Kartell Louis Ghost Armchair
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  • Michael Thonet Era Armchair with Upholstered Seat
    Defined by its dependable bentwood construction and simple organic form, the graceful, lightweight and surprisingly strong Era Collection (1859) has been in continuous production for more than 150 years. By making the chair back and rear legs from a single piece of curved wood, designer Michael Thonet, who perfected the bentwood process for chair-making, eliminated the need for expensive and time-consuming hand-carved joints. Swiss architect Le Corbusier used the Era Chair in his buildings, stating, “This chair, whose millions of representatives are used on the Continent and in the two Americas, possesses nobility.” Other fans of this iconic form included Pierre-Auguste Renoir and Henri de Toulouse-Lautrec, both of whom featured this chair in their paintings. As with any natural material, slight variations in the texture and color of the wood are to be expected and are not defects. Made in the Czech Republic at a factory that’s been making chairs for more than a century.
  • Mamagreen Natun Black Stacking Armchair
    The Natun's corset-inspired design is alluring yet lightheartedly playful. While all of the Natun Black seat sling and arm upholstery fabrics are black, the backrest fabric can be customized to create a two-color chair.
  • Josef Hoffmann Hoffmann Armchair
    Josef Hoffmann is well known for the simple, restrained, yet visually interesting dining chairs – several intended for cafés – that he designed early in the 20th century. The influence of the Arts and Crafts movement can be seen in his work, but Hoffmann also embraced the industrial age. Rather than rejecting traditional decoration, he succeeded in making it serve structural principles, which he believed should determine the forms of buildings, interiors and objects. Whether admiring one of his chairs or the Sanatorium Purkersdorf he designed in 1903, you can see Hoffmann’s emphasis on straight, unadorned lines, characteristics that are in keeping with the style of the Viennese Secession. The Hoffmann Armchair (1925), designed in collaboration with Josef Frank, is made at the bentwood factory founded by Michael Thonet in 1861. Made in the Czech Republic.
  • CB2 Stick Around Black Arm Chair
    Now and then. Known for their eclectic mix of modern and vintage, TV's famed husband-and-wife design duo Robert and Cortney Novogratz have a style all their own. And as parents to the seven Novogratz kids, it's a style that's easy to live with. Created exclusively for CB2, the Stick Around Chair was inspired by the Novogratzes' own dining chairs, which are authentic vintage finds: "We wanted to design a chair that was a modern take on a familiar, vintage design and form that could go in any home. The neutral color palette we chose works with pretty much any style, from super traditional to super modern, and everything in between. Robert and I love color, but you also need great pieces that stand as the foundation for your color expression." With its graceful curves and cabriole legs, the Stick Around Chair nods to Queen Anne-style—but with a modern twist. Fresh black-on-black design defines the pure form, framed in hi-gloss beech with a faux leather seat and back. Learn about Robert and Cortney Novogratz on our blog. See how to haunt your house with a flock of frightful accessories this season. Details and Dimensions: Stick around black arm chair. 24"Wx27"Dx38"H. Created exclusively for CB2 in partnership with husband-and-wife design duo Robert and Cortney Novogratz. Frame is solid beech painted black with hi-gloss lacquer finish. Seat and back are faux black leather with matching piping. Comfortable upholstered seat and back. Seat is high-density foam. Made in China of domestic and imported materials. Overall Dimensions: Width: 24" Depth: 27" Height: 38"
  • BassamFellows Bolster Armchair in Fabric
    Craig Bassam is an architect and designer whose career started with Bruce Eeles, a disciple of Marcel Breuer. His partner, Scott Fellows, is a Harvard MBA who transformed the Swiss firm Bally. Together they are BassamFellows, described as “the design world’s A-team” by The Times of London. In 2010, they started collaborating with the Michigan-based company Herman Miller to develop refined seating that complements the classic works by Eames, Nelson and Noguchi. The Bolster Sofa Collection (2014) is one of the results of this special union, delivering an inviting and thoughtfully scaled solution for spaces large and small. Taking its name for the shape of its horizontal pillows, Bolster provides supportive upright sitting as well as plush comfort for those times when you want to stretch out and relax. Made in U.S.A.
  • Modernica Fiberglass Rocker Shell Arm Chair
    The Case Study Fiberglass Rocking Chair is an essential for the modern home and with so many options, it is possible to create your own one-of-a-kind chair. The shell is available in a myriad of colors. Choose your wire-frame in either zinc-plated steel or black powder-coated steel, and finish your design by choosing either solid maple runners or solid walnut runners. Easily one of the most important and recognizable designs of the twentieth century. The Fiberglass Shell Chairs were originally designed by Charles Eames in 1948 as an entry in The Museum of Modern Art’s International Design Competition. At the time, no one could possibly have anticipated the massive success and longevity of this iconoclastic design. Modernica creates each shell, by hand, one-by-one, in their Los Angeles factory—just as they had been designed, developed, and produced by the Eames Office, here in Southern California in the 1950s. Modernica uses all of the original presses and specialized equipment obtained from Century Plastics. To ensure authenticity of production, the initial shell chair production was overseen by Sol Fingerhut and Irv Green, the same team Charles Eames employed over sixty years ago to develop the original technology. Modernica is committed to the legacy of the authentic genuine design of Charles Eames. Modernica creates each chair with the charge of adhering to the original tactile qualities, texture, and characteristics that alone are unique to the fiberglass shell chair. Our fiberglass chairs contain no (PBDE) Polybrominated Diphenyl Ethers.
