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Similar products to: Eero Saarinen Womb Chair in Fabric, Black Frame

  • Knoll Saarinen Tulip Arm Chair - Platinum
    hivemodern.com
    Knoll Saarinen Tulip Arm Chair - Platinum
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In 1956, Eero Saarinen addressed the "ugly, confusing, unrestful world resulting from the slum of legs underneath typical chairs and tables." In 1957, Knoll unveiled the Pedestal Collection by Eero Saarinen, known today as the Tulip Collection, which has evolved into a symbol of mid-century modern design and a mainstay of the Knoll design legacy. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. He collaborated with Charles Eames in 1937 which led to the creation of the Organic Armchair. Saarinen continued to develop great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Chairs feature a heavy, molded cast aluminum base and molded fiberglass shell. Platinum finish consists of a high-resilient polyurethane enamel wet coat with a clear satin finish. Chairs are available with or without arms in a fixed position or with swivel action. Base and shell finishes are available in white, black and platinum. Seat cushion is available in your choice of a variety of fabric options. 26" W | 23.25" d | 32" h | seat: 18" h | arm: 25.4" h.
  • Knoll Saarinen Tulip Side Chair - Platinum
    hivemodern.com
    Knoll Saarinen Tulip Side Chair - Platinum
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In 1956, Eero Saarinen addressed the "ugly, confusing, unrestful world resulting from the slum of legs underneath typical chairs and tables." In 1957, Knoll unveiled the Pedestal Collection by Eero Saarinen, known today as the Tulip Collection, which has evolved into a symbol of mid-century modern design and a mainstay of the Knoll design legacy. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. He collaborated with Charles Eames in 1937 which led to the creation of the Organic Armchair. Saarinen continued to develop great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Chairs feature a heavy, molded cast aluminum base and molded fiberglass shell. Platinum finish consists of a high-resilient polyurethane enamel wet coat with a clear satin finish. Chairs are available with or without arms in a fixed position or with swivel action. Base and shell finishes are available in white, black and platinum. Seat cushion is available in your choice of a variety of fabric options. 20" W | 18.5" h | 21.25" d | seat: 18.5" h.
  • Knoll Saarinen Side Chair - Metal Legs
    hivemodern.com
    Knoll Saarinen Side Chair - Metal Legs
    Design Eero Saarinen, 1957. Tubular steel legs, polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Side chair: 24.25" w | 20.5" d | 31.75" h | seat: 18.75" h.
  • Knoll Platner Lounge Chair
    julesseltzerstore.com
    Knoll Platner Lounge Chair
    In the 1960’s, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. Construction: Vertical steel wire rods feature bright nickel finish with clear lacquer protection. Chair inclues a molded fiberglass shell and foam cushion; cushion attaches to seat with Velcro. Fabric: Available in knollTextiles Extreme Velvet: Woven of 100 percent Trevira CS polyester, Extreme Velvet is one of the first inherently fire resistant velvets.
  • Artifort Oyster Lounge Chair
    hivemodern.com
    Artifort Oyster Lounge Chair
    Design Pierre Paulin, 1960. Foam upholstered shell, chrome frame. Made in The Netherlands by Artifort. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. True design is timeless. It survives all trends. Without aging. Take Oyster for instance. Modern, exciting, smart, respectable, comfortable. One of the first designs in the Classic Collection and 'the easy' chair of the sixties. The chromed metal base is so minimalist that the seating shell seems to float. All over the world, this chair decorated, and still decorates, the living areas of Artifort fans with a feeling for style. The Oyster was in the Artifort collection until 1979 and by request, it was brought back into the collection in 1999. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. 35.8" W | 29.1" d | 33.5" h | seat: 14.2" h. Base is offered in chrome. Matching ottoman also available.
  • Knoll Platner Lounge Chair
    hivemodern.com
    Knoll Platner Lounge Chair
    Design Warren Platner, 1966. Steel wire rod, upholstery. Made in Italy by Knoll. In the 1960s, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. The Platner collection's unique harmonious forms are produced by welding steel wire rods to circular frames, producing a moire effect and capturing the decorative, gentle, graceful quality that Platner sought to achieve. All metal components are finished in bright nickel with a clear lacquer protective coating. The Platner collection also includes a side chair, low stool, plus dining side and coffee tables. The Platner seating collection features vertical steel wire rods welded to circular horizontal and edge-framing rods. The frame base has a clear plastic extrusion ring for a smooth bottom surface. The seat is a molded fiberglass shell & molded latex foam cushion. This collection is offered in your choice of either a bright nickel with clear lacquer protection or painted bronze metallic frame. 36.5" W | 25.5" d | 30.25" h | seat: 18.5" h.
  • Magis Flower Chair
    hivemodern.com
    Magis Flower Chair
    Design Pierre Paulin, 2009. Polycarbonate, fabric. Made in Italy by Magis. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. In 2001, towards the end of his 60-year-long career, Pierre Paulin started a fruitful collaboration with Magis. This collaboration led to the design of the Flower. An elegant low chair made of polycarbonate, Flower portrays Paulin's innovative style, evocative imagery and modern aesthetic. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. Flower is offered with a transparent shell in either smoke grey or light brown and a seat cushion upholstered in your choice of fabric or leather. 30.7" H | 31.9" w | 25.2" d | seat: 17.5" h.
  • Knoll Saarinen Plastic Back Side Chair
    hivemodern.com
    Knoll Saarinen Plastic Back Side Chair
    Design Eero Saarinen, 1957. Tubular steel, polycarbonate back, upholstered seat. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. This chair is available without arms, and features chromed, tubular-steel legs. This armless, plastic back version, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Side chair: 24.25" w | 20.5" d | 31.75" h | seat: 18.75" h. Available with either a white or black plastic back with tubular steel legs in your choice of seat upholstery.
  • Artek Armchair 406
    hivemodern.com
    Artek Armchair 406
    Design Alvar Aalto, 1939. Bent birch plywood, linen webbing. Made in Finland by Artek. "God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper." -Alvar Aalto. Another sculptural chair which seems to test the limits of bent plywood manufacturing. The chair's framework consists of cantilevered laminated wood legs (which flex for your sitting comfort), the seat and back are upholstered in linen webbing. Aalto chose to use native birch for its natural feel and insulating properties. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework is natural lacquered birch, the seat and back are offered with linen webbing in your choice of colors. 23.6" W | 28.3" d | 34.3" h | seat: 15.6" h.
  • Saarinen Knoll Swivel Arm Chair
    hivemodern.com
    Saarinen Knoll Swivel Arm Chair
    Design Eero Saarinen, 1957. Five-star steel base, polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Swivel arm chair: 25.25" w |24" d | 31"-36.25" h | seat: 16.5" - 21.75" h.
  • Artek Armchair 403
    hivemodern.com
    Artek Armchair 403
    Design Alvar Aalto, 1932. Birch, birch plywood. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. This sculptural, stackable chair seems to test the limits of bent plywood manufacturing. The chair's framework consists of birch wood legs, between which rides the seat-a thin sheet of plywood slightly curved at both top and bottom. A chair with great design, elegant style and fun colors perfect for any space, public or private. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. Armchair 403 features natural lacquered birch framework, the molded birch plywood seat is available lacquered white or black. 20.5" W | 23.6" d | 31.6" h | seat: 16.5" h.
  • Saarinen Knoll Swivel Side Chair
    hivemodern.com
    Saarinen Knoll Swivel Side Chair
    Design Eero Saarinen, 1957. Five-star steel base. Polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Armless swivel: 24.75" w | 24" d | 31"- 36.25" h | seat: 14.5" - 19.75" h.
  • Artek Paimio Armchair 41
    hivemodern.com
    Artek Paimio Armchair 41
    Design Alvar Aalto, 1931. Bent birch plywood. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Admired as much for its sculptural presence as for its comfort, the Paimio Chair (also known as chair 41) seems to test the limits of bent plywood manufacturing. The chair's framework consists of two closed loops of laminated wood, between which rides the seat-a thin sheet of plywood tightly bent at both top and bottom into sinuous scrolls, giving it greater resiliency. Inspired by Marcel Breuer's tubular-steel Wassily Chair of 1927-28, Aalto chose, instead, native birch for its natural feel and insulating properties, and developed a more organic form. Available in your choice of finish options. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. 23.6" W | 31.5" d | 25.2" h | seat: 13" h.
  • Klaussner Craven Left-Facing Chaise Lounge
    purehome.com
    Klaussner Craven Left-Facing Chaise Lounge
    Expertly crafted at Klaussner's North Carolina headquarters, the left-facing Craven chaise is a centerpoint of graceful relaxation. A pair of elegant button-tufted cushions are framed by a low, slim arm on one side and a curve of cushion on the other. The traditional silhouette is further modernized by tapered wood legs that both anchor and elevate the form. Available in multiple colors and fabrics. Cotton Basket Weave: All-cotton fabric woven in a criss-crossing pattern. 100% cotton. Slubby Weave: Defined by its textured and nubby handfeel. 100% polyester. Linen Blend: Subtly textured linen blend with subtle color variation. 86% polyester / 14% linen. Cotton Twill: Solid-color cotton with a diagonal weave. 100% cotton. Left-facing. Wood legs. 71" W x 37" D x 32" H. Seat: 23" D x 21" H. Craven collection. Made in the USA | American and imported materials.
  • Klaussner Craven Right-Facing Chaise Lounge
    purehome.com
    Klaussner Craven Right-Facing Chaise Lounge
    Expertly crafted at Klaussner's North Carolina headquarters, the right-facing Craven chaise is a centerpoint of graceful relaxation. A pair of elegant button-tufted cushions are framed by a low, slim arm on one side and a curve of cushion on the other. The traditional silhouette is further modernized by tapered wood legs that both anchor and elevate the form. Available in multiple colors and fabrics. Cotton Basket Weave: All-cotton fabric woven in a criss-crossing pattern. 100% cotton. Slubby Weave: Defined by its textured and nubby handfeel. 100% polyester. Linen Blend: Subtly textured linen blend with subtle color variation. 86% polyester / 14% linen. Cotton Twill: Solid-color cotton with a diagonal weave. 100% cotton. Right-facing. Wood legs. 71" W x 37" D x 32" H. Seat: 23" D x 21" H. Craven collection. Made in the USA | American and imported materials.
  • Artek Armchair 402
    hivemodern.com
    Artek Armchair 402
    Design Alvar Aalto, 1933. Bent birch plywood, upholstery. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Another sculptural chair which seems to test the limits of bent plywood manufacturing. The chair's framework consists of cantilevered laminated wood legs (which flex for your sitting comfort), between which rides the seat. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework is natural lacquered birch, the seat is available upholstered in a variety of fabrics. 24.1" W | 27.6" d | 29.9" h | seat: 16.5" h.
  • Knoll Saarinen Arm Chair - Wood Legs
    hivemodern.com
    Knoll Saarinen Arm Chair - Wood Legs
    Design Eero Saarinen, 1957. Wood legs, polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Arm chair: 25.5" w | 24.5" d | 31.5" h | seat: 18" h.
  • Eero Saarinen Saarinen Executive Side Chair with Metal Legs in Leather
    dwr.com
    Eero Saarinen Saarinen Executive Side Chair with Metal Legs in Leather
    The design of Eero Saarinen's Executive Side Chair (1946) began more than a decade earlier, when he and Charles Eames submitted several designs to the Organic Design in Home Furnishings competition at the MoMA. The pair, who'd been friends and collaborators since meeting at Cranbrook Academy of Art, won first prize. These fluid, sculptural shapes influenced the future work of both men; for Saarinen, most notably in his Womb, Tulip and Executive chairs. The Executive was originally made of fiberglass but was later updated in polyurethane to take advantage of the technical advances in plastics. The feel of this classic seat, however, remains unchanged. The molded shell flexes slightly with the sitter and the contoured plywood seat supported by metal or wood legs. Unlike Saarinen's furniture, which was consistently sculptural in form, these fluid lines didn't appear in his architecture until the 1950s. When looking at the dome-shaped glass wall of the Kresge Auditorium at MIT, it's not a big leap to see the same shape in the back of his Executive Chair. This chair is Greenguard Indoor Air Quality Certified; for its use of low-emitting products. Manufactured by Knoll® according to the original and exacting specifications of the designer. Made in U.S.A.
  • Knoll Platner Side Chair
    julesseltzerstore.com
    Knoll Platner Side Chair
    In the 1960’s, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. Construction: Vertical steel wire rods feature bright nickel finish with clear lacquer protection. Chair inclues a molded fiberglass shell and foam cushion; cushion attaches to seat with Velcro. Fabric: Available in knollTextiles Extreme Velvet: Woven of 100 percent Trevira CS polyester, Extreme Velvet is one of the first inherently fire resistant velvets.
