounge chair is considered among the most significant and collectible furniture designs of the 20th century and is part of the permanent collection of New York's Museum of Modern Art. Charles Eames said his goal for the chair was the "warm, receptive look of a well-used first baseman's mitt." Every one is a special refuge from the strains of modern living. The first lounge chair, produced in 1956, was a birthday gift for friend Billy Wilder, the Academy Award-winning film director, and it made its public debut on Arlene Francis' Home show, which later became the Today show. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Every lounge chair manufactured since the original has received the same meticulous handcrafted attention. The rich veneer and supple leather suggest old-fashioned luxury translated into modern forms, setting an enduring standard for comfort and elegance. In addition, the lounge chair is now available in a veneer called santos palisander, a lustrous veneer that has the same characteristics as the original rosewood, color and grain. The chair has 6-inch thick urethane foam cushions and rich leather upholstery available in your choice of colors. The wood is harvested exclusively from sustainably managed forests and is available in five finish options. All pieces are hand assembled with a built-in swivel mechanism. Chair: 32.75" w | 32.75" d | 32" h | seat: 15" h.
  • Herman Miller® Aeron® Chair
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    Herman Miller® Aeron® Chair
    Design Bill Stumpf & Don Chadwick, 1994. Die-cast aluminum, Pellicle® fabric. Made by Herman Miller® "...by design I mean the process both physical and mental by which people give an order to objects, community, environments and behavior." -Bill Stumpf. Combining distinctive looks with pioneering ergonomics, Aeron performs like no other chair. It adapts naturally and adjusts precisely to fit people of all sizes and postures doing all kinds of activities, all day long. The imaginative design of the work chair provides the highest level of comfort, body support, and style that is widely copied but never matched. The Aeron is a work chair solution offering high-performance, long-term seating in three sizes with a full complement of adjustments and innovative suspension. Each chair features a high and wide contoured back that takes weight off the lower spine. The Aeron is easy on the body with wide sloped, soft armrests, a waterfall front edge seat for reduced pressure and better circulation. The comfortable support of the strong Pellicle suspension system is form-fitting, distributes weight evenly over the seat and back and conforms to each person's shape and minimizes pressure while allowing air to pass through to provide a cool and comfortable experience for the sitter. The inclusive look blends both classic and contemporary influences for a unique appearance that fits in wherever it's used. All our Aeron chairs come fully loaded with tilt limiter and seat angle adjustments that allow the user to select the tilt range and seat angle along with fully adjustable arms. Other options include a choice of either PostureFit® customizable back-support or an adjustable lumbar support. Available in your choice of frame & base colors, with matching non-upholstered arms as well as a variety of Pellicle fabric options. Size A: 25.75" w | 15.75" d | 41" h max | seat: 19" w | 16" - 20.5" h. Size B: 27" w | 17" d | 42" h max | seat: 20.25" w | 16" - 20.5" h. Size C: 28.25" w | 18.5" d | 45" h max | seat: 21.63" w | 16" - 20.5" h.
  • Herman Miller Eames Eiffel Tower Base Molded Side Chair
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    Herman Miller Eames Eiffel Tower Base Molded Side Chair
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Charles and Ray Eames Eames Molded Plywood Lounge Chair Wood Base
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    Charles and Ray Eames Eames Molded Plywood Lounge Chair Wood Base
    By molding lightweight plywood veneer into gently curved shapes, the Eameses created their classic Molded Plywood Lounge Chair with wood base, a worthy addition to dining or conference table at home or the office. Named by Time magazine as the Best Design of the 20th Century, this chair is available with or without upholstery in a range of finishes.
  • Herman Miller® Eames Wire Chair With Bikini Pad
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    Herman Miller® Eames Wire Chair With Bikini Pad
    Design Charles & Ray Eames®, 1951. Chromed metal seat & legs, leather pad. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. In 1951, Charles and Ray Eames met the challenge of making a reasonably priced, quality chair that was light yet strong. Their solution - the Eames wire chair. It featured a sculpted look, comfort, and practicality which made It an immediate hit. Today's versions remain true to the original design, materials, and detailing. They made the rim of the chair a lighter-gauge wire and doubled it for stability to achieve strength requirements, an organic shape, and cost restraints. This advance won them the first American mechanical patent for design. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The airy silhouette of the wire chair is achieved by wires, cross-woven and positioned on a bent-wire, welded chrome base, also called the 'Eiffel Tower' base. The chair's organic shape fits the contours of the body making the wire chair a perfect choice for residences and workplaces alike. Also available with a one-piece leather seat pad or standard wire seat and back. Leather bikini-pad is available in your choice of colors. 19" W | 21.25" d | 32.75" h | seat: 18.5" h.