  • Jeffrey Bernett and Nicholas Dodziuk Raleigh Armchair in Leather
    Raleigh (2009) is a comfortable collection that draws from midcentury Danish design. It features an exposed solid wood frame that wraps around the back (be sure to click on additional views above to see it) to support the seating area while lending visual lightness and satisfying tension to the whole. Unlike other exposed-frame collections that force overly upright sitting positions, Raleigh is designed with a carefully canted seatback for a more natural way of situating yourself as you relax and unwind. We chose to work with Jeffrey Bernett and Nicholas Dodziuk on this project because of the importance they place on people – how they move, interact, live and, most of all, sit. The Raleigh Collection received Interior Design magazine’s top honor for 2010 in the residential lounge category. Made in U.S.A.
  • Kartell Bubble Club Chair
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    "The Kartell Bubble Club Chair, a Philippe Starck design, is made of smooth and durable batch-dyed polyethylene. The chair can live perfectly outside, but is also great for furnishing internal communal spaces, waiting rooms and public places. It is characterized by the soft lines of the arms in contrast with the more essential and rational line of the back. It is the ideal example of the Kartell design concept of pairing classic style with modern materials."
  • Artek Paimio Armchair
    As part of the permanent collection in the Museum of Modern Art, the Paimio Chair is an icon in furniture design. The chair was created by Alvar Aalto in 1932 as part of the furniture he designed for the tuberculosis sanatorium in the city of the same name. The frame that forms the armrests and floor runners are 2 closed loops of laminated wood. Between these rests a single sheet of plywood bent in such a way as to challenge just how far wood can be bent. The headrest and seat edge are tightly rolled to provide the greatest resiliency while the angle was chosen to provide the best position for the patient’s optimal breathing comfort. This remarkable chair is offered with a clear lacquered frame and a seat lacquered in black or white.
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  • Charles Eames and Eero Saarinen Organic Highback Chair
    Charles Eames and Eero Saarinen met at Cranbrook Academy in 1936. Saarinen had just returned home from abroad and was teaching at the Academy, while Eames had accepted a fellowship at the prestigious school. During their time at Cranbrook, they collaborated on many projects, with their efforts culminating in a range of furniture that won first prize at the "Organic Design in Home Furnishings" exhibition held by the MoMA in 1941. Eames and Saarinen designed several versions of the sculptural Organic Highback Chair (1940) for the competition. However, due to manufacturing constraints, the chair never went into serial production. Exhibition curator Eliot F. Noyes wrote of Saarinen and Eames: "Their designs proposed for the first time the use of molded plywood forms for chairs to fit the human body. The jury, in awarding the prizes, decided that these designs were possible to construct, although nobody, including the technical experts present, had any very exact idea of just how it might be done." While molded plastic chairs would hit the market only a few years later, it wasn't until 2006 that Vitra and the Vitra Design Museum first produced the Organic Chair. Made in Germany. With a slightly reclined seating position, the Organic Chair is ideal for reading. The elongated backrest provides neck support.
  • Kartell Louis Ghost Armchair
    "The Kartell Louis Ghost Armchair was designed by Philippe Starck to combine baroque Louis XV style with the latest manufacturing technologies. With an intricate form created by polycarbonate formed in a single mold, the result is comfortable, dazzling, captivating and exciting. Despite its evanescent and crystalline appearance, Louis Ghost is stable and durable, scratch and weather resistant."
  • Giorgio Soressi Como Armchair, Lama Tweed
    To create his Como Collection (2007), Italian designer Giorgio Soressi worked with a company that started as one of the original Cassina factories, making collections designed by Le Corbusier. Located near Lake Como, this family-run business is still producing best-in-class sofas and chairs for many prestigious retailers. The elegant and extremely well-constructed Como Collection is built with solid steel frames and cast-aluminum legs. Contrasting that heft and stability are cushions that scream, “You’ve got to sit here!” with their goose feather filling and variable-density foam that’s firmer in front for support. One Como Throw Pillow included. Made in Italy. Steel frames; polished cast-aluminum legs; spring suspension with elastic webbing; polyurethane foam seat cushions with natural goose feather filling; Piumafil® back cushions; fabric upholstery.