  • Knoll Bertoia Side Chair With Back Pad & Seat Cushion
    hivemodern.com
    Knoll Bertoia Side Chair With Back Pad & Seat Cushion
    Design Harry Bertoia, 1952. Welded steel rods, upholstery. Made in USA by Knoll. Harry Bertoia's 1950 experiment with bending metal rods into practical art produced a revered collection of seating, including the exquisite Bertoia side chair. Innovative, comfortable and strikingly handsome, the chair's delicate appearance belies its strength and durability. In Bertoia's own words, "If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them." A classic, modern design that enhances any environment, Bertoia's side chair remains a fascinating study in bent metal and a fixture of mid-century design. Knoll is the only authorized and licensed manufacturer of the Bertoia Collection which has been in continuous production since 1952. Italian sculptor, university lecturer and furniture designer, Harry Bertoia was an inventor of form and an enricher of design. He introduced a new material by turning industrial wire rods into a design icon. Educated at the Detroit School of Arts & Crafts and Cranbrook Academy of Art. Bertoia taught metal crafts at Cranbrook while working with Charles Eames to develop his signature molded plywood chairs. Eero Saarinen commissioned him to design a metal sculptured screen for the General Motors Technical Center in Detroit. His awards include the craftsmanship medal from the American Institute of Architects, as well as AIA's Gold Medal. The frames are welded steel with rods of chrome polished or powder-coated paint, available in a variety of color finishes. Seat cushions & back pads have fabric edges and secure to chair with lock-snaps. The Bertoia side chair is available unupholstered, with a seat cushion, seat & back cushion or fully upholstered. With proper care and limited exposure to the elements, the Bertoia Collection unupholstered, with seat cushion or back pad & seat cushion are appropriate for outdoor environments. Please specify powder-coat (red, yellow, green, blue, black or white) and appropriate upholstery - belize, vinyl, noble or rio (if applicable). 21.75" W | 19.75" d | 28.75" h | seat: 17.75" h.
  • Jonathan Adler Brigitte Lounge Chair
    jonathanadler.com
    Jonathan Adler Brigitte Lounge Chair
    Sculptural Seating Channel tufted lines accentuate the sculptural organic form of the Brigitte Chair. The polished brass legs and orange slubby linen upholstery give it a futuristic twinkle. It's mod, it's surreal, it's sculptural, it's just what you need. This is one of Jonathan's all time favorites. Orange tufted upholstery with polished brass legs. 30" Wide x 34" deep x 34" high. Seat depth 21".
  • Artek Armchair 401
    hivemodern.com
    Artek Armchair 401
    Design Alvar Aalto, 1933. Bent birch plywood, upholstery. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Another sculptural chair which seems to test the limits of bent plywood manufacturing. The chair's framework consists of cantilevered laminated birch wood legs (which flex for your sitting comfort), between which rides the seat. The high headrest makes this lounge a perfect destination for relaxing. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework is natural lacquered birch, seat with springs and PU foam. Armchair 401 is available upholstered in a variety of fabrics or leather. 24.6" W | 31.5" d | 41.3" h | seat: 15.7" h.
  • Klaussner Craven Chair
    purehome.com
    Klaussner Craven Chair
    A play on proportions, the Craven chair is clearly a fan of clean and modern lines, and was expertly crafted at Klaussner's North Carolina headquarters. Traditional button tufting lines the back and seat cushions, which are flanked by slender arms. Welting on the seat and sides adds subtle detail and dimension. It's held aloft by wooden legs unconventionally inset from the chair's edge. Available in multiple colors and fabrics. Cotton Basket Weave: All-cotton fabric woven in a criss-crossing pattern. 100% cotton. Slubby Weave: Defined by its textured and nubby handfeel. 100% polyester. Linen Blend: Subtly textured linen blend with subtle color variation. 86% polyester / 14% linen. Cotton Twill: Solid-color cotton with a diagonal weave. 100% cotton. Wood legs. 35" W x 37" D x 32" H. Seat: 23" D x 21" H. Craven collection. Made in the USA | American and imported materials.
  • Knoll Platner Arm Chair
    hivemodern.com
    Knoll Platner Arm Chair
    Design Warren Platner, 1966. Steel wire rod, upholstery. Made in Italy by Knoll. In the 1960s, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. The Platner collection's unique harmonious forms are produced by welding steel wire rods to circular frames, producing a moire effect and capturing the decorative, gentle, graceful quality that Platner sought to achieve. All metal components are finished in bright nickel with a clear lacquer protective coating. The Platner collection also includes a side chair, low stool, plus dining side and coffee tables. The Platner seating collection features vertical steel wire rods welded to circular horizontal and edge-framing rods. The frame base has a clear plastic extrusion ring for a smooth bottom surface. The seat is a molded fiberglass shell & molded latex foam cushion. This collection is offered in your choice of either a bright nickel with clear lacquer protection or painted bronze metallic frame. 26.5" W | 22" d | 28.75" h | seat: 19" h.
  • Knoll Saarinen Side Chair - Wood Legs
    hivemodern.com
    Knoll Saarinen Side Chair - Wood Legs
    Design Eero Saarinen, 1957. Wood legs, polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Side chair: 24.25" w | 20.5" d | 31.5" h | seat: 18.75" h.
  • Knoll Platner Easy Chair
    hivemodern.com
    Knoll Platner Easy Chair
    Design Warren Platner, 1962. Steel wire rod, upholstery. Made in Italy by Knoll. In the 1960's, Warren Platner transformed steel wire into a sculptural furniture collection, creating what is now considered a design icon of the modern era. The Platner collection's unique harmonious forms are produced by welding steel wire rods to circular frames, producing a moire effect and capturing the decorative, gentle, graceful quality that Platner sought to achieve. The hand crafted Easy Chair, a popular sculptural icon paring geometry and color, is the epitome of curvy comfort; it is available with or without the Ottoman, which can also be used independently. Warren Platner's collection of seating and tables using nickel-plated bent wire as a structural and decorative element has captivated furniture enthusiasts worldwide. While many Platner Collection pieces have been in continuous production, the Easy Chair and Ottoman were only produced between 1966-1988 and now re-released for 2014. The Easy Chair offers a generous seat and a high back, enveloping the sitter in comfort. The Platner collection also includes a side chair, low stool plus dining, side and coffee tables. The Platner seating collection features vertical steel wire rods welded to circular horizontal and edge-framing rods. The frame base has a clear plastic extrusion ring for a smooth bottom surface. The seat is a molded fiberglass shell with highly resiliant molded urethane foam cushions. Seat cushion utilizes the same highly resilient molded urethane foam cushion. Finished in bright nickel with a clear lacquer protection. Easy chair: 39.9" w | 37" d | 38.75" h | seat: 18.75" h.
  • Carl Hansen & Son Ta001 Dream Chair
    hivemodern.com
    Carl Hansen & Son Ta001 Dream Chair
    Design Tadao Ando, 2013. Solid wood, down, cold foam, upholstery. Made in Denmark by Carl Hansen & Son. The Dream Chair was designed especially for Carl Hansen & Son by Tadao Ando as a tribute to Hans J. Wegner. It seeks to express the same harmonious, minimalist expression typical of Wegner's designs. The Dream Chair is a comfortable piece of furniture that invites relaxed reflection. A sculptural work of art in itself, the chair is particularly well suited for larger rooms where it can be seen and enjoyed from all angles. The Dream chair is made of three-dimensional plywood, which has special characteristics that allows it to be curved along two axles during the molding process. Tadao Ando is a leading figure in international architecture and design. He was initiated into the profession in the early 1960s, and has since developed his skills independently as his contemporary work has become increasingly sought after. Highly regarded as an expert in his field, Ando is one of the most renowned and respected architects in the world, influencing future generations with his innovative approach to design. The autodidactic architect is renowned for uniting Japanese design traditions with modern Western expression and combining pure, simple lines with geometric shapes and organic expression. Tadao Ando founded Tadao Ando Architects & Associates in 1969. He has since achieved international acclaim and his works have received numerous prestigious awards. The Dream Chair is available in either oiled or lacquered oak or walnut with or without upholstered front in leather or fabric. Both models include an adjustable neck cushion (2.75" adjustment) in your choice of upholstery. The chair can hold up to 350 lbs. 39.4" H | 33.9" d | 31.5" w | seat: 15" h.
  • Knoll Womb Chair by Eero Saarinen
    hauslondon.com
    Knoll Womb Chair by Eero Saarinen
    The Womb chair was designed by Eero Saarinen in 1946 and is made exclusively for Knoll. It has become one of the most iconic and recognized representations of mid - century organic modernism. By applying foam molded over a fiberglass shell, Saarinen created a single - piece form that perfectly facilitates a relaxed sitting posture - hence its name. The chair is also available in a larger and smaller size. The ottoman comes in medium and large sizes. Materials: Chair constructed of foam over a molded, reinforced fiberglass shell. Ottoman - foam cushion over molded plywood platform. Includes separate seat, back and ottoman cushions of polyester fiber with foam core. Both chair and ottoman feature stainless steel and nylon articulating glides. Upholstery available in a wide range of fabrcis. Prices shown are for medium and large sizes in Knoll Felt or Hopsack (Group c), please call us for the full range of fabrics and colours. Our price includes cushions, although the chair is available without, and the cushions are available separately. Dimensions: Small Size - Height 72cm x Width 79cm x Depth 71cm (Seat Height 37cm) Medium Size - Height 79cm x Width 89cm x Depth 79cm (Seat Height 38cm) Large Size - Height 92cm x Width 106cm x Depth 94cm (Seat Height 45cm)
  • Artek Armchair 400 Tank Chair
    hivemodern.com
    Artek Armchair 400 Tank Chair
    Design Alvar Aalto, 1936. Bent birch plywood, upholstery. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Armchair 400, the "tank chair" is one of Aalto's classic pieces. Another sculptural chair which seems to test the limits of bent plywood manufacturing. The chair's framework consists of cantilevered laminated birch wood legs (which flex for your sitting comfort), between which rides the seat. An impressive design which offers exceptional comfort. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework is natural lacquered birch, seat with no-sag springs, PU foam and dacron. Armchair 400 is available upholstered in a variety of fabrics or leather. 30.3" W | 30.3" d | 25.6" h | seat: 14.5" h.
  • Vitra Amoebe Highback Chair
    hivemodern.com
    Vitra Amoebe Highback Chair
    Design Verner Panton, 1970. Laminated structure, foam upholstery. Made in Germany by Vitra. "Most people spend their lives living in dreary, beige conformity, mortally afraid of using color. The main purpose of my work is to provoke people into using their imagination and make their surroundings more exciting." -Verner Panton. The Amoebe was originally dreamed up for Panton's Visiona installation. It is a marvelous example of close-to-the-floor lounge furniture and embodies the spirit of the early 70's. Amoebe highback has a flexible backrest that curves over the head of the sitter, forming a sculptural canopy. In this way, Amoebe highback creates a sense of shelter and seclusion - especially in large, open spaces. As one of the most influential and remarkable designers of the era, Verner Panton has created objects, spaces and art. His original, space age designs have won numerous awards and been exhibited in museums and private collections around the world. His ideaologies and design concepts are apparent and have had great influence on 21st century design. 50" H | 24.5" w | 34.5" d.
  • Knoll Saarinen Tulip Arm Chair - White
    hivemodern.com
    Knoll Saarinen Tulip Arm Chair - White
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In his purist approach to design, Finnish-born Eero Saarinen sought out the essential idea and reduced it to the most effective structural solution. He designed the 1956 Tulip chair in terms of its setting, rather than a particular shape. "In any design problem, one should seek the solution in terms of the next largest thing." he said. "If the problem is a chair, then its solution must be found in the way it relates to the room..." In Tulip Saarinen realized his ideal of formal unity: "Every significant piece of furniture has a holistic structure." Winner of the 1969 Museum of Modern Art Award, the Tulip is Saarinen's genius solution to clearing up the "slum of legs" that populates the under-carriage of most dining sets. The Saarinen tulip armchair features a cast aluminum base with a rilsan coated finish. Shell is molded fiberglass with a reinforced plastic bonded finish. Upholstered foam cushion is removable, with zippered cover and velcro fastening. Base and shell finishes are available in white, black or silver. Upholstery available with a seat cushion only or with a fully upholstered inner shell. 26" W | 23.25" d | 32" h | seat: 18" h | arm: 25.4" h.