  • Herman Miller Eames Molded Plastic Armchair 4 Leg Base
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    Herman Miller Eames Molded Plastic Armchair 4 Leg Base
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Herman Miller® Aeron® Work Stool
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    Herman Miller® Aeron® Work Stool
    Design Bill Stumpf & Don Chadwick, 1994. Die-cast aluminum, Pellicle® fabric. Made by Herman Miller® "...by design I mean the process both physical and mental by which people give an order to objects, community, environments and behavior." -Bill Stumpf. Combining distinctive looks with pioneering ergonomics, Aeron performs like no other stool. It adapts naturally providing performance for all kinds of activities, all day long. The imaginative design of the work stool matches the work chair's performance and provides the highest level of comfort, body support, and style that is widely copied but never matched. The Aeron is a work stool solution offering high-performance, long-term seating with a full complement of adjustments and innovative suspension. Each chair features a high and wide contoured back that takes weight off the lower spine. The Aeron is easy on the body with wide sloped, soft armrests, a waterfall front edge seat for reduced pressure and better circulation. The comfortable support of the strong Pellicle suspension system is form-fitting, distributes weight evenly over the seat and back and conforms to each person's shape and minimizes pressure while allowing air to pass through to provide a cool and comfortable experience for the sitter. The Aeron stool also offers a height-adjustable fine-tune footring for proper foot support. The inclusive look blends both classic and contemporary influences for a unique appearance that fits in wherever it's used. All our Aeron stools come fully loaded with tilt limiter and seat angle adjustments that allow the user to select the tilt range and seat angle along with fully adjustable non-upholstered arms. Other options include a choice of either PostureFit® customizable back-support or an adjustable lumbar support. Available in two heights with your choice of frame & base colors as well as a variety of Pellicle fabric options. Low stool: 27" w | 17" d | 52.25" h max | seat: 20.25" w | 24.25" - 29" h. High stool: 27" w | 17" d | 57.25" h max | seat: 20.25" w | 27.5" - 34" h.
  • Ward Bennett Scissor Chair
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    Ward Bennett Scissor Chair
    In his Scissor Chair, Ward Bennett echoed the form of the hammock-style deck chair popular on the great ocean liners of the past, balancing simplicity with luxurious material and finish choices for an elegance fit for fine homes and executive lounges alike. The Scissor Chair comfortably combines unique aesthetics to make a dramatic statement in any space.
  • Herman Miller® Eames Soft Pad Group Side Chair
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    Herman Miller® Eames Soft Pad Group Side Chair
    Design Charles & Ray Eames®, 1969. Aluminum, upholstery. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. An extension of the Aluminum Group chairs designed in 1958 for the Irwin Miller home, the Soft Pad Group repeats the structure of the earlier chairs, adding cushions to the seat and back. Covered in leather or fabric, these cushions transformed the spare character of the Aluminum Group into a luxurious version for homes and offices. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. The soft pad group is wonderfully comfortable, strong, yet lightweight. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Available in management, side, executive, and lounge models, their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The side chair features .5" glides, a low-back with a lightweight aluminum frame and 2"-thick upholstered foam cushions. It has a 4-star base and offered with a fixed or swivel mechanism and a fixed seat height. Armless: 20.5" w| 16.5" d | 33.75" h | seat: 20.75" h. Armchair: 23" w | 16.5" d | 33.75" h | seat: 20.75" h | arms: 27.75" h.
  • Herman Miller Eames Molded Plastic Armchair Wood Dowel Base
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    Herman Miller Eames Molded Plastic Armchair Wood Dowel Base
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Dowel-Leg base has maple legs with non-adjustable nylon glides. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Herman Miller® Eames Aluminum Group Executive Chair
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    Herman Miller® Eames Aluminum Group Executive Chair
    Design Charles & Ray Eames®, 1958. Aluminum, upholstery. Made by Herman Miller® "To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need." -Charles Eames. Aluminum Group chairs were originally developed in 1958 as a special project by Ray Eames for a private residence being designed by Eero Saarinen and Alexander Girard. At the time, the furniture was called the "leisure group," or "indoor-outdoor group" since it was meant to address the lack of quality outdoor furniture on the market. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. Wonderfully comfortable, strong, yet lightweight, the chairs became the basis for several other Eames designs, including the Soft Pad chairs. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The Aluminum group is available in management, side, executive, and lounge models. Their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The executive chair features a high back with arms and an aluminum frame with suspended upholstery. It has a 5-star base with casters, tilt-swivel mechanism and seat-height adjustment (regular or pneumatic). The new pneumatic height adjustment allows for easier height adjustment, adds 2 additional inches to the top end of the height adjustment and the new tilt lock allows the seat angle to be secured in the neutral position. Manual: 23" w | 17" d | 39" - 41.5" h | seat: 17"- 19.5" h | arms: 26" - 28.5" h. Pneumatic: 23" w | 17" d | 41" - 43.5" h | seat: 18.25"- 20.75" h | arms: 27.25" - 29.75" h.
