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  • Coffee pot 787
    georgjensen.com
    Coffee pot 787
    Johan Rohde’s designs are characterised by hammer marks and oxidisation techniques. His designs are also highly stylized in comparison with the naturalistic Art Nouveau style, however, not strictly geometrical either like the typical Art Déco style that followed. Johan Rohde’s designs can therefore be classified neither as Art Nouveau nor Art Déco; instead something in between. The handle on this coffee pot is made out of ebony wood – a very hard type of wood. Each handle is made especially for the individual pot. The socket – the small piece where the handle is attached - is handmade and thus, may vary slightly from pot to pot - it may be only a 1/10 of a millimetre – but still each handle must be fitted specifically for the individual pot. Design year: 1933. Materials: Sterling silver, ebony. Measurements: H: 17.1 cm / 6.73 inches Ø: 17.8 cm / 7 inches.
  • Georg Jensen BLOSSOM sugar bowl 2D
    georgjensen.com
    Georg Jensen BLOSSOM sugar bowl 2D
    Sugar bowl 2D is part of the blossom tea/coffee set with ebony or mammoth handles, low and stout, with toad’s feet and a magnolia blossom on top is a classic example of Georg Jensen’s work with flora and fauna. He removed the elements he found fascinating from their natural context and incorporated them in his designs, making them come alive in an imaginative and whimsical way. The flower bud was inspired by Japanese art, which uses the magnolia bud as a symbol of the month of May. The toad is also known in Japan and is a symbol of luck. As typical for Georg Jensen’s pieces the decoration was applied to the top and the bottom of the pieces. The surface of the coffee and tea service is covered with delicate hammer marks – a distinct Georg Jensen feature - which softens the reflected light to create the greyish shimmer he associated with moonlight. The chaser makes the pattern on the lid and accentuates the pattern on the feet. The cutlery silversmith forms the Magnolia flowers for the lids and hands it over to the silversmith who will solder it on the lid. The silversmith applies the hammer marks to the body of the pieces and solders on the feet as well as the socket to hold the handle and the spout. Design year: 1905. Materials: Sterling silver. Measurements: H: 11.7 cm / 4.60 inches Ø: 10.4 cm / 4 inches.
  • Georg Jensen BLOSSOM creamer 2D
    georgjensen.com
    Georg Jensen BLOSSOM creamer 2D
    This creamer is part of the blossom tea/coffee set with ebony or mammoth handles, low and stout, with toad’s feet and a magnolia blossom on top is a classic example of Georg Jensen’s work with flora and fauna. He removed the elements he found fascinating from their natural context and incorporated them in his designs, making them come alive in an imaginative and whimsical way. The flower bud was inspired by Japanese art, which uses the magnolia bud as a symbol of the month of May. The toad is also known in Japan and is a symbol of luck. As typical for Georg Jensen’s pieces the decoration was applied to the top and the bottom of the pieces. The surface of the coffee and tea service is covered with delicate hammer marks – a distinct Georg Jensen feature - which softens the reflected light to create the greyish shimmer he associated with moonlight. The chaser makes the pattern on the lid and accentuates the pattern on the feet. The cutlery silversmith forms the Magnolia flowers for the lids and hands it over to the silversmith who will solder it on the lid. The silversmith applies the hammer marks to the body of the pieces and solders on the feet as well as the socket to hold the handle and the spout. Design year: 1905. Materials: Sterling silver, ebony. Measurements: H: 7 cm / 2.75 inches Ø: 10.5 cm / 4.13 inches.
  • Georg Jensen GRAPE pitcher 407A
    georgjensen.com
    Georg Jensen GRAPE pitcher 407A
    As most of Georg Jensen’s designs Pitcher 407A is in the Art Nouveau style with the characteristic ornamental curved lines, organic structures, decorative ornaments of flora and fauna, and the use of honest and skilfully crafted materials. The Grape Motif was first introduced in 1918 on the Grape Bowls. This Pitcher was designed just after the end of World War 1 (1914-1918 ) - a very rich period where unprecedented abundance of money circulated, trade flourished everywhere and the Silversmithy had a record turnover. During these years Georg Jensen created some hollowware pieces more richly decorated than normally seen from his side. These pieces have a touch of it – it is more distinct in the almost baroque Candelabra No. 383. However, very characteristic of Georg Jensen, he does show restraint in the use of decoration. The exquisite ornamentation is limited to the base leaving the rest of the item only decorated on the surface with hammer marks. The chaser has many hours of work on the base of the pitcher. When the chaser gets the base it is totally smooth so the first step is to draw the pattern to be chased with a pencil. This is necessary to ensure that the convex shaped squares have the exact same size and that the delicate pattern underneath the grapes is laid out correctly. Then the patient work with the hammer and the punches starts. The Pitcher 407A has an ebony handle carved with its own design and it is fitted especially for each individual pitcher. At the bottom of the base of the Pitcher you will find a rod – a strong ring of silver which has been soldered on to make the edge of the base strong and less vulnerable to dents. Design year: 1925. Materials: Sterling silver, ebony. Measurements: H: 23 cm / 9.05 inches.
  • Allan Scharff Pitcher 1328
    georgjensen.com
    Allan Scharff Pitcher 1328
    'Here, tradition and restrained explorations have been set aside in favour of forceful and expressive experimentation. Verner Panton represents a move away from coherent and clean shapes to more complicated forms. By experimenting with light and colours in different materials and by utilising the latest technologies Verner Panton wanted to provoke and encourage people to use their imagination and fantasy and thus be open to new ways of looking at and use their surroundings. Whereas Danish design typically has a close affinity to nature in terms of colour, materials and forms, Verner Panton’s designs stand out by being artificial. His designs are dominated by bright, vivid colours arranged in accordance with his own theoretically founded colour schemes, artificial materials, and futuristic shapes. Similarly, his focus is not on the contemplative or the simple, but on energy and opportunities for unfettered movement. Starting as a 2 mm thick flat sheet of silver the dish is pressed in a form 3-4 times in order to get the shape. Between each pressing the silversmith adjusts the edges and forms which appeared during the pressing to ensure that the silver can stand the next pressing. When the dish is pressed the silver gets stiff and must therefore also be heated between the pressings to regain its softness and flexibility. It is important that the entire piece is heated to the same temperature all over at the same time otherwise it will bend out of shape. When the silversmith has worked on the dish after the last pressing and the dish has its final shape it will be handed over to the polisher. Because of the shape the grinding and polishing process represents a good share of the hours that goes into making this piece. First the polisher will grind the dish to remove any sharp edges, hammer marks or scratches. Then the polishing process starts, the challenge lies in the fact that the polishing lines must run lengthwise, and since the dish has all these curves and cavities it takes a trained polisher to know how to turn this heavy dish and when to use which size of brush to get the perfect result. After the first polish the dish goes back to the silversmith for a final check of any marks that need to be removed and thereafter the final polish is done. This is a simplified description of a long and time consuming process and the final step – as with all other products - is of course the quality control, who may spot something that needs to be corrected and then part of the process has to be repeated. Design year: 1990. Materials: Sterling silver. Measurements: H: 45.5 cm / 17.91 inches Ø: 26.1 cm / 10.27 inches.
  • Harald Nielsen PYRAMID sugar bowl 600A
    georgjensen.com
    Harald Nielsen PYRAMID sugar bowl 600A
    Sugar bowl 600A is part of the pyramid coffee and tea set. The elements are based on geometric shapes: The ball, the triangle, the circle and straight lines. The lines are slightly curved, the profiles are accentuated, and the leaf underneath the jug’s handle accentuates the sweep of its arch. The Pyramid design belongs to the Art Déco style, which was an international style of design and architecture. The form language of Art Déco favoured the basic structures of geometry like the cube, the triangle and the circle. The inspiration came from various free art movements like Dada’s machine aesthetic, Cubism’s geometrical approach and Surrealism’s interest in the subconscious. The spectacular discovery of the virtually intact tomb of King Tutankhamen in Egypt also influenced the Art Déco style with motifs from the Egyptian furniture and pyramids. The shape of this service is a challenge to the silversmith. Silver is a very lively material when it is heated and especially when the top of the pot is soldered on it is vital that the top part is kept at an even temperature all the time. Otherwise, the silver will bend out of shape. Design year: 1930. Materials: Sterling silver. Measurements: H: 7.3 cm / 2.87 inches Ø: 10 cm / 3.93 inches.
