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  • Ethan Allen Skyline I
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    Ethan Allen Skyline I
    Serenity now. American artist Kim Coulter’s Skyline is stunningly peaceful to look at. A simple white rag mat with a hand-cut beveled edge surrounds this giclée on paper. The beveled edge is colored by hand in a deep gray to complement both the artwork and the graphite-hued cove molding.
  • Ethan Allen Foundation
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    Ethan Allen Foundation
    An exclusive giclée on canvas, this study of the American flag includes iconic words and images, such as “We the People,” the Liberty Bell, and sheet music for “This Land is Your Land.” A dark recess around the image creates the impression that the flag floats in the box-style frame. The frame’s distressed front veneer is a nod to history and time. The frame and the stretcher are both solid kiln-dried wood.
  • Ethan Allen Vintage Peony
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    Ethan Allen Vintage Peony
    Florals are perennial favorites; they lift spirits everywhere. This detailed vintage peony is a classic case in point. Lovely pink blooms dominate the giclée photograph. It's mounted on contrasting white linen and framed by hand in our own U.S. workshops.
  • Ethan Allen Pastel Floral & Sky B
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    Ethan Allen Pastel Floral & Sky B
    A graphic yet classic botanical study, Megan Meagher’s giclée is printed on fine art paper and then lightly tea-stained for a vintage effect. A unique touch, the aged-turquoise frame with pewter accents echoes the work’s soothing sky-colored backdrop.
  • Ethan Allen Vintage Keys C
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    Ethan Allen Vintage Keys C
    Unlock the past with our antique keys giclée print that has been rendered on paper treated to create the look of a timeworn document, for enduring charm and visual appeal. Four skeleton keys with unique ornamental detailing are artfully displayed in this print made exclusively for the Ethan Allen Collection. A wooden box frame with rubbed black edges furthers its heirloom allure.
  • Ethan Allen Feather Study II
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    Ethan Allen Feather Study II
    Rendered in exceptional detail, this digital image captures the ethereal beauty of a single feather. The print in a series of four by California photographer Roy Barloga gets its Old World look from the fine, handcrafted paper on which it's printed. Framed by hand in our own U.S. workshops, the feather is floated in a simple, aged black shadow box.
  • Ethan Allen Show Horse
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    Ethan Allen Show Horse
    The arresting profile and sheer beauty of a show horse is laid bare in this giclée photograph on paper. A dark oak frame complements the moody sepia tone of the image. Framed by hand in our own U.S. workshops.
  • Ethan Allen Wildflowers II
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    Ethan Allen Wildflowers II
    With its companion piece, Wildflowers I, this painting has enough vibrant energy to refresh an otherwise low-key room. Colorful and a bit edgy, the giclée on canvas by artist Paul Ngo is framed by hand in our own U.S. workshops.
  • Ethan Allen Vintage Crown III
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    Ethan Allen Vintage Crown III
    Feeling royal? The Vintage Crowns in this series of four are stately and regal, but a bit whimsical, too. The embellished giclées by artist Dennis Gastone are loosely rendered on deckle-edge paper and framed by hand in our own U.S. workshops.
  • Ethan Allen Ink Circles
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    Ethan Allen Ink Circles
    This print—four big, bold circles colored in muted shades of yellow and silver—is much more than the sum of its parts. The giclée on canvas by artist Mary Margaret Briggs is a contemporary gem sure to make a plain room pop. Framed by hand in our own U.S. workshops.
  • Ethan Allen The Dress
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    Ethan Allen The Dress
    This hand-embellished giclée, by Fressinier, on canvas is stretched onto a wood stretcher for stability then framed. The image is then surrounded by a wood fillet, an oyster linen liner and a solid wood, plank-style molding with decorative raised compo embellishments. The outer frame’s lustrous gilded finish is hand applied by skilled artisans.
  • Ethan Allen Folk Flora and Fauna
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    Ethan Allen Folk Flora and Fauna
    The bold lines in this giclée on canvas reveal a tribal influence (and a touch of inspiration from Picasso). The image by artist Sue Lawrence is based on a vintage etching. Turquoise and yellow embellishments lend dimension; it's framed by hand in our own U.S. workshops.
  • Ethan Allen Antique Coral Specimen A
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    Ethan Allen Antique Coral Specimen A
    The sketch has the authentic appeal of an aged nature study. In a solid wood frame, our giclée floats above an antiqued linen and antique paper backdrop. The float is a modern framing option; the black and antiqued gold frame is pure tradition.