  • Bassamfellows Tuxedo Club Chair
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    Bassamfellows Tuxedo Club Chair
    The Tuxedo Club Chair’s slender steel legs, sleek profile, and smart upholstery lend understated elegance to spaces at home, work, and anywhere in between. A generous seat and slim yet comfortable cushions make sitting a delight.
  • Herman Miller Molded Plywood Dining Chair (DCW)
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    Herman Miller Molded Plywood Dining Chair (DCW)
    In 1945, designers Charles and Ray Eames’ wartime research developed an inexpensive and efficient method of molding plywood into compound forms. In their search for a better way, the Eames’ developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. They created the “Kazam Machine” and worked in their small Westwood, California apartment. Eventually, the molded plywood chair of seat, back and legs was created. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with these boldly original Molded Plywood Chairs. The aesthetic integrity, enduring charm, and comfort of the chairs earned them recognition from Time magazine as “The Best Design of the 20th Century.” Time called the design “something elegant, light and comfortable. Much copied but never bettered.”
  • Herman Miller® White Ash Eames® Lounge Chair
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    Herman Miller® White Ash Eames® Lounge Chair
    Design Charles & Ray Eames, 1956. Molded plywood, aluminum, leather. Made in USA by Herman Miller® "Recognizing the need is the primary condition for design." -Charles Eames. The Eames lounge chair is the culmination of Charles and Ray Eames' efforts to create comfortable and handsome lounge seating by using production techniques that combine technology and hand-craftsmanship. The Eames lounge chair is considered among the most significant and collectible furniture designs of the 20th century and are part of the permanent collection of New York's Museum of Modern Art. Every lounge chair manufactured since the original have received the same meticulous handcrafted attention. The rich veneer and supple leather suggest old-fashioned luxury translated into modern forms, setting an enduring standard for comfort and elegance. Perfect for today's lighter, airy interiors, the Eames Lounge chair is being offered in an all-white version-pearl MCL Leather and a white ash shell that complements the white leather. The ash veneer is finished with a process that arrests the wood in its natural, "freshly cut" state-a creamy white that will not turn yellow or golden over time. The metal components of the chair have been updated to a white finish that highlights the polished aluminum accents on the base. Together with the new premium leather in pearl, the chair takes on a fresh, lighter look that is sure to be a complement to contemporary interiors. All pieces are hand assembled with a built-in swivel mechanism. Chair: 32.75" w | 32.75" d | 32" h | seat: 15" h.
  • Herman Miller® Soft Pad Group Lounge Chair
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    Herman Miller® Soft Pad Group Lounge Chair
    Design Charles & Ray Eames®, 1969. Aluminum, upholstery. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. An extension of the Aluminum Group chairs designed in 1958 for the Irwin Miller home, the Soft Pad Group repeats the structure of the earlier chairs, adding cushions to the seat and back. Covered in leather or fabric, these cushions transformed the spare character of the Aluminum Group into a luxurious version for homes and offices. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. The soft pad group is wonderfully comfortable, strong, yet lightweight. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Available in management, side, executive, and lounge models, their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The lounge chair features a high-back with arms, a lightweight aluminum frame and 2"-thick upholstered foam cushions. It has a 5-star base, fixed seat height and the option for swivel or tilt-swivel. The lounge chair is available with three back cushions and swivel or four back cushions and tilt-swivel. 3-Cushion, swivel lounge chair: 24.75" w | 29.25" d | 35" h | seat: 19.75" h | arms: 26.75" h. 4-Cushion, tilt-swivel lounge chair: 26" w | 31" d | 38.75" h | seat: 17" h | arms: 24" h.
  • Charles and Ray Eames Eames Molded Plywood Dining Chair Wood Base
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    Charles and Ray Eames Eames Molded Plywood Dining Chair Wood Base
    The Eames Molded Plywood Dining Chairs with wood base are a true original and a classic design suitably sized for any table calling for refined seating with enduring style. Cited by Time magazine as the Best Design of the 20th Century, the chairs are offered in a choice of six finishes as well as a lightly upholstered version.