  • Sigvard Bernadotte Pitcher 856A
    georgjensen.com
    Sigvard Bernadotte Pitcher 856A
    Pitcher 856A is sometimes called -the melon pitcher’ because of its shape and similarity to the fruit. Although it was initially designed as part of a set together with Bowl 856 A+B for serving strawberries, the bowl displaying the strawberries beautifully and the pitcher being a perfect size for the cream. The smooth top part of the pitcher is made out of a separate flat piece of silver which has been cut, bent and shaped to fit perfectly with the body before being soldered together. The handle is hollow and has been raised from another flat piece of silver. The handle has a line running down the middle which must be absolutely centred and straight – this can be a very time consuming adjustment for the silversmith. If it is not absolutely straight it will be disclosed immediately due to the lines on the body of the pitcher. The chaser accentuates these very straight and fine lines with his/her hammer and punches moving them in a steady and even movement over the silver. Design year: 1938. Materials: Sterling silver. Measurements: H: 15 cm / 5.90 inches Ø: 11 cm / 4.33 inches.
  • Georg Jensen BLOSSOM tray 2E
    georgjensen.com
    Georg Jensen BLOSSOM tray 2E
    This oval Blossom tray with handles is a typical Georg Jensen Art Nouveau design from 1905. The Blossom design and details on the tray demonstrates Georg Jensen’s inspiration by nature. His fascination for the reflection of Scandinavian moonlight is the inspiration for the hammered surface. The flower bud was inspired by Japanese art, which uses the magnolia bud as a symbol of the month of May. Not all silversmiths have the ability or the patience to become a tray maker! Trays are the most difficult and time consuming type of hollowware to make – it takes a lot more than 4 years of apprenticeship to learn how to make trays and you do not learn it by reading a book but by practice, practice and more practice. Silver in itself is a very soft material so if you cut out a sheet of silver, put some handles on and then place a jug of water on the tray, the tray will simply give way/collapse – it does not have the strength to hold practically anything. To give it that strength the silversmith must hammer on the silver in a certain way over and over again. The goal is to obtain the right span and the right hardness and part of the long process is to hammer lightly in the curvature with 5-6 different hammers. Design year: 1905. Materials: Sterling silver. Measurements: L: 47 cm / 18.5 inches W: 33 cm / 13 inches.
  • Georg Jensen Bowl 19A
    georgjensen.com
    Georg Jensen Bowl 19A
    The Louvre Bowl – so called since the Musée des Arts Décoratifs at Musée du Louvre in Paris acquired this bowl for their permanent collection in 1914. The Louvre Bowl is one of Georg Jensen’s most internationally famous pieces. It has been acquired by numerous museums around the world. It often features in advertisements in international journals, and in Denmark it was one of the motifs when the Danish Postal Authorities celebrated Danish design by using outstanding products as motifs on Danish stamps. As most of Georg Jensen’s designs the bowl is in the Art Nouveau style with the characteristic ornamental curved lines, organic structures, decorative ornaments of flora and fauna, and the use of honest and skilfully crafted materials. As characteristic of Georg Jensen, he shows restraint in the use of decoration which is limited to the middle section of leaves and beads leaving the rest of the bowl only decorated on the surface with hammer marks. The bowl is a brilliant conception; the manner in which it seems to hover weightlessly on a base of leaves is a lovely illustration of Georg Jensen’s ability to unite -fine art’ with -arts and crafts’. This fruit bowl is a whole little sculpture in itself, and demonstrates very clearly the effect of the hammered surface. The base of leaves and beads consists of 12 individual pieces with a total of 24 beads, which have been filed and polished to a perfectly smooth surface. Then the pieces have been soldered on to the base piece by piece. The challenge for the silversmith is that the 12 individual pieces must have the exact same height, a certain angle pointing away from the centre and at the same time they must have the perfect angle both horizontally and vertically as the rim and the bowl, which are soldered on afterwards, otherwise it will look lopsided. Design year: 1912. Materials: Sterling silver. Measurements: H: 16.7 cm / 6.57 inches Ø: 20 cm / 7.87 inches.
  • Georg Jensen BLOSSOM coffee pot 2D
    georgjensen.com
    Georg Jensen BLOSSOM coffee pot 2D
    Georg Jensen’s very first tea and coffee set takes a number of figures from nature and combines them into a new organic form. Low and stout, with toad’s feet and a magnolia blossom on top this merging of elements was typical of Georg Jensen’s work with flora and fauna. He removed the elements he found fascinating from their natural context and incorporated them in his designs, making them come alive in an imaginative and whimsical way. The flower bud was inspired by Japanese art, which uses the magnolia bud as a symbol of the month of May. The toad is also known in Japan and is a symbol of luck. This set is one of the most typical Art Nouveau of all Georg Jensen’s works because its basic shape is designed as something from nature, not just decorated with natural elements as an afterthought. As typical for Georg Jensen’s pieces the decoration was applied to the top and the bottom of the pieces. The surface of the coffee and tea service is covered with delicate hammer marks – a distinct Georg Jensen style - which softens the reflected light to create the greyish shimmer he associated with moonlight. Originally the service was made with ivory handles, but since the embargo on trade with ivory, to save the elephants, the service has been made with ebony only. Ebony wood is a very hard type of wood. The wooden carver makes each handle especially for the individual pot and creamer. The socket – the small piece where the handle is attached - is handmade and thus may vary slightly from pot to pot - it may be only a 1/10 of a millimetre – but still each handle must be fitted specifically for the individual pot. The silversmith applies the hammer marks to the body of the pieces and solders on the feet as well as the socket to hold the handle and the spout. The spout of the coffee and teapot is made from a flat piece of silver which is bendt around, soldered and then shaped. Before soldering on the spout, holes for the liquid to run through are drilled in the body, and the silversmith will measure and mark precisely where the spout and handle are to be placed – the slightest inaccuracy will make the pot pour askew. Design year: 1905. Materials: Sterling silver, ebony. Measurements: H: 21 cm / 8.26 inches V: 1.15 L / 38.8 ounces.
  • Georg Jensen BLOSSOM vegetable dish 2A
    georgjensen.com
    Georg Jensen BLOSSOM vegetable dish 2A
    As most of Georg Jensen’s designs this serving piece is in the Art Nouveau style with the characteristic ornamental curved lines, organic structures, decorative ornaments of flora and fauna, and the use of honest and skilfully crafted materials. As typical for Georg Jensen’s pieces the decoration is concentrated on the top of the lid and to the handles. Serving dish 2A is decorated with the Magnolia bud so very characteristic for Georg Jensen. The Magnolia has been in production from the beginning and its popularity is still growing. The flower bud was inspired by Japanese art, which uses the magnolia bud as a symbol of the month of May. The Magnolia – like the bunch of grapes - has become a symbol of the beautifully exuberant design of the founder of the company. The metal spinner starts out by raising the bowl and the lid of the serving dish from flat sheets of silver. When the centre of the lid has been raised, the chaser makes the motive underneath the floral decoration with his/her fine hammer and punches and then applies the hammer marks. The silversmith makes the hammer marks on the dish while the chaser hammers the lid. To ensure that the overall impression is the same the two craftsmen co-ordinate that their hammer marks are applied with the same strength and in the same pattern so that the look is soft and harmonious. The silversmith will build up the floral decoration on top of the lid piece by piece: Each lid is fitted especially for each dish. When the hammer marks are applied the silver will stretch slightly and therefore each dish will vary. It may be just 1 mm or less but it is enough for the lid not to fit perfectly unless it is fitted especially for the dish. The handles on Dish 2A also have the Magnolia blossom decoration in between the bowl and the strong solid rim of silver. The handle alone consists of 21 pieces. Design year: 1905. Materials: Sterling silver. Measurements: H: 11.9 cm / 4.68 inches Ø: 24.1 cm / 9.48 inches.