  • Carl Hansen & Son Ta001 Dream Chair - Upholstered
    hivemodern.com
    Carl Hansen & Son Ta001 Dream Chair - Upholstered
    Design Tadao Ando, 2013. Solid wood, down, cold foam, upholstery. Made in Denmark by Carl Hansen & Son. The Dream Chair was designed especially for Carl Hansen & Son by Tadao Ando as a tribute to Hans J. Wegner. It seeks to express the same harmonious, minimalist expression typical of Wegner's designs. The Dream Chair is a comfortable piece of furniture that invites relaxed reflection. A sculptural work of art in itself, the chair is particularly well suited for larger rooms where it can be seen and enjoyed from all angles. The Dream chair is made of three-dimensional plywood, which has special characteristics that allows it to be curved along two axles during the molding process. Tadao Ando is a leading figure in international architecture and design. He was initiated into the profession in the early 1960s, and has since developed his skills independently as his contemporary work has become increasingly sought after. Highly regarded as an expert in his field, Ando is one of the most renowned and respected architects in the world, influencing future generations with his innovative approach to design. The autodidactic architect is renowned for uniting Japanese design traditions with modern Western expression and combining pure, simple lines with geometric shapes and organic expression. Tadao Ando founded Tadao Ando Architects & Associates in 1969. He has since achieved international acclaim and his works have received numerous prestigious awards. The Dream Chair is available in either oiled or lacquered oak or walnut with or without upholstered front in leather or fabric. Both models include an adjustable neck cushion (2.75" adjustment). Neck cushion will be upholstered to match chair. The chair can hold up to 350 lbs. 39.4" H | 33.9" d | 31.5" w | seat: 15" h.
  • Knoll Saarinen Tulip Side Chair - White
    hivemodern.com
    Knoll Saarinen Tulip Side Chair - White
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In his purist approach to design, Finnish-born Eero Saarinen sought out the essential idea and reduced it to the most effective structural solution. He designed the 1956 Tulip chair in terms of its setting, rather than a particular shape. "In any design problem, one should seek the solution in terms of the next largest thing." he said. "If the problem is a chair, then its solution must be found in the way it relates to the room..." In the Tulip, Saarinen realized his ideal of formal unity: "Every significant piece of furniture has a holistic structure." Winner of the 1969 Museum of Modern Art Award, the Tulip is Saarinen's genius solution to clearing up the "slum of legs" that populates the under-carriage of most dining sets. Construction notes: Base is a cast aluminum, rilsan coated finish. Shell is molded fiberglass with a reinforced plastic bonded finish. Upholstered foam cushion is removable, with zippered cover and velcro fastening. Base and shell finish available in white or black. Upholstery available with a seat cushion only or with a fully upholstered inner shell. The signature of Eero Saarinen is located on the underside of the base. 20" W | 32" h | 21.25" d | seat: 18.5" h.
  • Artek Lounge Chair 43
    hivemodern.com
    Artek Lounge Chair 43
    Design Alvar Aalto, 1937. Natural lacquered birch, linen webbing. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Another sculptural chair which seems to test the limits of bent plywood manufacturing. The Lounge Chair 43's framework consists of cantilevered laminated wood legs (which flex a bit for sitting comfort), between which the lounge is upholstered with linen webbing. Aalto chose to use native birch for its natural feel and insulating properties. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework of Lounge Chair 43 is natural lacquered birch upholstered in your choice of natural or black linen webbing. 64.5" D | 27.5" h | seat: 16.1" h | arms: 20.8" h.
  • Artek Kiki Lounge Chair
    hivemodern.com
    Artek Kiki Lounge Chair
    Design Ilmari Tapiovaara, 1960. Lacquered steel frame, PU foam & dacron, upholstery. Made in Finland by Artek. Tapiovaara wanted to design inexpensive furniture for a broader audience. He made use of materials that were readily available in Finland in the 1940s, such as solid birch. Later in the 1950s, he began to develop multipurpose chairs made of steel tubing and plywood. Ilmari Tapiovaara designed Kiki in 1960. It was originally conceived as a chair whose stackability allowed it to be used to seat large groups, such as in auditoriums. In the Kiki series Tapiovaara employed a more clean cut design idiom instead of the more organic style he had favored previously. Instead of wood, he chose oval steel tubing as the structural and unifying element of the whole Kiki collection. Kiki was a success, establishing the current direction for furniture design at this time. Kiki's timeless and elegant design idiom has made it one of the most popular pieces of public furniture in Finland. Llmari Tapiovaara was one of the greatest interior architects and designers of his era. With the mind of an explorer and a soul of a craftsman, Tapiovaara was always seeking for new solutions to improve everyday objects. During his long career Tapiovaara created dozens of iconic objects loved by the public. He was revered as a master of characteristic and human objects and surroundings who captured the essence of Finnish identity. Ilmari Tapiovaara was awarded a total of six gold medals at the Milan Triennials as well as many other important awards throughout his career. 23.6" W | 29.5" d | 26.7" h | seat: 15.4" h.
  • Vitra - Amoebe Highback Armchair
    connox.com
    Vitra - Amoebe Highback Armchair
    The Amoebe emerged in 1970 in several editions for Verner Panton’s famous Visiona installation. The Danish presented revolutionary new living concepts there, which are still very current and even modern. The name Amoebe shows that Verner Panton thought of living organisms in his one-piece, flowing chairs – Panton’s natural shape doesn’t know any aging. The Amoebe is a succeeded example for this type of ground-based lounge chairs and it embodies the happy-cheeky 70s. Conventional chairs weren’t desired anymore, it was about low, comfortable furniture to be used in many different ways instead. The flexible backrest of the Vitra Amoebe Highback shows up sculptural over its head and it forms a kind of canopy over the user. The Amoebe Highback armchair therewith transmits a feeling of comfort and retreat – especially in big, open rooms. Vitra manufactures the organic armchair of a laminated structure with foam cushions, which are coated with the sophisticated Tonus fabric by Kvadrat.
  • Magis Cyborg Armchair
    hivemodern.com
    Magis Cyborg Armchair
    Design Marcel Wanders, 2011. Air-molded & injection-molded polycarbonate. Made in Italy by Magis. A cyborg is an organism that has both artificial and natural systems. The term was coined in 1960 by Manfred Clynes. In 1965, D.S. Halacy's Evolution of the Superman featured an introduction which spoke of a 'bridge...between mind and matter.' Fictional cyborgs are portrayed as a synthesis of organic and synthetic parts. Often their presence calls into question the difference between humans and machines as concerned with morality, free will, and empathy. The friction we feel between the natural and the artificial world is in fact a misconception; as there is no artificial world, there is only a natural world under the influence of its very own nature. Marcel Wanders grew up in Boxtel, the Netherlands and graduated cum laude from the School of the Arts Arnhem in 1988. His fame started with the iconic Knotted Chair in 1996. He is now designing for the biggest European contemporary design manufacturers including Moooi of which he is also art director and co-owner. He works on architectural, interior design and consumer home appliances. His designs have been selected for the most important design collections and exhibitions around the world. Cyborg is produced using polycarbonate in various leg and back options. It is also offered with a wicker back. 31.5" H | 22.8" w | 21.2" d.
  • Artifort Abcd Lounge Chair
    hivemodern.com
    Artifort Abcd Lounge Chair
    Design Pierre Paulin, 1966. Internal frame, upholstery. Made in Holland by Artifort. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. In 1969, ABCD won the Monza Design Award. And rightly so. The shape of Pierre Paulin's ABCD series seems to be derived from an egg-box. It's powerful, protective and yet elegant. Its curves look like waves. Organic and soft. Relaxing. Creating space for everyone who sits on it. Supportive. Ideal for lobbies, lounges or any modern space. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. 34.6" W | 26" h | 33.8" d | seat: 16.5" h.
  • Knoll Saarinen Tulip Side Chair - Fully Upholstered
    hivemodern.com
    Knoll Saarinen Tulip Side Chair - Fully Upholstered
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In his purist approach to design, Finnish-born Eero Saarinen sought out the essential idea and reduced it to the most effective structural solution. He designed the 1956 Tulip chair in terms of its setting, rather than a particular shape. "In any design problem, one should seek the solution in terms of the next largest thing." he said. "If the problem is a chair, then its solution must be found in the way it relates to the room..." In the Tulip, Saarinen realized his ideal of formal unity: "Every significant piece of furniture has a holistic structure." Winner of the 1969 Museum of Modern Art Award, the Tulip is Saarinen's genius solution to clearing up the "slum of legs" that populates the under-carriage of most dining sets. Construction notes: Base is a cast aluminum, rilsan coated finish. Shell is molded fiberglass with a reinforced plastic bonded finish. Upholstered foam cushion is removable, with zippered cover and velcro fastening. Base and shell finish available in white or black. Upholstery available with a seat cushion only or with a fully upholstered inner shell. The signature of Eero Saarinen is located on the underside of the base. 20" W | 18.5" h | 21.25" d | seat: 18.5" h.
  • Artek Armchair 42
    hivemodern.com
    Artek Armchair 42
    Design Alvar Aalto, 1932. Bent birch plywood. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. Another sculptural chair which seems to test the limits of bent plywood manufacturing. This model was first shown at an exhibition at the Nordic Building forum in 1932. The chair's framework consists of cantilevered laminated wood legs (which flex for your sitting comfort), between which rides the seat-a thin sheet of plywood slightly curved at both top and bottom. Aalto chose to use native birch for its natural feel and insulating properties. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. The framework is natural lacquered birch, the seat is available lacquered in your choice of either black or white. 23.6" W | 29.5" d | 28.3" h | seat: 14.2" h.
  • Knoll Saarinen Arm Chair - Metal Legs
    hivemodern.com
    Knoll Saarinen Arm Chair - Metal Legs
    Design Eero Saarinen, 1957. Tubular steel legs, polyurethane shell, upholstery. Made in USA by Knoll. In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Recognizing the importance of user comfort, Saarinen became the first to construct a chair shell from fiberglass, a pliable material that flexes in response to body weight. The chair is available with and without arms, and features metal or wood legs, or a swivel base. The armless chair with a plastic back, ideal for café applicatons, is a recent reintroduction. Son of the celebrated architect Eliel Saarinen, Eero was classically trained in sculpture and architecture. His collaboration with Charles Eames in 1937 led to the creation of the Organic Armchair, made from plywood and foam rubber, the first three-dimensionally shaped bucket armchair. Saarinen continued to develop this theme in the years that followed with great designs, all for Knoll. Among the many buildings for which he is known are Dulles Airport in Washington, D.C., and the TWA terminal at Kennedy International Airport in New York. Arm chair: 25.5" w | 24.5" d | 31.5" h | seat: 18" h.
  • Herman Miller ® Eames Chaise Lounge
    allmodern.com
    Herman Miller ® Eames Chaise Lounge
    About the Designer Charles & Ray Eames United States Charles Ormond Eames, Jr (1907–1978) and Bernice Alexandra "Ray" (née Kaiser) Eames (1912–1988) were American designers, who worked in and made major contributions to modern architecture and furniture. They also worked in the fields of industrial and graphic design, fine art and film. The Eames Chaise is soft, comfortable, and just 18 inches wide. When you lie on it, you naturally fold your arms over your chest. Should you doze off, your arms soon fall to your sides, waking you up. It's a beautiful place to relax for a spell in a study, den, or executive office. The gently curved frame puts the body in a healthful relaxed position, with the head and legs slightly raised. The Eames Chaise is designed for quick, healthful snoozes. The Design: In 1955 while filming on location, director Billy Wilder discovered he could take quick naps on a plank held up by sawhorses. This prompted Wilder to tell his friends Charles and Ray Eames that he needed a narrow office couch. The Eameses remembered that conversation and in 1968 introduced the Eames Chaise, giving the first one to Wilder. It has been produced by Herman Miller ever since. Features at a Glance: Sleek Sophistication Sculptural frame and base with trim lines. Available in over 100 colors of quality leather. Cushioned Comfort Six 2.5-inch-thick foam cushions. Upholstered in soft, supple leather. Cushions are secured to nylon fabric tightly slung on the frame and joined by flexible zippers. Two loose cushions give additional support for the neck, back, or legs. Gently curved frame. Secure Support Die-cast aluminum frame and base are stable and strong. Scratch-resistant, eggplant-colored nylon coating is electrostatically applied to the aluminum. Glides are high-impact nylon. Dimensions: Height: 16.5 - 29.5" Width: 76.5” Depth: 18" Why Buy From Us? The Eames Chaise is offered as a Specialty Order Item in order to accommodate complete customization. Wayfair backs a 12-year warranty. Should you experience any problems with your Eames Chaise, Herman Miller will cover the cost of fixing it for you. Also, should you discover shortly after receiving your Eames Chaise that parts are either damaged or missing, please call us immediately, and we will be happy to send you replacement parts as soon as possible and at no additional cost.
  • Mika Tolvanen Visu Chair with Wood Base
    dwr.com
    Mika Tolvanen Visu Chair with Wood Base
    Designer Mika Tolvanen established his Helsinki-based design office in 2001, shortly after graduating with a master’s from the Royal College of Art. In creating the Visu Chair (2012) – which is named after visu , the Finnish word for "precision” – "the task was to create a personal interpretation of the ever-relevant plywood chair,” he says. What he created are actually two different chairs: an unupholstered version with wire base and an upholstered version with wood base. Both are suitable for use in a home, restaurant or office. The unupholstered version with wire base stacks up to 14 high. Made in Lithuania.