  • Ethan Allen Antique Trees B
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    Ethan Allen Antique Trees B
    The sketch has the authentic appeal of an aged botanical. In a solid wood shadow box frame, our giclée floats above an antiqued linen backdrop. The float is a modern framing option; the black and antiqued gold frame, with its detailed inner lip, is pure tradition.
  • Ethan Allen Waterwitch 1911
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    Ethan Allen Waterwitch 1911
    Come sail away. This turn-of-the-century yacht print exudes nautical serenity. Set within a white cotton sailcloth inner mat; a classic foundation for the white floating outer mat, which sits within an American bass wood frame with antiqued bright gold leaf accents. A reproduction print by English artist Frank Beken.
  • Ethan Allen Sakura lV
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    Ethan Allen Sakura lV
    An expert in textile design, artist Chariklia Zarris created this vibrant, festive batik- patterned piece which we have mounted on soft white, double matting. The image is adorned with a simple whitewashed, barn-siding frame that makes the Indonesian-influenced pattern pop for a fun—yet relaxed—modern look.
  • Ethan Allen Modern Botanical I
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    Ethan Allen Modern Botanical I
    This striking giclée was created from a monoprint in which an actual botanical sample was used during the printing process. The artist, Mary Margaret Briggs, often creates her graphic botanical studies from foliage she clips from her personal garden. An exclusive to the Ethan Allen Artwork Collection, the print reveals the botanical’s stunning venation and texture, which is complemented by the paper’s deckled edges and modern, simple framing style.
  • Ethan Allen Mustard Paper Art
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    Ethan Allen Mustard Paper Art
    Materially abstract. Our graphic, dynamic paper sculpture on fabric lends a cool, sophisticated air to any modern or elegant space. Hang it vertically or horizontally, alone or grouped with its companions, White Paper Art, Black Paper Art, Grey Paper Art, Tangerine Paper Art, and Turquoise Paper Art.
  • Ethan Allen Tangerine Paper Art
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    Ethan Allen Tangerine Paper Art
    Materially abstract. Our graphic, dynamic paper sculpture on fabric lends a cool, sophisticated air to any modern or elegant space. Hang it vertically or horizontally, alone or grouped with its companions, White Paper Art, Black Paper Art, Grey Paper Art, Mustard Paper Art, and Turquoise Paper Art.
  • Ethan Allen Diamonds in Steel lll
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    Ethan Allen Diamonds in Steel lll
    This hand-embellished giclée, which is an Ethan Allen exclusive, explores architecturally inspired forms. A burnished frame with a steel-like finish brings out the work’s metallic tones. The image is the perfect complement to our modern, industrial-style décor. Display it alone or in a grouping with Diamonds in Steel II and IV.
  • Ethan Allen Austere IV
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    Ethan Allen Austere IV
    Deliberate asymmetry keeps the mood open. For added drama, this abstract giclée on canvas projects forward from its deep, multistep frame. A burnished silver finish and graphic liner punctuate the work’s bold simplicity. By John Palmer (contemporary American).
  • Ethan Allen Elephant Roses
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    Ethan Allen Elephant Roses
    “Yon rosebuds in the morning dew, how pure, amang the leaves sae green.” When Robert Burns wrote those words, these roses were nearly 200 years old and still as sweet as they are today. Our giclée, from a 15th century Crispin de Passe engraving, is embellished by hand so each one is unique.
  • Ethan Allen English Dogs VII
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    Ethan Allen English Dogs VII
    The grace and beauty of English hunting dogs is revealed in artist Ethan Harper's winsome series of seven giclées on watercolor paper. His renderings are lovely in their simplicity and appropriate for any traditional design style. Framed by hand in our own U.S. workshops.
  • Ethan Allen Jewelry Study III
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    Ethan Allen Jewelry Study III
    We like to “go bright or go home” when it comes to bling. This series of four showcases the best and the brightest of vintage gems, in sparkling detail. Sleek and contemporary, the glamorous giclées on paper are framed by hand in our own U.S. workshops.
  • Ethan Allen N.Y. Aerial
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    Ethan Allen N.Y. Aerial
    This gorgeous aerial view of New York City is a bold statement piece with a lot of dimension. The black and white photo has a nostalgic quality tempered by a modern presentation. The giclée on canvas by artist Paul Ngo is framed by hand in our own U.S. workshops.
  • Ethan Allen Watercolor Bird II
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    Ethan Allen Watercolor Bird II
    The giclée prints in our four-part Watercolor Bird series are delicately rendered by artist Natasha Marie and bring just a nuance of nature to a transitional space. Bottom-weighted mats accentuate the lightness of the ever-popular watercolor subjects; the prints are framed in faux bamboo by hand in our own U.S. workshops.
