A home decor collage from May 2012 featuring antique mirror, fabric flowers and colorful throw pillows. Browse and shop related looks.
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    The simple round frame for this wall décor piece is smooth and unadorned, with lovely antique finishing and a flower-shaped overlay crafted over the mirror’s glass. Crafted, eclectic, stunning – this wall mirror has a distinctly one-of-a-kind flourish to embellish your space with gilded appeal and lustrous ambiance. From its vintage finish in gold leaf to its unique design, the mirror is a whimsical piece that touches a room with lustrous, glamorous style and shimmery charm. Frame made from solid hardwood Finished in gold leaf with antique patina Round wall mirror
  • NOVICA Benjarong porcelain urn
    Exotic flowers blossom in a feast of color their petals opening in celebration of life-lived adorning this extraordinary urn. The blooms decorate the sky blue background in joyful form for ancient Thai custom would have the ashes of a dearly departed deposited in a similar khod (urn or casket). The khod would then be placed upon the home's altar to inspire devoted prayer. Khun Santiparp masterfully creates this piece resplendent in Benjarong porcelain excellence. Benjarong takes its name from the Sanskrit words panch and rang meaning five colors which frequently include red yellow white green and blue. It originated in China and came to Thailand as part of the dowry of Chinese princesses. It soon found favor by Thai aristocrats and the wealthy by the 1300s during the Ming Dynasty the Kings of Thailand ordered Benjarong from Chinese potters. Eventually in the early 1800's during the reign of King Rama II Thai artisans began producing Benjarong for the Royal Court with a slight variation which they named lai nam thong (gold washed design) whereupon bright liquid gold was used to outline the admirable patterns that would grace the Benjarong porcelain pieces. The popularity of Benjarong increased with the rise of a wealthy merchant and aristocratic elite and eventually these wares became reasonably affordable. First I knead a mixture of kaolin [white clay mixed with feldspar and quartz] and 40% bone ashes Santiparp explains. After hand-shaping the desired piece on the wheel I let it dry completely before firing it for five to six hours at 800°C. Then I glaze it with a mixture of burnt lime wood ashes and other secret natural materials of my own. This time I fire the piece at 1 280 °C for twelve to thirteen and when totally cooled I over-glaze the piece with gild and enamel painting. I draw the entire surface by hand one color at a time. The shapes and motifs are gentle graceful and humbly crafted after Oriental styles. I fire the piece a third time in the kiln for five to six hours at 700°C to 800°C. Nowadays I use modern electric kilns to fire a few pieces every day since the temperature can be controlled which in turn results in fewer misfires. Each piece is stamped with evidence of origin prior to the last firing featuring the Pan and Peace logo identifying Santiparp's family workshop. Clean with a damp soft cloth. Do not use abrasive solutions. Benjarong porcelain is not dishwasher safe.
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