  • Harald Nielsen PYRAMID creamer 600A
    georgjensen.com
    Harald Nielsen PYRAMID creamer 600A
    Creamer 600A is part of the pyramid coffee and tea set. The elements are based on geometric shapes: The ball, the triangle, the circle and straight lines. The lines are slightly curved, the profiles are accentuated, and the leaf underneath the jug’s handle accentuates the sweep of its arch. The Pyramid design belongs to the Art Déco style, which was an international style of design and architecture. The form language of Art Déco favoured the basic structures of geometry like the cube, the triangle and the circle. The inspiration came from various free art movements like Dada’s machine aesthetic, Cubism’s geometrical approach and Surrealism’s interest in the subconscious. The spectacular discovery of the virtually intact tomb of King Tutankhamen in Egypt also influenced the Art Déco style with motifs from the Egyptian furniture and pyramids. The shape of this service is a challenge to the silversmith. Silver is a very lively material when it is heated and especially when the top of the pot is soldered on it is vital that the top part is kept at an even temperature all the time. Otherwise, the silver will bend out of shape. Design year: 1930. Materials: Sterling silver. Measurements: H: 5.2 cm / 2.04 inches Ø: 10 cm / 3.93 inches.
  • Henning Koppel Sugar bowl 1017
    georgjensen.com
    Henning Koppel Sugar bowl 1017
    Sugar bowl 1017 is part of the Henning Koppel tea and coffee set from 1952. The Teapot 1017 was awarded the Gold Medal at the Triennial di Milano in 1954. Guaiacum is a very hard type of wood, which is needed due to the large size and special shape of the handles. Each handle is made especially for the individual pot and creamer. The socket (the small piece where the handle is attached) may vary slightly from pot to pot - it may be only a 1/10 of a millimetre – but still each handle must be fitted specifically for the individual pot. The fitting of the hinge for the lid on the coffee and tea pot is a very time consuming process for the silversmith. The transition from the handle to the lid has to be perfectly smooth, simultaneously the lid must open and close smoothly – not too tight and not too loose! Design year: 1952. Materials: Sterling silver. Measurements: H: 4.2 cm /1.65 inches Ø: 10.7 cm / 4.21 inches.
  • Georg Jensen Sugar bowl 80A
    georgjensen.com
    Georg Jensen Sugar bowl 80A
    Tea and coffee set 80 with ebony handles and details are classic Georg Jensen Art Nouveau designs from 1915. The surface of the coffee pot, teapot, creamer and sugar bowl is covered with delicate hammer marks – a distinct Georg Jensen style - which softens the reflected light to create the greyish shimmer he associated with moonlight. Ebony wood is a very hard type of wood. The wooden carver makes each handle especially for the individual pot and creamer. The socket – the small piece where the handle is attached - is handmade and thus may vary slightly from pot to pot - it may be only a 1/10 of a millimetre – but still each handle must be fitted specifically for the individual pot. Design year: 1915. Materials: Sterling silver, ebony. Measurements: H: 7.5 cm / 2.95 inches Ø: 9.1 cm / 3.58 inches.
  • Henning Koppel Pitcher 974B
    georgjensen.com
    Henning Koppel Pitcher 974B
    Henning Koppel’s Pitcher 974B is a unique item decorated with a flat silver thread. The silver thread which 'extends' the 'neck' is inspired by the african tradition of giving a girl a new ring to put around her neck each year. To make Pitcher 974B the silversmith cuts out two identical flat pieces of silver which are then shaped i.e. raised by the same technique as the covered dish 1026. When the silversmith has gone through the long process of raising the silver, heating it often to ensure that it stays soft and flexible he continues to work on the surface with many different hammers to make it smooth. When the two halves have their final shape they are given a final press in a form to ensure a perfect fit. The edges of the two halves are grinded and carefully prepared for a perfect fit and they are then carefully soldered together. One of the challenges with Pitcher 974B is that the soldering seams must be invisible – and watertight of course! The bottom is the last part to be soldered on. Design year: 1946. Materials: Sterling silver. Measurements: H: 24.2 cm / 9.52 inches Ø: 16 cm / 6.29 inches.
  • Henning Koppel Sauce bowl 1159
    georgjensen.com
    Henning Koppel Sauce bowl 1159
    The handle on sauce bowl 1159 is made out of ebony wood – a very hard type of wood. Each handle is made especially for the individual sauce bowl. The socket – the small piece where the handle is attached - is handmade and thus, may vary slightly from bowl to bowl - it may be only a 1/10 of a millimetre – but still each handle must be fitted specifically for the individual bowl. Design year: 1967. Materials: Sterling silver, ebony. Measurements: H: 8.7 cm / 3.42 inches L: 20.5 cm / 8 inches W: 11.5 cm / 4.52 inches.
  • Henning Koppel Pill box 325
    georgjensen.com
    Henning Koppel Pill box 325
    After the covered dish became a success around the world, Koppel wanted to show that his designs could also take a life in miniature pieces. He began working on a pill box that could be compared to the covered dish, the way caviar could be compared to the sturgeon – just as simple and controlled as the large serving dish. Other small unique hollowware pieces with different functions followed later on. The Pill Box 325 is one of the most difficult and time consuming pieces to make because it consist of 2 pieces which have to fit together perfectly. A lot of time is spent on the hinge in order to adjust it to the point where it opens just right - not too tight and not too loose. The opening must also be adjusted so that it is not too tight to open but at the same time it must click when closing. Design year: 1954. Materials: Sterling silver. Measurements: H: 2.9 cm / 1.14 inches L: 5.1 cm / 2 inches W: 4.5 cm /1.77 inches.
  • Sigvard Bernadotte Pitcher 1010
    georgjensen.com
    Sigvard Bernadotte Pitcher 1010
    The spare, geometrical silver design of Pitcher 1010 reflects the functionalistic idiom of Bernadotte’s style. He replaced Georg Jensen’s typical hammered finish with a clean and smooth surface. Despite his devotion to functionalism, his designs also embody a sort of personal sensitivity that gives them appealing warmth. Pitcher 1010 is also called the ice-water jug due to the functional sieve that works as a strainer hindering ice cubes or lemon pieces from slipping out. The content in the pitcher stays ice cold all day. Pitcher 1010 with it’s timeless design and ebony handle is one of Bernadotte's own personal favourites. The Pitcher became a design icon in 1980 when Sarah Booth Conroy wrote - -The Sterling Silver ice-water jug, designed by Bernadotte in 1952, is fit not only for a king but a god’ - in the Washington Post. Design year: 1952. Materials: Sterling silver, ebony. Measurements: H: 17.2 cm / 6.77 inches L: 9.4 cm /3.7 inches W: 10.4 cm / 4 inches.
  • ACORN Pastry server, large
    georgjensen.com
    ACORN Pastry server, large
    Design year: 1915. Materials: Sterling silver. Measurements: 26.5 cm / 10.50 inches.
  • Georg Jensen BLOSSOM Pastry server, large
    georgjensen.com
    Georg Jensen BLOSSOM Pastry server, large
    Design year: 1919. Materials: Sterling silver. Measurements: 24 cm / 9.50 inches.
  • ACORN Sugar shovel
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    ACORN Sugar shovel
    Design year: 1915. Materials: Sterling silver. Measurements: 11 cm / 4.38 inches.
  • Helle Damkjær BLOOM tall bowl, medium
    georgjensen.com
    Helle Damkjær BLOOM tall bowl, medium
    The inspiration for BLOOM was Japanese cherry blossoms in full bloom. Their delicate and soft contours are reflected in the easily curving, yet modern lines of BLOOM. Design year: 2014. Materials: Mirror polished stainless steel. Measurements: L: 220 mm W: 140 mm H: 112 mm.
  • Helle Damkjær BLOOM salt cellar with spoon
    georgjensen.com
    Helle Damkjær BLOOM salt cellar with spoon
    The inspiration for BLOOM was Japanese cherry blossoms in full bloom. Their delicate and soft contours are reflected in the easily curving, yet modern lines of BLOOM. Design year: 2014. Materials: Mirror polished stainless steel. Measurements: Cellar: H: 39 mm Ø: 70 mm - Spoon: L: 78,5 mm W: 21 mm.
  • Georg Jensen Coffee pot 80A
    georgjensen.com
    Georg Jensen Coffee pot 80A
    Classic Art Nouveau Georg Jensen coffee pot with ebony handle. Design year: 1915. Materials: Sterling silver, ebony. Measurements: H: 12.4 cm / 4.88 inches Ø: 10.7 cm / 4.21 inches.