  • Knoll Swivel Lounge Seating
    hivemodern.com
    Knoll Swivel Lounge Seating
    Design Joseph Paul D'Urso, 2008. Upholstery, urethan foam, wood frame, aluminum. Made in USA by Knoll. Delivering a modern twist for today's marketplace the D'urso swivel lounge provides a playful balance between utility and whimsy, perfect for today's more relaxed workplace or hospitality setting. The Swivel lounge chair features a 360º swivel mechanism with pneumatic seat height adjustment, cable operated with a low profile lever, flush mounted on the underside of the chair. Optional return to center mechanism allows for 360º swivel movement and returns to a center position when not engaged (available as fixed height only with a 19" seat height and a 27.75" overall height). The base is offered in three finish options. Joseph paul D'urso is a graduate of interior design and architecture at pratt institute, a Fellow of the royal College of art in london and Manchester College of art and Design. Joseph D'urso made his reputation in the mid-1970s designing "high-tech" private residences and showrooms. In 1980, D'urso created a Knoll collection of high rolling tables, low tables and lounge seating that reflected his preference for objects that look more engineered than styled. Today, D'urso straddles different mediums but maintains his minimalist principles. Chair: 32" w | 30" d | 25.75" - 28.75" h | seat: 17" - 20" h.
  • Artifort Mushroom Chair
    hivemodern.com
    Artifort Mushroom Chair
    Design Pierre Paulin, 1963. Foam upholstered tubular steel frame. Made in The Netherlands by Artifort. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. Through the use of a visually unified, abstract sculptural form, the mushroom creates a uniquely comfortable and aesthetically pleasing seating experience which allows the user superb ergonomics and freedom of movement. Included in the permanent collection of the Museum of Modern Art in New York. The Mushroom chair; an armchair for all times; sensitive yet strong; art that is always comfortable. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. 26.4" H | 35.4" w | seat: 15.75" h.
  • Artek Chair 611
    hivemodern.com
    Artek Chair 611
    Design Alvar Aalto, 1929. Bent birch plywood, linen webbing. Made in Finland by Artek. "God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper." -Alvar Aalto. The elegant chair 611 is stackable and features a birch plywood frame with seat and back upholstered in linen webbing. Aalto chose to use native birch for its natural feel and insulating properties. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. 19.1" W | 19.3" d | 31.5" h | seat: 17.7" h.
  • Mercer Modern Otis Dining Chair, Set of 2 design by Safavieh
    burkedecor.com
    Mercer Modern Otis Dining Chair, Set of 2 design by Safavieh
    This set of 2 Otis Dining Chairs pays homage to the delightful colors and relaxed aesthetic of mid-century modern style. Its minimal white piping against a polyester and organic viscose blend fabric in sweet pea green complementing legs of birch wood in natural oak finish make it a perfect companion wherever dinner is served. Assembly Required : Yes. Construction : BIRCHWOOD; 70% POLYESTER; 30% VISCOSE Dimensions ( L x W x H ): 21.7" x 26.4" x 33.1"
  • Set of 2 Forza Red Twill Accent Chair
    lampsplus.com
    Set of 2 Forza Red Twill Accent Chair
    Set of 2 Forza Red Twill Accent Chair. Set of 2. Forza mid-century chairs. Eye-catching red finish. Twill fabric. Wooden frame and legs. Contemporary style, versatile design. Lightly padded foam make for comfort. Requires assembly. 34 1/2" high. 29 1/2" wide. 24 1/4" deep.
  • Eero Saarinen Saarinen Executive Armchair with Metal Legs - Leather
    dwr.com
    Eero Saarinen Saarinen Executive Armchair with Metal Legs - Leather
    The design of Eero Saarinen's Executive Armchair (1950) began more than a decade earlier, when he and Charles Eames submitted several designs to the Organic Design in Home Furnishings competition at the MoMA. The pair, who'd been friends and collaborators since meeting at Cranbrook Academy of Art, won first prize. These fluid, sculptural shapes influenced the future work of both men; for Saarinen, most notably in his Womb, Tulip and Executive chairs. The Executive was originally made of fiberglass but was later updated in polyurethane to take advantage of the technical advances in plastics. The feel of this classic seat, however, remains unchanged. The molded shell flexes slightly with the sitter and the contoured plywood seat supported by metal or wood legs. Unlike Saarinen's furniture, which was consistently sculptural in form, these fluid lines didn't appear in his architecture until the 1950s. When looking at the dome-shaped glass wall of the Kresge Auditorium at MIT, it's not a big leap to see the same shape in the back of his Executive Chair. This chair is Greenguard Indoor Air Quality Certified¿ for its use of low-emitting products. Manufactured by Knoll according to the original and exacting specifications of the designer. Made in U.S.A.
  • Magnolia Chair
    zincdoor.com
    Magnolia Chair
    Modern and bold, the Magnolia chair warms edgy lines with plush texture. Button tufting creates rich detailing, while clean-lined legs stand in contemporary form. Stainless steel base. Soy-based foam cushion wrapped in regenerated fibers and sewn into 100% cotton downproof ticking. Choose from a selection of upholstery options. Shown in Farrow Strawberry. Made in the USA using sustainable, eco-friendly production practices. 30"W x 29"D x 30"H. Inside: 21"W x 22"D x 15"H. Seat: 16"H. Arm: 25"H.
  • Moroso Wavy Stacking Chair
    hivemodern.com
    Moroso Wavy Stacking Chair
    Design Ron Arad, 2007. Tubular steel, polyethylene. Made in Italy by Moroso. As always, Ron Arad explores the potential capacities and performance of the materials he works with and raises the bar. Wavy, a chair with a plastic seat on a metal base, whose name describes its graceful shape. Not only is the seat wavy, but its surface is covered in tiny rows of waves. Ron Arad uses plastic unconventionally and achieves an extraordinarily light effect. The plastic appears to become a soft fabric draped over the metal frame. Wavy has a gentle, light air and an unusual feeling of malleability. Yet it is also snug and comfortable, its tiny surface waves massage the body and ensure optimum comfort. "A chair has a given shape, a well-defined function. The very fact that its design has been so thoroughly explored and reinterpreted makes the discovery of new territories even more exciting". Hailed as one of the foremost designers of the 20th Century, Ron Arad was born in Tel Aviv and studied at the Jerusalem Academy of Art before moving to London and the Architectural Association where he studied under Peter Cook, founder of Archigram. Ron Arad has successfully established a unique design style using unorthodox combinations of materials and concepts. Wavy is offered in three colors and is available with a black varnished or stainless steel frame. Can be stacked up to 4 chairs. 26.75" W | 38.5" h | 26" d | seat: 17.75" h.
  • Artifort Pierre Paulin F-598
    hivemodern.com
    Artifort Pierre Paulin F-598
    Design Pierre Paulin, 1973. Upholstery, tubular steel, anodized aluminum. Made in Holland by Artifort. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. The F598 is one of the most pure examples of Paulin's sculptural design. Inviting, comfortable and smart, this chair is for those who demand style and clarity. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. F598 is upholstered in your choice of upholstery options and features an anodized aluminum finish base. 24.8" H | 33.5" w | 26.8" d | seat: 14.2" h.
  • Fritz Hansen Egg chair Armchair - /Gabriele Fame fabric
    madeindesign.co.uk
    Fritz Hansen Egg chair Armchair - /Gabriele Fame fabric
    Arne Jacobsen designed the Egg? for the lobby and reception areas in the Royal Hotel, in Copenhagen. The commission to design every element of the hotel building as well as the furniture was Jacobsen's grand opportunity to put his theories of integrated design and architecture into practice. The Egg is one of the triumphs of Jacobsen's total design - a sculptural contrast to the building's almost exclusively vertical and horizontal surfaces. The Egg sprang from a new technique, which Jacobsen was the first to use : a strong foam inner shell underneath the upholstery. Like a sculptor, Jacobsen strove to find the shell's perfect shape in clay at home in his own garage. Because of the unique shape, the Egg guarantees a bit of privacy in otherwise public spaces and the Egg - with or without footstool - is ideal for lounge and waiting areas as well as the home. The Egg is available in a wide variety of fabric upholstery as well as leather, always combined with a star shaped base in satin polished aluminium. In detail: Type : Armchair. Colour : Red. Material : Shell : polyurethane foam with glass fibre reinforcement - Polished aluminium base. Dimensions : W 86 cm x D 79 to 95 cm x H 107 cm - Seat : H 37 cm. Characteristics : Swiveling base - Adjustable backrest.
  • Carl Hansen & Son Ch33 Dining Chair With Upholstered Seat
    hivemodern.com
    Carl Hansen & Son Ch33 Dining Chair With Upholstered Seat
    Design Hans Wegner, 1957. Solid wood, veneer, cold foam, upholstery. Made in Denmark by Carl Hansen & Son. The CH33 dining chair expresses many typical aspects of Hans J. Wegner's best designs. It is a very light, graceful chair that functions as a dining chair or as a sculptural addition to almost any room. It offers great comfort and stability as a classic chair that references the simple lines of the 50s and 60s. Every part of the Ch33 chair employs rounded, organic forms. The tapered legs and cross pieces are thickest where they need to support load-bearing joints, and gracefully become more slender as the design allows. The slightly splayed legs make for a very robust construction and visually signal the light chair's structural stability. The joints connecting the back legs to the backrest are visible classic examples of Hans J. Wegner's penchant for honest design that highlights good craftsmanship. The CH33 seat and backrest are made from pressure-formed hardwood laminate. It comes in an all-wood version, or with upholstered seat in your choice of fabric or leather. Note: the buttons on the seat & back are always the same wood as the frame. 29.1" H | 18.9" d | 21.7" w | seat: 17.3" h. Quick-ship versions: - oak/walnut back - oiled - thor 301 seat leather.
  • Romi Mid Century Curved Back Oatmeal Linen Accent Chair - Small
    kathykuohome.com
    Romi Mid Century Curved Back Oatmeal Linen Accent Chair - Small
    Made in the U.S.A. Eco-Friendly. This modern chair evokes the classic wingback silhouette, but with a smoothed, sculptural line that creates an instantly contemporary and artful effect. Button tufting on the back and contrast piping on the arms adds to the traditional influence. Upholstered in a linen/wool blend, this chair can also be covered in whatever fabric you choose. The possibilities are endless and the guarantee on the frame is for life. 38 inches high x 30 inches wide x 35 inches deep; 18 inches high x 20 inches wide x 21 inches deep; seat height: 18 inches; seat width: 20 inches wide; 21 inches deep. Constructed using 8 way hand tied frame combined with luxurious feather cloud fill consisting of soy based foam core, channel filled with 45% feather, 5% down and 50% fibers. FSC certified Maple hardwood frame in an oiled espresso leg finish. Upholstered in combination "Lan Oatmeal" linen and wool fabric. Swatch samples available on request; sample will be mailed for approval before order goes into production. This is a made to order item -
  • Cini Boeri Lounge Chair By Knoll
    2modern.com
    Cini Boeri Lounge Chair By Knoll
    Paying particular attention to how people use lounge seating, Cini Boeri designed her third lounge collection for Knoll to deliver multiple sitting zones, bench-like support near the seat front, and relaxed comfort as one moves into the piece. The collection harmonizes generous proportions and sleek lines to deliver a modern solution for today's more expansive interiors. The lounge chair is supported on a metal chassis with optional casters for easy movement and increased flexibility. Construction and Details Available in a range of KnollTextiles and Spinneybeck leathers. Upholstery must be railroaded due to large proportions of the Lounge Chair. Single needle topstitching is used with textile applications. Double needle topstitching is used with leather applications. Seat cushion is highly-resilient polyurethane open-cell Cal 117 foam. Frame is formed steel tubing with dark grey powder coat finish. Available with 4 standard legs or two front legs and two casters in the back. Optional throw pillows (not included) GREENGUARD Indoor Air Quality Certified for low-emitting products. Due to variances in color perception with a monitor, samples are available and strongly recommended.
  • Herman Miller® Eames Plastic Side Chair 4-Leg Base
    hivemodern.com
    Herman Miller® Eames Plastic Side Chair 4-Leg Base
    Design Charles & Ray Eames®, 1948. Molded plastic, chrome legs. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. The molded plastic chairs are a flexible and comfortable seat with a variety of base options. Available in your choice of colors, which are permeated through the material so they remain vibrant even after years of hard use. The molded plastic seats are produced of ecologically friendly, recyclable polypropylene. New materials, especially those that held promise for doing more with less, fascinated the Eameses thoughout their careers. Plastic was no exception. They saw in it the chance to form organic seat shells that conform to the body's shape. The Eameses adapted manufacturing techniques developed during World War II to mass-produce this design in side and armchair versions. As they typically did, the Eameses required that materials be expressed honestly and unselfconsciously so these were the first one-piece plastic chairs offered without upholstery or covering. Their enduring design and quality construction make them durable performers in many environments. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." 18.5" w | 18.5" d | 31.5" h | seat: 16.25" h.
