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Canto 25:47. In the background is Wm Blake’s painting showing Agnello Brunelleschi being transformed, from a merged humanoid/reptile body, back into a single human form. This is the second set in a series based on Blake’s painting. [Rather than reproducing Dante’s amazing text, I suggest that you read James Finn Cotter’s translation of canto 25: http://www.italianstudies.org/comedy/Inferno25.htm .]

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