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  • Bauhaus 1919-1933
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    Workshops for Modernity By Barry Bergdoll and Leah Dickerman. Bauhaus 1919–1933: Workshops for Modernity , published to accompany a major multimedia exhibition, is The Museum of Modern Art’s first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938. It offers a new generational perspective on the twentieth century’s most influential experiment in artistic education, and examines the extraordinarily broad spectrum of the school’s products. Many of the objects discussed and illustrated here have rarely if ever been seen outside of Germany. Featuring approximately 400 full-color plates richly complemented by a range of documentary images, Bauhaus 1919–1933 includes two overarching essays by the exhibition’s curators, Barry Bergdoll and Leah Dickerman; shorter object-specific essays by more than twenty leading scholars; and an illustrated, narrative chronology that provides a dynamic glimpse of the Bauhaus’s lived history. Includes 475 illustrations. Product selected to accompany Bauhaus 1919–1933: Workshops for Modernity.
  • Vintage pattern books 1960-67
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    Julie Christie Sears Catalogue - 1960 & 1961 Vogue Sewing, 1962 McCalls' Magazine 1963 Butterick 1963 Vogue…
  • Inside the portfolio of Walter Pfeiffer
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    In the early 1970s, after studying at The Ecole des Beaux Arts in Zurich, Walter Pfeiffer was working as an interior designer as well as a graphic designer, and illustrator. For the artist, photography was no more than a playful way to document the distinct atmosphere of his studio, similar Andy Warhol's Factory, drawing a crowd that merged an underground world of fashion, art and delinquency with a freedom typical of the era. Despite keeping a somewhat low profile in the 1980s and 1990s, he continued his quest to define an idea of beauty which oscillates between glamour and humor. His work documents the recurring themes of youth and young men, developed in saturated and sophisticated color. Walter Pfeiffer reveals his favorite shots exclusively for Vogue Hommes International.
  • B is for Bauhaus
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    This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the modern world. It's about what makes a Warhol a genuine fake; the creation of national identities; the mania to collect. It's also about the world seen from the rear view mirror of Grand Theft Auto V; digital ornament and why we value imperfection. It's about drinking a bruisingly dry martini in Adolf Loo's American bar in Vienna, and about Hitchcock's film sets. It's about fashion and technology, about politics and art. Written by Deyan Sudjic and published by Penguin publishing.

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