  • Jonathan Adler Brigitte Chair
    allmodern.com
    Jonathan Adler Brigitte Chair
    Channel tufted lines accentuate the sculptural organic form of the Brigitte Chair. The polished brass legs and orange slubby linen upholstery give it a futuristic twinkle. It's mod, it's surreal, it's sculptural, it's just what you need. This is one of Jonathan's all time favorites. Features: Brigitte collection. Orange tufted upholstery with brushed brass legs. Dimensions: Seat depth: 21" Overall Dimensions: 34" H x 30" W x 34" D, 29 lbs.
  • Artifort Le Chat Lounge Chair
    hivemodern.com
    Artifort Le Chat Lounge Chair
    Design Pierre Paulin, 1967. Tubular steel frame, upholstery. Made in Holland by Artifort. "A chair should be more than simply functional. It should be friendly, fun and colorful." -Pierre Paulin. Pierre Paulin designed Le Chat in 1967. Its tense curves seem to leap from a single point. Drawn with a single stroke of the pen. Without hesitation. You can feel the power, the readiness to leap. But it also invites you to sit. It's fully shaped to your body. Dynamic and restful. Now, in 2007, Artifort has re-introduced Le Chat. Pierre Paulin studied stone carving and clay modeling at the Ecole Camondo in Paris in the early fifties where he began designing furniture for Thonet. In 1958, he became the designer for Artifort where he created a series of sculptural chairs with an inner structure of steel tubing, covered in foam and fabric. In 1968, Paulin collaborated with Le Mobilier National and received many important government commissions including furniture and interiors for the Elysee Palace in Paris. He also designed home appliances. Pierre Paulin's designs are true works of art. They are challenging. They inspire. But, above all, they are pieces of furniture that you can sit in. They are not form for the sake of form but applied design. 25.6" H | 30.3" w | 35.8" d | seat: 14.2" h.
  • Andromeda Chair
    plushpod.com
    Andromeda Chair
    The Andromeda chair features a retro design and consists of a durable fabric seat with swivel chrome base. It is available here in iron grey. With clean curves and an ultra-modern look this chair is a great fit for your contemporary living area. This chair has a swivel chrome base for added convenience, and a foam-wrapped seat with a durable covering for added comfort and style. Easy assembly required with no tools needed. One-year limited warranty included. Options/finish: Iron gray. Material: Fabric with swivel chrome base. Dimensions: W 29.5" x D 30" x H 44", seat height 16.5", seat depth 19"
  • Herman Miller® Eames® Molded Plastic Armchair Rocker
    hivemodern.com
    Herman Miller® Eames® Molded Plastic Armchair Rocker
    Design Charles & Ray Eames, 1948. Molded plastic, chrome legs, solid-maple rockers. Made by Herman Miller® "Who would say that pleasure is not useful?" -Charles Eames. The molded plastic chairs are a flexible and comfortable seat with a variety of base options. Available in your choice of colors, which are permeated through the material so they remain vibrant even after years of hard use. The molded plastic seats are produced of ecologically friendly, recyclable polypropylene. New materials, especially those that held promise for doing more with less, fascinated the Eameses thoughout their careers. Plastic was no exception. They saw in it the chance to form organic seat shells that conform to the body's shape. The Eameses adapted manufacturing techniques developed during World War II to mass-produce this design in side and armchair versions. As they typically did, the Eameses required that materials be expressed honestly and unselfconsciously so these were the first one-piece plastic chairs offered without upholstery or covering. Their enduring design and quality construction make them durable performers in many environments. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." 25" w | 27.25" d | 26.5" h | seat: 13" h.
  • Mercer Modern Reuben Accent Chair design by Safavieh
    burkedecor.com
    Mercer Modern Reuben Accent Chair design by Safavieh
    With a nod to mid-century modern styling, the Reuben arm chair carries simple, clean lines for contemporary lounging. A generously padded seat and back rest ensure comfort, while burnt orange wool-poly fabric and black birch wood legs and arm rests exude Mad Men style. Assembly Required : No Construction : Birchwood ; Wool-Poly. Dimensions (L x W x H): 26.4" x 33.1" x 33.1"
  • Orion Red Chenille Club Chair
    lampsplus.com
    Orion Red Chenille Club Chair
    The Orion chair sports a soft, understated modern attitude while embracing its retro heritage and soft style. Upholstered in sumptuous red chenille fabric with simple wood legs finished in ebony, this club chair makes a sophisticated and bright accent for any room. Red chenille fabric. Wood legs in ebony finish. 28" wide. 25" deep. 32" high.
  • Knoll Saarinen Tulip Side Chair - Black
    hivemodern.com
    Knoll Saarinen Tulip Side Chair - Black
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In his purist approach to design, Finnish-born Eero Saarinen sought out the essential idea and reduced it to the most effective structural solution. He designed the 1956 Tulip chair in terms of its setting, rather than a particular shape. "In any design problem, one should seek the solution in terms of the next largest thing." he said. "If the problem is a chair, then its solution must be found in the way it relates to the room..." In the Tulip, Saarinen realized his ideal of formal unity: "Every significant piece of furniture has a holistic structure." Winner of the 1969 Museum of Modern Art Award, the Tulip is Saarinen's genius solution to clearing up the "slum of legs" that populates the under-carriage of most dining sets. Construction notes: Base is a cast aluminum, rilsan coated finish. Shell is molded fiberglass with a reinforced plastic bonded finish. Upholstered foam cushion is removable, with zippered cover and velcro fastening. Base and shell finish available in white or black. Upholstery available with a seat cushion only or with a fully upholstered inner shell. The signature of Eero Saarinen is located on the underside of the base. 20" W | 18.5" h | 21.25" d | seat: 18.5" h.
  • Artek Aalto Chair 66
    hivemodern.com
    Artek Aalto Chair 66
    Design Alvar Aalto, 1935. Bent birch plywood. Made in Finland by Artek. "Objects are made to be completed by the human mind." -Alvar Aalto. The invention by Alvar Aalto and the joiner Otto Korhonen of bending chair legs from solid wood made it possible for the Aalto stool to be conceived. Through this method Aalto achieved one of the main goals of modern furniture design; the mass production of furniture. Joints, which demanded a good deal of time and skilled workmanship, could be abandoned. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. Chair 66 features natural lacquered birch legs and backrest, the seat is available in your choice of birch veneer, black linoleum, white laminate or upholstered in your choice of fabric. Chair 66 is also offered with an all lacquered finish. 15.4" W | 16.5" d | 30.7" h | seat: 17.3" h.
  • Jean-Marie Massaud Achille Armchair
    luminaire.com
    Jean-Marie Massaud Achille Armchair
    One of the most sensitive advocates of organic design, Jean-Marie Massaud is uniquely able to reduce his forms to the most essential lines, creating objects that blur the line between sculpture and functional objects. Infusing his design principles to a family of seating for the home and office, Jean-Marie Massaud's Achille armchair exemplifies the designer's ability to create modern, sinuous forms which are undeniably contemporary and timeless. Completely upholstered, the chair is visually stunning and available in a broad range of vibrant colors. The metal-tube frame is covered in foam and rubber which adds to the overall softness of the design. The upholstery is completely removable.
  • Vitra Amoebe Highback Side Chair by Verner Panton
    allmodern.com
    Vitra Amoebe Highback Side Chair by Verner Panton
    Constructed of textured laminate with foam upholstery. Verne Panton collection. Flexible backrest that curves over the head of the sitter, forming a sculptural canopy.
  • Knoll Saarinen Tulip Arm Chair - Black
    hivemodern.com
    Knoll Saarinen Tulip Arm Chair - Black
    Design Eero Saarinen, 1956. Aluminum base, fiberglass, upholstery. Made in USA by Knoll. In his purist approach to design, Finnish-born Eero Saarinen sought out the essential idea and reduced it to the most effective structural solution. He designed the 1956 Tulip chair in terms of its setting, rather than a particular shape. "In any design problem, one should seek the solution in terms of the next largest thing." he said. "If the problem is a chair, then its solution must be found in the way it relates to the room..." In Tulip Saarinen realized his ideal of formal unity: "Every significant piece of furniture has a holistic structure." Winner of the 1969 Museum of Modern Art Award, the Tulip is Saarinen's genius solution to clearing up the "slum of legs" that populates the under-carriage of most dining sets. Construction notes: Base is a cast aluminum, rilsan coated finish. Shell is molded fiberglass with a reinforced plastic bonded finish. Upholstered foam cushion is removable, with zippered cover and Velcro fastening. Finishes; Base and shell finishes available in White or Black. Upholstery; available with a seat cushion only or with a fully upholstered inner shell. 26" W | 23.25" d | 32" h | seat: 18" h | arm: 25.38" h.
  • Artek Chair 69
    hivemodern.com
    Artek Chair 69
    Design Alvar Aalto, 1935. Natural birch plywood, upholstery. Made in Finland by Artek. Chair 69 features bent birch plywood which forms the legs and seat back of this simple yet distinguished seat. The seat is available in your choice of birch veneer, laminate or upholstered. Aalto chose to use native birch for its natural feel and insulating properties. Alvar Aalto was a highly talented architect and an eager spokesman for the international modernist movement. Aalto's designs were innovative and radical and became known for his experimental approach to bending wood, which greatly influenced American designers Charles & Ray Eames and Finnish-born Eero Saarinen. His style became known as humanist modernism. Alvar Aalto's dialogue with nature, architecture, design and the human being has become a living legacy. 17.3" W | 18.5" d | 29.1" h | seat: 17.3" h.
  • Tulip Armchair by Eero Saarinen, Knoll
    hauslondon.com
    Tulip Armchair by Eero Saarinen, Knoll
    Saarinen realised his ideal of formal unity in his Tulip collection which includes a dining, coffee, side table and chairs. Classically trained as a sculptor and architect Saarinen's Tulip chair and tables have become some of the most iconic pieces of mid century furniture adored for being both functional and sculptural at the same time. The Tulip chair is available in both armed and unarmed version, with the choice of a fixed or swivel base. A matching stool is also available. We only sell authentic editions by Knoll, the only authorised manufacturer. Materials: Shell is molded fiberglass with a reinforced, plastic bonded finish. The base is constructed from cast aluminium strap polished and coated in tough, abrasion-resistant Rilsan in White, Black or Platinum finish. (Prices shown below are for the white base). Upholstered foam cushion is removable, with zippered cover and Velcro fastening. Cushions are available in a wide range of KnollTextiles or Spinneybeck leather. (Prices shown are for Knoll Felt or Hopsack (Group c fabrics)). Please call for the full range of fabrics and colours. Dimensions: Height 81 x Width 68cm x Depth 59cm (Seat Height 48cm)
  • Herman Miller® Eames® Molded Fiberglass Armchair Rocker
    hivemodern.com
    Herman Miller® Eames® Molded Fiberglass Armchair Rocker
    Design Charles & Ray Eames, 1948. Molded fiberglass, metal frame, solid wood rockers. Made by Herman Miller® "The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests." -Charles Eames. Thanks to a new proprietary process of producing fiberglass, Herman Miller is once again able to produce the Eames original 1950's Molded Fiberglass Chair safely by means of a less volatile, monomer-free "dry bind" process. Like the original shell chairs, the new fiberglass finish has the same covetable surface variation and tell-tale fiberglass striation that have attracted avid vintage collectors for decades. Available in both the arm and side chair formats in eight archival colors, the chairs can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller's Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings. All chairs can be recycled through the Herman Miller Take Back Program. With a grand sense of adventure, Charles and Ray Eames turned their curiosity and boundless enthusiasm into creations that established them as a truly great husband-and-wife design team. Their unique synergy led to a whole new look in furniture. Lean and modern. Playful and functional. Sleek, sophisticated, and beautifully simple. That was and is the "Eames look." With the molded plastic, fiberglass, and wood shell chairs -as well as the wire chair- the Eames' have created a universal response to what everyone wants from a chair: a simple, gracious form that fits any body and every place. 25" W | 27.25" d | 26.5" h | seat: 16.25" h.
  • Retro 2 Modern Retro Chair
    allmodern.com
    Retro 2 Modern Retro Chair
    Features: Upholstery: Ludo 230; Grade 1. Button tufted detail featured on back rest. Removable seat cushion. Upholstered in a high grade, durable linen-like fabric in light textured beige. Mid century modern angled legs constructed from solid oak.
