Dazed Confused
  • 80本のスイートピーでBouquet de Photo Kawaii~ Hunter Journal nagoya
    ameblo.jp
    2月のブーケドフォトはなんと、なんと、、、80本のスイートピー~~~~!!!!もう先生太っ腹!うす~いラベンダーカラーと式部というワインからのグラデカラーそれ…
  • 9 Glass Slipper-Inspired Shoes to Swoon Over
    people.com
    Inspired by the live-action Cinderella soon in theaters, nine major shoe designers created their own take on the princess's iconic footwear. See all the gorgeous pictures, then start saving up for when they hit Saks Fifth Avenue in March!
  • Cinderella's Dresses for Lily James: Details from the Costume Designer - Us Weekly
    usmagazine.com
    Cinderella's costume designer Sandy Powell dished to Us Weekly about bringing all of the movie's gorgeous costumes to life; plus, see her sketches
  • Lily James as Cinderella
    fashiongonerogue.com
    Set to hit theaters on March 13, the live action version of ‘Cinderella’ stars Lily James as Ella with Richard Madden as Prince Kit, Cate Blanchett as the Wicked Stepmother and Helena Bonham Carter as the Fairy Godmother. The costumes of the film fulfill all our inner 7-year-old fantasies with beautiful ball gowns, one pair of sparkling glass slippers and...
  • 9 Glass Slipper-Inspired Shoes to Swoon Over
    peoplestylewatch.com
    Inspired by the live-action Cinderella soon in theaters, nine major shoe designers created their own take on the princess's iconic footwear. See all the gorgeous pictures, then start saving up for when they hit Saks Fifth Avenue in March!
  • burgundy
    Styling idea
  • The New Collections
    fashionmodeldirectory.com
    Editorial profile of The New Collections by Solve Sundsbo for Harper's Bazaar USA with Alyona Osmanova wearing Roberto Cavalli, including all credits and more.
  • Felicity Jones
    vogue.it
    People also liked
    Animalier, the latest make-up collection by Dolce & Gabbana is set to hit the Italian market on November, 1st with Felicity Jones as the face of the campaign
  • Scarlett Johansson by Mert Marcus for W Magazine March 2015
    fashn.be
    Scarlett Johansson stars as a cover girl for the March 2015 issue of W Magazine, photographed by Mert Alas and Marcus Piggott with styling by Edward Enninful. other, chanteuse, computer operating system, bombshell alien… no matter the role, Scarlett Johansson is her own woman. “When she came out of me, I was so surprised,” Scarlett Johansson told me on a cold day in December. We were at the photo shoot for this story, and Johansson, who had given birth to her daughter, Rose, just three months earlier, was wearing tight jeans and an equally snug white sweater. Her short, almost platinum hair, which would soon be covered by a Debbie Harry circa-Blondie shag wig, was slicked back. “I had a very strong picture in my mind of what my baby would look like,” Johansson continued. “And, of course, she is completely different. Perfect, but not what I’d imagined. Now, of course, I can’t picture her any other way.” Johansson smiled. As always — and I have been interviewing her regularly since her breakthrough role in 2003’s Lost in Translation — she was at once forthcoming and guarded. Johansson, who just turned 30, has been acting professionally since she was 7 and is entirely comfortable in the spotlight. (“Everyone has seen my breasts!” she said when an assistant offered her a private changing room. “I can change my top right here.”) And then, when it truly matters, she can be remarkably discreet. It was months before the public caught wind of her marriage to the French journalist Romain Dauriac. Johansson has always taken unexpected creative chances: In 2010, at the height of her movie stardom, she defied critics by acting in Arthur Miller’s A View From the Bridge on Broadway and, to the astonishment of many, winning a Tony for her performance. With the verve of a ’60s chanteuse, Johansson has recorded albums, and they are far from vanity projects. And just when she seemed a bit too art house, she took the role of Black Widow, the female superhero in The Avengers. The much-awaited sequel to that movie, Avengers: Age of Ultron (the trailer garnered 34.3 million hits in its first 24 hours online), is due in theaters on May 1. The past year was, in particular, a big one for Johansson: In addition to becoming a mom, she starred in two of the only interesting female-centric films of 2014. In the global blockbuster Lucy, she plays a woman who ingests a drug that gives her superior mental and physical abilities (telekinesis, ass-kicking), and in Under the Skin, she is a seductive, murderous alien. “I was completely naked in that movie,” Johansson said matter-of-factly. “She was a totally different species, so her nudity was kind of practical. I also had black hair. That was my idea — I didn’t think I should be a blonde sort of bombshell. Naked, but not too sexy.” As a child in New York, Johansson was fascinated with every aspect of show business. “I had a big imagination,” she said. “I particularly loved Judy Garland, and, to me, she did it all. For as long as I can remember, I wanted to be an actor. And I wanted to do everything. When you’re a kid, they send you on a lot of commercial auditions, and I was terrible at selling things. I never got those parts. I remember crying in the subway, and my mom said, ‘Look — let’s forget it. Do something else.’ And I replied, ‘No. You can’t take this away from me. I want to be an actor!’ Waiting for the B train, I had my come-to-Jesus moment.” So Johansson (and her mother, who became her manager) decided she would audition only for films. In addition to a precocious mix of sexy and cute, even as a girl, Johansson had a trump card: her deep, slightly hoarse, smoky speaking voice. “When I was young, I would talk and everyone thought I had a cold. But when I went out for films, they loved my voice. It was a different world.” In 2013, Spike Jonze capitalized on Johansson’s voice brilliantly in Her — as Joaquin Phoenix’s love interest, a disembodied computer operating system. Jonze told me that Johansson arrived every day to play the part wearing red lipstick and a cocktail dress, even though she woul