  • Helle Damkjær BLOOM tall bowl, large
    georgjensen.com
    Helle Damkjær BLOOM tall bowl, large
    The inspiration for BLOOM was Japanese cherry blossoms in full bloom. Their delicate and soft contours are reflected in the easily curving, yet modern lines of BLOOM. Design year: 2014. Materials: Mirror polished stainless steel. Measurements: L: 278 mm W: 206 mm H: 153 mm.
  • Georg Jensen Creamer 80A
    georgjensen.com
    Georg Jensen Creamer 80A
    Classic Art Nouveau Georg Jensen creamer with ebony handle. Design year: 1915. Materials: Sterling silver, ebony. Measurements: H: 6.2 cm / 2.44 inches Ø: 6.6 cm / 2.60 inches.
  • Henning Koppel Dish 1056
    georgjensen.com
    Henning Koppel Dish 1056
    Contemporary organic shaped Koppel dish. Today, Koppel’s precise curves are considered among this century’s best silver works. Design year: 1957. Materials: Sterling silver. Measurements: L: 59 cm / 23.23 inches W: 35 cm / 13.78 inches H: 8 cm / 3.15 inches.
  • Verner Panton Dish 1302
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    Verner Panton Dish 1302
    Innovative Verner Panton dish with explosive shapes and unexpected lines where light is reflected in contrasting fields from various surfaces. Design year: 1988. Materials: Sterling silver. Measurements: L: 51 cm / 20.08 inches W: 47 cm / 18.5 inches H: 10 cm / 3.94 inches.
  • ALDO BAKKER sugar container
    georgjensen.com
    ALDO BAKKER sugar container
    ALDO BAKKER explores the movement of pouring. It is more art than function, yet it entrances the eye, inviting us to come closer and explore its shape and function. This sugar container will be a sculptural highlight on any dining table. Design year: 2014. Materials: Mirror polished stainless steel. Measurements: H: 106 mm Ø: 82 mm.
  • Henning Koppel Pitcher 1396
    georgjensen.com
    Henning Koppel Pitcher 1396
    Sculptural Koppel pitcher with organic swung lines. Today, Koppel’s precise curves are considered among this century’s best silver works. Design year: 1978. Materials: Sterling silver. Measurements: H: 17 cm / 6.69 inches Ø: 15 cm / 5.91 inches.
  • Aurélien Barbry BARBRY salt & pepper shakers
    georgjensen.com
    Aurélien Barbry BARBRY salt & pepper shakers
    Merging the Danish heritage of Georg Jensen and the philosophy of the New Nordic cuisine. Design year: 2014. Materials: Mirror polished stainless steel and oak wood. Measurements: H: 100 mm Ø 38 mm.
  • Philip Bro Ludvigsen TWIST salt cellar, large
    georgjensen.com
    Philip Bro Ludvigsen TWIST salt cellar, large
    TWIST is a rounded bowl with an off-centre opening where the included spoon sits like a cheeky tongue poking out of the side. The inspiration for it was also the form of the maracas with their rounded, bulbous shape and beads trapped inside – like salt inside a cellar. Use is for condiments or sauces and let it bring a little stylish humour to your table setting. Design year: 2014. Materials: Matte stainless steel. Measurements: H: 83 mm Ø: 100 mm.
  • ALDO BAKKER pitcher
    georgjensen.com
    ALDO BAKKER pitcher
    ALDO BAKKER explores the movement of pouring. It is more art than function, yet it entrances the eye, inviting us to come closer and explore its shape and function. The magnificent pitcher will be a sculptural highlight on any dining table. Design year: 2014. Materials: Mirror polished stainless steel. Measurements: H: 304 mm W: 135 mm V: 1200 ml.
  • Harald Nielsen PYRAMID coffee pot 600A
    georgjensen.com
    Harald Nielsen PYRAMID coffee pot 600A
    Inspired by the find of Tutankhamun's tomb in 1922 and ingeniously deisgned by Harald Nielsen in 1927. This is one of the finest Art Deco designs in our collection. Design year: 1930. Materials: Sterling silver, ebony. Measurements: H: 19.2 cm / 7.56 inches Ø: 11 cm / 4.33 inches.
  • Bowl 17A
    georgjensen.com
    Bowl 17A
    Round Johan Rohde footed bowl that is elegantly lifted on a floral pedestal. Design year: 1912. Materials: Sterling silver. Measurements: H: 10.5 cm / 4.13 inches Ø: 11.4 cm / 4.49 inches.
  • Sigvard Bernadotte Bowl 856B, large
    georgjensen.com
    Sigvard Bernadotte Bowl 856B, large
    Large strawberry bowl decorated with simple lines. Together with the matching Pitcher 856 this makes up a Bernadotte strawberry set. Design year: 1943. Materials: Sterling silver. Measurements: H: 8.1 cm / 3.19 inches Ø: 25.5 cm / 10.04 inches.
  • Georg Jensen BLOSSOM pitcher 2C
    georgjensen.com
    Georg Jensen BLOSSOM pitcher 2C
    Covered Blossom pitcher with ebony handle and typical Georg Jensen flora and fauna details as toad's feet and the magnolia blossom on top. The hand hammering on the surface is a distinctive Georg Jensen feature which softens the reflected light to create a moonlight sheen. Design year: 1905. Materials: Sterling silver, ebony. Measurements: H: 19 cm / 7.48 inches Ø: 11.3 cm / 4.45 inches V: 1 L / 33.8 ounces.
  • Sigvard Bernadotte Bowl 856A, small
    georgjensen.com
    Sigvard Bernadotte Bowl 856A, small
    Strawberry bowl decorated with simple lines. Together with the matching Pitcher 856 this makes up a Bernadotte strawberry set. Design year: 1938. Materials: Sterling silver. Measurements: H: 7 cm / 2.76 inches Ø: 23 cm / 9.06 inches.
  • Henning Koppel Pitcher 992
    georgjensen.com
    Henning Koppel Pitcher 992
    Voluptuous and sculptural Koppel pitcher with organic swung lines. Today, Koppel’s precise curves are considered among this century’s best silver works. Design year: 1952. Materials: Sterling silver. Measurements: H: 28.7 cm / 11.3 inches Ø: 21.8 cm / 8.58 inches V: 2 L / 67.6 ounces.
  • Georg Jensen BLOSSOM pepper shaker 2A
    georgjensen.com
    Georg Jensen BLOSSOM pepper shaker 2A
    Blossom pepper shaker with typical Georg Jensen flora and fauna details. The hand hammering on the surface is a distinctive Georg Jensen feature which softens the reflected light to create a moonlight sheen. Design year: 1905. Materials: Sterling silver. Measurements: H: 5.5 cm / 2.17 inches Ø: 2.8 cm / 1.1 inches.
  • Georg Jensen BLOSSOM bowl for tea strainer 2AB
    georgjensen.com
    Georg Jensen BLOSSOM bowl for tea strainer 2AB
    Small Blossom bowl for tea strainer. Design year: 1905. Materials: Sterling silver. Measurements: H: 3.3 cm / 1.30 inches Ø: 6.7 cm / 2.64 inches.
  • Georg Jensen BLOSSOM bowl 2
    georgjensen.com
    Georg Jensen BLOSSOM bowl 2
    Typical Georg Jensen Art Nouveau design from 1905. The Blossom design demonstrates Georg Jensen’s fascination for the reflection of Scandinavian moonlight which is the inspiration for the hammered surface and also his admiration for Nature in the floral details. Design year: 1905. Materials: Sterling silver. Measurements: H: 17.5 cm / 6.89 inches Ø: 19 cm / 7.48 inches.
  • Aurélien Barbry BARBRY Tray
    georgjensen.com
    Aurélien Barbry BARBRY Tray
    Merging the Danish heritage of Georg Jensen and the philosophy of the New Nordic cuisine. Design year: 2014. Materials: Oak wood. Measurements: L: 500 mm x W: 310 mm x H: 58 mm.
  • Helle Damkjær LEAF mirror serving dish, medium
    georgjensen.com
    Helle Damkjær LEAF mirror serving dish, medium
    Serene and elegant, the bowls stand firmly on a table, yet their sweeping forms inspired by the magnolia's elegant petals express infinite movement. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 90 mm W: 185 mm L: 110 mm.
  • Helle Damkjær LEAF mirror serving dish, large
    georgjensen.com
    Helle Damkjær LEAF mirror serving dish, large
    Serene and elegant, the bowls stand firmly on a table, yet their sweeping forms inspired by the magnolia's elegant petals express infinite movement. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 103 mm W: 230 mm L: 125 mm.