  • Herman Miller Setu 5 Star Base Chair
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    Herman Miller Setu 5 Star Base Chair
    Technology has changed how and where we work. Now we work anywhere and everywhere. No matter where we work we want a comfortable chair. Introducing Setu®. Its innovative kinematic spine bends and flexes to your every move. There's nothing to tilt, nothing to tweak. Setu's finely tuned elastomeric fabric provides superior suspension and conforms to your contours. It's comfort now. The first thing you'll notice once you sit in Setu® Nothing. There's nothing to tilt, nothing to tweak. It's mathematics in place of mechanisms. It's form and function working together in harmony. Design for how we live and work now.
  • Herman Miller® Setu Lounge Chair
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    Herman Miller® Setu Lounge Chair
    Design Studio 7.5, 2009. Die-cast aluminum, Lyris™ fabric. Made by Herman Miller® Technology has changed how and where we work. No matter where we work we want a comfortable chair. Introducing Setu. Its innovative kinematic spine bends and flexes to your every move. There's nothing to tilt, nothing to tweak. Setu's finely tuned elastomeric fabric provides superior suspension and conforms to your contours. It's comfort now. The first thing you'll notice once you sit in Setu? Nothing. There's nothing to tilt, nothing to tweak. It's mathematics in place of mechanisms. From the moment you sit down, you and the chair move as one. It's form and function working together in harmony. It's elegance in the name of performance. Design for how we live and work now. Setu is designed to fit all shapes and sizes. But, equally important, Setu is designed to fit virtually all spaces and places. This multipurpose chair has a one-piece Lyris™ suspension material between outer composite polymer frames. The Kinematic Spine™ technology is integrated into the chair's back frames to allow for varying recline positions and continuous support. The H-Alloy™ base material is a durable and anti-corrosive aluminum, eliminating the need for polishing or protective coatings. The lounge chair is available with a 5-star base with glides. It is offered in your choice of frame & fabric color options. * Corner bumpers are small plastic "caps" that snap into the holes at the top of the back frame. This provides additional protection to the fabric in this area and will match the specified frame color. Lounge chair: 27.3" w | 16.8" d | 41.3" h | seat: 17.25" h.
  • Herman Miller® Eames® Aluminum Group Side Chair
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    Herman Miller® Eames® Aluminum Group Side Chair
    Design Charles & Ray Eames, 1958. Aluminum, upholstery. Made by Herman Miller® "To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need." -Charles Eames. Aluminum Group chairs were originally developed in 1958 as a special project by Ray Eames for a private residence being designed by Eero Saarinen and Alexander Girard. At the time, the furniture was called the "leisure group," or "indoor-outdoor group" since it was meant to address the lack of quality outdoor furniture on the market. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. Wonderfully comfortable, strong, yet lightweight, the chairs became the basis for several other Eames designs, including the Soft Pad chairs. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Available in management, side, executive, and lounge models, their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The side chair features a low-back with a lightweight aluminum frame and suspended upholstery. It has a 4-star base, swivel mechanism and a fixed seat height. Armless: 20.5" w | 18" d | 33" h | seat: 18.25" h. Armchair: 23" w | 18" d | 33" h | seat: 18.25" h | arms: 27.25" h.
  • Ward Bennett Envelope Chair
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    Ward Bennett Envelope Chair
    Upholstery wraps a welded tubular steel frame to create the seat, sides, and back of the Envelope Chair designed by Ward Bennett. Likewise, the chair also wraps around the sitter. Comfortable and comforting in both home and office settings, it’s available in an array of metallic finish, textile, and leather options.
  • Herman Miller Wood Dowel Leg Molded Plastic Side Chair
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    Herman Miller Wood Dowel Leg Molded Plastic Side Chair
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Dowel-Leg base has maple legs with non-adjustable nylon glides. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Herman Miller® Eames Wire Chair
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    Herman Miller® Eames Wire Chair
    Design Charles & Ray Eames®, 1951. Chromed metal seat & legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. In 1951, Charles and Ray Eames met the challenge of making a reasonably priced, quality chair that was light yet strong. Their solution - the Eames wire chair. It featured a sculpted look, comfort, and practicality which made It an immediate hit. Today's versions remain true to the original design, materials, and detailing. They made the rim of the chair a lighter-gauge wire and doubled it for stability to achieve strength requirements, an organic shape, and cost restraints. This advance won them the first American mechanical patent for design. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The airy silhouette of the wire chair is achieved by wires, cross-woven and positioned on a bent-wire, welded chrome base, also called the 'Eiffel Tower' base. The chair's organic shape fits the contours of the body making the wire chair a perfect choice for residences and workplaces alike. Also available with a one-piece leather seat pad, or with a criss-cross two-piece leather pad (the 'bikini'). 19" W | 21.25" d | 32.75" h | seat: 18.5" h.