  • Scarlett Johansson by Mert Marcus for W Magazine March 2015
    fashn.be
    Scarlett Johansson stars as a cover girl for the March 2015 issue of W Magazine, photographed by Mert Alas and Marcus Piggott with styling by Edward Enninful. other, chanteuse, computer operating system, bombshell alien… no matter the role, Scarlett Johansson is her own woman. “When she came out of me, I was so surprised,” Scarlett Johansson told me on a cold day in December. We were at the photo shoot for this story, and Johansson, who had given birth to her daughter, Rose, just three months earlier, was wearing tight jeans and an equally snug white sweater. Her short, almost platinum hair, which would soon be covered by a Debbie Harry circa-Blondie shag wig, was slicked back. “I had a very strong picture in my mind of what my baby would look like,” Johansson continued. “And, of course, she is completely different. Perfect, but not what I’d imagined. Now, of course, I can’t picture her any other way.” Johansson smiled. As always — and I have been interviewing her regularly since her breakthrough role in 2003’s Lost in Translation — she was at once forthcoming and guarded. Johansson, who just turned 30, has been acting professionally since she was 7 and is entirely comfortable in the spotlight. (“Everyone has seen my breasts!” she said when an assistant offered her a private changing room. “I can change my top right here.”) And then, when it truly matters, she can be remarkably discreet. It was months before the public caught wind of her marriage to the French journalist Romain Dauriac. Johansson has always taken unexpected creative chances: In 2010, at the height of her movie stardom, she defied critics by acting in Arthur Miller’s A View From the Bridge on Broadway and, to the astonishment of many, winning a Tony for her performance. With the verve of a ’60s chanteuse, Johansson has recorded albums, and they are far from vanity projects. And just when she seemed a bit too art house, she took the role of Black Widow, the female superhero in The Avengers. The much-awaited sequel to that movie, Avengers: Age of Ultron (the trailer garnered 34.3 million hits in its first 24 hours online), is due in theaters on May 1. The past year was, in particular, a big one for Johansson: In addition to becoming a mom, she starred in two of the only interesting female-centric films of 2014. In the global blockbuster Lucy, she plays a woman who ingests a drug that gives her superior mental and physical abilities (telekinesis, ass-kicking), and in Under the Skin, she is a seductive, murderous alien. “I was completely naked in that movie,” Johansson said matter-of-factly. “She was a totally different species, so her nudity was kind of practical. I also had black hair. That was my idea — I didn’t think I should be a blonde sort of bombshell. Naked, but not too sexy.” As a child in New York, Johansson was fascinated with every aspect of show business. “I had a big imagination,” she said. “I particularly loved Judy Garland, and, to me, she did it all. For as long as I can remember, I wanted to be an actor. And I wanted to do everything. When you’re a kid, they send you on a lot of commercial auditions, and I was terrible at selling things. I never got those parts. I remember crying in the subway, and my mom said, ‘Look — let’s forget it. Do something else.’ And I replied, ‘No. You can’t take this away from me. I want to be an actor!’ Waiting for the B train, I had my come-to-Jesus moment.” So Johansson (and her mother, who became her manager) decided she would audition only for films. In addition to a precocious mix of sexy and cute, even as a girl, Johansson had a trump card: her deep, slightly hoarse, smoky speaking voice. “When I was young, I would talk and everyone thought I had a cold. But when I went out for films, they loved my voice. It was a different world.” In 2013, Spike Jonze capitalized on Johansson’s voice brilliantly in Her — as Joaquin Phoenix’s love interest, a disembodied computer operating system. Jonze told me that Johansson arrived every day to play the part wearing red lipstick and a cocktail dress, even though she woul
  • Vika Falileeva for ELLE
    fashionserved.com
    Fashion Served features top work in categories such as styling and fashion photography.
  • Porter Magazine Editorial No.7 Spring 2015
    fashionindustryarchive.com
    Porter Magazine Editorial No.7 Spring 2015 - Natalia Vodianova by Ryan McGinley - 2/10/2015
  • red WINE-15
    By mykt
    Styling idea
  • Binx Walton, Daphne Groeneveld by Inez van Lamsweerde Vinoodh Matadin
    fashionindustryarchive.com
    Tom Ford Campaign SS 2015 - Binx Walton, Daphne Groeneveld by Inez van Lamsweerde & Vinoodh Matadin - 2/10/2015
  • Grammy Awards 2015: Arrivals
    people.com
    No item description
  • Supermodels.nl Industry News - Elisabeth Erm for Dior Magazine
    supermodels.nl
    Elisabeth Erm for Dior Magazine
  • Fashgasm 18.9.2012 - Fashionising.com
    fashionising.com
    Enjoy a daily fashgasm and find inspiration in what's hot and what's new in the world of fashion, all polished off with the latest photo shoots and sales.
  • Allure Editorial February 2015
    fashionindustryarchive.com
    Allure Editorial February 2015 - Hedvig Palm by Carter Smith - 2/6/2015

Get sale alerts on styles you love

Continue
×