  • Ethan Allen Grey Paper Art
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    Ethan Allen Grey Paper Art
    Materially abstract. Our graphic, dynamic paper sculpture on fabric lends a cool, sophisticated air to any modern or elegant space. Hang it vertically or horizontally, alone or grouped with its companions, White Paper Art and Black Paper Art (073013A, B).
  • Ethan Allen Butterfly Study I
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    Ethan Allen Butterfly Study I
    Awash in luminous shades of blue-green, this butterfly by California photographer Roy Barloga is made even more beautiful by the handmade Nepalese paper on which it's printed. All four of the arresting images in our Butterfly Study series capture the resplendent colors and details that have inspired artists for centuries. Framed by hand in our own U.S. workshops; a silver finish is the perfect complement.
  • Ethan Allen All Ways in My Heart
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    Ethan Allen All Ways in My Heart
    An aerial image of New York City serves as background for the playful “ooh la la” in this giclée photograph on paper. Framed by hand in our own U.S. workshops, it’s the perfect print for fashionistas and anyone who wants to have a little fun.
  • Ethan Allen Yin II
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    Ethan Allen Yin II
    This evocative, abstract nude by artist April Lake is arresting in its simplicity. Display it where a dash of sophistication is desired; hang together with Yin I for added drama. The hand-embellished giclées on paper are framed by hand in our own U.S. workshops.
  • Ethan Allen Antique Coral Specimen I
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    Ethan Allen Antique Coral Specimen I
    The sketch has the authentic appeal of an aged nature study. In a solid wood shadow box frame, our giclée floats above an antique paper backdrop. The float is a modern framing option; the black and antiqued gold frame is pure tradition.
  • Ethan Allen Vegetable Study I
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    Ethan Allen Vegetable Study I
    The simple beauty of green onions fresh from the garden is captured in this artfully composed digital image. Every print in this series of four is as singular as the plant that inspired it, thanks to the use of handmade Nepalese paper that varies in color and texture. Framed by hand in our own U.S. workshops.
  • Ethan Allen Cattleya Orchid
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    Ethan Allen Cattleya Orchid
    Our Orchid series is, in a word, exquisite. The three giclée photographs are by the artist joSon, who is known for images that are clean, spare and meditative. Square prints are made modern by wide mats; they’re framed by hand in our own U.S. workshops.
  • Ethan Allen Curious Cornucopia
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    Ethan Allen Curious Cornucopia
    A still life of fruit and flowers takes a dramatic turn in this giclée on paper by photographer Lisa Frank. Adding contrast and glamour, the print is matted and framed in black, by hand in our own U.S. workshops.
  • Ethan Allen Assorted Blossoms III
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    Ethan Allen Assorted Blossoms III
    Inspired by vintage floral etchings, the nine giclée prints in our Assorted Blossoms series highlight the natural beauty of delicate blooms. The works by artist April Lake are stunning alone, in pairs or in groups of three or more. Gold embellishments, including pen line and border, are applied by our own artisans; the prints are framed by hand in our own U.S. workshops.
  • Ethan Allen Olé
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    Ethan Allen Olé
    This abstract giclée on canvas by artist Paul Ngo evokes tension, a sense of movement and drama. The image of a matador deftly sidestepping a dangerous, charging bull is rendered in bold brush strokes and framed by hand in our own U.S. workshops.
  • Ethan Allen Flutter
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    Ethan Allen Flutter
    This happy composition by Allyson Fukushima is fresh and versatile, thanks to a playful palette of summer colors. This giclée on stretched canvas is floated for added dimension, and framed by hand in our own U.S. workshops.
  • Ethan Allen Treasure Chest II
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    Ethan Allen Treasure Chest II
    They seem like simple sketches at first glance. But on closer inspection, our two hand-embellished Treasure Chest giclées stand on their own as works of art—owing in part to silver wax stamps and deckled edges; they’re framed by hand in our own U.S. workshops.
  • Ethan Allen Point of Grey
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    Ethan Allen Point of Grey
    Stylized and graphic, this print has a retro vibe and a gray-and-gold color palette suitable for modern or transitional spaces. Hand-applied gold leaf adds intriguing dimension to this gicleé on canvas by artist April Lake. Framed by hand in our own U.S. workshops.