  • Helle Damkjær LEAF mirror serving dish, small
    georgjensen.com
    Helle Damkjær LEAF mirror serving dish, small
    Serene and elegant, the bowls stand firmly on a table, yet their sweeping forms inspired by the magnolia's elegant petals express infinite movement. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 70 mm W: 165 mm L: 90 mm.
  • Maria Berntsen BEAK thermo jug off-white 1L
    georgjensen.com
    Maria Berntsen BEAK thermo jug off-white 1L
    Tall and stately, it observes the world – or the world of the table – with the pride of an Emperor Penguin, its inspiration. Its rounded form is aerodynamic and elegant. Its unique shape combines fullness and angularity, giving it an immediately identifiable silhouette that stands out when used as part of a table setting. Beak’s fine organic design provides serious functionality and every aspect of the jug and pitcher is expertly designed for maximum ease of use. Its pouring system minimises drips and spills, and a push-button feature optimises liquid flow. The 1L thermo jug comes in black, off-white or warm grey and is an attractive way to serve hot or cold liquids. Materials: ABS plastic. Measurements: L 187 x W 126 x H 270 mm. Contains: 1 L. Design year: 2012.
  • Maria Berntsen BEAK pitcher
    georgjensen.com
    Maria Berntsen BEAK pitcher
    Tall and stately, it observes the world – or the world of the table – with the pride of an Emperor Penguin, its inspiration. Its rounded form is aerodynamic and elegant. Its unique shape combines fullness and angularity, giving it an immediately identifiable silhouette that stands out when used as part of a table setting. Materials: Mirror polished stainless steel. Measurements: L 155 x W 114 x H 230 mm. Contains 1.75 L. Design year: 2012.
  • Rebecca Uth Oak bowl
    georgjensen.com
    Rebecca Uth Oak bowl
    The fine conical, sloping curves and craftsmanship of this bowl transform natural materials into something utterly sophisticated. Burnished to a fine grain and smooth finish, the wood retains its organic qualities – and reminds us that masterful simplicity can be much more powerful than embellishment. The bowl is designed to match a stainless steel nutcracker (3586963), but can easily be used alone. Design year: 2012. Materials: Oak Wood. Measurements: H: 75 mm Ø: 188 mm.
  • Rebecca Uth Oak bowl, large
    georgjensen.com
    Rebecca Uth Oak bowl, large
    The fine curves and craftsmanship of this bowl transform the natural oak into something utterly sophisticated. Burnished to a fine grain and smooth finish, the wood retains its organic qualities – and reminds us that masterful simplicity can be much more powerful than embellishment. The dimensions of the bowl make it the perfect choice for salads, bread, fruit or simply decoration, and the effortlessly elegant piece is equally at home on kitchen worktops as the dinner table. Design year: 2013. Materials: Oak wood. Measurements: H: 75 mm Ø: 320 mm.
  • Maria Berntsen BEAK thermo jug warm grey 1L
    georgjensen.com
    Maria Berntsen BEAK thermo jug warm grey 1L
    Tall and stately, it observes the world – or the world of the table – with the pride of an Emperor Penguin, its inspiration. Its rounded form is aerodynamic and elegant. Its unique shape combines fullness and angularity, giving it an immediately identifiable silhouette that stands out when used as part of a table setting. Beak’s fine organic design provides serious functionality and every aspect of the jug and pitcher is expertly designed for maximum ease of use. Its pouring system minimises drips and spills, and a push-button feature optimises liquid flow. The 1L thermo jug comes in black, off-white or warm grey and is an attractive way to serve hot or cold liquids. Materials: ABS plastic. Measurements: L 187 x W 126 x H 270 mm. Contains: 1 L. Designår: 2012.
  • Maria Berntsen BEAK Porcelain jug, 350 ml
    georgjensen.com
    Maria Berntsen BEAK Porcelain jug, 350 ml
    The porcelain of the small Beak jug is a dark grey/black high temperature burnt porcelain (1200-1300°C). The porcelain is coloured all the way through and partially glazed on the inside of the surface with a black shiny glaze. The unglazed areas of the surface have been sanded down so they are smooth and nice to touch. Design year: 2012. Materials: Black porcelain. Measurements: L: 76 mm W: 112 mm H: 148 mm.
  • Helle Damkjær INDULGENCE Oyster tray
    georgjensen.com
    Helle Damkjær INDULGENCE Oyster tray
    Design year: 2013. Materials: Mirror polished stainless steel. Measurements: L: 587 mm x W: 363 mm x H: 140 mm.
  • Maria Berntsen BEAK thermo jug black 1L
    georgjensen.com
    Maria Berntsen BEAK thermo jug black 1L
    Tall and stately, it observes the world – or the world of the table – with the pride of an Emperor Penguin, its inspiration. Its rounded form is aerodynamic and elegant. Its unique shape combines fullness and angularity, giving it an immediately identifiable silhouette that stands out when used as part of a table setting. Beak’s fine organic design provides serious functionality and every aspect of the jug and pitcher is expertly designed for maximum ease of use. Its pouring system minimises drips and spills, and a push-button feature optimises liquid flow. The 1L thermo jug comes in black, off-white or warm grey and is an attractive way to serve hot or cold liquids. Materials: ABS plastic. Measurements: L 187 x W 126 x H 270 mm. Contains: 1 L. Design year: 2012.
  • Philip Bro Ludvigsen LEGACY Centerpiece
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Centerpiece
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Stainless steel, mirror polished. Measurements: Ø: 460 mm H: 64.5 mm.
  • Maria Berntsen BEAK Thermo jug, 1 L
    georgjensen.com
    Maria Berntsen BEAK Thermo jug, 1 L
    Tall and stately, it observes the world – or the world of the table – with the pride of an Emperor Penguin, its inspiration. Its rounded form is aerodynamic and elegant. Its unique shape combines fullness and angularity, giving it an immediately identifiable silhouette that stands out when used as part of a table setting. Beak’s fine organic design provides serious functionality and every aspect of the jug and pitcher is expertly designed for maximum ease of use. Its pouring system minimises drips and spills, and a push-button feature optimises liquid flow. Materials: Stainless steel, ABS plastic. Measurements: L: 187 mm, W: 126 mm, H: 270 mm.
  • Maria Berntsen BEAK Sugar bowl
    georgjensen.com
    Maria Berntsen BEAK Sugar bowl
    The porcelain of the Beak sugar bowl is a dark grey/black high temperature burnt porcelain (1200-1300°C). The porcelain is coloured all the way through and partially glazed on the inside of the surface with a black shiny glaze. The unglazed areas of the surface have been sanded down so they are smooth and nice to touch. Design year: 2012. Materials: Black porcelain and stainless steel. Measurements: L: 90 mm W: 100 mm H: 56 mm.
  • Helle Damkjær INDULGENCE Strawberry bowl
    georgjensen.com
    Helle Damkjær INDULGENCE Strawberry bowl
    Design year: 2013. Materials: Mirror polished stainless steel. Measurements: L: 369 mm x W: 244 mm x H: 95 mm.
  • Alfredo Häberli ALFREDO Bread basket, small
    georgjensen.com
    Alfredo Häberli ALFREDO Bread basket, small
    The woven form of this wire bread basket references the shapes of the other products of the Alfredo collection. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 79 mm Ø: 215 mm.
  • Alfredo Häberli ALFREDO Bread basket, large
    georgjensen.com
    Alfredo Häberli ALFREDO Bread basket, large
    The woven form of this wire bread basket references the shapes of the other products of the Alfredo collection. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 82 mm Ø: 260 mm.
  • Constantin Wortmann COBRA Bowl, small
    georgjensen.com
    Constantin Wortmann COBRA Bowl, small
    Attracting the eye with its almost liquid expression, the bowl creates a dynamic presence on any surface – and its functionality makes it the perfect choice for a stylish addition to the home. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 69 mm Ø: 191 mm.
  • Helena Rohner HELENA Jug, 400 ml
    georgjensen.com
    Helena Rohner HELENA Jug, 400 ml
    The Helena milk jug is produced in cream coloured burnt porcelain at a high temperature (1200 – 1300°C). The colouring is solid and the product is glazed with a clear shiny glaze, which adds depth to the surface. The products are dishwasher safe and may be used in microwave ovens. The products are not suitable for oven use. Design year: 2012. Materials: Cream coloured porcelain. Measurements: L: 88 mm W: 111 mm H: 128 mm.