  • Cyan Design Mrs. Tiffany Classic Arm Chair
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  • Kartell Masters Chair
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    "With the Kartell Masters Chair, Philippe Starck and Eugeni Quitllet pay tribute to three icons of contemporary design. To that end, the remarkable overlapping, open lines of the back are actually outlines of three different chairs: the Series 7 by Arne Jacobsen, the Tulip armchair by Eero Saarinen and the Eiffel Chair by Charles Eames."
  • CB2 Orbit White Arm Chair
    Fresh scoop. Sculptural design takes an ultra-modern, ultra-comfortable seat at the dining table or desk. Floating on a polished chrome steel frame, clean white concept wraps around in a minimalist hug of pliable Hirek® polymer. Surprise back cutout adds interest from every angle. Details and Dimensions: Orbit white arm chair. 21"Wx20"Dx31.75"H. Formed Hirek® plastic seat. Steel tube legs with chrome finish. Wipe with damp cloth. Made in Italy. Overall: Width: 21" Depth: 20" Height: 31.75" Seat: Height: 17.75"
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  • French Script Club Chair
    This charming club chair features a sturdy solid oak frame and crisp natural linen upholstery, beautifully decorated with a black-on-white pattern of handwritten notes, packing stamps and vintage newsprint. Accompanied by a matching throw pillow and complemented excellently by our French Script Ottoman! Limed Grey Oak finish. Unique French script natural linen upholstery. Matching throw pillow. Dimensions : 36H X 31D X 31W.
  • Kartell Mr. Impossible Chair
    "The Kartell Mr. Impossible Chair shows that, indeed, nothing's impossible when it comes to furniture design. Created by Phillipe Starck and Eugeni Quitllet, it combines sophisticated, organic-looking design and advanced plastic processing. To create the fluid bi-color effect, the oval colored polypropylene seat is formed separately and then welded onto the clear polypropylene frame to create one seamless and durable piece. Available in a wide range of solid and transparent colors."
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  • BassamFellows Bevel Armchair in Fabric
    Craig Bassam is an architect and designer whose career started with Bruce Eeles, a disciple of Marcel Breuer. His partner, Scott Fellows, is a Harvard MBA who transformed the Swiss firm Bally. Together they are BassamFellows, described as “the design world’s A-team” by The Times of London. In 2010, they started collaborating with the Michigan-based company Herman Miller to develop refined seating that complements the classic works by Eames, Nelson and Noguchi. The Bevel Sofa Collection (2014) is one of the results of this special union, delivering comfort and elegance in one beautiful package. Taking its name for the shape of the backrest, Bevel offers pleasing lumbar support, balanced proportions and a sharp, clean silhouette. Made in U.S.A.
  • Aidan Gray Furniture Leslie Salon Chair
    Classic and distinctive, the Aidan Gray collection brings to life a passion for all things time worn. The inviting Leslie salon chair lends the transitional living room or foyer timeless sophistication. Featuring crisp cream upholstery textured with tufting, the elegant seat's gray wood frame offers warm organic texture and striking traditional elements. Seat includes one back pillow. 26"W x 29"D x 37"H.
  • Kartell Louis Ghost Chair
    Comfortable designer armchair in transparent polycarbonate Louis XV style.. The quintessence of baroque has been revisited by Philippe Stark to dazzle, excite and captivate.. Louis Ghost is the most daring example in the world of injected polycarbonate in a single mould.. Despite its evanescent and crystalline appearance, Louis Ghost is stable and durable, shock and weather resistant and can also be stacked six high.. This chair has great charm, considerable visual appeal and brings a touch of elegance and irony to any style of home.
  • Artek Armchair 42 - Alvar Aalto
    Armchair 42 was designed by Alvar Aalto in 1932. An armchair without straight lines, the frame is made from laminated birch and is formed to produce a unique cantilevered shape. The seat and back are molded from a single sheet of plywood that is finished in a high-shine lacquer. The fluidity of this design creates a soft, comfortable place to sit using traditionally rigid materials. The rigidity of the materials is softened to create a fluidity that is both inviting and comfortable. The Armchair 42 is available with a black lacquered seat or white lacquered seat.
  • Jonathan Adler Brigitte Lounge Chair
    Channel-tufted lines accentuate the sculptural organic form of the Brigitte Chair. The polished brass legs and orange slubby linen upholstery give it a futuristic twinkle. It's mod, it's surreal, it's sculptural, it's just what you need. This is one of Jonathan's all time favorites.
  • Kartell Mademoiselle Chair Moschino Hearts
    Satisfy your passion for fashion with the Kartell Mademoiselle Chair Moschino Hearts. The pattern of the chair cover is the iconic ''Cuori'' print created by Italian fashion designer Franco Moschino. Either the Black or Transparent polycarbonate frame will beautifully match the fabric's black and White color scheme. Designed by Philippe Starck.
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