  • CB2 Vapor Neon Chair
    cb2.com
    CB2 Vapor Neon Chair
    Clearly pops. A brilliant chair out of thin air. No fabric, no leather, just one clean swoop of thick neon acrylic exposing architectural chrome-plated square steel frame. Formfitting curves in all the right places. Bright idea to dine or work. Translucent look opens up small rooms in holographic neon hue that looks orange or pink—make that punk—depending on the angle. Details and Dimensions: Vapor neon chair. 18"Wx18"Dx32.5"H. Thick molded neon acrylic seat and back. Chrome-plated steel frame. Overall Dimensions: Width: 18" Depth: 18" Height: 32.5" Seat: Width: 18" Depth: 15.5" Height: 17.5" Clearance: Width: 17" Depth: 16" Height: 17.5"
  • The Cherner Chair Company Cherner Task Arm Chair - Upholstered Seat & Back
    hivemodern.com
    The Cherner Chair Company Cherner Task Arm Chair - Upholstered Seat & Back
    Design Norman Cherner, 1958. Laminated molded plywood, chrome steel base & arms, upholstery. Made by The Cherner Chair Company. The new Cherner Task chair combines molded plywood and steel in a dramatic yet minimal design for the work environment. The spidery swivel base and curvaceous molded shell highlight the structural capabilities of the two materials. It is a further development of the classic molded plywood Cherner Chair. A strong, lightweight and graceful addition to the home or office, the Cherner task chair is available with or without armrests in all Cherner finishes and upholstery options. Cherner chairs and stools are available with upholstered seat pads. The seat pads are separate molded plywood shells padded with 3/4" of foam wrapped with fabric or leather options. The Upholstered pads are fabricated according Norman Cherner's original drawings and specifications. Chairs and stools can be ordered with a seat and back pad or the seat pad only. The "walnut stained walnut" option has a walnut seat that has been covered with a walnut finish, which give the core and walnut veneer a uniform appearance. The "walnut-clear stain" option has a walnut seat and has been covered with a clear finish, which emphasizes the contrast between the exposed beech core and walnut face veneer. 24.5" W | 21" d | 30.5"-35" h | seat: 15.5"-19" h | arm: 25.25"-29.75" h.
  • Carl Hansen & Son Ch419 Heritage Lounge Chair
    hivemodern.com
    Carl Hansen & Son Ch419 Heritage Lounge Chair
    Design Fritz Henningsen, 1930. Solid wood, down, cold foam, upholstery. Made in Denmark by Carl Hansen & Son. The Heritage Chair from 1930 is a true modern masterpiece. A supremely comfortable and organic easy chair that adds charm to any room. The Heritage Chair's warm and elegant lines bear testimony to Frits Henningsen's constant pursuit of perfection. With a love for natural materials, he created a chair that is inviting and evokes tranquility, fulfilling the eternal human quest for breathing space in a hectic daily life. The Heritage Chair is best placed where its soft lines and organic shapes can be viewed from all sides. With its beautiful details, arching curves and supreme comfort it is a gift to any room. The relaunch also demonstrates that Henningsen's furniture pieces are as relevant today as ever. It has a radiance rarely found in modern furniture. The Heritage Chair is inviting and evokes tranquility, fulfilling the eternal human quest for breathing space in a hectic daily life. The Heritage chair is available in fabric or leather with legs in oak or walnut. The chair buttons will match the chosen fabric for online purchase. Contrast button fabric may be specified by phone. A matching footrest offers extra comfort. 40.6" H | 37.4" d | 29.9" w | seat: 16.1" h.
  • Magis Troy Chair 4-Pack
    hivemodern.com
    Magis Troy Chair 4-Pack
    Design Marcel Wanders, 2010. Steel tube frame, beech plywood. Made in Italy by Magis. The Troy Chair joins modern and romantic in a mid-century profile updated with innovative new materials-a beech plywood seat impressed with a high-relief pattern on the back that resembles lush damask fabric. Created by Dutch designer Marcel Wanders, the stackable Troy chair is an elegant dining or side chair offered in a set of four. Marcel Wanders grew up in Boxtel, the Netherlands and graduated cum laude from the School of the Arts Arnhem in 1988. His fame started with the iconic Knotted Chair in 1996. He is now designing for the biggest European contemporary design manufacturers including Moooi of which he is also art director and co-owner. He works on architectural, interior design and consumer home appliances. His designs have been selected for the most important design collections and exhibitions around the world. The Troy chair's frame is steel with chrome or painted finish. The beech seat is available in a variety of neutral stains that coordinate with the paint choices for the frame. Troy chair stacks 6 high. 31" H | 22" w | 20" d | seat: 18" h.
  • Knoll Saarinen Executive Side Chair with Metal Legs
    julesseltzerstore.com
    Knoll Saarinen Executive Side Chair with Metal Legs
    In his groundbreaking collection of 1957, Eero Saarinen transformed executive seating into a fluid, sculptural form. Jules Seltzer Associates offers the Saarinen Executive Side Chair in Classic Bouclé and Cato Knoll Textiles, evocative of traditional hand woven upholstery.
  • Vitra - Jill Wood Chair
    connox.com
    Vitra - Jill Wood Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a massive wood base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: veneer (ash, oak or walnut), three-dimensional deformed. Bases with glides for carpets or with felt glides for hard floor. Four-feet wood base out of natural massive oak, black ash or black pigmented walnut.
  • Knoll Bird Chair - No Ottoman
    hivemodern.com
    Knoll Bird Chair - No Ottoman
    Design Harry Bertoia, 1952. Welded steel rods, upholstery. Made in USA by Knoll. Harry Bertoia's 1950 experiment with bending metal rods into practical art produced a revered collection of seating, including the exquisite Bird chair. Innovative, comfortable and strikingly handsome, the chair's delicate appearance belies its strength and durability. In Bertoia's own words, "If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them." Italian sculptor, university lecturer and furniture designer, Harry Bertoia was an inventor of form and an enricher of design. He introduced a new material by turning industrial wire rods into a design icon. Educated at the Detroit School of Arts & Crafts and Cranbrook Academy of Art. Bertoia taught metal crafts at Cranbrook while working with Charles Eames to develop his signature molded plywood chairs. Eero Saarinen commissioned him to design a metal sculptured screen for the General Motors Technical Center in Detroit. His awards include the craftsmanship medal from the American Institute of Architects, as well as AIA's Gold Medal. A classic, modern design that enhances any environment, Bertoia's Bird chair remains a fascinating study in bent metal and a fixture of mid-century design. Knoll is the only authorized and licensed manufacturer of the Bertoia Collection which has been in continuous production since 1952. Chair: 38.5" w | 33" d | 40.25" h | seat: 14.5" h.
  • Prince Valiant Red Velvet Armchair
    lampsplus.com
    Prince Valiant Red Velvet Armchair
    This red velvet upholstered armchair has a chic look with diamond tufting and high arms. Tufted armchair. Red velvet fabric upholstery. Wood frame construction. Foam cushioning. Welt seams. No assembly required. 27 1/2" high. 32 1/2" wide. 32" deep.
  • Jasper Chair
    roomandboard.com
    Jasper Chair
    Mid-century styling meets modern comfort in the Jasper chair. Narrow arms make the most of the seating space, while tapered legs give Jasper a light profile. Plush, blend-down cushions envelop you and the smaller-scale frame won’t overwhelm your space.
  • ARTERIORS Home Danforth Quilted Leather Chair
    allmodern.com
    ARTERIORS Home Danforth Quilted Leather Chair
    The mid-century modern design of the Danforth chair by Arteriors pays homage to Ludwig Mies van der Rohe's iconic Barcelona chair. Sculptural mahogany wood legs support the armless chair's curved seat, upholstered in quilted leather. Features: Made from wood and top grain leather. Quilted leather. Mahogany finish.
  • Gus* Modern White Powder Rocker
    abchome.com
    Gus* Modern White Powder Rocker
    With a mid-century mod undercurrent, the Gus white rocker looks toward contemporary design with FSC-certified wood. Clean, white upholstery and subtle steel rockers create a minimalist piece that is supportive and soft to the touch.
  • Fritz Hansen Arne Jacobsen Swan Chair
    hivemodern.com
    Fritz Hansen Arne Jacobsen Swan Chair
    Design Arne Jacobsen, 1958. Aluminum, foam, upholstery. Made in Denmark by Fritz Hansen. In 1958, Arne Jacobsen designed the Swan chair for the lobby and lounge areas of the Royal Hotel in Copenhagen. An elegant and organic shape ideal for lounge and waiting areas as well as the home. Arne Jacobsen was very productive both as an architect and as a designer. His cooperation with Fritz Hansen dates back to 1934. The Ant and Series 7 chairs, produced in 1952, propelled both Jacobsen and Fritz Hansen's names into furniture history. At the end of the 1950's Arne Jacobsen designed the Royal Hotel in Copenhagen, which introduced the Egg, the Swan, the Swan sofa and Series 3300 to the design world. Arne Jacobsen was and is an admired and outstanding designer. His furniture and other design work have become a national and international heritage. The shell of the swan is a molded synthetic material covered by a layer of cold foam. The swivel base consists of a satin-polished, welded steel tube and a 4-star base in injection molded aluminium. The Swan chair may be upholstered in a wide range of fabric or leather and is also available with an automatic return mechanism. 29.1" W | 26.8" d | 30.3" h | seat: 15.8" h.
  • Carl Hansen & Son Ch20 - Elbow Chair
    hivemodern.com
    Carl Hansen & Son Ch20 - Elbow Chair
    Design Hans Wegner, 1956. Hardwood, upholstered seat. Made in Denmark by Carl Hansen & Son. An attractive and simple stackable dining chair. The low back and horizontal seat also mean that it makes an excellent desk chair. Hans J. Wegner experimented with new materials such as molded veneer, and the chair's seat is made from 11 layers of this material - giving it perfect stability. The seat is available upholstered in fabric or leather. Designed by Hans J. Wegner in 1956, the chair was first introduced in 2005. Hans J Wegner trained as a cabinet-maker before attending the Copenhagen School of Arts and Crafts, where he later lectured from 1946 to 1953. From 1938 to 1942, he worked as a furniture designer in Arne Jacobsen and Erik Moller´s architectural practice. In 1943, he set up his own office in Gentofte and collaborated with Borge Mogensen in the design of an apartment shown at the 1946 Cabinetmakers´ Exhibition in Copenhagen. Throughout his long career, he has designed furniture extensively for Johannes Hansen and Fritz Hansen. The Royal Society of Arts, London made him an 'Honorary Royal Designers for Industry' in 1959. 28.1" H | 17.3" d | 21.3" w | seat: 18.1" h.
  • Crate & Barrel Milo Classic Leather Lounge Chair
    crateandbarrel.com
    Crate & Barrel Milo Classic Leather Lounge Chair
    It is a privilege for Crate and Barrel to present this mid-century icon, designed in 1966 by the modern visionary Milo Baughman for Thayer Coggin, founder of the North Carolina furnishings company bearing his name and still family-owned to this day. Prized by collectors and showcased in museums, the Milo chair represents the exceptional 50-year collaboration and close friendship these two modern pioneers began in 1953 with a handful of sketches and a handshake. Made today to the original specifications at the original Thayer Coggin workshop, this timeless classic is genuinely one of the most comfortable chairs you will ever experience. Black top-grain, semi-aniline leather cushions angle relaxed in Baughman's signature flatbar stainless steel frame, nickel-plated with a padded leather wrap at the arm. Almost a half-century later, the only change is a green one—it's now eco-friendly. Milo and Thayer would like that. After you place your order, we will send a leather swatch via next day air for your final approval. We will contact you to verify both your receipt and approval of the leather swatch before finalizing your order. Designed by Milo Baughman for Thayer Coggin. Eco-friendly construction. Certified sustainable, solid kiln-dried maple frame. Seat cushion is soy-based polyfoam with fiber in downproof ticking. Back cushion is recycled polyfiber in downproof ticking. Synthetic webbing. Nickel-plated steel frame with clear coat lacquer finish. Upholstered in top-grain, semi-aniline leather with self-welt detail at seat. Benchmade. Made in North Carolina, USA.
  • Vitra .03 Stacking Chair
    hivemodern.com
    Vitra .03 Stacking Chair
    Design Maarten Van Severen, 1999. Polyurethane shell, integrated leaf springs, tubular steel, aluminum. Made in Germany by Vitra. "I do not like the word designer," -maarten van severen. The outstanding aesthetic feature of .03 is its clear and straightforward shape - only when you sit down do you experience the great comfort it offers. An integral foam shell is mounted between the side sections and in the sitting area it assumes the contours of the user's body. When you lean back, the shape of the upper section of the backrest changes thanks to the built-in springs. .03 Is an ideal chair for all areas calling for comfortable seating even over prolonged periods - for example, lecture theatres and seminar rooms. The stackable chair can be linked (to form circles, too), and equipped with seat numbers. You can stack up to 12 chairs and because each shell lies directly on the one below it, the stacks are very compact. The son of an abstract painter, Maarten Van Severen chose to study architecture at Ghent art school; he worked in various agencies on interior design and furniture projects, and in 1986 started to make furniture. His work, handproduced in his workshop in Ghent Belgium, reflects his quest for perfection in form, detail and fabrication. Maarten works in a variety of different materials: aluminium and ply to bakelite and polyester. Van Severen is also frequently commissioned as a decorator and furniture designer for private residence projects, teamed with Rem Koolhaas. Vitra produced the first industrial chair by Maarten Van Severen, the .03. 31" H | 17.25" w | 20.75" d | seat: 16.5" h.