  • Helena Rohner HELENA Sugar bowl, large
    georgjensen.com
    Helena Rohner HELENA Sugar bowl, large
    The HELENA sugar bowl combines polished stainless steel with classic porcelain for a design that is aesthetically refreshing and functionally flawless. The bowl’s clean steel lines are softened by the use of porcelain for the lid. The gently sloping shape of the bowl is subtle and organic, a beautiful addition to any table setting or tea service. Design year: 2013. Materials: Mirror polished stainless steel, cream coloured porcelain. Measurements: H: 51 mm W: 118 mm L: 117 mm.
  • Rebecca Uth SUPERNOVA Bowl, small
    georgjensen.com
    Rebecca Uth SUPERNOVA Bowl, small
    Both decorative and functional, this stunning piece fuses the ancient craft of origami with the visual drama of kaleidoscopes, resulting in an explosion of light from the lustrous material. The facetted finish, reminiscent of glass dessert plates, perfectly suits the modern home and is perfect for use on tables or as decorative floor trays. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 44 mm Ø: 240 mm.
  • Rebecca Uth SUPERNOVA Tray
    georgjensen.com
    Rebecca Uth SUPERNOVA Tray
    Both decorative and functional, this stunning piece fuses the ancient craft of origami with the visual drama of kaleidoscopes, resulting in an explosion of light from the lustrous material. The facetted finish, reminiscent of glass dessert plates, perfectly suits the modern home and is perfect for use on tables or as decorative floor trays. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 41 mm Ø: 540 mm.
  • Rebecca Uth SUPERNOVA Bowl, large
    georgjensen.com
    Rebecca Uth SUPERNOVA Bowl, large
    Both decorative and functional, this stunning piece fuses the ancient craft of origami with the visual drama of kaleidoscopes, resulting in an explosion of light from the lustrous material. The facetted finish, reminiscent of glass dessert plates, perfectly suits the modern home and is perfect for use on tables or as decorative floor trays. Design year: 2013. Materials: Mirror polished stainless steel. Measurements: H: 76 mm Ø: 400 mm.
  • Philip Bro Ludvigsen LEGACY Glass bowl, large
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Glass bowl, large
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Clear glass. Measurements: Ø: 295 mm H: 132 mm.
  • Philip Bro Ludvigsen LEGACY Glass bowl, medium
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Glass bowl, medium
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Clear glass. Measurements: Ø: 205 mm H: 91 mm.
  • Philip Bro Ludvigsen LEGACY Glass bowl, small
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Glass bowl, small
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Clear glass. Measurements: Ø: 125 mm H: 57 mm.
  • Henning Koppel WAVE HK Bowl
    georgjensen.com
    Henning Koppel WAVE HK Bowl
    The hallmark of a masterwork is that it’s made to look easy. Henning Koppel was adept at making his most miraculous works seem effortless. Employing this signature technique, Wave Bowl appears to float in spite of its substantial weight. Its asymmetry gives it the look of an abstract sculpture while maintaining its flawless functionality. Introduced in 2011. Materials: mirror polished stainless steel. Measurements: 169 x 420 x 420 mm.
  • Philip Bro Ludvigsen TWIST salt cellar with spoon
    georgjensen.com
    Philip Bro Ludvigsen TWIST salt cellar with spoon
    TWIST–inspired by maracas. The TWIST collection is inspired by the musical instrument maracas. The salt cellar is a stylish addition to your kitchen or dining room. It includes a spoon that complements the overall design. It can be used while cooking or as part of the table setting. You can also use it in place of any small bowl to serve condiments or sauces. The designer has said that when he was created TWIST, it was his aim to give each object a dose of personality. He says the spoon reminds him of a cheeky tongue when it leans to one side of the bowl’s opening. Touches like this give the objects a twist of Scandinavian humour. The cellar holds a generous amount of salt. This is a great gift for your favourite chef–or anyone who appreciates a table setting with personality. Design Year: 2006. Materials: Silk matt stainless steel.
  • Henning Koppel HK Pitcher 0.75 L, polished steel
    georgjensen.com
    Henning Koppel HK Pitcher 0.75 L, polished steel
    'Little brother' version of the original 1.9 L HK Pitcher. Design year: 2012. Materials: Stainless steel, mirror polished. Measurements: H: 248 mm / Volume: 0.75 L.
  • Maria Berntsen QUACK serving jug (beige)
    georgjensen.com
    Maria Berntsen QUACK serving jug (beige)
    QUACK–a sculpture for every day. QUACK serving jugs: winner of the 2003 Red Dot Award, a prestigious international award for excellence in design. The designer’s motto is that “a thing should never be just a thing.” Rather it should inspire emotion. Whether it makes you smile or think of a long-buried memory, good design tells a story. For the practical pieces that we use every day, this is just as important. QUACK is fun. Leaning forward, it resembles its namesake animal, though only in an abstract way. It is a compact jug but manages to hold up to 0,9 L. It can be used for hot or cold drinks. While it is not officially a thermos, the polyurethane foam insert and stopper enable it to keep liquids warm or cold for 1-2 hours. Design Year: 2003. Materials: ABS plastic.
  • Kim Buck STRINGS tray
    georgjensen.com
    Kim Buck STRINGS tray
    STRINGS tray. Materials: Stainless steel, mirror. Measurements: Ø: 370 mm, H: 110 mm.
  • SPACE Copenhagen LIQUID bowl - small
    georgjensen.com
    SPACE Copenhagen LIQUID bowl - small
    Liquid makes sculpture functional. The shapes of the bowls and tray are organic, as if formed by gravity. With their elegant sheen and sensual slopes, these pieces prove that asymmetry does not preclude perfection. With their spacious serving area, they make a grand entrance at a gathering - when empty, they can be used as decorative items to bring the dynamic shine of liquid metal to any surface. Introduced in 2011. Materials: Mirror polished stainless steel. Measurements: Ø 159 mm x H 55 mm.
  • Sigvard Bernadotte BERNADOTTE thermo jug 0,8L
    georgjensen.com
    Sigvard Bernadotte BERNADOTTE thermo jug 0,8L
    In 1938 he designed an elegant sterling silver milk jug in a unique design, which gave the inspiration to a new thermo jug. Even though the design for the thermo jug is 65 years old it is still a contemporary piece. Prince Sigvard Bernadotte was concerned with the same functionalism that plays a great part in modern design today, and this without, at any time, losing sight of the visual beauty. The large Bernadotte thermo jug was launched in 2002, and in the fall of 2011, a second smaller version is introduced. This second thermo jug is actually closer to the original design and holds 0.8 L. The thermo jug keeps liquids hot for mimimum 6 hours. Materials: The thermo jug is made from stainless steel with a chrome plated screw-on-lid and handle. The inner liner is also in stainless steel – and non-breakable. The inner part is coated to prevent the taste of coffee and tea to stay in the thermo jug. Measurements: Ø 160 x L 189 x H 188 mm.
  • Philip Bro Ludvigsen LEGACY sugar bowl
    georgjensen.com
    Philip Bro Ludvigsen LEGACY sugar bowl
    LEGACY–this new series is all about shape and function. A new LEGACY starts today. Few shapes fit more naturally in one’s hands than a voluptuous curve. With its beautifully sloping angles and mirror-polished stainless steel surface, the LEGACY sugar bowl practically begs to be used. The designer captures the contemporary idea that style and substance are never mutually exclusive. Where we have a practical need, we also have opportunity for beauty, reinvention and innovation. The sugar bowl is a wonderful addition to your table setting and sure to become a favourite part of your tea or coffee service. Start your own LEGACY today... Design year: 2009. Materials: mirror-polished stainless steel. Measurements: H: 77 mm, W: 105 mm, D: 81 mm.