  • Ward Bennett Sled Chair
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    Ward Bennett Sled Chair
    The distinctive Sled Chair designed by Ward Bennett makes a bold statement appropriate for public and private spaces alike. An eye-catching, X-shaped base of tubular steel provides the base for a chair that can be upholstered in textile or leather to create a seat and back that comfortably and luxuriously cradle the sitter.
  • Herman Miller Molded Plywood Lounge Chair (LCW)
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    Herman Miller Molded Plywood Lounge Chair (LCW)
    In 1945, designers Charles and Ray Eames’ wartime research developed an inexpensive and efficient method of molding plywood into compound forms. In their search for a better way, the Eames’ developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. They created the “Kazam Machine” and worked in their small Westwood, California apartment. Eventually, the molded plywood chair of seat, back and legs was created. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with these boldly original Molded Plywood Chairs. The aesthetic integrity, enduring charm, and comfort of the chairs earned them recognition from Time magazine as “The Best Design of the 20th Century.” Time called the design “something elegant, light and comfortable. Much copied but never bettered.”
  • Herman Miller® Aluminum Group Lounge Chair
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    Herman Miller® Aluminum Group Lounge Chair
    Design Charles & Ray Eames®, 1958. Aluminum, upholstery. Made by Herman Miller® "To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need." -Charles Eames. Aluminum Group chairs were originally developed in 1958 as a special project by Ray Eames for a private residence being designed by Eero Saarinen and Alexander Girard. At the time, the furniture was called the "leisure group," or "indoor-outdoor group" since it was meant to address the lack of quality outdoor furniture on the market. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. Wonderfully comfortable, strong, yet lightweight, the chairs became the basis for several other Eames designs, including the Soft Pad chairs. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The Aluminum group is available in management, side, executive, and lounge models. Their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The lounge chair features a high-back with arms and an aluminum frame with suspended upholstery. It has a 4-star base and fixed seat height. The tilt-swivel option includes a headrest upholstered in matching fabric or leather. Swivel: 24.25" w | 28.5" d | 34" h | seat: 17" h | arms: 26" h. Tilt/swivel: 25.75" w | 32.25" d | 38.75" h | seat: 14.5" h | arms: 23.5" h.
  • Herman Miller® Embody Task Chair
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    Herman Miller® Embody Task Chair
    Design Bill Stumpf & Jeff Webber, 2008. Die-cast aluminum, fabric. Made by Herman Miller® "I don't dwell too much in the what is. I spend much more of my time thinking about what isn't." - Bill Stumpf 1936-2006. Jeff Weber and his visionary design partner Bill Stumpf set out to create a chair that solved a problem no one else was addressing-the lack of harmony between people and their technology. Introducing Embody™, the first chair designed to support your body and mind. Every part of the chair was designed to serve a specific, healthful purpose. Embody's Pixelated Support™ technology automatically conforms to your body's micro-movements, distributing your weight evenly. This improves blood flow, lowers resting heart rate, and eliminates discomfort and distractions. The feeling is as if you're floating in your chair. Embody's back is inspired by the human spine. As you twist and turn in your chair, Embody moves with you. Its Backfit™ adjustment adapts to the unique curvature of your spine while you move freely and naturally. The chair's covering was made to behave like skin. Herman Miller, in collaborated with materials designer Susan Lyons, created a new textile specifically for Embody. The fabric would cushion the sitter, is breathable, translucent, and resilient. The chair's tilt provides three zones of support, introducing a new model of kinematics that stabilizes the pelvis and supports the upper back without pressure on the thighs. Combining simple adjustments with instinctive design, Embody fits a wide assortment of body sizes, shapes, and spinal curves, in all kinds of workplaces. One size for all. The seat depth adjusts from 15" to 18". The chair has a 5-star base and standard-height range options. Arm choices include no arms or fully adjustable arms (adjust 6" vertically and 6" horizontally). Embody is built in Michigan at Herman Miller's Greenhouse facility using 100% green energy, it uses no PVCs, is made with 42% recycled content and is 95% recyclable. Chairs with either 3512 carbon & 3513 black balance fabric and graphite frame finish, receive a back mat in graphite. For all other options, the back mat is translucent. Standard-height range: 29.5" w | 15"-18" d | 43.5" max height | seat: 21.25" w | 16" - 20.5" h.
  • Herman Miller Eames Eiffel Tower Base Molded Plastic Armchair
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    Herman Miller Eames Eiffel Tower Base Molded Plastic Armchair
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • Charles and Ray Eames Eames Soft Pad Executive Chair
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    Charles and Ray Eames Eames Soft Pad Executive Chair
    A cushy cousin of the Aluminum Group, Soft Pad is a luxurious chair that bears the unmistakable Eames stamp. The Executive chair offers an extra 7 ¼ inches of back height. Now available with new finish colors and materials.