  • Ethan Allen Vintage Coin I
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    Ethan Allen Vintage Coin I
    This series of four coins by artist Joe Joseph gives currency to our reputation for exquisitely rendered artwork. The embellished giclées of historically significant coins are printed on deckle-edge paper, underscored by a gold wax stamp and framed by hand in our own U.S. workshops.
  • Ethan Allen Polo Boots Ecuador
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    Ethan Allen Polo Boots Ecuador
    This striking image of polo boots against a worn building feels earthy and rustic, real. The warm-toned giclée photograph—an unusual equestrian print suitable for a den or library—is by artist Ross Gordon. Framed by hand in our own U.S. workshops.
  • Ethan Allen Turquoise Paper Art
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    Ethan Allen Turquoise Paper Art
    Materially abstract. Our graphic, dynamic paper sculpture on fabric lends a cool, sophisticated air to any modern or elegant space. Hang it vertically or horizontally, alone or grouped with its companions, White Paper Art, Black Paper Art, Grey Paper Art, Mustard Paper Art, and Tangerine Paper Art.
  • Ethan Allen July Sun
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    Ethan Allen July Sun
    It's easy to fall for American artist Anne Tatman's pop-influenced design. The giclée print is accented by double matting with tangerine-colored beveled edges and a white, box-style wood frame that add to the work's whimsical nature.
  • Ethan Allen Mini Leaf Studies II
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    Ethan Allen Mini Leaf Studies II
    We’ve added drama to this reproduction of petite antique nature studies with a mat of bold proportions. Finished in a delicate gold wood frame with simple beaded detail, it retains a gentle beauty. By Giorgio Caucacci.
  • Ethan Allen Aperture I
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    Ethan Allen Aperture I
    This mixed media presentation on watercolor paper includes color photography, paint, and silvered foil leafing. The deep box profile is lined completely, its back as well as its sides, in archival quality matting. The art floats slightly above the matting and just short of the sides of the frame. The UV protected glass and solid wood frame help to protect the artwork.
  • Ethan Allen Aperture III
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    Ethan Allen Aperture III
    This mixed media presentation on watercolor paper includes color photography, paint, and silvered foil leafing. The deep box profile is lined completely, its back as well as its sides, in archival quality matting. The art floats slightly above the matting and just short of the sides of the frame. The UV protected glass and solid wood frame help to protect the artwork.
  • Ethan Allen Velveteen C
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    Ethan Allen Velveteen C
    A study of thoughtful color gradations, this hand-embellished giclée by American artist Gastone is part of the Ethan Allen Art Collection. The vibrant imagery is rendered on a textured canvas surface for enduring beauty with a distinctively modern touch. The canvas is stretched and mounted on a floater frame. The whole work is accented by an ivory silk liner and an outer frame that has a silvery patina.
  • Ethan Allen Russet Repose II
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    Ethan Allen Russet Repose II
    This hand-embellished giclée on canvas, by Lynlie Castle, is mounted on a solid wood stretcher, which adds stability to the piece. The small inner frame and image are suspended over a float covered in an ivory fabric. Both the profiles are of solid wood with decorative composite enhancements. The softly worn antique gold finish is achieved by hand.
  • Ethan Allen Blue Tide
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    Ethan Allen Blue Tide
    Blue Tide is a giclée on canvas, by Jenny Stiles, with hand embellishing. The image is stretched onto a wooden substrate for stability then mounted to a wide, sloping linen liner. The sides of the giclée are surrounded with a thin strip of stained wood. The outer frame is a medium-sized box profile that is finished in a hand-waxed olive burl inlay.
  • Ethan Allen Le Parasol
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    Ethan Allen Le Parasol
    This hand-embellished giclée on canvas, by Fressinier, is stretched onto a solid wood stretcher for stability then framed. The liner is covered by hand in ivory raw silk which complements both the frame and art. The large scaled frame is constructed from solid wood and is decorated with raised panel. The Renaissance-inspired panel is finished in a burnished silver with subtle undertones of aged gold; these combinations are a perfect complement to the worn and distressed ivory finish applied to the outer areas of the frame.
  • Ethan Allen Aperture IV
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    Ethan Allen Aperture IV
    This mixed media presentation on watercolor paper includes color photography, paint, and silvered foil leafing. The deep box profile is lined completely, its back as well as its sides, in archival quality matting. The art floats slightly above the matting and just short of the sides of the frame. The UV protected glass and solid wood frame help to protect the artwork.
  • Ethan Allen Aperture II
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    Ethan Allen Aperture II
    This mixed media presentation on watercolor paper includes color photography, paint, and silvered foil leafing. The deep box profile is lined completely, its back as well as its sides, in archival quality matting. The art floats slightly above the matting and just short of the sides of the frame. The UV protected glass and solid wood frame help to protect the artwork.