  • Maria Berntsen QUACK serving jug (black)
    georgjensen.com
    Maria Berntsen QUACK serving jug (black)
    QUACK–a sculpture for every day. QUACK serving jugs: winner of the 2003 Red Dot Award, a prestigious international award for excellence in design. The designer’s motto is that “a thing should never be just a thing.” Rather it should inspire emotion. Whether it makes you smile or think of a long-buried memory, good design tells a story. For the practical pieces that we use every day, this is just as important. QUACK is fun. Leaning forward, it resembles its namesake animal, though only in an abstract way. It is a compact jug but manages to hold up to 0,9 L. It can be used for hot or cold drinks. While it is not officially a thermos, the polyurethane foam insert and stopper enable it to keep liquids warm or cold for 1-2 hours. Design Year: 2003. Materials: ABS plastic.
  • SPACE Copenhagen LIQUID tray - large
    georgjensen.com
    SPACE Copenhagen LIQUID tray - large
    Liquid makes sculpture functional. The shapes of the bowls and tray are organic, as if formed by gravity. With their elegant sheen and sensual slopes, these pieces prove that asymmetry does not preclude perfection. With their spacious serving area, they make a grand entrance at a gathering - when empty, they can be used as decorative items to bring the dynamic shine of liquid metal to any surface. Introduced in 2011. Materials: Mirror polished stainless steel. Measurements: L 618 mm x D 388 mm x H 31 mm.
  • Helle Damkjær BLOOM Mirror bowl, large
    georgjensen.com
    Helle Damkjær BLOOM Mirror bowl, large
    It was with inspiration from the form of cherry blossoms in full bloom that designer Helle Damkjær created the popular Bloom series. “My studio is based in Paris, one of Europe’s most vibrant metropolises. To challenge and contrast the inspirations I find in Europe, I enjoy travelling to the Far East to be inspired by Asia’s unique landscapes and natural forms. I was in Japan in the springtime and witnessed the overwhelming beauty of the cherry blossoms in full bloom. The delicate and soft contours of the cherry blossom’s form inspired me to create Bloom” Helle Damkjær states. The Bloom bowls are produced in stainless steel and are both suited for presenting delicious foods and for decorating any table. Design year: 2012. Matierals: Stainless steel, mirror polished. Measurements: H: 140 mm Ø: 340 mm.
  • Philip Bro Ludvigsen LEGACY milk jug
    georgjensen.com
    Philip Bro Ludvigsen LEGACY milk jug
    LEGACY–this new series is all about shape and function. A new LEGACY starts today. Few shapes fit more naturally in one’s hands than a voluptuous hourglass curve. With its beautifully sloping angles and mirror-polished stainless steel surface, the LEGACY milk jug practically begs to be used. The designer captures the contemporary idea that style and substance are never mutually exclusive. Where we have a practical need, we also have opportunity for beauty, reinvention and innovation. The milk jug is a wonderful addition to your table setting and sure to become a favourite part of your tea or coffee service. Start your own LEGACY today...
  • Verner Panton PANTON tray, small
    georgjensen.com
    Verner Panton PANTON tray, small
    MASTERPIECES celebrate our most iconic works. Verner Panton was one of the great design iconoclasts of the modern era. His works helped put Denmark on the map as a capital of cutting edge interiors and continue to influence today’s top creatives. First produced in silver in 1988, the design is now available in stainless steel. Sometimes known by the evocative nickname “Car Crash,” Panton’s tray makes an eye-catching and beautiful centrepiece or serving tray. An outstanding heritage, rendered in stainless steel for the first time. Design year: 1988, Reissue: 2010. Measurements: L 176 mm x B147 mm x 31 mm.
  • SPACE Copenhagen LIQUID bowl - medium
    georgjensen.com
    SPACE Copenhagen LIQUID bowl - medium
    Liquid makes sculpture functional. The shapes of the bowls and tray are organic, as if formed by gravity. With their elegant sheen and sensual slopes, these pieces prove that asymmetry does not preclude perfection. With their spacious serving area, they make a grand entrance at a gathering - when empty, they can be used as decorative items to bring the dynamic shine of liquid metal to any surface. Introduced in 2011. Materials: Mirror polished stainless steel. Measurements: Ø 278 mm x H 80 mm.
  • Henning Koppel Continuity Tray - 1164
    georgjensen.com
    Henning Koppel Continuity Tray - 1164
    MASTERPIECES - a tribute to Georg Jensen himself. Launched in 2008 to coincide with master designer Henning Koppel's 90th birthday, MASTERPIECES revisits Georg Jensen's original silver hollowware. Of all the designers to work with Georg Jensen through the years, Henning Koppel was among the most highly regarded. His designs played an important role in influencing the signature look of Georg Jensen, particularly in the second half of the 20th century. The designer had trained as a sculptor before turning his attention to jewellery, hollowware and cutlery. The bowl is wide, making it an ideal display piece. It is spare but sensuous, with graceful curves that are sure to be appreciated in this generation and generations to come. Georg Jensen began as a silversmith; this collection is a modern interpretation of the legacy of excellent craftsmanship that dates from the very beginning. Design Year: 2008. Materials: Polished stainless steel. Measurements: H: 50 mm, W: 380 mm, D: 330 m.
  • Philip Bro Ludvigsen LEGACY Bonbonniere (large)
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Bonbonniere (large)
    LEGACY–this egg-shaped box holds sweet surprises inside. LEGACY is a wonderful gift idea. Few shapes are a more natural fit for one’s hands than a curvaceous egg shape. As a box, it practically begs to be picked up, touched and opened. The shiny, scalloped chromium-plated surface forms a beautiful reflection. The bonbonniere is ideal for its intended use–to hold candies–but also works well as a place to put keys, jewellery and other small objects. It is a perfect decoration for Easter and springtime. You can even fill it with chocolates for an out-of the-ordinary Easter Sunday surprise. Any time of year, though, it is a piece that is sure to make you smile. Start your own LEGACY today... Can hold approximately 350-400 grams of chocolate. Design year: 2009. Materials: chromium plated zinc alloy. Measurements: W: 160 mm, H: 95 mm, D: 112 mm, V: 850 ml, weight: 650 g.
  • Philip Bro Ludvigsen LEGACY Heart Bonbonniere
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Heart Bonbonniere
    LEGACY–this heart-shaped box holds sweet surprises inside. LEGACY is a wonderful gift idea. Few things are more viscerally pleasing than the curvaceous, instantly recognisable heart shape. As a box, it practically begs to be picked up, touched and opened. The shiny, scalloped chromium-plated surface forms a beautiful reflection. The bonbonniere is ideal for its intended use–to hold candies–but also works well as a place to put keys, jewellery and other small objects. Give it to a special someone as a Valentine’s Day or Anniversary Gift or treat yourself to a piece that is sure to make you smile for months and years to come. Start your own LEGACY today... Design year: 2010. Materials: chromium plated zinc alloy. Measurements: W: 120 mm, H: 55 mm, D: 121 mm, V: 400 ml, weight: 465 g.
  • Philip Bro Ludvigsen LEGACY Bonbonniere (small)
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Bonbonniere (small)
    LEGACY–this egg-shaped box holds sweet surprises inside. LEGACY is a wonderful gift idea. Few shapes are a more natural fit for one’s hands than a curvaceous egg shape. As a box, it practically begs to be picked up, touched and opened. The shiny, scalloped chromium-plated surface forms a beautiful reflection. The bonbonniere is ideal for its intended use–to hold candies–but also works well as a place to put keys, jewellery and other small objects. It is a perfect decoration for Easter and springtime. You can even fill it with chocolates for an out-of the-ordinary Easter Sunday surprise. Any time of year, though, it is a piece that is sure to make you smile. Start your own LEGACY today... Can hold approximately 120-140 grams of chocolate. Design year: 2009. Materials: chromium plated zinc alloy. Measurements: W: 120 mm, H: 70 mm, D: 84 mm, V: 350 ml, weight: 370 g.
  • LEGACY Mirror bowl, large
    georgjensen.com
    LEGACY Mirror bowl, large
    LEGACY is based on the premise that new styles can embody the craftsmanship and quality of classic items. Introduced in 2009, Philip Bro Ludvigsen’s LEGACY collection reminds us that beautiful house wares need not be old-fashioned to be the kinds of pieces that are passed down through generations. Following the warm reception of the original LEGACY pieces, the designer now introduces a series of bowls that have the same appealingly shiny, curved surfaces that won the original designs so many admirers. Made of mirror polished stainless steel, they have the durability required of a true legacy. The rounded, reflective shapes of LEGACY can be used for anything: they make an elegant addition to a snack tray and give mundane items like keys or coins a beautiful home. Use them to create a seasonal display that will be remembered long after the season has changed. Measurements: H: 111 mm, Ø: 250 mm.