  • Herman Miller® Eames Soft Pad Group Management Chair
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    Herman Miller® Eames Soft Pad Group Management Chair
    Design Charles & Ray Eames®, 1969. Aluminum, upholstery. Made by Herman Miller® "Design is a plan for arranging elements in such a way as best to accomplish a particular purpose." -Charles Eames. An extension of the Aluminum Group chairs designed in 1958 for the Irwin Miller home, the Soft Pad Group repeats the structure of the earlier chairs, adding cushions to the seat and back. Covered in leather or fabric, these cushions transformed the spare character of the Aluminum Group into a luxurious version for homes and offices. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. The soft pad group is wonderfully comfortable, strong, yet lightweight. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." Available in management, side, executive, and lounge models, their classic lines and comfortable suspension keep them in demand for all kinds of places, from contemporary homes to elegant offices to hip startups. The management chair features a low back with arms, a lightweight aluminum frame and 2"-thick upholstered foam cushions. It has a 5-star base, tilt-swivel mechanism and seat-height adjustment (regular or pneumatic). The new pneumatic height adjustment allows for easier height adjustment, adds 2 additional inches to the top end of the height adjustment and the new tilt lock allows the seat angle to be secured in the neutral position. Available with either casters (wheels) or glides (please note that chairs with glides are only available with manual height adjustment). Manual height: 23" w | 16.5" d | 30.75" - 33.75" h | seat: 19.5" - 22.5" h | arms: 26.5" - 29.5" h. Pneumatic height: 23" w | 16.5" d | 34" - 38" h | seat: 19.5" - 23.5" h | arms: 26.5" - 30.5" h.
  • Herman Miller Eames 4 Leg Molded Plastic Side Chair
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    Herman Miller Eames 4 Leg Molded Plastic Side Chair
    A Landmark Design from Charles and Ray Eames: The molded plastic chairs consist of clean, simple forms sculpted to cradle the body. The Dowel-Leg base has maple legs with non-adjustable nylon glides. The Eameses adapted molding techniques developed during World War II to produce this classic design - the first industrially manufactured plastic chairs. Today's chairs are true to the originals, with updated, eco-friendly materials. Their enduring forms and quality construction make them comfortable, durable performers.
  • George Nelson Nelson Coconut Lounge Chair
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    George Nelson Nelson Coconut Lounge Chair
    What would you call it? Classic? Icon? Slice of fruit? More than half a century after we manufactured the first one, the chair we call the Coconut is as wonderful to look at—and sit in—as ever.
  • Herman Miller Aeron Chair
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    Herman Miller Aeron Chair
    The Aeron Chair: For a limited time, we pay the tax and shipping! The Aeron chair didn't end up in the Museum of Modern Art's permanent collection just because it looks cool. Although it does. Its looks are only the beginning. Aeron accommodates both the sitter and the environment. It adapts naturally to virtually every body, and it's 94% recyclable. Even if it's black, it's green. Some designs defy imitation, and the Aeron chair is one of them. Bill Stumpf, designer of the 1970s chair of the decade (Ergon) and Don Chadwick, designer of the 1980s chair of the decade (Equa) threw out all past notions of what an office chair should be and started from scratch. Concepts like why is it, for example, comfortable to lay in the sand or a hammock. Answer: Because they mold to the body shape each body of course being different. The chair was so different in its appearance that it almost did not get past Herman Millers own marketing department. Acclaim Newsweek Design of the Decade for the 90s Museum of Modern Art, New York Permanant Display.
  • Herman Miller Nelson Coconut Chair
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    Herman Miller Nelson Coconut Chair
    The Coconut Chair has a simple, balanced design and a contemporary look. With its shallow sides and inviting curves, the chair is designed to let you sit in any position and move with ease. Thick cushion. The one-piece foam rubber, leather-upholstered cushion provides comfort and classic good looks. Durable materials. The chair's molded plastic shell sits atop a three-leg chromed steel base with glides.
  • Bill Stumpf and Jeff Weber Embody Chair
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    Bill Stumpf and Jeff Weber Embody Chair
    The first work chair designed specifically to create harmony between your body and your computer. More than just an ergonomic chair, Embody keeps you alert, keeps you aligned, keeps your blood and creative juices flowing..
  • Herman Miller Molded Plywood Dining Chair (DCM)
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    Herman Miller Molded Plywood Dining Chair (DCM)
    In 1945, designers Charles and Ray Eames’ wartime research developed an inexpensive and efficient method of molding plywood into compound forms. In their search for a better way, the Eames’ developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. They created the “Kazam Machine” and worked in their small Westwood, California apartment. Eventually, the molded plywood chair of seat, back and legs was created. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with these boldly original Molded Plywood Chairs. The aesthetic integrity, enduring charm, and comfort of the chairs earned them recognition from Time magazine as “The Best Design of the 20th Century.” Time called the design “something elegant, light and comfortable. Much copied but never bettered.”