  • Ethan Allen Beholder I
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    Ethan Allen Beholder I
    This open, airy, abstract giclée is set into a simple brushed silver frame with no mat. Hung together, the four pieces in the Beholder series create the illusion of flow across the group. (Don't worry - each piece is also striking when hung alone.) See Beholder II, III, and IV.
  • Ethan Allen Red Flowers I
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    Ethan Allen Red Flowers I
    A striking floral in rich autumnal tones creates quite an impact. The hand-embellished giclée is complemented by an oyster-colored linen liner with a gilded fillet. Our selection of the bold moldings of this frame complements the vibrant effect of the art. By Joseph Grassia.
  • Ethan Allen Efflorescence I
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    Ethan Allen Efflorescence I
    This giclée is no wallflower! To complement its energetic Pop Art vibe, we’ve set it into a brushed nickel shadowbox frame with no matting – high impact and high style at a glance. We love the clean, straightforward presentation and the brilliant combination of classic floral, vibrant hue, and screen-printed look.
  • Ethan Allen Galerie Jacques Benador
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    Ethan Allen Galerie Jacques Benador
    The human figure was central to Matisse's work, both in sculpture and painting. He used several styles, but his signature use of minimalism and limited details while still conveying space and form can be seen in the artwork featured in this 1949 drawing of a dancer. Mourlot printed this lithographic poster for an exhibition at Galerie Jacques Benador in Geneva in 1980.
  • Ethan Allen Distinguished Doors III
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    Ethan Allen Distinguished Doors III
    What’s behind this door? Photographer Laura DeNardo’s keen eye for detail and our framing designers’ flair for the fantastic, for starters. The original photo was taken in Prague. Burnished metallics in the ornate frame and inner mat let our giclée shine.
  • Ethan Allen Indigo Ikat II
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    Ethan Allen Indigo Ikat II
    An Ikat – that’s ee-cot – is a fabric whose threads are resist-dyed – that’s tie-dyed – before the weaving begins. When the threads are woven together, the pattern emerges. Our giclée has a linen mat and a warm antiqued box-style frame that draws out the image’s golden tones. Hang it alone or with Indigo Ikats I, III, and IV (073017A, C, D).
  • Ethan Allen J. Murphy Blacksmith Sign
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    Ethan Allen J. Murphy Blacksmith Sign
    Black, white, and bold. Inspired by an authentic business sign from the 1850s, this statement piece was designed in-house and handcrafted by skilled Ethan Allen artisans. Patterned after an authentic outdoor marker, it has graphic relevance today.
  • Ethan Allen Quality Control I
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    Ethan Allen Quality Control I
    A powerful modern statement piece. Our exclusive abstract giclée on canvas makes a smart urban statement. With hand-colored edges, the mineral-toned piece appears to float within a double frame. By Jane Bellows (contemporary American).
  • Ethan Allen Subliminal I
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    Ethan Allen Subliminal I
    Overscaled. Understated. This stunning, hand-embellished giclée on canvas is clean minimalism at its artistic best. The canvas is surrounded by a clean, minimal float-style frame finished with a dark reveal and a lightly gilded lead edge. The presentation allows all the focus and attention to be paid to the mineral-toned soft abstract. Each limited edition piece is numbered and signed by American Artist Gastone.
  • Ethan Allen Green Grapes I
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    Ethan Allen Green Grapes I
    A botanical study, this delicate, color illustration of grapes by Pancrace Bessa from the early 1800s is a giclée on paper. The inner beveled edge of each mat has been hand-colored in a sepia tone to complement both the artwork and the burnished copper frame.
  • Ethan Allen Bird Nest Series I
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    Ethan Allen Bird Nest Series I
    This abstract interpretation of a simple image speaks a modern language. Asian in influence, subtle in tone, this giclée is finished in an ample off-white mat and a rich, solid walnut frame. By Caroline Ashton (contemporary American).
  • Ethan Allen Beholder IV
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    Ethan Allen Beholder IV
    This open, airy, abstract giclée is set into a simple brushed silver frame with no mat. Hung together, the four pieces in the Beholder series create the illusion of flow across the group. (Don't worry - each piece is also striking when hung alone.) See Beholder I, II, and III.
