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  • TUBE LIVRE
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  • GO OFFLINE AND BE INSPIRED BOOK MAKE YOUR MARK
    kikki-k.com
    In today’s world we have so much at our finger tips, sometimes it’s easy to go into autopilot and forget to embrace the beautiful things all around us. Let go of digital distractions and make time to live more mindfully with this beautiful book, which includes 135 inspiring offline activities as well as space to write down your experiences. Open at any page and enjoy being challenged to live with greater awareness and the positive feeling it brings.
  • Roses and books. | Shareapic.net
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  • Gregory White Smith
    randomhouse.com
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    Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize–winning biography of Jackson Pollock, have written another tour de force—an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in the world; his intense relationship with his brother Theo; and his move to Provence, where he painted some of the best-loved works in Western art. The authors also shed new light on many unexplored aspects of Van Gogh’s inner world: his erratic and tumultuous romantic life; his bouts of depression and mental illness; and the cloudy circumstances surrounding his death at the age of thirty-seven. Though countless books have been written about Van Gogh, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh’s life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius. NEW YORK TIMES BESTSELLER Praise for Van Gogh: The Life “Magisterial.”—Michiko Kakutani, The New York Times “This generation’s definitive portrait of the great Dutch post-Impressionist.”—Time “A tour de force. .. an enormous achievement. .. Reading his life story is like riding an endless roller coaster of delusional highs and lows.. .. [A] sweepingly authoritative, astonishingly textured book.”—Los Angeles Times “Marvelous. .. [Van Gogh] reads like a novel, full of suspense and intimate detail.. .. In beautiful prose, Naifeh and Smith argue convincingly for a subtler, more realistic evaluation of Van Gogh, and we all win.”—The Washington Post “Brilliant. .. At once a model of scholarship and an emotive, pacy chunk of hagiography.”—The Daily Telegraph (London) A NEW YORK TIMES NOTABLE BOOK NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST • THE WALL STREET JOURNAL • SAN FRANCISCO CHRONICLE • NPR • THE ECONOMIST • NEWSDAY • BOOKREPORTER
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  • Kinfolk Volume 14
    needsupply.com
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    Kinfolk magazine sets itself apart by emphasizing a laid-back philosophy to dining and entertaining with little or no how-to information. The Publication's title hints at its subject matter: entertaining, food, drink and community, all presented through lush photographs, essays and stylish art direction. Editor Nathan Williams collaborates with over 50 artists—photographers, illustrators, writers, and designers—to produce the quarterly publication, which is printed in the USA.
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  • Spitalfields Life
    scp.co.uk
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    "I am going to write every single day and tell you about my life here in Spitalfields at the heart of London..." Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London. Everything you seek in London can be found here - street life, street art, markets, diverse food, immigrant culture, ancient houses and history, pageants and parades, rituals and customs, traditional trades and old family businesses. Spend a night in the bakery at St John, ride the rounds with the Spitalfields milkman, drop in to the Golden Heart for a pint, meet a fourth-generation paper bag seller, a mudlark who discovers treasure in the river Thames, a window cleaner who sees ghosts and a master bell-founder whose business started in 1570. Join the bunny girls for their annual reunion, visit the wax sellers of Wentworth Street and discover the site of Shakespeare's first theatre. All of human life is here in Spitalfields Life. Written by #3;The Gentle Author. Published by Hodder & Stoughton General Division.
  • Evolution of the Medieval Book
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  • Kinfolk Magazine Kinfolk Volume 13
    tenover6.com
    Introducing the Imperfect Issue. Kinfolk Issue Thirteen: For our autumn edition of Kinfolk , we’d like to celebrate the holes in our socks, our scorched attempts at marmalade making and all the crappy haircuts we’ve had over the years. We’re all guilty of occasionally attempting to make our lives seem a little cleaner or a bit more organized, but the reality is often quite different. There’s nothing wrong with daydreaming of an idyllic life, but what if we dropped the facade for a moment and celebrated our shortcomings? These flawed details are the beautifully blemished collateral of a life lived to the fullest. So make mistakes. Make a mess. Be imperfect. DETAILS 144 pages, offset-printed and perfect bound, full color on uncoated paper. Printed in Canada.