  • Artek Chair 66 Red
    fab.com
    Artek Chair 66 Red
    Alvar Aalto’s humanistic approach to modernism formed the foundation of Artek, which is known for its fluid, experimental furniture that exemplifies great Nordic design. Aalto’s lacquered, high-backed Chair 66 is made from wood sourced from Finnish forests. The seat sits on L-shaped legs, which are steamed and microwave-heated to achieve their graceful form. Designed in 1935. Assembly required. Seat height: 17.3”. Designer Alvar Aalto Care Dust with dry cloth. Brand Artek Finish Lacquered. Material Birch. Origin Finland. Color Red. Measurements H 30.70” W 15.40” D 16.50” Weight 11.80 lbs.
  • Jean-Marie Massaud Flow Chair with Oak Base
    luminaire.com
    Jean-Marie Massaud Flow Chair with Oak Base
    Suitable for both the home and office, Jean Marie Massaud's Flow Chair exemplifies the designer's ability to create modern, organic forms which are undeniably contemporary and timeless. Complete with a four-legged oiled-oak base, the Flow Chair presents a contrast of organic minimalism with the richness of wood. The shell, made from polycarbonate through injection moulding, is mass-pigmented in white and has a standard double finish: gloss outside with a goffered interior. The chair is both supportive and sturdy while the visual softness of the design and the relaxed look of the upholstery add depth and character. "
  • Magis Spun Chair
    hivemodern.com
    Magis Spun Chair
    Design Thomas Heatherwick, 2010. Rotational molded polyethylene or polycarbonate. Made by Magis. Spun came out of research into the geometric simplification of a familiar object type. Could a completely rotationally symmetrical form make a comfortable chair? The result is not immediately apparent as a chair and when upright looks more like a sculptural vessel. When lent on its side however, Spun forms a comfortable and functional chair that the sitter can rock from side to side, or even spin around in a complete circle. So if you've never been one for sitting still, the Spun chair is for you. Rock or spin your way to creativity or relaxation, indoors or out. Bright and whimsical, it's a chair that defies definition. 36" W | 36" d | 26" h.
  • Vitra - Jill Wood Chair
    connox.com
    Vitra - Jill Wood Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a massive wood base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: veneer (ash, oak or walnut), three-dimensional deformed. Bases with glides for carpets or with felt glides for hard floor. Four-feet wood base out of natural massive oak, black ash or black pigmented walnut.
  • Tom Dixon High Scoop Chair
    abchome.com
    Tom Dixon High Scoop Chair
    Crafted in England, the High Scoop chair delivers an edgy aesthetic with a dash of mid-century modern design. The splayed, solid oak legs bolster a deep seat carved from a foam shell - a sculptural, sleek addition to the contemporary space.
  • Tulip Chair
    conranshop.co.uk
    Tulip Chair
    The great Finnish-American architect-designer Eero Saarinen said he wanted to ‘get rid of the slum of legs’. His 1956 Tulip chair is thus a superlative exercise in slum clearance. Moulded fibreglass shell on a cast aluminium base. Loose foam cushions are available in a huge range of colours. Exactly contemporary with this exercise in understatement, Saarinen also designed the hyperbolically sci-fi General Motors Tech Center in Warren, Michigan... source of the outrageous finned and chromed Cadillacs. Manufactured by Knoll, it carries an impression of the designer’s signature. Designed in 1956. Click here to view all designs by Eero Saarinen at The Conran Shop.
  • Mogens Koch MK99200 Folding Chair
    dwr.com
    Mogens Koch MK99200 Folding Chair
    Mogens Koch studied architecture under the renowned Kaare Klint – one of the forefathers of modern Danish furniture design – at the Royal Danish Academy of Fine Arts, later serving as a professor there for 18 years. As an architect, he worked with houses, monuments, furniture, textiles and much more. His furniture designs are some of the most elegant and important examples of Danish modern with respect to their clean lines and superb craftsmanship. His MK99200 (1932) is no exception, successfully balancing form and function. A tribute to the classic director’s chair, it’s comfortable and practical, with simple collapsible construction that allows easy storage when not in use. MK99200 has exceptionally smooth folding action thanks to its precision-mounted brass rings on all four legs and brass hardware, which help it lend an air of understated dignity to any room. Made in Denmark.
  • Aidan Gray AG Hom Marx Occasional Chair
    zincdoor.com
    Aidan Gray AG Hom Marx Occasional Chair
    The Aidan Gray Hom Marx occasional chair resonates mid-century modern form. This sculptural seat impresses with ribbed upholstery and tapered legs. 33"W x 26"D x 33"H. Charcoal brown birch finish. Ives white-black hemp & viscose upholstery. Handmade. Finish variations may occur.
  • Charles Eames and Eero Saarinen Organic Highback Chair
    dwr.com
    Charles Eames and Eero Saarinen Organic Highback Chair
    Charles Eames and Eero Saarinen met at Cranbrook Academy in 1936. Saarinen had just returned home from abroad and was teaching at the Academy, while Eames had accepted a fellowship at the prestigious school. During their time at Cranbrook, they collaborated on many projects, with their efforts culminating in a range of furniture that won first prize at the "Organic Design in Home Furnishings" exhibition held by the MoMA in 1941. Eames and Saarinen designed several versions of the sculptural Organic Highback Chair (1940) for the competition. However, due to manufacturing constraints, the chair never went into serial production. Exhibition curator Eliot F. Noyes wrote of Saarinen and Eames: "Their designs proposed for the first time the use of molded plywood forms for chairs to fit the human body. The jury, in awarding the prizes, decided that these designs were possible to construct, although nobody, including the technical experts present, had any very exact idea of just how it might be done." While molded plastic chairs would hit the market only a few years later, it wasn't until 2006 that Vitra and the Vitra Design Museum first produced the Organic Chair. Made in Germany. With a slightly reclined seating position, the Organic Chair is ideal for reading. The elongated backrest provides neck support.
  • High Sticking Chair By Knoll
    2modern.com
    High Sticking Chair By Knoll
    Inspired by the surprising strength of the apple crates he had played on as a child, Frank Gehry created this thoroughly original collection of bentwood chair and table designs. Gehry's architecture draws its strength from the sculptural approach with which he has expanded the vocabulary of buildings. Bringing this same approach to furniture, Gehry constructed the entire collection with interwoven strips of maple. The ribbon-like designs transcend the conventions of style by focusing, as the great modernists did, on the essential challenge of deriving form from function. We offer the High Sticking Chair cushion in all KnollTextiles fabrics and Spinneybeck leathers available from Knoll (although we highlight only select favorites on this page). To order a color not shown above,
  • Vitra - Jill Tube Chair
    connox.com
    Vitra - Jill Tube Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a filigree steel rod base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: veneer (ash, oak or walnut), three-dimensional deformed. Bases: all bases with glides for carpets or with felt glides for hard floor. Four-feet steel rod base, not stackable, chromed or powder coated (colours: ivory, ice grey, chocolate, raspberry)
  • Arteriors Danforth Chestnut Chair
    zincdoor.com
    Arteriors Danforth Chestnut Chair
    The mid-century modern design of the Danforth chair by Arteriors pays homage to Ludwig Mies van der Rohe's iconic Barcelona chair. Sculptural mahogany wood legs support the armless chair's curved seat, upholstered in quilted chestnut leather. 22"W x 28"D x 31"H. Made from wood and top grain leather. Mahogany finish. Quilted chestnut leather.
  • Artek Domus Lounge Chair
    hivemodern.com
    Artek Domus Lounge Chair
    Design Ilmari Tapiovaara, 1946. Form pressed birch plywood, solid birch. Made in Finland by Artek. Tapiovaara was a great admirer of Alvar Aalto's work and wanted to create products based on the same ideological premises. He embraced the principle of social equality of functionalism, and felt that architecture was the starting point of his design work. The Domus lounge, alongside the Domus chair, were originally designed by Tapiovaara for the public spaces at the Domus Academica's student housing complex in Helsinki. When first produced, it was not possible to produce the seat and back element from one piece. It wasn't until recently that the Domus lounge is being produced as Tapiovaara originally designed. A classic Scandinavian design, the Domus series consists of lounge, arm and side chairs offered in a variety of finish options as well as upholstered. Llmari Tapiovaara was one of the greatest interior architects and designers of his era. With the mind of an explorer and a soul of a craftsman, Tapiovaara was always seeking for new solutions to improve everyday objects. During his long career Tapiovaara created dozens of iconic objects loved by the public. He was revered as a master of characteristic and human objects and surroundings who captured the essence of Finnish identity. Ilmari Tapiovaara was awarded a total of six gold medals at the Milan Triennials as well as many other important awards throughout his career. 23.2" W | 28" d | 35" h | seat: 16.1" h.
  • Pier 1 Imports Bal Harbor Dining Chair - Champagne
    pier1.com
    Pier 1 Imports Bal Harbor Dining Chair - Champagne
    The traditional 1930s Parsons chair takes an ultra-modern turn with the addition of a bold sculptural cutout. The comfort factor, however, hasn't changed. Durable faux leather in lustrous champagne is hand-stretched tight over 100% foam cushioning on back and seat for maximum sit-ability. Lightly tapered hardwood legs and base provide stability and contrast. No generation gap here. Champagne. 20"W x 24"D x 35"H. Birch wood, polyester, cotton, polyurethane foam. Hand-upholstered.
  • Vitra - Jill Tube Chair
    connox.com
    Vitra - Jill Tube Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a filigree steel rod base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: veneer (ash, oak or walnut), three-dimensional deformed. Bases: all bases with glides for carpets or with felt glides for hard floor. Four-feet steel rod base, not stackable, chromed or powder coated (colours: ivory, ice grey, chocolate, raspberry)
  • Arteriors Danforth Ivory Chair
    zincdoor.com
    Arteriors Danforth Ivory Chair
    The mid-century modern design of the Danforth chair by Arteriors pays homage to Ludwig Mies van der Rohe's iconic Barcelona chair. Sculptural beech wood legs support the armless chair's curved seat, upholstered in quilted ivory leather. 22"W x 28"D x 31"H. Made from wood and top grain leather. Mahogany finish. Quilted chestnut leather.
  • Tom Dixon Low Scoop Chair
    abchome.com
    Tom Dixon Low Scoop Chair
    Crafted in England, the Low Scoop chair delivers an edgy aesthetic with a dash of mid-century modern design. The splayed, solid oak legs bolster a deep seat carved from a foam shell - a sculptural, sleek addition to the contemporary space.
  • Artifort F585 Lounge Chair
    hivemodern.com
    Artifort F585 Lounge Chair
    Design Geoffrey Harcourt, 1967. Foam upholstered shell, metal base. Made in The Netherlands by Artifort. This comfortable shell seat, designed by Geoffrey Harcourt, introduced a new business-like character that penetrated to the homes of people with a taste for style. Its refined simplicity, austere functionalism and sheer swanky charisma have charmed us to no end. The F585 with metal base is pleasantly futuristic but, at the same time, nostalgic. A chair that both Dr. Evil and Austin Powers could agree on. 38.5" H | 38.5" w | seat: 14.2" h. Ottoman: 13.8" h | 26.4" w | 22" d. Available in a variety of upholstery options. Matching ottoman also available.
  • Kehoe Modern Gray and Orange Accent Chair
    lampsplus.com
    Kehoe Modern Gray and Orange Accent Chair
    Kehoe Modern Gray and Orange Accent Chair. Mid-Century contemporary accent chair. Dual-tone flannel-like fabric: orange in front; dark gray in back. Solid ash wood frame. Polyurethane foam cushioning. Spot clean only. Fully assembled. 24 3/4" wide. 26" deep. 30 3/4" high.
  • Moroso Moon Small Armchair
    hivemodern.com
    Moroso Moon Small Armchair
    Design Tokujin Yoshioka, 2011. Rotational molded recyclable polyethylene. Made in Italy by Moroso. Voids and spaces move in perfect formal harmony. Shifting, flowing lines give the Moon chair a profile which seems evanescent rather than solid, absorbing and diffusing a faint, refined glow. Size, on Moon, is an illusion. From the side, the curves of the seat merge with the cylindrical form of the base to bring to mind a flower in bloom, a concession to the organic in this rigorously geometric order. From the front, the glow from the seat as the light appears and disappears is enchantingly magical. What makes the form so original is the reverberations that emanate from the different planes. It is a new form of three-dimensionality which enhances the stylish lines and the moon-like quality of the piece which originates in the interaction of the solid with the evanescent. Tokujin Yoshioka, is a great "couturier" with a meticulous eye for detail, he is a designer whose delicate, poetic, elegant designs help us to dream. He likes to astonish us by producing surprising effects from simple, almost banal objects which he interprets and uses in an extraordinary way by means of his ability to see beyond and to reinterpret the world through the characteristic poetry and harmony of Japanese culture. Moon small armchair features rotationally molded, 100% recyclable polyethylene with integral color. The chair is offered in a matte, high-gloss lacquer or metallic finishes in a variety of colors. 24" W | 24.5" d | 28.75" h | seat: 17.25" h.