  • Ethan Allen Vintage Papillio Collection l
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    Ethan Allen Vintage Papillio Collection l
    Poets liken butterflies to flowers that fly. Get a closer look with this giclée printed on antique reproduction watercolor paper. The image, which is an Ethan Allen exclusive, is floated over a khaki mat for striking depth and realism. The frame’s inner lip is embossed with a delicate leafed and tea-stained scroll pattern, and the frame’s worn black paint adds an authentic feel.
  • Ethan Allen Perfume Bottle III
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    Ethan Allen Perfume Bottle III
    The charm of vintage perfume bottles is enhanced by subtle washes of color—in pink, of course—in this whimsical series of three by artist Natasha Marie. The giclée watercolor print is loosely rendered and features black pen line detailing. Framed by hand in our own U.S. workshops.
  • Ethan Allen Widow's Walk
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    Ethan Allen Widow's Walk
    Barnet's work mostly reference images of his own life and family. While remaining representational, the simple elegance of the figures and their flat surfaces reflect his exploration with abstraction. Barnet was a key figure in the New York Indian Space Painting movement, which was started by artists who based their abstract and semi-abstract work on Native American art.
  • Ethan Allen Skyline Trees I
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    Ethan Allen Skyline Trees I
    A fusion of soft color against stark natural images. This bold-scale giclée has a modern point of view. It is finished in a white woven fabric mat and silver frame with brush strokes that complement the work’s sepia tones. By Sara Abbott (contemporary American).
  • Ethan Allen Provence III
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    Ethan Allen Provence III
    One of Mühl's major sources of creativity throughout his career was light. It was in the south of France that he found the intense, bright sunlight that inspired him most. In this series of original signed lithographs from 1986, the artist depicts the landscapes around his home in Provence. These works were created to accompany texts and poems written by French author Marcel Pagnol.
  • Ethan Allen Beach Scene
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    Ethan Allen Beach Scene
    The dramatic ebb and flow of the high ocean tide is captured in this seascape. An inner float that appears sun-bleached and sandblasted is a perfect complement to the giclée on canvas. A worn black, box-style frame is the same hue as the image’s ocean crust—the focal point of the work.
  • Ethan Allen City Scape
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    Ethan Allen City Scape
    A panorama of Manhattan’s skyline at dusk, this giclée on canvas by New York City-based artist Megan Meagher is rendered in rich earth tones and is an Ethan Allen exclusive. Its silver-tone, box-style frame echoes the image’s steel-built skyscrapers.
  • Ethan Allen Musée Monétaire de Paris
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    Ethan Allen Musée Monétaire de Paris
    Bezombes was one of the great colorists of the 20th century. He won the Grand Prix de Rome in 1936. After the war, he incorporated elements of Cubism into his style, in particular the use of collage as a structural tool. Bezombes is notable for his warm and open engagement with various cultures. There is an entire room devoted to his art in the Musée Réattu in Arles.
  • Ethan Allen Homage to Ben Shahn
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    Ethan Allen Homage to Ben Shahn
    Alexander Calder, as a tribute to the artist Ben Shahn, created this original lithographic poster. Ben Shahn, a Lithuanian-born American artist, was a close friend of Calder's, and the two were part of a tight group of writers and artists in New York after World War II. This print is an example of a two-dimensional work where Calder, just as he would in one of his mobiles, gives a sense that the shapes are randomly arranged in space by chance.
  • Ethan Allen Modern Geometry l
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    Ethan Allen Modern Geometry l
    This giclée print by Chariklia Zarris is bound to make geometry a favorite subject. The work's graphic shapes are complemented by a weathered white, barn-siding frame. A delicate aged silver fillet at the inner edge of the frame adds shimmer to the highly textured design.
  • Ethan Allen Pastel Chintz ll
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    Ethan Allen Pastel Chintz ll
    A giclée of a botanical chintz pattern is printed on paper in a muted color palette, consisting of ivory, soft taupe, and mineral blue. These tones are echoed in the image’s triple matting. A wood frame with a delicate beaded edge has a dual finish of worn black and silver leaf patina.
  • Ethan Allen Glacier II
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    Ethan Allen Glacier II
    The soft, watery hues of a misty morning float gently through our Glacier giclée series. Dreamy, natural, and calming, each of the nine prints is alluring on its own, dramatic in a group display.
  • Ethan Allen Modern Abstract l
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    Ethan Allen Modern Abstract l
    Our graphic monotype image makes a stunning statement in black and white. This high-contrast design by American artist Susan Gillette has a narrow, “barely there” metal frame, keeping attention focused on the art itself.
