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- Vintage Legend, this one-of-a-kind statement pieces are always mixing clear rhinestone vintage costume jewelry and chunky gold raw brass chain. This series featuring legendary costume jeweler’s pieces: Weiss, Coro, Kramer, etc… These costume jewelries have its own value and rarity. This jewelry has purely unique beauty. This one-of-a-kind special piece features center signed Weiss broach c.1950 flanked by clear rhinestone buttons c.1950. Clear rhinestone necklace c.1950 fastened on brass chain. The end of the extension chain features vintage fuchsia pink rhinestone charm. FUCHSIA by Izumi Tahara is handmade one-of-a-kind jewelry. Due to the original vintage pieces, slight dullness and scratches on the rhinestones and metals is normal. We use the original materials in order to take advantage of the unique look of aging vintage. This is a delicate piece, handle with care.
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- Red Camel Gold-Tone Precious Pastels 15-Piece Bangle Bracelet Set. Decorated with pastel beads and rope accents along slim gold-tone bangles, this 15-piece set makes a sophisticated addition to your collection. Wear these stunning designs alone or stack them to create your own fun looks!
- Vintage Renaissance is one-of-a-kind statement pieces using clear rhinestone vintage costume jewelry of different decades and chunky gold raw brass chain. Its style is gorgeous, but also wearable on T-shirt and denim style to add a touch of rock’n roll. This one-of-a-kind special piece features center clear rhinestone element in Victorian era and layered with clear rhinestone broach c.1950. Clear rhinestone necklace c.1950 fastened on Miriam Haskell vintage stock brass chain c.1940-50. The end of extension chain features a vintage fuchsia pink rhinestone charm. FUCHSIA by Izumi Tahara is handmade one-of-a-kind jewelry. Due to the original vintage pieces, slight dullness and scratches on the rhinestones and metals is normal. We use the original materials in order to take advantage of the unique look of aging vintage. This is a delicate piece, handle with care.
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