  • Alfredo Häberli ALFREDO salad bowl, stainless steel
    georgjensen.com
    Alfredo Häberli ALFREDO salad bowl, stainless steel
    The Alfredo salad bowl comes crafted in both stainless steel and porcelain which is a beautiful contrast to the collection’s salad servers in oak wood. The bowls can of course be used for many other kinds of food such as serving of pasta, potatoes, popcorn, fruit or mussels. Ø 280 mm.
  • Helle Damkjær FORMA Serving board/cheese board with all round cheese knife
    georgjensen.com
    Helle Damkjær FORMA Serving board/cheese board with all round cheese knife
    The FORMA cheese board/serving board brings Danish ingenuity to the realm of gastronomy with this sleek oak cheese and serving board. The polished and treated wood is both utilitarian and chic, a lovely addition to any table setting. Its versatility makes the board suitable for a casual supper or cocktail hour as well as a more formal dinner. Design year: 2009. Materials: Stainless steel, matte and oak. Steel type: Handle: 18/10, blade: CrMoV 15. Measurements: Board: H: 22 mm, W: 260 mm, D: 405 mm. Knife: H: 214 mm.
  • Verner Panton PANTON Tray, large
    georgjensen.com
    Verner Panton PANTON Tray, large
    MASTERPIECES celebrate our most iconic works. Verner Panton was one of the great design iconoclasts of the modern era. His works helped put Denmark on the map as a capital of cutting edge interiors and continue to influence today’s top creatives. First produced in silver in 1988, the design is now available in stainless steel. Sometimes known by the evocative nickname “Car Crash,” Panton’s tray makes an eye-catching and beautiful centrepiece or serving tray. An outstanding heritage, rendered in stainless steel for the first time. Design year: 1988, Reissue: 2010. Measurements: L 440 mm x B 360 mm x H 74 mm.
  • MASTERPIECES Tray
    georgjensen.com
    MASTERPIECES Tray
    MASTERPIECES–based on original Georg Jensen hollowware. Available for the first time since 1955. One of Georg Jensen’s greatest legacies was its development of functional, modern design during the post World War II period. The Danish designer Magnus Stephensen was a pioneer of this clean and unadorned style. Having studied in Japan, he brought the subtle aesthetic he learned abroad to the works he created for Georg Jensen. This tray is a wonderful example of his work. It combines a contemporary edge with superior craftsmanship. The mirror polished tray debuted in 1955 and today can be used as a chic centrepiece for a table setting or to add a touch of modernist flair to any surface. Contemporary then, contemporary now. Design Year: 1955/2010. Materials: mirror polished stainless steel. Measurements: H 55mm/ W 183mm/ D 430mm.
  • Philip Bro Ludvigsen LEGACY Mirror bowl, medium
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Mirror bowl, medium
    LEGACY is based on the premise that new styles can embody the craftsmanship and quality of classic items. Introduced in 2009, Philip Bro Ludvigsen’s LEGACY collection reminds us that beautiful house wares need not be old-fashioned to be the kinds of pieces that are passed down through generations. Following the warm reception of the original LEGACY pieces, the designer now introduces a series of bowls that have the same appealingly shiny, curved surfaces that won the original designs so many admirers. Made of mirror polished stainless steel, they have the durability required of a true legacy. The rounded, reflective shapes of LEGACY can be used for anything: they make an elegant addition to a snack tray and give mundane items like keys or coins a beautiful home. Use them to create a seasonal display that will be remembered long after the season has changed.
  • Alfredo Häberli PEACOCK PITCHER
    georgjensen.com
    Alfredo Häberli PEACOCK PITCHER
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  • Philip Bro Ludvigsen LEGACY pitcher
    georgjensen.com
    Philip Bro Ludvigsen LEGACY pitcher
    LEGACY–this new series is all about shape and function. A new LEGACY starts today. Few shapes fit more naturally in one’s hands than a voluptuous hourglass curve. With its beautifully sloping angles and mirror-polished stainless steel surface, the LEGACY pitcher practically begs to be used. The designer captures the contemporary idea that style and substance are never mutually exclusive. Where we have a practical need, we also have opportunity for beauty, reinvention and innovation. The pitcher is a wonderful addition to your table setting and sure to be a favourite conversation piece for years to come. Start your own LEGACY today... Design year: 2009. Materials: mirror-polished stainless steel. Measurements: H: 284 mm, W: 131 mm, D: 186 mm, V: 1000 ml.
  • Philip Bro Ludvigsen LEGACY Mirror bowl, x-large
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Mirror bowl, x-large
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Stainless steel, mirror polished. Measurements: Ø: 340 mm H: 151 mm.
  • Philip Bro Ludvigsen LEGACY Bowl with spoon
    georgjensen.com
    Philip Bro Ludvigsen LEGACY Bowl with spoon
    Shape and functionality are the keywords of the Legacy series. In 2009 when Georg Jensen first introduced the Legacy concept. designer Philip Bro Ludvigsen described the series with these words: “My ambition with the Legacy-series was to create a beautiful decoration for the home in a contemporary design. I think I have succeeded and everywhere I have presented the design with the beautiful shapes, which reflect the surroundings in the shiny and curved surfaces, I have been met with spontaneous joy and positive reactions”. Design year: 2012. Materials: Stainless steel, mirror polished. Measurements: Ø: 100 mm H: 45 mm.
  • Alfredo Häberli ALFREDO salt/sugar dispenser
    georgjensen.com
    Alfredo Häberli ALFREDO salt/sugar dispenser
    ALFREDO moves with you from the kitchen to the dining room, its ergonomic shapes equally at home in your hands or on a counter or tabletop. The materials complement one another, so that the collection is more harmonious than homogenous. Materials: mirror polished stainless steel. Measurements: Ø 69 x H 135 mm. Design: Alfredo Häberli.
  • Alfredo Häberli ALFREDO salt/pepper, stainless steel
    georgjensen.com
    Alfredo Häberli ALFREDO salt/pepper, stainless steel
    The Alfredo Salt and Pepper mills are crafted in stainless steel. The grinder in both items are an “AllGrind – Ceramic Technology” – this is the highest quality and long-lasting technology of grinds. The size of the grounds can easily be adjusted by turning the grey screw in the bottom of the mill. H 200 mm.
  • Sigvard Bernadotte BERNADOTTE Thermo
    georgjensen.com
    Sigvard Bernadotte BERNADOTTE Thermo
    BERNADOTTE - based on a design from 1938, as a vacuum jug it has modern day practicality. Originally designed as a jug, the BERNADOTTE vacuum jug retains the original form for a unique combination of old meets new. Prince Sigvard Bernadotte, son of the Swedish King Gustav VI Adolf designed a number of silver goods throughout his life. He brought a Scandinavian sensibility to each of his designs. The original BERNADOTTE jug dates from 1938. At that time, functionalism was an important movement in the design world. He kept this aesthetic throughout his life, always coming up with new ways to combine the beautiful with the useful. The vacuum jug was his final design. The thermo jug holds 1 L and keeps liquids hot for mimimum 6 hours. Design Year: 2002. Materials: chrome-plated steel, inner coating. Measurements: 1 L.
  • Kim Buck STRINGS bowl
    georgjensen.com
    Kim Buck STRINGS bowl
    STRINGS bowl. Materials: Stainless steel, mirror. Measurements: Ø: 223 mm, H: 271 mm.
  • Philip Bro Ludvigsen LEGACY bread basket
    georgjensen.com
    Philip Bro Ludvigsen LEGACY bread basket
    LEGACY–this new series is all about shape and function. A new LEGACY starts today. Few shapes fit more naturally in one’s hands than a voluptuous curve. With its beautifully sloping angles and mirror-polished stainless steel surface, the LEGACY bread basket re-imagines the classic pantry staple for a whole new generation. The designer captures the contemporary idea that style and substance are never mutually exclusive. Where we have a practical need, we also have opportunity for beauty, reinvention and innovation. The bread basket is a wonderful addition to your pantry and sure to become a favourite kitchen piece. Start your own LEGACY today... Design year: 2009. Materials: mirror-polished stainless steel. Measurements: H: 74 mm, W: 301 mm, D: 308 mm.
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