  • Ethan Allen Villages of the Loire 3
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    Ethan Allen Villages of the Loire 3
    Be transported to one of the charming river villages of the Loire Valley, a region known as the “Garden of France.” Here, for centuries, the gentle pace of life and the vivid landscape have made the area a favorite destination for poets, writers, artists, and travelers. Notable for its dramatic play of sunlight, this exclusive giclée comes alive with an intensely warm and rich palette of plums and golds. A classic solid wood frame with a lightly aged gold finish surrounds a soft buttercream outer mat and an inner mat of sage green. A delicate gold fillet completes the framing ensemble. Part of a series of four, this village portrait is beautiful displayed alone, or hung as part of the quartet for a strong style statement. All framing and matting for this piece is hand-crafted by our artisans in our Passaic, New Jersey workshop.
  • Ethan Allen Buste de Femme au Chapeau Bleu - Musée des Arts Décoratifs
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    Ethan Allen Buste de Femme au Chapeau Bleu - Musée des Arts Décoratifs
    It was a confluence of influences that encouraged Picasso to lend his figures more weight and structure around 1906. And they ultimately set him on the path towards Cubism, in which he deconstructed the conventions of perspectival space that had dominated painting since the Renaissance. These innovations would have far-reaching consequences for practically all of modern art, revolutionizing attitudes to the depiction of form in space.
  • Ethan Allen Equus
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    Ethan Allen Equus
    Equestrian enchantment. This exclusive giclée on paper in graphic charcoals and tea stains is surrounded by an oyster colored fabric liner. The massive frame is a wide wood profile in a weathered and worn black paint finish. By American artist JB Hall.
  • Ethan Allen Global Art I
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    Ethan Allen Global Art I
    This fun, quirky print is set into a large, six-ply white mat and a simple, black, silver-highlighted frame. Pairs wonderfully with others in the series, yet strong enough to show on its own. See also: Global Art II and III.
  • Ethan Allen Custom Ocean Breezes IV
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    Ethan Allen Custom Ocean Breezes IV
    Full sail. The crisp, cool feel of a day on the water rings true in this giclée, a reproduction of a photo by Laura DeNardo. Our framing designers finished the image in two white mats and a sleek, classic silver-toned wood frame. Hang it alone or with Custom Ocean Breezes III and II (073014A, C).
  • Ethan Allen Albert Loeb & Krugier Gallery
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    Ethan Allen Albert Loeb & Krugier Gallery
    Henri Matisse drew constantly, and his direct, elegant draftsmanship has become a hallmark of modern art. This lithographic poster was printed for an exhibition at Albert Loeb & Krugier Gallery in 1967. The image used for this print is the drawing Maternité—part of a series of drawings on the theme of maternity, which he began in January of 1939. The illustration highlights an intimate, affectionate moment between mother and child.
  • Ethan Allen The Museum of Fine Arts, Houston
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    Ethan Allen The Museum of Fine Arts, Houston
    Hayter was an innovator in the Abstract Expressionist movement. He is noted for his work in the development of viscosity printing (a process that exploits varying viscosities of oil-based inks to lay three or more colors on a single intaglio plate). Among the artists Hayter was credited with influencing were Alberto Giacometti, Alexander Calder, and Jackson Pollock.
  • Ethan Allen True Dawn
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    Ethan Allen True Dawn
    A soothing palette and freeform artistic style are hallmarks of works by the artist Shelton. This modern embellished giclée on canvas is an Ethan Allen exclusive. The deep, narrow floater frame sets the image away from the wall, adding to the overall depth and dramatic composition.
  • Ethan Allen Antique Starfish Study
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    Ethan Allen Antique Starfish Study
    The sketch has the authentic appeal of an aged nature study. In a solid wood shadow box frame, our giclée floats above an antiqued linen backdrop. The float is a modern framing option; the black and antiqued gold frame is pure tradition.
  • Ethan Allen Seaweed on Black I
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    Ethan Allen Seaweed on Black I
    Modern - the square, the graphic design, the subtle color that shades each print; meets tradition - the gold fillets, the black lacquer frame, the creamy linen mat - in this drawn-from-nature giclée on paper. Hang alone or with Seaweed on Black II, III, and IV.
  • Ethan Allen Keyhole Sand Dollars
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    Ethan Allen Keyhole Sand Dollars
    This study of sand dollars brings to mind memories of beachcombing. The nine keyhole sand dollars are set aloft a taupe mat board and framed inside an ivory shadowbox. Antiqued book pages artfully line the interior sides of the shadow box for a vintage feel that conjures images of sun-soaked days spent by the seashore.