  • Ronan and Erwan Bouroullec Osso Chair
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    Ronan and Erwan Bouroullec Osso Chair
    A chair in which the wood—locally harvested, chemical-free—is the star, just as its designers intended. Osso, manufactured at the world-famous Mattiazzi factory in Italy, is fabricated with high-tech modeling equipment run on solar power. You could put an ORGANIC sticker on this sinuous seating and not be far off the mark.
  • Herman Miller Soft Pad Management Chair
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    Herman Miller Soft Pad Management Chair
    Charles and Ray Eames developed the Eames Soft Pad chair in 1969 as a luxury version of their Eames Aluminum Group chairs. The chairs' clean, trim lines make them appropriate for all kinds of places, from classic and contemporary homes to elegant offices to hip startups. This comfortable and luxurious chair sits equally well in retro interiors and elegant lobbies - truly a statement of enduring design excellence.
  • Nitzan Cohen She Said Chair
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    Nitzan Cohen She Said Chair
    With a name inspired by a café conversation between a man and woman, the She Said Chair is a softer version of its counterpart, the He Said Chair. The stackable She Said Chair has graceful, solid wood carpentry that sits beautifully in a dining room, guest room, or home office. It’s available in black anilin beech and natural ash.
  • Herman Miller Soft Pad Executive Chair
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    Herman Miller Soft Pad Executive Chair
    Charles and Ray Eames developed the Eames Soft Pad chair in 1969 as a luxury version of their Eames Aluminum Group chairs. The chairs' clean, trim lines make them appropriate for all kinds of places, from classic and contemporary homes to elegant offices to hip startups. This comfortable and luxurious chair sits equally well in retro interiors and elegant lobbies - truly a statement of enduring design excellence.
  • Herman Miller® Eames Molded Lounge Chair Lcm
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    Herman Miller® Eames Molded Lounge Chair Lcm
    Design Charles & Ray Eames®, 1946. Molded plywood, metal or wood legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with the boldly original molded plywood dining and lounge chairs. Designed to comfortably fit the body, the sculpted form of the molded plywood chairs are produced using thin sheets of lightweight veneer gently molded into curved shapes with natural rubber shock mounts to absorb movement. Since then, the chairs' aesthetic integrity, enduring charm, and comfort have earned it recognition as the best of modern design. Available in either a lounge or dining versions with chrome-plated steel or wood legs. In the early 1940s, Charles and Ray Eames experimented with wood-molding techniques that would have profound effects on the design world. Their discoveries led to a commission from the U.S. Navy in 1942 to develop plywood splints, stretchers, and glider shells molded under heat and pressure. After World War II, they adapted the technology to create high-quality chairs that could be mass-produced. The process eliminated extraneous wood, which reduced the weight and visual profile of the chair and established a basis for modern furniture design. A truly comfortable chair that's suitable for businesses and homes. The chair is in the permanent collection of New York's Museum of Modern Art. Time magazine named it the Best Design of the 20th Century. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The chairs are offered in your choice of santos palisander, natural cherry, walnut, white ash or two colors which allow the wood's natural characteristics to show through. Santos palisander is a lustrous veneer that has the same characteristics as the original rosewood, color and grain. 22" W | 24.25" d | 26.5" h | seat: 15.5" h.
  • Herman Miller Molded Plywood Lounge Chair (LCM)
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    Herman Miller Molded Plywood Lounge Chair (LCM)
    In 1945, designers Charles and Ray Eames’ wartime research developed an inexpensive and efficient method of molding plywood into compound forms. In their search for a better way, the Eames’ developed an innovative technique for molding plywood. The process allowed them to bend wood furniture in new directions and give hard materials a soft look. They created the “Kazam Machine” and worked in their small Westwood, California apartment. Eventually, the molded plywood chair of seat, back and legs was created. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with these boldly original Molded Plywood Chairs. The aesthetic integrity, enduring charm, and comfort of the chairs earned them recognition from Time magazine as “The Best Design of the 20th Century.” Time called the design “something elegant, light and comfortable. Much copied but never bettered.”
  • Naoto Fukasawa Déjà-vu Chair
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    Naoto Fukasawa Déjà-vu Chair
    The polished aluminum of the Déjà-vu Chair is sleek and modern—and also lightweight and sturdy. Nicely sized, with a 15.7-inch-wide seat for comfort. The chair will enhance the look of any table, large or small, including the Déjà-vu Table. In your kitchen, it looks especially smart if you have Déjà-vu Stools at your breakfast bar.