  • Artifort F978 Lounge Chair
    hivemodern.com
    Artifort F978 Lounge Chair
    Design Geoffrey Harcourt, 1968. Foam upholstered shell, metal base. Made in The Netherlands by Artifort. The easy chair F978 was designed by Geoffrey Harcourt in 1968 and has now been reintroduced in by Artifort. The comfortable shell seat of the F978 has a hard polyurethane shell. The inner shell is upholstered with Super Bultex foam and dacron and fixed to the hard polyurethane shell. The base is polished aluminium. The F978 is pleasantly futuristic but, at the same time, nostalgic. 27.2" H | 27.5" w | 29.5" d | seat: 13" h. Available with either a white or black shell and upholstered in your choice of a variety of upholstery options.
  • West Elm Steel-Armed Bend Chair - Persimmon
    westelm.com
    West Elm Steel-Armed Bend Chair - Persimmon
    Light on its feet. The modern and clean-lined Steel-Armed Bend Chair features a frame made from a single piece of stainless steel. Its thick seat cushion and buttonless back tufting make it an equally comfortable seating option for the dining room, living room or home office. 29"sq. x 26"h. Stainless steel frame and arms. Textured weave upholstery (100% polyester) in Persimmon. Hardwood seat with comfortable polyurethane foam cushioning. Receives delivery in 4 - 6 weeks. Spot clean. Imported.
  • CB2 Coup Office Chair
    cb2.com
    CB2 Coup Office Chair
    Suit up. With its sheltering curves and low profile, dapper swivel reworks the mid-century angle. Designed by Mark Daniel of Slate Design, this comfy seat crosses the line between business and pleasure, equally at home at the desk or dining table. Handsome salt-and-pepper menswear poly tweed wraps plush foam-covered seat. Glides smooth on gleaming chrome-plated metal base that spins 360º and gas-lifts up/down. Learn about Mark Daniel on our blog. Details and Dimensions: Coup office chair. 23.25"Wx19.5"D. Designed by Mark Daniel of Slate Design. Poly fabric in tonal grey tweed. Fabric imported. Foam over metal frame. Chrome-plated metal base. Five-caster base gas-lifts and swivels. Vacuum or lightly brush to remove debris. Made in Taiwan. Overall Dimensions: Width: 23.25" Depth: 19.5" Overall Max Height: Height: 31.5" Overall Lowest Height: Height: 29.5" Max Seat Height: Height: 20" Lowest Seat Height: Height: 18" Base: Diameter: 23.25"
  • Hans Chair
    zincdoor.com
    Hans Chair
    The Hans chair lends the sophisticated interior retro refinement. Atop an unconventional wooden frame, the chic seat's mod silhouette exudes mid-century style savvy. Shown in Joel Pine. Available in a variety of fabric and finish options. Hand crafted in the USA using sustainable materials. Kiln-dried frames made from responsibly harvested hardwood. Water-based wood adhesive with no VOC emissions. Seat deck and trim pad made from 80% regenerated fibers. Cushion cores made from at least 10% natural plant-based ingredients. 31"W x 34.5"D x 38.5"H. Seat: 20"D x 19"H. Arm: 22.5"H. In-Arm: 21.5"W.
  • Vitra - Jill Tube Chair
    connox.com
    Vitra - Jill Tube Chair
    The Jill chair is the first cooperation of Vitra and Alfredo Häberli. Inspired by the beginnings of plywood deformation, Jill sounds the borders of this technology out. Jill Wood moreover possesses a filigree steel rod base. Charles Eames reached crossed the border between two and three dimensional deformation of plywood in the forties for the first time. The fascination for sculptural expression of this soon polywood-prototype is recognizable in many of Alfredo Häberlis designs. The in 1964 in Argentina born Swiss designer works with his studio which has been founded in 1991 for namely companies in product and furniture design, textiles shaping as well as interior architecture, Alfredo Häberli formally refers to the forties with Jill and transforms these into modern organic seats with Vitra and the newest plywood-technology. Jill’s veneers are bent in a patented procedure, until the seats get together. This creates an open and flexible seat with transition of seat to back which follows body contours. Two endless lines, an interior and an exterior, penetrate and surround an area forming a sculptural form which follows the contours of the body offering exceptional seat comfort thanks to high flexibility. The base of Jill has also been partly inspired by historic idols but always offering a contemporary expression to the chair – especially in its distinctive colour which is adapted to the optionally available seat-covers. More details: Seat: veneer (ash, oak or walnut), three-dimensional deformed. Bases: all bases with glides for carpets or with felt glides for hard floor. Four-feet steel rod base, not stackable, chromed or powder coated (colours: ivory, ice grey, chocolate, raspberry)
  • Moroso Victoria & Albert Small Upholstered Armchair
    hivemodern.com
    Moroso Victoria & Albert Small Upholstered Armchair
    Design Ron Arad, 2000. Polyurethane foam, steel frame. Made in Italy by Moroso. Victoria & Albert collection is the result to propose an innovative but comfortable and cozy design. Two armchairs accompany a sofa. A collection that is capable of mediating design and functionality combining both research and technology assuring a comfortable and cozy place to rest. The choice of the name "Victoria & Albert" is a homage to the famous museum in London. Structure in reinforced polyester resin complete with steel support covered with stress-resistant polyurethane foam at varied densities. Base in varnished steel with adjustable chrome feet. Hailed as one of the foremost designers of the 20th Century, Ron Arad was born in Tel Aviv and studied at the Jerusalem Academy of Art before moving to London and the Architectural Association where he studied under Peter Cook, founder of Archigram. Ron Arad has successfully established a unique design style using unorthodox combinations of materials and concepts. Available in your choice of upholstery and either swivel (black varnished steel round base) or non-swivel (varnished steel) base. Non-swivel: 29.25" w | 30.25" h | 25" d | seat: 17" h. Swivel: 29.25" w | 32" h | 25" d | seat: 18.5" h.
  • Pier 1 Imports Bal Harbor Dining Chair - Cocoa
    pier1.com
    Pier 1 Imports Bal Harbor Dining Chair - Cocoa
    The traditional 1930s Parsons chair takes an ultra-modern turn with the addition of a bold sculptural cutout. The comfort factor, however, hasn't changed. Durable faux leather in lustrous champagne is hand-stretched tight over 100% foam cushioning on back and seat for maximum sit-ability. Lightly tapered hardwood legs and base provide stability and contrast. No generation gap here. Cocoa. 20"W x 24"D x 35"H. Faux leather, polyester, cotton, birch wood, polyurethane foam, polyester fiber. Hand-upholstered. Clean with a soft, dry cloth.
  • Crate & Barrel Margot Chair
    crateandbarrel.com
    Crate & Barrel Margot Chair
    Sheltering upright lines profiled with a modern curved cutaway define this tailored collection scaled for smaller rooms and apartments. Fashion-statement weave in midnight blue with dark grey undertones accentuates slim, high track arms and tight back and seat cushioned for comfort. A clean, striking presence at an equally striking value. After you place your order, we will send a fabric swatch via next day air for your final approval. We will contact you to verify both your receipt and approval of the fabric swatch before finalizing your order. Eco-friendly construction. Certified sustainable, kiln-dried hardwood frame. Tight seat and back are soy-based polyfoam and fiber. Sinuous wire suspension. Jet-stained hardwood legs. Upholstered in rayon-polyester-cotton-nylon blend. Benchmade. See additional frame options below. Made in Virginia, USA.
  • Annabelle Mid-Century Modern Coral Linen Chair
    lampsplus.com
    Annabelle Mid-Century Modern Coral Linen Chair
    A classic Mid-Century modern chair design updated to casual contemporary style with coral linen upholstery. The frame is crafted from wood and comes in a warm wood finish that offers a handsome base for the fabric above. Plush seat cushion and welt trim offer comfort and handsome style. Can be used as an accent chair or dressing area slipper chair. Some assembly required. Mid-century modern chair design. Coral linen upholstery. Wood frame construction. Spot clean only. Some assembly required. 32" high. 25" deep. 23 1/2" wide. Seat is 20" high. Custom made to order. Please allow extra time for delivery. Please note: no returns, cancellations, or exchanges.
  • Wayne Chair Ivory
    zincdoor.com
    Wayne Chair Ivory
    Inspired by mid-century glam, the Wayne chair lends a demure accent to modern interiors. Four sleek tapered legs support this tufted high-back seat. 55% linen/45% cotton. Ivory upholstery. Down-wrapped cushion. Oak legs with walnut finish. 29.5"W x 27"D x 37"H. Seat Height: 17" Arm Height: 19"
  • B&B Italia Iuta Side Chair
    hivemodern.com
    B&B Italia Iuta Side Chair
    Design Antonia Citterio, 2006. Steel, thermoplastic, aluminum. Made in Italy by B&B Italia. The Iuta collection is a B&B Italia icon. This elegant seating range uses a molded technical wire mesh shell with profiled aluminium edging to create a series of armchairs, side chairs and stools in two different shapes. Available with polished chrome wire bases or in four star fixed or five star adjustable height versions. The chairs have upholstered seat cushions while the armchairs have the additional option of an upholstered back cushion. Antonia Citterio was born in Meda and lives and works in Milan. He graduated in Architecture at the Politecnico of Milan and from 1972 he has worked for many leading manufacturers such as B&B Italia, Vitra and Kartell. He has also been engaged in architectural works dealing with construction projects and interiors both in Italy and abroad. He holds lectures and conferences all over the world and his work has been extensively exhibited and published. Iuta side chair features a bright chromed tubular steel frame with grey-colored metallic net. The seat cushion is upholstered in your choice of upholstery. 21.25" W | 21.6" d | 31.5" h | seat: 18.1" h.
  • Knoll Jehs+Laub Pedestal Lounge Chair
    hivemodern.com
    Knoll Jehs+Laub Pedestal Lounge Chair
    Design Jehs+Laub, 2008. Upholstery, urethane & aluminum. Made in USA by Knoll. At ease in the workplace or home, the strikingly simple Jehs+Laub Lounge Chair combines a sleek profile with a sculptural interior, offering seating that is both refined and approachable. The chair's generously proportioned, sweeping elevated form and upholstered interior facets provide unrestricted comfort and support whether one is working, relaxing or even napping. An optional articulating back and ottoman transform the chair into an efficient chaise lounge. Markus Jehs and Jürgen Laub live and work in Stuttgart, Germany and have been renowned for their modern classic furniture and lighting designs as well as interior projects, most notably, suite 606, at the ice hotel in northern sweden and the worldwide master concept for Mercedes-benz® showrooms. After attending germany's prestigious school of design in schwäebisch gmuend, the team cemented their friendship during an internship in new York and later founded jehs+laub in 1994. The partnership has been the recipient of numerous international design awards. The Collection is available with either a distinctive polished aluminum pedestal platform or a dynamic, architectural wire base in polished chrome; also available with a black textured finish. Contrasting leather welt detail is also available on both chair and ottoman, please call for details. Chair: 33.25" w | 30.5" d | 38.5" h | seat: 15" h. Ottoman: 31" w | 22.5" d | 17.25" h.
  • Tulip Chair by Eero Saarinen, Knoll
    hauslondon.com
    Tulip Chair by Eero Saarinen, Knoll
    Saarinen realised his ideal of formal unity in his Tulip collection which includes a dining, coffee, side table and chairs. Classically trained as a sculptor and architect Saarinen's Tulip chair and tables have become some of the most iconic pieces of mid century furniture adored for being both functional and sculptural at the same time. The Tulip chair is available in both armed and unarmed version, with the choice of a fixed or swivel base. A matching stool is also available. We only sell authentic editions by Knoll, the only authorised manufacturer. Materials: Shell is molded fiberglass with a reinforced, plastic bonded finish. The base is constructed from cast aluminium strap polished and coated in tough, abrasion-resistant Rilsan in White, Black or Platinum finish. (Prices shown below are for the white base). Upholstered foam cushion is removable, with zippered cover and Velcro fastening. Cushions are available in a wide range of KnollTextiles or Spinneybeck leather. (Prices shown are for Knoll Felt or Hopsack (Group c fabrics)). Please call for the full range of fabrics and colours. Dimensions: Height 81 x Width 49cm x Depth 53cm (Seat Height 49cm)
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