  • Ethan Allen Seaweed on Seafoam II
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    Ethan Allen Seaweed on Seafoam II
    This drawn-from-nature giclée is set into a simple brushed silver frame with a wide white mat and a brushed silver fillet. The effect is bold, sophisticated, and chic. Hang alone or with Seaweed on Seafoam I and III.
  • Ethan Allen Seaweed on Navy II
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    Ethan Allen Seaweed on Navy II
    This drawn-from-nature giclée is set into a simple brushed silver frame with a wide white mat and a brushed silver fillet. The effect is bold, sophisticated, and chic. Hang alone or with Seaweed on Navy I and III.
  • Ethan Allen Beholder II
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    Ethan Allen Beholder II
    This open, airy, abstract giclée is set into a simple brushed silver frame with no mat. Hung together, the four pieces in the Beholder series create the illusion of flow across the group. (Don't worry - each piece is also striking when hung alone.) See Beholder I, III, and IV.
  • Ethan Allen Fern Impressions C
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    Ethan Allen Fern Impressions C
    Artist Henry Bradbury is known for his unique printing process that produced what are now considered to be among the finest nature prints ever completed. This fern study print shows intricate details of leaf patterns and venation. It’s set in an aged gold frame to highlight nature’s first greens and golds.
  • Ethan Allen Elongated West Indies Map
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    Ethan Allen Elongated West Indies Map
    Antique-style maps add historical perspective to an interior. Ours is an exclusive giclée of a British West Indies map from the 1700s and is elegantly mounted on a linen-covered liner. Its darkly stained, cove-style frame with a distressed gold inner edge detail lends it timeworn character.
  • Ethan Allen Shell on White III
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    Ethan Allen Shell on White III
    To let this delicate watercolor-style painting shine, we've framed this giclée as simply as possible: a wide white mat and unadorned white box frame highlight the print's versatile, casual appeal. One of a series of four.
  • Ethan Allen Early Morning Treeline
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    Ethan Allen Early Morning Treeline
    Misty mornings in nature. This elongated giclée on canvas is stretched onto a solid wood substrate and then mounted into a thin, float-style frame. The frame’s edge is finished in a lightly antiqued faux silver leaf, with the recess finished in an espresso hue. An Ethan Allen exclusive, by American artist Kim Coulter.
  • Ethan Allen De A à Z
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    Ethan Allen De A à Z
    De Kooning worked simultaneously in figurative and abstract modes. Although known for continually reworking his canvases, he often left them with a sense of dynamic incompletion, as if the forms were still in the process of moving and settling and coming into definition. In this sense, his paintings exemplify "action painting" - they are like records of a violent encounter, rather than finished works in the old Beaux-Arts tradition of fine painting.
  • Ethan Allen Nature's Imprint C
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    Ethan Allen Nature's Imprint C
    A broad, white mat board with a single, hand-applied black pen line provides the perfect backdrop for this unique, high-contrast imagery reminiscent of early photography styles. It’s set in a solid, wood frame with a delicately beaded inner edge. It makes a statement when hung alone or when grouped with other images from this series.
  • Ethan Allen Sea Life in Pen I
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    Ethan Allen Sea Life in Pen I
    Stunningly detailed and stunning in scale, this spectacular indigo print is set into a wide white mat with a hand-applied indigo bevel. Its oversize, high-gloss, white lacquer frame adds a bold, contemporary touch. See also: Sea Life in Pen II.
  • Ethan Allen Modern Study
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    Ethan Allen Modern Study
    Soothing and spa-like. This abstract giclée on canvas evokes a New Age sensibility. It’s presented in a deep shadow box frame and finished in burnished silver, reflecting the work’s soft mineral palette. By Sean Jacobs, a contemporary American artist.
  • Ethan Allen Le Cantique des Cantiques
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    Ethan Allen Le Cantique des Cantiques
    This signed lithographic poster was created to promote the Musée National Message Biblique in Nice, France, to Japanese visitors. Chagall flirted with many radical Modernist styles at various points throughout his career, including Cubism, Suprematism, and Surrealism, all of which possibly encouraged him to work in an entirely abstract style. Yet he rejected each of them in succession, remaining committed to figurative and narrative art, making him one of the modern period's most prominent exponents of the more traditional approach.
  • Ethan Allen Madame de Pompadour
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    Ethan Allen Madame de Pompadour
    Matisse's signature cutout style is beautifully reproduced in this 1995 reproduction of the poster originally printed by Mourlot in 1951 to honor the year-end ball of the École des Arts Décoratifs. For Matisse, the use of paper cutouts represented the apotheosis of his work, bringing together drawing, color, and sculpture.
The End