  • Herman Miller Caper Multi Task Chair
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    Herman Miller Caper Multi Task Chair
    To develop a solution for hard-working, multiuse spaces, Herman Miller built on its extensive work chair research base and applied it to secondary seating. The result is Caper chair. It was designed by Jeff Weber, of Stumpf/Weber + Associates, using universal design principles, creating one seating product to accommodate the diversity of people, tasks, and behaviors in a multitude of areas. Weber says the chair achieves its high level of performance and comfort by "using standard materials in novel ways." It's also delivered with integrity. In keeping with Herman Miller's commitment to environmental responsibility, Caper has a high percentage of post-consumer content and is 100 percent recyclable. And the design requires less energy and material to build and recycle.
  • Yves Behar SAYL Side Chair with Stacking Base
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    Yves Behar SAYL Side Chair with Stacking Base
    SAYL side chairs take up less visual space. You can stack the 4-leg side chairs up to four high for easy storage. Elegant styling and superior comfort at an attainable price. Environmentally friendly materials make each SAYL side chair 92 percent recyclable.
  • Herman Miller Aluminum Group Management Chair
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    Herman Miller Aluminum Group Management Chair
    Aluminum Group chairs were originally developed in 1958 as a special project by Charles and Ray Eames for a private residence being designed by Eero Saarinen and Alexander Girard. At the time, the furniture was called the "leisure group," or "indoor-outdoor group" since it was meant to address the lack of quality outdoor furniture on the market. The seat-back suspension was a major technical achievement and represented a departure from the concept of the chair as a solid shell. Wonderfully comfortable, the chairs became the basis for several other Eames designs, including the Soft Pad chairs.
  • Herman Miller® Eames® Upholstered Dcm
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    Herman Miller® Eames® Upholstered Dcm
    Design Charles & Ray Eames®, 1946. Molded plywood, metal or wood legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with the boldly original molded plywood dining and lounge chairs. Their technique of molding sheets of plywood veneer into gentle curves gave their molded plywood lounge chair a soft appearance - and created an inviting seat of unlikely comfort. Innovation again meets the iconic design with an updated offering: upholstery. This version includes an upholstered seat & back with a molded polyurethane cushion that enhances the chair's original character with increased comfort and new color. Still as forward thinking as its predecessors, it suits any setting calling for refined, flexible seating. Available in either lounge or dining versions with chrome-plated steel or wood legs. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The chairs are offered in your choice of santos palisander, natural cherry, walnut, white ash or two colors which allow the wood's natural characteristics to show through. Santos palisander is a lustrous veneer that has the same characteristics as the original rosewood, color and grain. 20.5" W | 20.5" d | 29.5" h | seat: 17.5" h.
  • Yves Behar SAYL Side Chair with Sled Base
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    Yves Behar SAYL Side Chair with Sled Base
    SAYL side chair with sled base provides the same comfort and breezy style found in SAYL work chairs. But they take up less visual space. Elegant—and very affordable—style. Environmentally friendly materials make each SAYL dining chair 92 percent recyclable.
  • Herman Miller® Eames Molded Dining Chair Dcm
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    Herman Miller® Eames Molded Dining Chair Dcm
    Design Charles & Ray Eames®, 1946. Molded plywood, metal or wood legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. Designers Charles and Ray Eames established their long and legendary relationship with Herman Miller in 1946 with the boldly original molded plywood dining and lounge chairs. Designed to comfortably fit the body, the sculpted form of the molded plywood chairs are produced using thin sheets of lightweight veneer gently molded into curved shapes with natural rubber shock mounts to absorb movement. Since then, the chairs' aesthetic integrity, enduring charm, and comfort have earned it recognition as the best of modern design. Available in either a lounge or dining versions with chrome-plated steel or wood legs. In the early 1940s, Charles and Ray Eames experimented with wood-molding techniques that would have profound effects on the design world. Their discoveries led to a commission from the U.S. Navy in 1942 to develop plywood splints, stretchers, and glider shells molded under heat and pressure. After World War II, they adapted the technology to create high-quality chairs that could be mass-produced. The process eliminated extraneous wood, which reduced the weight and visual profile of the chair and established a basis for modern furniture design. A truly comfortable chair that's suitable for businesses and homes. The chair is in the permanent collection of New York's Museum of Modern Art. Time magazine named it the Best Design of the 20th Century. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." The chairs are offered in your choice of santos palisander, natural cherry, walnut, white & light ash or two colors which allow the wood's natural characteristics to show through. Santos palisander is a lustrous veneer that has the same characteristics as the original rosewood, color and grain. 20.5" W | 20.5" d | 29.5" h | seat: 17.5" h.
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