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  • Magritte The Mystery of the Ordinary, 1926–1938
    momastore.org
    This richly illustrated catalogue focuses on the breakthrough Surrealist years of René Magritte, creator of some of the twentieth century’s most extraordinary images. Bringing together nearly 80 paintings along with collages, objects, photographs, periodicals, and early commercial work, it offers fresh insight into Magritte’s identity as a modern artist and as one of Surrealism’s greatest painters. 256 pages. 225 illustrations. To download a sample PDF of Magritte: The Mystery of the Ordinary , 1926–1938 click here.
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  • Interview Matt Healy from The 1975
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    Before their show in Philadelphia this past weekend, we sat down with Matt Healy of The 1975 to chat about the internet, how he feels about his blossoming rock star status, and cheesesteaks. Interview by Katie Gregory Urban Outfitters: How are you doing? Matt Healy: Good, thank you. How are you? UO: I'm great. How has Philly been? Matt: I like Philly. It kind of reminds me of home. I like it. UO: Did you like the cheesesteak I saw you having earlier? Matt: I did. Well, it wasn't the best. We should have got one from – what's it? Jim's or Joe's or some shit. UO: Oh yeah, Jim's. Where did you end up getting one from? Matt: Some bullshit place right around here. It's not too bad. I just don't like bad cheesesteak when I'm in Philly. UO: How often have you guys come here for shows? Matt: This is our third time. I love it in Philadelphia. It's always a good show. It's our second time at this venue. We supported The Neighbourhood here in June. UO: And now you're headlining. Is it weird getting all the attention that you have been from the album release? Because I feel like you guys blew up very quickly. Matt: That’s kinda how it feels. We’ve been together for 10 years, and it is that amazing juxtaposition of everything being quite intense and surreal and also quite nostalgic because we have so much history. I think we’re in a good place because we can really invest in our relationship with one another and we can not panic too much. People are investing in what we do. But all our records were written when people had no idea who we were, so we weren’t harbored with the things like, “Are we being too honest? Are we doing things right? Are we doing things wrong?” It’s kind of like people have embraced exactly what we are, so we don’t have to worry about anything. And all of the things that come along with it. I could talk to you for hours about how it feels. Especially in the U.K., one of the things I’m quite uncomfortable with, especially amongst young kids, because they’re so enamored with the band, is that I’ve become this kind of weird figure of intellectual desire. And I find that quite uncomfortable, because that album is really quite self-deprecating. It comes from quite a neurotic place, of which I’m not really too comfortable with a lot of the aspects of my personality that I’m discussing in that. To be kind of idolized not even from a sexual perspective by young people, but from an intellectual perspective, it’s a bit weird; I’m not doing this band for any other reason apart from I love making music. But now I feel this kind of peculiar social responsibility based on the fact that the band’s gone bigger and – the internet, man. It’s crazy. UO: The internet IS crazy. I feel like what’s good, though, is that a lot of younger teens can relate to a lot of your songs. Matt: I think the thing is, with our band, if we’re talking creatively, we create in the same way that we consume, because we’re a part of a generation – how old are you? 22? UO: 25. Matt: Okay, I’m 24, and you know, people of our generation, we’re a bit – I could talk at length about it. I think that we come from a history where, we’re adults now, we can take the internet for what it is. We grew up in an environment where it didn’t necessarily dictate our lives until you kind of acquired an understanding of what a genuine conversation is or what social dialogue actually means. The internet has created this weird kind of faux social dialogue that kind of tricks people into believing they’re connecting with one another. If that is informing the way that young people believe interaction is like, then it’s quite dangerous. This whole, like, following thing – kids kind of act like it’s the sole measure of human worth, like whether you’ve been followed. It’s peculiar and it’s dangerous and I don’t think it’s something that should be endorsed. But! That’s a different issue. What was the actual question you asked me? UO: You know, now I don’t remember what I actually asked you. We can talk about the internet, though. Matt: It is interesting, isn’t it? Because like, it’
  • Sense and Sensibility (Barnes Noble Leatherbound Classics)
    barnesandnoble.com
    Available in: Hardcover. When the Dashwood family estate passes to the eldest son John and his wife, Mrs. Dashwood and her daughters Elinor, Marianne, and Margaret must find a new home. Moving to a cottage in Devonshire, the
  • Bookish
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    Explore Maren Robinson's hand-picked collection of Pins about Bookish on Pinterest. | See more about vintage book covers, penguin books and book covers.
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